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A Comparison Of Two Computer Graphic Systems, Andrew L. Mayer Oct 1986

A Comparison Of Two Computer Graphic Systems, Andrew L. Mayer

Theses

None provided.


Mythography, Christopher Losee Sep 1986

Mythography, Christopher Losee

Theses

Although it was written over a year before this section, the thesis proposal which appends this report still serves as a good introduction to my ideas on myth in general , and in particular to my way of thinking when I began this inquiry into the photographic representation of myth. In exploring the visual and artistic dimensions of myth, I found that my thoughts and feelings on the subject changed vastly as the work progressed; however, the end result of this process of exploration has led me back to the beginnings of the work and allowed me, as T,S. Eliot …


Computer Aided Industrial Design, Chang-Young Lim Aug 1986

Computer Aided Industrial Design, Chang-Young Lim

Theses

None provided.


Temporal Synergy: Multi-System Animation Of Computer Generated Imagery, Chad List Jun 1986

Temporal Synergy: Multi-System Animation Of Computer Generated Imagery, Chad List

Theses

Not Included


A Semiotic Approach To The Study Of Symbols, Susan Dosick Jun 1986

A Semiotic Approach To The Study Of Symbols, Susan Dosick

Theses

None provided.


Micro Computer Animation, Peter Sterling Franks May 1986

Micro Computer Animation, Peter Sterling Franks

Theses

Not Included


Elementary Art Education Curriculum: The Incorporation Of The Computers In The Art Room, Camille Deni May 1986

Elementary Art Education Curriculum: The Incorporation Of The Computers In The Art Room, Camille Deni

Theses

Not Included


The Photographic Snapshot, Michael Simon Mar 1986

The Photographic Snapshot, Michael Simon

Theses

Not Included


Toward A New Visual Vocabulary: A Guide To Syntactic Variables In Graphic Design, Craig Malmrose Jul 1985

Toward A New Visual Vocabulary: A Guide To Syntactic Variables In Graphic Design, Craig Malmrose

Theses

None provided.


Information Graphics: A Guidebook To Downtown Rochester, New York, Michael Regis Mooney Jan 1985

Information Graphics: A Guidebook To Downtown Rochester, New York, Michael Regis Mooney

Theses

Not Included


How The Computer Can Aid And Facilitate Traditional Graphic Design Process, Procedure, Methodology, And Curriculum Development: A Videotape Presentation, Mary Jane Lewandowski Jan 1985

How The Computer Can Aid And Facilitate Traditional Graphic Design Process, Procedure, Methodology, And Curriculum Development: A Videotape Presentation, Mary Jane Lewandowski

Theses

Not Included


Color As A Subjective Tool Of Poetic Images., Carlos Othoniel Torres Jan 1985

Color As A Subjective Tool Of Poetic Images., Carlos Othoniel Torres

Theses

Not Included


Computer Generated Graphics Vs. Traditionally Rendered Illustration: A Contrast And Comparison, Nancy J. Oyos Jan 1985

Computer Generated Graphics Vs. Traditionally Rendered Illustration: A Contrast And Comparison, Nancy J. Oyos

Theses

Not Included


The Visual Box, Candace Lorimer Jul 1984

The Visual Box, Candace Lorimer

Theses

Not Included


Diversion Of Force, Linda J. Moughemer Jul 1984

Diversion Of Force, Linda J. Moughemer

Theses

I intend to complete a body of work using the concept of diversion of force as a departure point. A paper which will include the organic and inorganic scientific references which have affected my thinking and visual imagery will accompany and support the studio work. Other sources which have aided my exploration of the subject will also appear in the written presentation.


Wrestling With Angels, Robert Cooper Jan 1984

Wrestling With Angels, Robert Cooper

Theses

Not Included


Taking My Father's Pictures, Carl Raphael Yusavitz Nov 1983

Taking My Father's Pictures, Carl Raphael Yusavitz

Theses

None provided.


To The Best Of My Abilities, Barry Warren Kaiser Oct 1983

To The Best Of My Abilities, Barry Warren Kaiser

Theses

The basic intention of my work is to visually represent concepts through juxtaposed images. The concepts I represent may be elementary, but this does not limit the relationships between images, which may be highly complex. The inspiration for the linkage between images commences intellectually, but because I wish to create unique, and visually appealing pieces, I also deal with the evocative qualities of these juxtapositions.


A Marketing Plan For The Graduate Computer Graphics Design Program At Rit, Gary Hemdal Sep 1983

A Marketing Plan For The Graduate Computer Graphics Design Program At Rit, Gary Hemdal

Theses

None provided.


Interactive Computer Program, Bruce Howard Browne Aug 1983

Interactive Computer Program, Bruce Howard Browne

Theses

Not Included


East Hill Farm, Stephen Kurtz Aug 1983

East Hill Farm, Stephen Kurtz

Theses

None provided.


Book Design: A Study In Communicating Information Within The Field Of Music, Leith A. Harbold May 1983

Book Design: A Study In Communicating Information Within The Field Of Music, Leith A. Harbold

Theses

Not Included


What Every Designer Should Know About Visual Semiotics: A Videotape Presentation, Anne Elizabeth Battle Jan 1983

What Every Designer Should Know About Visual Semiotics: A Videotape Presentation, Anne Elizabeth Battle

Theses

Not Included


Wearable Art, Elizabeth Garver May 1982

Wearable Art, Elizabeth Garver

Theses

None provided.


A Comparison Of The Perception Of Juxtaposed Tones In Newspaper Images When Screened With Conventional And Random Dot Screens, Sylvia Monteiro Apr 1982

A Comparison Of The Perception Of Juxtaposed Tones In Newspaper Images When Screened With Conventional And Random Dot Screens, Sylvia Monteiro

Theses

The halftone process has been the conventional means of reproducing photographic artwork on newsprint. The use of relatively coarse screen rulings, dictated by the paper characteristics, produces an image with a noticeable dot pattern. Furthermore, the printing process is susceptible to extreme dot gain variation, which affects tone reproduction and the pictorial communication of the image. There were good reasons to suspect that a random dot screen could give more consistent tone rendition than a conventional halftone screen. A comparative study of the consistency of perception of conventional and randomly screened images when printed on newsprint has not yet been …


Persistence Of Perception, Gary Hadlock Jr Feb 1982

Persistence Of Perception, Gary Hadlock Jr

Theses

None provided.


An Investigation Into The Effects Of Dry Etching Techniques On Changing Halftone Dot-Sizes, Anthony P. Stanton Jan 1982

An Investigation Into The Effects Of Dry Etching Techniques On Changing Halftone Dot-Sizes, Anthony P. Stanton

Theses

The purpose of this research was to investigate the effects of dry etching techniques on changing halftone dotsizes. Dry etching, or photographic color correction, has emerged in recent years as an alternative to traditional dot etching for making local corrections to color separation halftones. This study examines six factors related to dry etching. First, three types of original halftone dots were considered: laser formed (hard) dots from a Hell DC-300B scanner, laser formed (semi-hard) dots from a P.D.I, scanner, and contact screen (soft) dots from a Crosfield 510 Magnascan scanner. Second, the original dot-sizes being treated were fixed as close …


Projected Reality, Richard E. Schneider Nov 1981

Projected Reality, Richard E. Schneider

Theses

None provided.


A Visual Synthesis, Mark Foster May 1981

A Visual Synthesis, Mark Foster

Theses

None provided.


Similarities Between Chinese Taoism And Western Graphic Design, Lillian Yin-Ling Sung May 1981

Similarities Between Chinese Taoism And Western Graphic Design, Lillian Yin-Ling Sung

Theses

None provided.