Open Access. Powered by Scholars. Published by Universities.®
- Discipline
-
- Arts and Humanities (119)
- Music (113)
- Ethnomusicology (93)
- Social and Behavioral Sciences (30)
- Musicology (27)
-
- Other Music (13)
- Composition (8)
- International and Area Studies (7)
- Music Performance (7)
- Science and Technology Studies (7)
- African Studies (6)
- Anthropology (6)
- Communication (6)
- Library and Information Science (6)
- History (5)
- Social and Cultural Anthropology (5)
- Communication Technology and New Media (4)
- Engineering (4)
- Physical Sciences and Mathematics (4)
- Race, Ethnicity and Post-Colonial Studies (4)
- Sociology (4)
- South and Southeast Asian Languages and Societies (4)
- Education (3)
- Life Sciences (3)
- Linguistics (3)
- Medicine and Health Sciences (3)
- Music Education (3)
- Scholarly Publishing (3)
- Art and Design (2)
- Business (2)
- Keyword
-
- Flamenco (8)
- Hindustani music (8)
- Lib_pub (8)
- Cuban music (6)
- Ethnomusicology (6)
-
- Indian music (6)
- Thumri (6)
- African music (5)
- Composers (5)
- North Indian music (5)
- Fandango (4)
- Ghana (4)
- Music (4)
- Music analysis (4)
- North Indian folk music (4)
- Popular music (4)
- Salsa (4)
- Bhojpuri music (3)
- Chowtal (3)
- Contradanza (3)
- Copyright (3)
- Folk music (3)
- Games (3)
- Gear cultures (3)
- Gender (3)
- Indo-caribbean music (3)
- Latin music (3)
- Modular synthesis (3)
- Tonality (3)
- Agency (2)
Articles 121 - 124 of 124
Full-Text Articles in Entire DC Network
The Concept Of Tala In Semi-Classical Music, Peter L. Manuel
The Concept Of Tala In Semi-Classical Music, Peter L. Manuel
Publications and Research
This article explores certain rhythmic features distinctive of the concept of tal in North Indian light-classical music, especially thumri. Particularly salient is the way that ambiguity of beat counts in tals called dipchandi, addha, and jat reflect how these tals are traditionally conceived in terms of drum strokes (dha dhin dha dha dhin etc.) instead of beat counts, which are in fact variable. Published in: National Centre for the Performing Arts: Quarterly Journal (Bombay) 12(4), December 1983. pp. 7-14.
The Musical Language Of Kindertotenlieder No. 2, V. Kofi Agawu
The Musical Language Of Kindertotenlieder No. 2, V. Kofi Agawu
Publications and Research
Three times during his compositional career, Mahler turned to the medium of the orchestral song cycle either to experiment with or to refine certain technical procedures. This resulted in a variety of methods for establishing large-scale tonal coherence, using song as a resource for later symphonic composition, and stylizing folk material, melodically and rhythmically. These compositional techniques are clearly exemplified in Mahler's three cycles, Lieder eines fahrenden Gesellen (1883-85), Kindertotenlieder (1901-04), and Das Lied von der Erde (1907-08).
The Relationship Between Prosodic And Musical Rhythms In Urdu Ghazal-Singing, Peter L. Manuel
The Relationship Between Prosodic And Musical Rhythms In Urdu Ghazal-Singing, Peter L. Manuel
Publications and Research
A study of how prosodic meter in Urdu ghazal is treated in light-classical singing
Radhagovind Sangitsar Of Maharaja Pratap Singh, Peter L. Manuel
Radhagovind Sangitsar Of Maharaja Pratap Singh, Peter L. Manuel
Publications and Research
The Radhagovind Sangitsār (or simply Sangitsār) completed in Jaipur around 1800, is a significant musical treatise regarding North Indian classical music. Its special importance lies in its status as one of the very few writings on Hindustani music in the nearly two centuries between the 16th-17th Sanskrit and Persian texts and the early modern writings commencing in the decades around 1900. In the interests of disseminating it to interested students and scholars I have digitized chapter seven, on rāga, which is the chapter that has proved to be of most use and interest to musicologists.