Digital Commons Network^™

The Disappearing Shore, Marguerite Kreuzkamp

Masters Theses

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In The Becoming, Lingyi Hu

Masters Theses

What is molten glass when it is not asked to become a functional object?

What can glass become when it is breathing and moving on its own will?

What does it feel like to be alive at 1650°F?

Glass, in its molten state, exists in continuous flux, neither stable nor with a fixed boundary. It resists direct apprehension. In this thesis, I approach glass as a material whose vitality emerges through motion, reaction, and change. Glass thinks, remembers, and carries time within its movement. Actions taken in the molten state—interruptions, reactivations, and pauses—are not preserved as gestures, but translated into …

Meadowkeepers, Molly Lefanowicz

Masters Theses

New England’s cities cover the lowlands where meadows once dotted the landscape. These meadows were among the first spaces lost to development— hidden today beneath layers of concrete foundations, asphalt roads, and diligently mowed turfgrass lawns. Meadows are critical ecosystems: they support pollinators, act as seed banks for local plants, filter rainwater, sequester carbon, and build soil. But their steady disappearance is more than an ecological loss. As stewards and inhabitants of meadows, people hold a longtime cultural connection to their presence. Meadowkeepers is an effort to renew that connection.

Meadowkeepers introduces a community-scale model for meadow reestablishment in urban …

Margin:Finding Coexistence Within The Marginalized Habitats Of Cities, Zihan Sun

Masters Theses

Marginal spaces can be found throughout cities, yet they are often ignored and overlooked. Despite this, these areas play a crucial role in urban environments due to their unexpected vitality. The overlapping uses of dominant and marginal actors, including humans and non-human species such as pedestrians, pigeons, and plants, create spatial conflicts within these spaces. How can the existing conditions of marginal spaces be subtly reworked to mediate these tensions without erasing marginality?

This thesis investigates three sites in Providence across different scales, using consistent observation and documentation to understand their marginality. Different actors serve as lenses for analyzing and …

Ark-Ipelago: Or, The Voluntary Prisoners Of Archaeology, Michel Song

Masters Theses

By the end of 2200, Venice becomes a submerged archaeological specimen. Ark-ipelago rejects defensive preservation, weaponizing heritage into an offensive spatial regime. An elevated macro-grid re-contains urban life within climate-controlled tubes, transforming catastrophic climate exile into a total voluntary exodus of planetary survival.

Temporary Constructions, Elliott Golden

Masters Theses

Temporary Constructions is a photographic series made by a process of multiple exposures, material assembly, and surface intervention on large format film. Working in a photographic lighting studio, I build provisional structures from scrap wood and metal and photograph the structures in multiple possible forms to produce images that are visually intelligible but spatially impossible. In my writing, I situate these images within a longer lineage of artists using photography to recast our relationship to surface and depth, and consider what that lineage reveals about contemporary mediation and the increasingly blurred boundary between image and object.

Productive Armature, Gabriel Ofem Peter

Masters Theses

What if water was all you had, what if your only source of survival was a body of water? I shudder to think that some people get to be put in this situation in the world we live in. As I understand the importance of water to survival, it is obvious that water can be the only lifeline of survival for a community. This is the experience for residents of Makoko, Lagos. Their survival depends on the Lagos Lagoon, a large body of water flowing in from the Atlantic Ocean. This research looks beyond the surface of what this community …

The Image Falls Apart, Alexa N. Curran

Masters Theses

The Image Falls Apart is a phenomenological account of my collision with Rogier van der Weyden’s The Descent from the Cross (ca. 1435). In an ever-expanding landscape of visual stimuli, how do we make sense of images that are an encounter with the sacred? Of what use to a modern viewer is an altarpiece of the late medieval period that, in its miraculous rendering of each of its human figures, reflects the impending iconophobia of the Protestant Reformation? And what does falling have to do with it? With careful attention to the assembly of bodies in space, this multidisciplinary project, …

Floaters, Kyle Gyumin Dong

Masters Theses

The eye is often regarded as the primary sensory organ of the human body, and the ocular system as our most reliable means of perceiving the world.

With vision, we travel across vast distances through telescopes to expand our knowledge of the observable universe and peer into the hidden world of atoms through microscopes. At the same time, we seek divinity from apparitions in the clouds, broaden the range of colors visible under closed eyelids, and catch a brief glimpse of the future in clairvoyant dreams.

My photographic practice oscillates across this spectrum. Between reason and intuition, between the measurable …

A Charging Station As Part Of The Island's Energy Metabolism, Kaya Lee

Masters Theses

In an age of energy scarcity, Jeju Island faces an opposite condition. It produces more renewable electricity than it can absorb during the day. This thesis explores how architecture can respond to that surplus.

As Jeju moves toward its Carbon Free Island vision, electric vehicles become more than transportation. They act as mobile batteries, absorbing electricity by day and returning it at night. Through this rhythm, the charging station becomes part of the island’s energy metabolism.

The project reimagines the EV charging station as living infrastructure. It is not only a technical device, but a place of rest, food, and …

Weaving Grounds: Connecting Canyons And Empowering Borderland Communities, Maria D. Lopez Vazquez

Masters Theses

National policies materialize in the United States-Mexico political divide, also known as the borderlands. Willow Canyon is a dissected land form inextricably linked to the Tijuana River watershed, forming with the adjacent landforms on both sides of the border one landscape. The Guadalupe Hidalgo Treaty¹, signed in 1848 by the US and Mexican governments, traced an arbitrary line across these landscapes, disregarding their relationship. The consequences of these actions are visible in the physical deterioration of the landscape and ecology, as the hydrological cycle has been modified. In the 1940’s, the picturesque flow of Willow Canyon was dissected by urbanization, …

Carve, Release, Expand: A Spatial Exploration Of The Clandestine Music Spaces Of Chicago, Katie Lesh

Masters Theses

The architectural disciplines, and particularly that of landscape architecture and urban design, have shifted into focusing on “revival” of public and urban spaces but what does this truly mean? On the surface it can look like taking warehouse districts in a city and creating a master plan to turn them into artist villages or taking space underneath a highway to turn into a linear park. But what is lost in the process of doing so? The question is much bigger than myself but in the case of Chicago, the city has been home to vibrant music and art communities that …

Watershed Amendments: Assembling New Pervious Ground From Landscape Waste, Sophie Kaplan-Bucciarelli

Masters Theses

In Providence, Rhode Island, much of the downtown area is built over a vast historic tidal estuary. Though we no longer see the salt marshes, wooded bluffs, or meadows that once characterized this landscape, we recognize their absence in contemporary crises of urban heat, flooding, polluted soils and stormwater runoff, and habitat loss. These conditions are particularly acute along the city’s industrialized river corridors, where vacant lots and parking areas sit idle, their history paved over and potential constrained by limited imagination and resources.

These lots - already experiments in fill and land building after centuries of disturbance - can …

The Body Has Its Own Time, Wen Zhang

Masters Theses

In embodied practice, the artist’s experience and body become the medium through which thought and expression take form, not as illustration, but as primary material. Performance art has long occupied an unstable position within contemporary art: celebrated in retrospect, underfunded in practice, and selectively institutionalized. Its marginality has never been evenly distributed. Certain bodies, female, racialized, aging, non-normative, have remained further outside the archive than others, their work harder to collect, harder to value, and easier to forget. To work in performance, particularly as a woman, is to work within that contradiction.

For me, performance is less a form than …

Chronos | Kairos: Exploring Time Through Experimental Comics And Artist’S Books, Rhea Pradeep

Masters Theses

This thesis examines how the reading experience of comics changes when they are presented in various artist’s book formats, particularly through the lens of time and space. This project encourages the practice of close reading, arguing that the physical form of a book is not only a container for the content, but also plays a part in its meaning-making. It shifts the narrative pace, perception of time and reader engagement. Research in this paper is heavily influenced by scholars like Johanna Drucker, Scott McCloud and Will Eisner. This interdisciplinary, practice-led research combines narrative analysis of experimental comics, close reading of …

Lost In The Current, Yeying Wen

Masters Theses

Lost in the Current explores “imaginary reality” through the language of print. In my illustrative two-dimensional prints, small figures inhabit an imaginary world emphasizing human fragility, resilience, and emotional tension. Through etching, lithography, mezzotint, book arts, installation, and papermaking, I investigate how individuals respond to fear, conflict, and instability. To me, printmaking is a meditative process that allows me to slowly digest my overwhelming thoughts and emotions. By constructing expansive microcosms populated by fragile figures, I attempt to visualize psychological states such as fear and fragility, as well as notions of duality. My works are both personal and observational as …

Resistant Silence Engraved Trauma, Silence In Domestic Spaces, & Acts Of Resistance, Priyanka Kumar

Masters Theses

This thesis argues that silence surrounding trauma within domestic spaces is not merely an absence of speech or a condition of voicelessness, but it functions as an act of resistance. Focusing on domestic abuse within patriarchal structures, this research examines the ways trauma is embodied, negotiated, and concealed in everyday life. Central in this inquiry is the figure of the “sole witness” to abuse, those who live in close proximity to violence, endure its aftermath and negotiate survival through subtle and often unseen acts of resistance.

I am not attempting to define trauma, but the thesis explores the traces trauma …

Touching Ground: Embodied Methods Of Design, Mary A. Ritchie

Masters Theses

This thesis argues that landscape architecture must more intentionally integrate embodied, outdoor practices into the design process in order to foster a deeper understanding of and engagement with the primary medium of the field: the land itself. When we study a site through digital means, we detach our bodies and minds from the physical material we are working with. Embodied practices encourage a slower, more attentive mode of observation that engages both mind and body through tangible actions and sensory experiences. Through physical touch and sensory engagement, we gain insight into a place across many scales, from the granular texture …

Textile Tectonics: Weaving Memory, Body, And Belonging, Jennifer Stageberg

Masters Theses

This work delves into the idea of home as a sensory experience. Separating the feeling of home from the physical space of the house I aim to create new spaces that give the occupant autonomy and foster intimate connections with the material of the architecture. This is done with the hope of creating homes more attuned to the human body that provide a sense of belonging.

I propose repositioning the home as an intermediary space between our bodies and our surroundings. Approaching it through the lens of textiles to explore the sensory experience a home could provide. A series of …

Through You I Will Feel, Mitchell L. Poon

Masters Theses

Through You I Will Feel is an installation exploring my family’s archive and my relationship with my ancestral heritage. An abstracted simulation of my childhood home’s dining room, it examines how revisiting the family archive can reveal new information not only about the past, but also about the present and the future. The installation consists of five works which integrate printmaking and print-adjacent processes: a set of four lithographic prints, cyanotype and natural toning on fabric, inkjet-printing on shrink plastic, UV dye-printing on polymer clay tiles, and digitally printed wallpaper.

The written thesis is a culmination of my time at …

Human After All, Ritu Mantri

Masters Theses

human

0. a being, relating to, or belonging to a person or to people.

1. an organism whose behaviour is structured by survival, instinct, and the immediate conditions of its environment.

2. a primate capable of thinking in abstractions. It makes marks, builds tools, and uses language to reflect on itself and the world around it.

3. a maker that increasingly constructs systems as a mirror of itself to store memory, meaning, and perception beyond the limits of its body.

4. an entity whose intelligence is increasingly indistinguishable from the tools and technological infrastructures it has built.

5. a superhuman …

Dead Reckoning, Jeremy A. Grail

Masters Theses

For over a century, conceptual, social, and legal frameworks have governed human relationships with technology by dematerializing data and personal information. From the early twentieth century, when human speech was converted into electrical pulses through telephone wires, to today’s pressure to integrate sensing, computation, and automation into every facet of contemporary life, electronic communications have become increasingly detached from the body and systematically defined as a weightless, immaterial asset.

This thesis refutes the industry-led myth of the “immaterial cloud” by revealing the presence and transmission of data to be a series of physical, tectonic, and spatial events that are woven …

Held In Sediment, Kati Lowe

Masters Theses

This thesis examines time as a durational, non-linear condition shaped through emotion and perception rather than a sequence of forward-moving events. Through painting and related material strategies, the work focuses on aftermath, residue, interruption, and return. Throughout this thesis, terms such as misalignment, double vision, fragmentation, interruption, and recurrence function as a conceptual vocabulary for describing instability within memory, embodiment, and lived experience. Blurred edges, doubled forms, and punctures in the surface register a lag between experience and comprehension, especially in relation to grief, trauma, depression, memory, and embodied perception. Neon color functions as a counterpoint to delay, signaling persistence, …

Deep Cuts: Bearing Witness To The Erosion Of Evidence, Maya Lakshmi Srinivasan Md

Masters Theses

In my Master of Fine Arts thesis in Printmaking at the Rhode Island School of Design, I examine the intersection of my dual practices as a general surgery resident and artist. Both disciplines require precision, incision, and tactility to navigate the human condition. My art practice is a method of processing the emotional toll of surgical training and the simultaneous societal erosion of scientific authority. My thesis work focuses on challenging the rise of medical pseudoscience and anti-intellectualism. The focal piece in this installation, In Tallow We Trust, consists of three woodblock relief prints at the scale of an …

Femmage Work, Mary Elizabeth Alford

Masters Theses

“Femmage Work”‭ ‬is a furniture collection that explores the relationship between adornment‭, ‬structure‭, ‬and feminine material culture‭. ‬Borrowing‭ ‬from materials‭, ‬practices‭, ‬and objects that are generally viewed as‭ ‬ feminine‭, ‬I seek to shift the perception of these objects and materials away from mere surface beauty‭, ‬an assumption that connotes a lack of taste‭, ‬depth‭, ‬and seriousness‭.‬‭ ‬

The purpose of this work to foster a collective sense of unity by adopting feminine typologies that‭ ‬ represent a shared experience‭. ‬It is meant to‭ ‬ cultivate the experience of‭ ‬‘girlhood’‭ ‬by using‭ ‬ historical feminine material culture and craft in …

Circling, Eun Yong Lee

Masters Theses

This thesis explores Korean aesthetic sensibilities from the perspective of material logic, placing at its core the process of reinterpreting and materializing them. Here, ※material logic§ refers to the relationships among materials that emerge from a particular group＊s accumulated understanding of materials, as well as from the ways in which they combine and use them.

Ambient Furniture, Andrew T. Goulet

Masters Theses

The designed object communicates an idea. Might that idea be an insight? This thesis seeks an ambient furniture of durable insight: objects that reward attention without demanding it, cultivating the conditions for a contemplative practice of everyday life.

Design is the materialization of mind. Through the conception and creation of things, thoughts are given form. Of all forms of thought, insight is the most precious. Insight contains within it the seed of transformation: to see into what was previously opaque.

Insight is empirical. It cannot be directly transmitted. It must be observed first-hand, rediscovered by each successive generation and translated …

Useful Useless Object, Jisu Han Jung

Masters Theses

If spicy ramyun is spicy for others but not for me, is it still spicy

ramyun? This question begins Useful Useless Object, my investigation

into furniture as a site where function, perception, and value are

constantly negotiated rather than fixed. From this question, I

explore how meaning is shaped by the unstable relationship between

object and user. In furniture, usefulness is often treated as an

objective standard, measured by comfort, efficiency, or practicality.

However, this project argues that usefulness is never universal;

it is subjective, relational, and dependent on individual experience,

expectation, and desire.

Through making objects that sit between …

The Right To Withdraw: Soft Boundaries And Material Refuge In The Workplace, Zhihao (Sky) Xing

Masters Theses

Traditionally, architecture has provided physical protection through solid structures and defined boundaries, while modern interior spaces have evolved further to serve function, efficiency, and the operational needs of society. These include open-plan offices, art school studios, and other public spaces like libraries. Although physical rigidity and operational efficiency have been well served by the modern built environment, the psychological experiences of those within it remain largely overlooked - a lack of privacy, emotional support, and space for emotional withdrawal.

This research explores why contemporary workplaces often expose individuals to sensory overload and why people often retreat to stairwells, restrooms, or …

Collecting Meaning: A Study On Collecting As An Artmaking Practice, Johanna Young

Masters Theses

This thesis explores how we practice creativity and construct narratives through the act of building collections. It examines collecting as both an innate creative impulse and a learned process. Using arts-based research and narrative inquiry, the study considers how our collecting habits reflect the ways we process information and express personal artistic interests. Drawing from personal experiences, this thesis mines the idea of the subconscious through the artistic lens of collecting.