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When Black Meets White In The Heart Of Worship: A Case-Study Of Musical Changes In A Multiracial Church, Serge Volpe

Masters Theses

The Worldwide Church of God began as a denomination relying on certain Jewish practices and other Euro-centric distinctions to define its' identity. In the New York City area, African-American churchgoers exceeded that of whites; yet church liturgy retained its European-American flavor. When the denomination underwent transformation in the 1990s, many congregants were unable to accept changes, including new musical styles, and reacted in a manner inconsistent with what church leaders had hoped for. This thesis examines what some African-Americans experienced during this period when liturgy changed to include music representative of their culture. Interviews were conducted with African-American churchgoers from …

Flutes, Festivities, And Fragmented Tradition: A Study Of The Meaning Of Music In Otavalo, Brenna C. Halpin

Masters Theses

This thesis consists of an intimate study of the value and meaning of flute music of indigenous musicians in the contemporary world. This is accomplished by interviewing and observing indigenous panpipe and flute musicians in and near the Plaza de Ponchos Market in Otavalo, Ecuador. Collected personal stories, historical accounts, and recordings and analysis of the music all provide insight into the purpose and traditions the music holds. While the musicians attempt to maintain a sense of cultural authenticity, modernization has altered the importance of customs and music as Otavalo moves toward a more commoditized and urbanized community, reflecting ethnic …

Semiotics, Habitus And Music In The Transmission Of Tibetan Culture In Toronto, John Robertson

Masters Theses

This ethnographic study explores the role of music in cultural transmission in the Tibetan community of Toronto, Canada. Beginning with an integration of Peircian semiotics, Bourdieu's habitus and musical semiosis, I then identify certain non-Tibetan cultural elements being encountered by those in the Toronto community which are potentially creating cognitive structures foreign to those which have their generative principles in pre-exile Tibetan past, and the ways in which Tibetans are transmitting (to varying degrees) cognitive schemata which identify these non-Tibetan elements and protect against their appropriation. After exploring elements which are not Tibetan, I turn to those which are: a …

Kevin Volans' She Who Sleeps Witha Small Blanket: An Examination Of The Intentions, Reactions, Musical Influences, And Idiomatic Implications, Peter D. Breithaupt

Masters Theses

Using and expanding upon a theoretical model for examining the meaning of music presented by ethnomusicologist Timothy Taylor, one of the leading scholars on composer Kevin Volans and his music, this research will attempt to properly position Volans' percussion solo, She Who Sleeps witha Small Blanket, composed in 1985, within Volans' African Paraphrase classification. It will also attempt to dissociate She Who Sleeps from the claims of hegemonic cultural appropriation that are attached to Volans' African Paraphrase pieces. In his model, Taylor talks about the "inseparable metatext" that surrounds a piece of music and includes the composer's intentions, the listener's …

An Inquiry Into Contextualized Christian Expression In North India, M. J. Gracin

Masters Theses

The riches of India's ancient and diverse culture are proclaimed from the music that communicates the heart of Bharat Mata - Mother India. This sentiment resounds across the vast geographical area of India in songs from Hindus, Muslims, Sikhs, Buddhists, Christians and Bollywood composers. The question of how Christians might express their faith in light of societal, historical and religious amalgamations is the topic of discussion for this project. The inquiry will focus on the music culture of North India, specifically as it is expressed in the city of B_____, Uttar Pradesh. A six week field study was conducted in …

Analysis Of The Dutar Playing Technique Of Abdurehim Heyt, Michael Alan Kee

Masters Theses

Uyghur dutar player Abdurehim Heyt is hailed by many Uyghurs as the Dutar King, referring to his mastery of the instrument. This thesis examines several of Heyt's songs and compares them with songs from three other Uyghur dutar players in an attempt to isolate and define the unique characteristic of Heyt's dutar playing technique that sets him apart from other Uyghur dutar players.

This study presents a brief examination of the concept of music ornamentation as it has developed in the West. The Uyghur concept of music ornamentation - purakh - is then explained and compared with the Western concept …

Singing From The Village, Bonnie Lynn Bost

Masters Theses

Singing from the Village brings to light some basic problems in education for a village school near Hyderabad, Andhra Pradesh, South India. While problems of poverty, social strife, possible over use of rote learning, lack of critical and creative thinking are discussed, the focus of this study is the problem of how the children hear western melodies differently because of the musical vocabulary their ears and brains have become accustomed to in their village. Singing from the Village attempts to examine village songs and compare them to a western children's song, Praise Him, Praise Him sung each day at the …

Nomadic Amdo Tibetan Glu Folk Songs, Wendolyn Craun

Masters Theses

Tibetan glu folk songs are a literary and musical expression historically passed down from generation to generation. This regional study purposes to define the origins, influences, categories, qualities, and significance of nomadic Amdo Tibetan glu folk songs. These topics are explored within the settings of Tibetan culture, history, theory, and current usage. Recordings of twenty-seven glu folk songs accompanied by transcribed text and music offer contemporary examples of this song genre that is quickly disappearing. The ultimate goal of this study is to answer the question: What are the defining characteristics of nomadic Amdo Tibetan glu folk songs?

Multiethnic Worship Representative Of Heaven: A Mixed Methods Study, Sherree Vernet Lane

Masters Theses

This mixed-methods research studies inclusive worship of multiethnic Protestant congregations across Minneapolis-St. Paul, Minnesota. I used a model of worship based upon Liesch‘s characteristics of heavenly worship, examining how it applies to the multiethnic church. I observed worship services and rehearsals at Minneapolis Multicultural Church to determine how worship is constructed at this multiethnic church that became multiethnic due to changing neighborhood demographics.

In the second phase of research I surveyed multiethnic church pastors and worship leaders to determine attitudes and practices towards inclusive worship. I found a possible connection between multiethnic churches that start through inward and outward motivations …

An Ethnographic Inquiry Into Prudent Behavior And Culturally Correct Attitudes Of Ethnodoxologists Living Among The Lakota Oyate, Joseph T. Dorer

Masters Theses

For centuries, the indigenous people of North America have been plagued by white encroachment. People of European descent have come among Native Americans in almost every form imaginable. They have been treasure seekers, soldiers, bearers of horrific diseases, liars, rapists, murderers, missionaries, anthropologists, government workers, doctors, and teachers. In the summer of 2004, in spite of my own reluctance, I became part of this historically menacing group. Still, I am somewhat different than the others I’ve already mentioned–I came as an ethnodoxologist.

Other ethnomusicologists have come among the Lakota people to study music and culture including Frances Densmore, R.D. Theisz, …

Moving Melodies: Contemporary Music Culture Of Mongolian Nomads And Opportunities For Contextualization, Erica Marin Logan

Masters Theses

There are many obstacles to sharing Christ with nomadic peoples. Obstacles include distance of travel from one family group to another, the mobility of these family groups, the finances and investment to locate the families every season, the lack of fellowship and discipleship materials for those that do become Believers, and the peer pressure that these Believers face in the midst of this lack. What resources can be offered to fill this gap? How can the Gospel be communicated in a relevant and engaging way to a people group that is spread out across hundreds of miles, resistant to sedentary …

The Role Of Latinidad In The Worship And Formation Of Identity Of A U.S. Hispanic, Pentecostal Church, Kristina Arellano

Masters Theses

This case study examines how culture influenced the worship of one U.S. Hispanic church made up of thirteen different nationalities. I examined how Latinidad, a unified Latino identity, assisted in the construction of Iglesia Ebenezer’s collective identity enabling them to worship together despite their diversity. I observed several worship services and interviewed eleven participants during my fieldwork: three pastors, two youth leaders, and six worship-team musicians. I compared and contrasted case studies of the musicians to construct a collective identity of this small group. A final analysis compared my fieldwork observations and the perspectives of all eleven individuals to establish …

The Music Of A Kalinga Peace-Pact Celebration: Making Place Through The Soundscape, Glenn Ress Stallsmith

Masters Theses

Music and place are two phenomena that have been objectified by researchers in the past. This thesis treats both as social processes created by subjects in local, specific contexts. The Kalinga peace pact system forms an intricate web of bilateral agreements between forty or more culture groups in the northern Philippines. Each agreement is celebrated when it is formed or when a peace pact holder from one group passes the responsibility on to his son. This thesis examines eight musical scenes at one peace pact ceremony celebrated in the Mangali culture area in April 2005. It analyzes the music performances …

Sachu Saharu: Tru Helper. A Melodic Analysis Of Christian Music In Garhwal, North India, Laura Eilders

Masters Theses

This thesis is an ethnomusicological examination of the development of indigenous worship music in Garhwal; a region in Northern India. It focuses on a comparative aspect so as to draw conclusions regarding the elements of music that is identified as Garhwali. It includes a melodic analysis of Garhwali Christian songs written by Rajesh Dongriyal and songs recorded by young women at two Garhwali villages. The theoretical framework is based upon the need of every group of people to have music about Christ in their own language and style of music. The assumption is that this will serve as a powerful …

Establishing Recording Studios For The Purpose Of Developing Indigenous Worship For Tunisian Believers, Frank Fortunato

Masters Theses

Over several decades churches worldwide have focused on recovering or discovering biblical, vibrant worship. With one brilliant statement John Piper captured the current wave of worship and connected it to missions. In what has become a classic motto of the missions movement Piper reminded the Christian community that “missions exists because worship doesn’t. Missions is not the ultimate goal of the church. Worship is.” While not a new concept, these few words helped forge missions and worship into symbiotic relationship. Each morphed into the other in an ongoing continuum. The establishing of thriving, biblical churches that were also worshiping churches …

Powwows As An Arena For Pan-Indian Identity Formation, Megan L. Macdonald

Masters Theses

This study investigates the powwow and its role in pan-Indian identity formation. Powwows are regional gatherings that simultaneously employ sacred and secular rituals, and as such, they provide one arena for the negotiation of American Indian identity in the modern world. Through a discussion of the history and general format of the powwow, I will demonstrate that the powwow is a dynamic locus of cultural transmission through which both reservation and non-reservation Indians are able to construct and maintain identity on tribal as well as inter-tribal (pan-Indian) levels.

To illuminate the process of identity formation within the powwow, this study …

A Study Of Ideological Change In Reggae Music From 1971 To 1993, William H. Stanley

Masters Theses

The purpose of this study was to see if the reggae music that became popular in the United States was ideologically different from the reggae that originated in Jamaica. The hypothesized change was derived from a model developed by Humphrey Regis (1994, 1988) labeled “cultural domination by re-exportation”. It was determined that early reggae music and the Rastafarian religion had very similar ideologies. The change within reggae music was measured against the Rastafarian belief system.

A content analysis of twenty-five songs was undertaken. The method of doing ideological analysis of the reggae lyrics was derived from Cormack (1992). The sample …

The Relationship Between Musical Behavior, Holistic Living, And Perceived Delinquency In Adolescents, Janice S. Schreibman

Masters Theses

The purpose of this study was to investigate the relationship between musical behavior, holistic living, and self-perceived delinquency in adolescents. One hundred thirty-seven ninth-grade students from two Detroit area high schools were selected for this study. All participants completed two surveys — an adapted version of the Holistic Living Inventory (HLI) (Stoudenmire, Batman, Pavlov & Temple, 1985), and surveys developed by the researcher to measure involvement in music and self-perceived level of delinquent behavior.

A three-factor analysis of variance (ANOVA) revealed there were no significant differences between the adolescents' level of involvement in music, the degree to which they practiced …

A Study To Identify And Analyze Problems Experienced By International Students Enrolled In Eastern Illinois University, Ru-Ing Hwang

Masters Theses

No abstract provided.

A Selective Study Of Negro Worksongs In The United States, Margaret E. Hilton

Masters Theses

No abstract provided.