Digital Commons Network^™

Between Sleeps, Cassidy S. Argo

Masters Theses

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Of Dolls And Jewels : Keeping As A Strategy Of Care And Belonging, Yuqi Fan

Masters Theses

In this thesis, I will discuss the psychology behind object attachment in the doll-keeping subculture by integrating doll language into contemporary jewelry. I researched the Chinese term “Pi” as an accurate way of explaining how doll-keepers are attached to their dolls. In this 21st century, the widespread use of social media and AI technologies have deepened people's reliance on virtual spaces, leading to emotional detachment in our society. Adopting the concept of “Pi” into contemporary jewelry, which encourages a shift in focus towards external objects, the practice of doll-keeping becomes a form of self-care that compensates for our current loneliness …

Al-Naseej: A Woven Path, Dalal M. Almazeedi

Masters Theses

This thesis explores how art and adaptive reuse can transform abandoned buildings in Kuwait City into vibrant cultural and artistic hubs that honor the nation’s tribal and artistic heritage and bridge the gap between past and present. Through repurposing these neglected spaces, Kuwait can preserve its historical identity while creating homes for contemporary design and creativity. This transformation revitalizes urban environments, and fosters a sense of belonging and community by integrating heritage with contemporary artistic expression. This project envisions the transformation of “The Old Amiri Hospital” into an artistic cultural hub that celebrates the traditional craft of Al-Sadu weaving, merged …

Comfort In Contradiction, Yanchen Zhao

Masters Theses

This research explores why modern visual experiences often feel hollow—why suburban McMansions imitate classical architecture and why luxury spaces feel staged. Instead of simply criticizing these aesthetics, I want to understand them: Why do we embrace symbols disconnected from history? What makes them feel familiar and comforting?

Using Jean Baudrillard’s idea of hyperreality and Marshall Berman’s view on modernity, I examine how today’s aesthetics are simulations—designs that no longer refer to a real past but exist as self-repeating symbols. Everyday objects borrow classical decorations without structural purpose, offering a sense of tradition and familiarity without real historical connection. Modernity, while …

Soft Stickers, Alexandra L. Croft

Masters Theses

The United States has long maintained an extractive relationship with national forest land, leaving a dwindling number of old-growth forests and an overabundance of young, small trees. Waste byproducts of the industry, such as sawmill offcuts, are typically burned or chipped for groundcover; but what if they were reconsidered as viable building materials in their own right? Opting for stuffed and strapped connections over conventional notches and nails, Soft Stickers proposes a building ethos that accepts and accounts for material variation and dimensional change over time through supple materials and a long-term maintenance commitment. Green wood offcuts dry and shrink …

Wooorrmmhooolleess, Kimberly Duck

Masters Theses

By now we all know that the internet is an integral part of our existence. One could argue that this online existence holds equal importance to our physical one. While the lines blur even further and Mark Zuckerberg can’t wait to cosplay the rich computer guy from Ready Player One, I choose to refrain from the existential dread that seems to be inescapable when thinking of the future nowadays. While we often associate the internet with portals (after all, we once called websites “Internet Portals”—in German at least), Wormholes more accurately capture the experience. Portals promise instant connection. But what …

Instrument, Elliott M. Romano

Masters Theses

I compose graphic design like I would a piece of music. Using input sources such as sound signals and noise algorithms, I create generative systems that alter or adapt typography and graphic form to output audio-textual compositions in real time. I call these systems graphic instruments.

In this book, I present a methodology for constructing and performing visual instruments as hybridized, real-time feedback systems, tracing a lineage of apparatuses as well as works of art and design that share a similar orientation. Through short-form essays and interviews with artists who operate between designer and performer, this thesis explores the …

Afrography: Scripting Futures Anchored In Culture & Community, Osmond Tshuma

Masters Theses

Latin and Arabic are the most used writing systems in Afrika, not only because of their functionality but because of colonial history. Colonialism established Eurocentrism as the standard, while Afrikan creations were marginalized and demonized. This thesis investigates various ways of reclaiming identity through typography using the concept of Sankofa, which emphasizes retrieving and learning from the past to build the future. By integrating cultural objects into designs and everyday visual language, we can challenge and reverse the demonization imposed on Afrikan symbols by colonial narratives.

The belief of Ubuntu, the philosophy that an individual’s well-being is intrinsically tied to …

Foundations Of Belonging, Yerim Jang

Masters Theses

In the early 1900s, hundreds of thousands of immigrants displaced by World War II sought refuge in the United States, drawn by the promise of a new life and the hope of finding community in an unfamiliar land. To navigate the challenges of a new country, these immigrants formed ethnic social clubs that provided essential support, including housing, employment, and spaces for social connection. Over time, as later generations assimilated and established new identities, these once-thriving social hubs diminished, barely operating their original functions and transitioned into bars, event halls, or restaurants. Since the early 2000s, a new wave of …

The House At The End Of Time, Gyles Jose Antonio Ferrao

Masters Theses

This thesis investigates the architectural potential of thresholds as spaces of psychological and metaphysical transformation, positioning the edge not as a boundary but as a generative spatial condition. Drawing upon Carl Jung’s conception of dream architecture as a symbolic map of the self, the project proposes a nonlinear exploration of architecture through layered references that operate across metaphysical scales. The house becomes a medium through which the liminal is made tangible, a temporal and spatial construct that blurs the binary oppositions of life and death, memory and forgetting, reason and absurdity, consciousness and the unconscious.

The project conceptualizes architecture as …

This Is How To Shoot A Gun., Rene Camarillo

Masters Theses

The textile work I have developed for my thesis is a curated exposing of the social interactions and violent phenomena of underprivileged realities. It investigates the theatrics of community violence, mechanisms of survival both through labor and bullets. Elements of my work are inspired by setting a scene through minimalistic installation and allowing you, the audience member, to become a spectator. With an emphasis on the injured form, the work incorporates identity-driven artifacts of my neighborhood back home. My garments in this graduate collection which are hand-patterned and self-sewn aim to represent victims, perpetrators and spectators of violence.

Subtle moments …

Folding Horizons: Knitted Textiles For A Mobile World, Yutong Li

Masters Theses

We have grown accustomed to living in flux—moving between cities, countries, languages, and digital spaces. Life no longer unfolds in a straight line, but in fragments and transitions, never quite settling. In this restless rhythm—shaped by fast trains, shifting skies, and the invisible current of the internet—we find ourselves suspended in a vast, woven network. Connection is constant, yet motion is unrelenting.

This project begins with a question: how can textiles reflect this state of in-between? I imagine textiles not as fixed surfaces, but as responsive skins—adaptive, expressive, and attuned to change. Inspired by the tensions of contemporary life—surveillance, shrinking …

Tubo, Shaobo Liu

Masters Theses

In this light, while the pursuit of convenience has advanced human civilization in remarkable ways, it is essential to recognize that creativity depends on more than just abstract thought. It relies on the inevitable process of translating ideas into physical form, engaging both mind and body in a cycle of experimentation, failure, and discovery. Without opportunities to physically manipulate and construct, our creative faculties risk stagnation, underscoring the importance of preserving and reintroducing hands-on, experiential learning into modern life.

The modular system in my work prioritizes physical interaction and open-ended outcomes, which responds directly to the challenges posed by digital …

Patchworks - A Design Framework For Repairing Systems, One Patch At A Time., Jack A. Martinez

Masters Theses

Design interventions for social good often fall short—ineffective at best and harmful at worst. Even successful projects tend to have fleeting impacts. Despite prototyping, innovation, and scaling expertise, designers struggle to create lasting community change. Skills that drive capitalist markets remain underutilized in the social sector. Reducing barriers to entry in the design for social good field might foster a more equitable, service-oriented design practice.

This thesis examines how designers can collaborate ethically and effectively with community organizations to support their missions. It examines the challenges and benefits of applying a ‘patchwork design approach’ to social good through real-world partnerships. …

Time Reclamation, Yuming Hu

Masters Theses

In today’s involution culture or “internal competition”, epitomized by China’s 996 work schedule, time is tracked like a quota rather than lived. Drawing on Camus’ call to make one’s very existence a quiet act of rebellion, this thesis answers alienated time with multisensory design.

Four interventions, the Thermochromic Table, Blinds Light, Dappled Shadows Light, and a haptic Squeeze Timer, using temperature, light, shadow, and touch to stage brief “moments of awareness.”

Instead of urging users to optimize every second, these objects invite them to pause, feel, and enjoy time. Each prototype softens the clock’s rigid tick into a gentle cue, …

Jotographía // Fagtography: On Amor Propio Radical // Radical Self-Love, Jonathan Erick Guzman

Masters Theses

“Jotographía // Fagtography: On Amor Propio Radical // Radical Self-Love” is an interdisciplinary thesis that explores the intersections of queer Chicanx identity, photography, and performance as technologies of survival and self-construction. I construct a speculative archive of Chicanx queer experience through my tripartite personas: Barbí, Luke, and myself—collectively, the Guzman Triplets.

Through these embodied avatars, I embrace rasquachismo, camp, Catholic iconography, and hybrid photographic processes—including Polaroids, AI-manipulated imagery, anthotypes, and installation—to investigate visibility, fragmentation, and ancestral memory. Rooted in Gloria Anzaldúa’s frameworks of la herida abierta and nepantla, José Esteban Muñoz’s concepts of disidentification and queer futurity, and bell …

Covered In Snow, Katelynn M. Rogers

Masters Theses

Covered in Snow is a photographic exploration into the ripple effect of maternal loss and environmental decay in my hometown of Canton, Ohio. In the wake of a miscarriage, the woods I had grown up within began calling to me, urging me to return. Unbeknownst to me, a series of accidental deaths of women had been happening throughout these trees my entire life, their stories only coming to the surface as I looked to the trees for solace. This series of inexplicable deaths in the woods I so desperately loved began to alter my relationship to the trees, a distrust …

Fervor, Tam C. Stockton

Masters Theses

As with the light that spills from the excitement of a flame, the ideas explored within the writings of Fervor emerged as the luminous flickering of those energies which arise in spaces of worship and belief, and their image. These writings shift and contort, suggesting the necessity for a constant renegotiation of sight, casting shadows of uncertainty that seem to move of their own volition. Rather than attempt to suggest a definitive understanding of the image and its relations, this work has embraced the fragmentary nature of the photographs from which it emerges. Taking the form of an artist's dictionary, …

The Blue Below Still Breathes, Yiyi Wang

Masters Theses

The Blue Below Still Breathes explores disappearance transformation rather than loss—a shift in visibility that reveals the pressures, absences, and structures shaping perception. Across interactive installations and print works, I examine how power operates through omission, fragility, and formal control. At the heart of this practice is printmaking, reimagined as a responsive, impermanent medium that challenges its historical association with fixedness.

The thesis installation features a 5x5 grid of thermochromic screenprints of a concrete wall, where viewer proximity activates a randomized sequence of heating panels. As heat raises the temperature of the surface, a field of blue gradually emerges, breaking …

The Navel Of The Dream, Ella C. Baum

Masters Theses

The images in The Navel of the Dream evoke a state of groundlessness. In this body of work, photographs act as thresholds between what is seen and what is felt, between daydreams and nightmares, and memories and myths. The camera is used as a means to engage with feelings of loss, and reenact the mythos of childhood, as well as the deep waters of the subconscious.

Created in Southern Sweden between 2022 and 2025, these photographs investigate the fallow winter landscape, the liminal space of deep, dark Scandinavian nights and the transformative qualities of ice, snow and …

Silent Veins, Yinghan Zhang

Masters Theses

My art is founded on the scholar stones in my home in China. These are rocks once collected by ancient scholars and poets, who admired their natural forms for their aesthetic beauty and philosophical qualities. These silent creations of nature are at the heart of my creative inspiration. They serve as spiritual vessels, connecting natural philosophy with personal memory. I listen to the whispers of time within the textures of stone and paper through the contemporary expression of traditional techniques such as rubbing and water-based woodcut, allowing otherwise silent materials to speak a language spanning centuries. In this thesis, Silent …

Field Journal: The Excluded Middle, Carrie E. Kouts

Masters Theses

What does it look like to engage with organisms and landscapes at the periphery of anthropocentric value structures? How does one break the internalized myth that the “built” environment is excluded from the natural world? When does a hyper-mobile and hyper-commodified society confront the exponential crisis of animal death? Within this series of journal entries, field notes, collection observations, weird prose, and sensory musings, one will find questions on the nature of being human and the complex narratives of care we encounter in a world shared with more-than-humans. Each handwritten vignette and photograph from daily life weaves a non-linear and …

Transplant Transplant(Ed) Transplant(Ing), So Jung Yoon

Masters Theses

Boundaries shape our lives and identities. The tangible presence of boundaries becomes a medium for engaging with the world—such as who occupies a space and how, or what tools are deemed valid in a design process. These boundaries aren’t always visible; they’re embedded in systems, habits, and assumptions that shape how we move, create, and are recognized. They extend far beyond fixed geographies and the specific positions we occupy within them.

Transplanting is the process by which things are moved or move across boundaries in hopes of being planted, finding a place to stay. Though it can be a search …

For The Time Beings, Tori Hong

Masters Theses

For the Time Beings is a socially engaged installation and artist book exploring the material consequences and future possibilities of sociocultural time theories. Time, in the West, is typically associated with Newtonian linearity, while in the East, time theory relies on Buddhist principles. These epistemologies reinforce hierarchical and patriarchal structures. Centered on Indigenous Asian and Asian American perspectives, For the Time Beings challenges dominant ideologies of existing in time and space.

For nearly a year, I’ve burned handwritten prayers on new and full moons. The ashes of these prayers are incorporated into reverential drawings of chosen ancestors, made with charcoal …

The Portals: Jewelry As A Site Of Escape And Solace, Jung Ki Min

Masters Theses

This thesis investigates jewelry as a medium for emotional escape and psychological refuge, offering multisensory alternative forms of escapism. Rooted in personal experiences of continuous change and instability, the work explores how imagined spaces—constructed through AI-generated and digitally assisted visuals and layered material processes—can serve as intimate sanctuaries. Drawing from psychological theories, surrealism, and escapism, the study positions jewelry as a portable interface that enables temporary retreat without full detachment from reality. The series of work, which integrates transparent acrylic, visual layering, and subtle dimensionality, materializes these imagined spaces into wearable forms. These pieces invite reflective engagement, allowing wearers to …

Mapping Our Tears: Risd Cry, Yimiao Wang

Masters Theses

RISD CRY is a participatory project empowering the RISD community to share their experiences of emotional vulnerability. The project includes physical sign-in forms in campus facilities, a Google Doc sign-in form, illustrations of participants’ comments, and an online campus map where individuals can mark where they have cried. This multi-format engagement fosters community connection, challenges the stigma surrounding emotional expression, and provides a platform for solidarity among individuals facing stress and burnout.

Beyond its tactical goals, RISD CRY also interrogates the cultural frameworks through which emotional struggle is perceived and processed. It critiques the institutional impulse to measure, diagnose, and …

Gesture And Trace, Luisa M. Heindl

Masters Theses

I approach type as both gesture and trace: something made and something read, impulse and afterimage, formed through action, reception, and reuse.

My work focuses on the smallest components of written narratives: the shapes that form and encase letters, and the typography that enhances the emotional and cultural resonance of text. I explore how type and language encode meaning through various lenses, whether through the ideological ‘freight’ of reviving or using historical styles, the emotional charge of certain forms, the possibilities of variable font technology, or the curated (and sometimes instrumentalized) narratives embedded in nostalgic-feeling visual trends.

Typographic expression embodies …

I Don't Want To Talk About It, Margaryta Winkler

Masters Theses

This thesis is a contradiction. It is an attempt to verbalize what words can’t capture. It asks what is lost, what is gained and what can only be said when nothing is said at all. It is a love letter to wordless visual narratives. Drawing on the work of animators and illustrators like Gints Zilbalodis, Don Herzfeldt, Shaun Tan and Sophie Burrows, as well as the author’s own explorations, it looks at the risks and rewards of wordless storytelling. It is about silence, but not absence. It is about images that refuse to be reduced to captions and stories that …

The Dialectic Of Airless Space, Ophelia Arc

Masters Theses

The Dialectic of Airless Space is a cumulative, cross-disciplinary research project that explores ‘airless space’ as a somatic and psychological condition shaped by institutional environments. Unfolding over time through five interrelated books, the project weaves together writing, ephemera, textile sculpture, and drawing to archive the invisible architectures of bodily and mental experience.

Ib-Adat, Anum Naseer

Masters Theses

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