Digital Commons Network^™

Pro Rege Chr. Brass Band: A Century Of Sound, Jonathan T.J. Henneveld

Dissertations

The Christian Brass Band Pro Rege of Heerenveen, The Netherlands, celebrated its one hundredth birthday in 2024. As one of the most prominent community-based brass bands in the region, Pro Rege is part of a Dutch wind ensemble tradition that goes largely undocumented. While they and other bands like them function as cultural and educational institutions, academic literature remains limited, almost ignoring them completely. This dissertation wishes to address this oversight by providing an historical study of the brass band from its establishment in 1924 to the present day.

Starting out in the Dutch ensemble tradition of the Fanfare band, …

The Interpretation And Historical Performance Practices Of Black Choral Music: The Spiritual And Gospel Music, A Comparative Study, Travis Terrence Kornegay

Dissertations

African American spirituals and gospel music are two foundational folk traditions that have profoundly shaped the American musical landscape and continue to influence cultural identity and sacred expression. Emerging from the resilience and faith of enslaved African Americans, spirituals often carried coded messages of liberation. Meanwhile, gospel music developed in the early twentieth-century urban Black church, blending elements of spirituals, blues, and jazz to communicate collective and personal religious experiences. Although linked by shared cultural lineage, the genres diverge in their historical development, linguistic expression, and performance practices, necessitating comparative scholarly inquiry. This dissertation investigates the similarities and key differences …

Teaching Students Who Have Been Identified With Autism In The Private Piano Teaching Studio: An Application Of General Music Resources And Interviews With Specialists In The Field, Joy Parker

Dissertations

This dissertation is a practical resource for private piano teachers seeking to gain a better understanding of teaching students with autism. Resources used in general music instruction of students with autism were consulted, and relevant information was adapted for the private piano setting. Additionally, resources that are tailored to private piano teaching of students with an identified disability were consulted.

Interviews with three individuals who have experience working with individuals with autism were conducted, and methods and strategies that they found to be most successful were ascertained. One of the interviewees was Dr. Derek Polischuk, Professor of Piano and Director …

An Application Of Vocal Pedagogy For Thai Singers, Phitchaya Klimov

Dissertations

Vocal pedagogy incorporates diverse techniques and methodologies that aim to maintain longevity of the voice and to improve vocal performance, range, and tone. While vocal pedagogy has been extensively studied in Western music traditions, its application in the context of Thai singers remains unfamiliar. This dissertation will investigate the application of vocal pedagogy for Thai singers, with a focus on understanding the unique challenges faced by them. It will outline pedagogical approaches to address these challenges and will therefore lead to more authentic performances. “Complete mastery of the voice as an instrument is an idea toward which every singer must …

El Salvador’S Cultural Memory And María De Baratta’S Piano Music: Kushkatan, Nahualismo, And The Representation Of Indigeneity, Alejandro Jose Arroyo Alberto

Dissertations

Following independence from the Viceroyalty of New Spain between 1821 and 1823, the United Provinces of Central America entered a period of cultural redefinition, as emerging national frameworks sought to integrate diverse ethnic and historical legacies. After a century, in early twentieth-century El Salvador, a revival of Kushkatan—a pre-Hispanic Indigenous territory within present-day El Salvador—gained symbolic traction among intellectual elites during a politically volatile era marked by social upheaval and cultural realignment. Within this historical context, Cuzcatlán Típico (1951) by María de Baratta, published by the Ministry of Culture, stands as the first ethnomusicological study dedicated to Indigenous music in …

The Inheritance And Breakthrough Of Twentieth-Century Harpsichord Music: Stylistic Analysis And Performance Guide Of Selected Works, Hanguang Wang

Dissertations

The twentieth century saw a notable revival of early music, with the harpsichord, one of the key instruments in this movement, gradually gaining attention as a vehicle for new compositions. However, most research still focuses primarily on early music, leaving the phenomenon and specific works of modern harpsichord music underexplored, despite the substantial body of compositions it has inspired.

This dissertation traces the development of harpsichord music across four historical periods, while also examining the stylistic and technical shifts in compositions from the eighteenth to the twentieth centuries. By analyzing Bohuslav Martinů’s Deux Pièces pour Clavecin, H. 244, and …

The Application Of Thai Classical Fiddle Techniques For Cello, Athita Kuankachorn

Dissertations

While non-Western cultural influences have become increasingly more prominent in contemporary cello compositions, Thai classical fiddles—saw duang, saw u, and saw sam sai—which are integral to Thai music tradition, have yet to be fully explored or incorporated into cello works. The complexity of the Thai pitch system, diverse performance practices, and the reliance on oral tradition, which limits written resources, pose challenges to integrating Thai fiddle elements into cross-cultural compositions.

This research examines Thai classical fiddle techniques through a bi-musical approach. Among the diverse practices, the Vorayot Seventeen-Microtone Theory, developed by esteemed fiddle Master Vorayot Suksaichon, …

Rethinking Jazz Education In The Digital Age, Matthew Ryan York

Dissertations

Many resources for jazz educators and students are readily available online for free. With consistent video content and online platform growth across the globe, jazz educators are called upon to engage within this digital discourse. Additionally, they must find new ways of adopting these resources and administer them within their curriculum. How can educators effectively utilize online video resources within their curriculum without altering the existing course offerings to match those of their music education degree counterparts? Almost ten years ago research showed that “streaming from Netflix and YouTube accounted for 50 percent of all North America fixed network data” …

A Compendium Of Three Musical Works Inspired By The African American Experience: Recordings, Commentary, And Pedagogical Observations, Edward W. Hardy

Dissertations

This dissertation focuses on three of my musical compositions inspired by Wade in the Water, Billie Holiday, and Margaret Walker respectively: Evolution (for solo violin, 2016), Strange Fruit (arranged for string quartet, 2020), and Born Free (for voice, violin, and piano, 2022). From the perspective of a classical composer-violinist, I created musical portraits that reflect America's pre-civil rights oppression, the celebration of the Harlem Renaissance, and the landscape of political, social, and economic experiences. This dissertation can also serve as a tool for various individuals: fellow violinists seeking modern techniques that bridge classical music to popular music, composers in search …

Musical Inspirations From Tang Court Dance Nichang Yuyi In Liu Qing’S Fantasia Of Chinese Ancient Dance For Two Pianos, Yuan Li

Dissertations

Dr. Liu Qing’s Fantasia of Chinese Ancient Dance for two pianos (2011) stands as a notable contemporary Chinese piano composition that reinterprets the renowned court dance suite Nichang Yuyi (the dance of Rainbow-Colored Feather Garment) from the 8th century Tang Dynasty China. Drawing inspiration from the structure and the musical modal languages of the Tang court dance, as well as the descriptions from Tang poet Bai Juyi’s poem of Nichang, Liu Qing adeptly combined her knowledge of Chinese musical traditions with Western compositional techniques, introducing stylistic diversity to the piano duo scene through this captivating work of dance music. This …

Arturo Rodriguez: A Mexican Mosaic. A Discussion Of His Life And Selected Works, Jorge Gonzalez

Dissertations

Arturo Rodríguez (b. 1976) is a Mexican composer living in Los Angeles, California. His music has gained tremendous popularity in México within the last ten years and is being performed regularly by some of the most prestigious professional orchestras in México and abroad. One of the most interesting aspects of his career is that he writes music for both the concert hall and motion pictures. His compositional output is abundant and covers a variety of genres including music for symphony orchestra, chamber orchestra, chamber music, and piano. Rodríguez has focused on the art of symphonic composition for the past fifteen …

Peruvian Musical Elements In Selected Peruvian Piano Compositions By Duncker Lavalle, Ayarza De Morales, And E. Valcárcel Arze, Gonzalo Aguilar

Dissertations

This research paper focuses on Peruvian musical elements used by three Peruvian composers active in the twentieth century: Luis Duncker Lavalle (1874-1922), Rosa Mercedes Ayarza de Morales (1881-1969), and Edgar Valcárcel Arze (1932-2010). The analysis is centered upon three solo piano works: Duncker’s Leggenda Appassionata (published 1964), Ayarza’s Marinera y Resbalosa (n.d.), and Valcárcel’s Cuatro Piezas Infantiles (1963). These composers represent a cross section, not only chronologically, but also geographically. Relevant Peruvian traditional music (such as mestizo music; Arequipan yaraví; música criolla: marinera, zamacueca; cueca chilena; as well as music of Cuzco and Puno—including from …

The Ballybriar Heist: An Original Composition And The Incorporation Of Folk Music And Tintinnabuli Influences, Conor Darling Mulroy

Dissertations

The Ballybriar Heist is a thirty-eight minute five-movement piece for symphony orchestra. It is based on a condensed version of the short story “The Ballybriar Heist.” The music draws influence from a variety of sources. Through analyzing folk music and seeing its influence in concert hall compositions throughout the nineteenth and twentieth centuries, one sees how these folk traditions evolved and were incorporated into concert hall music. Composers collected and transcribed folk music, giving them new ways to approach composition. Examining the music and performance practice of traditional Irish music shows how these traditions and performances influenced composers’ writing as …

Influences Of Chinese Cultural Traditions On Piano Music By Chinese Composers: Analytical Study Of Representative Piano Works Through 1980, With Pedagogical And Performance Considerations, Zhipeng Li

Dissertations

Since the Western piano music culture entered China, Chinese musicians have never stopped exploring the piano. The piano compositions grew up with the new China and have been influenced by different historical periods, from the earliest imitation of Western music structure and harmony, to the later incorporation of Chinese folk music, and finally to the bold fusion of Chinese and Western composition techniques into a Chinese style piano music. The development of Chinese piano music has been recognized by the world in the last one hundred years. More and more musicians are interested in Chinese piano works. Understanding Chinese piano …

Yellow River Piano Concerto: A Synthesis Of Western And Chinese Characteristics, Jiahe Liu

Dissertations

The Yellow River Piano Concerto is a valuable addition to the piano concerto repertoire for both historical and theoretical reasons. It has been performed frequently by Chinese pianists on many important occasions, such as National Day Concerts, New Year Concerts, and Spring Festival Galas. The Concerto is not only standard repertoire on Chinese stages, but it is also performed and recorded by leading international orchestras, such as the Slovak Radio Symphony Orchestra, Philadelphia Orchestra, and New Zealand Symphony Orchestra. One of the possible reasons that made this Concerto successful is that it combines characteristics of Chinese and Western cultures. The …

Consequential Saints: A Preliminary Study Of Jazz And Religion In New Orleans, David Baker

Dissertations

The moral ecosystem of New Orleans at the beginning of the twentieth century offers a unique opportunity for jazz to function and be observed beyond positivist definitions of music. The common narrative often cites religion and morality as peripherally influencing factors in the development of jazz but frequently disregards the impact of New Orleans’ atypical religious milieu and its influence on local culture. While recent research exists that studies the nuanced role of identity, phenomenology, and culture in shaping early jazz, the influence of New Orleans’ unusual form of morality and religion is subsequently ignored. Understanding the birth of jazz …

Authenticity And Practicality: Evaluating And Performing Multicultural Choral Music, Jesse Noote

Dissertations

Many choral music educators believe that multicultural music is a vital part of any choral curriculum. However, the research shows that these same choral directors are reluctant to select multicultural octavos because they lack training in non-Western music, which prevents them from effectively teaching and performing this music authentically. The purpose of this dissertation is to equip choral directors with the necessary tools for bridging the gap between desiring to perform and actually performing multicultural octavos.

Six authors have provided authenticity checklists that are designed to help music educators evaluate and perform multicultural music. This research synthesizes those lists to …

An Analysis Of Western Art Music Arrangements For Steel Pan Chamber Ensemble, Ian Meiman

Dissertations

This dissertation is an analysis of western art music arrangements for steel pan chamber ensembles. Specifically, this dissertation will analyze how certain arrangers have adapted western art music for steel pan chamber ensemble while discussing the possible methods the arranger used to create this adaptation. The analysis will observe the melodic, harmonic, rhythmic, and other significant alterations made in the steel pan chamber arrangement, and discuss any changes made, whether due to the adaptation of the instruments or otherwise, from the original works. The dissertation will also include a brief historical discussion on western art music’s influence of early steel …

Traditional Irish Musical Elements In The Solo-Piano Music Of Ryan Molloy, Brian Thomas Murphy

Dissertations

Music in Ireland has become increasingly popular in recent decades. There is no shortage of Irish musical groups, recordings, and live performances featuring Irish music both in Ireland and abroad. Contemporary art music in Ireland has also seen an increase in support and notoriety. Irish composers face a decision of how, if at all, to engage with traditional folk music that is so prominent in their culture. Ryan Molloy (b. 1983 in Pomeroy, County Tyrone, Northern Ireland) is a composer and performer who incorporates elements of traditional Irish music in the context and in the language of modern art music. …

Cowboy Art Song: A Contextual And Musical Analysis Of Libby Larsen's "Cowboy Songs", Ann Gabrielle Richardson

Dissertations

This dissertation sprang from a combination of two personal interests: cowboy culture and classical art song. The union of my cowgirl heritage with my career as a classical vocalist has long fueled an interest in a particular niche of repertoire: soprano art song with thematic connections to the North American cowboy. A conducted state of research reveals no scholarly literature exploring this specific topic. Libby Larsen’s collection, Cowboy Songs, fulfills the aforementioned niche, successfully capturing the spirit, musical idioms, and cultural themes of the North American cowboy.

Chapter I lays a contextual foundation for cowboy song, providing a catalogue …

Worship Music As Spiritual Identity: An Examination Of Music In The Liturgy Among Black And White Adventists In The United States From 1840 To 1944, David A. Williams

Dissertations

The Topic

This study examined Black and White Seventh-day Adventist music in the liturgy in the United States from 1840 to 1944. Little scholarly attention has been given to the development of Adventist liturgical practice, the function of music in the liturgy, and the effect of music upon the spiritual identity. This study utilized liturgical history, ritual studies, musicology, and liturgical theology to derive and compare the spiritual identity fostered through music in the liturgy by these ethnic groups. This study considered both the shared and distinct spiritual identities of Black and White Adventists, as cultivated by the music in …

The Idiosyncratic Language Of Brazilian Music: Strategies For Performing Villa-Lobos Choros No. 10, Dennis Paz Leoni

Dissertations

Heitor Villa-Lobos’ Choros No. 10 is a composition with many cultural and symbolic inclusions. This work seeks to support a conductor’s informed performance of the piece by providing historical and technical context from the conductor’s life and influences. The first section examines the ethnographic and sociopolitical factors in Brazil during the conductor’s life, and then the personal influences on Villa-Lobos’ career, in order to establish the foundation for a section-by-section analysis of the work which illuminates the idiosyncratic nature of the composer’s masterpiece.

Research Practices Of Music Educators: A Review Of The Journal Of Research In Music Education, Clifton Brent Mcreynolds

Dissertations

Music Education researchers face the same challenge of producing valid, reliable, and thorough work as any field in education. A content analysis was conducted on the Journal of Research in Music Education from 2011-2016 to determine what research trends were occurring and whether or not those trends are continuations of existing literature. Investigation included distributions of research designs as well as the four components Crotty recommended for quality research. Findings supported previous research indicating more qualitative studies within the journal. Also, for those articles having three or four of Crotty’s components, qualitative coding of these components were categorized into constructive-where …

Exploring Three Colombian-Andean Folk Style (Danza, Pasillo, And Bambuco): An Analysis And Arrangement Of Three Colombian Pieces For Flute And Piano, Jesus Castro Turriago

Dissertations

This dissertation contains an analysis, comparison, and transcription of three Colombian pieces for flute and piano, written by composers of three different styles of folk music: pasillo, bambuco, and danza. An understanding of the historical context of these Colombian musical genres, and comparison of these instrumental pieces for flute and piano to those of other Colombian composers, informed my subsequent transcription and edition. The selected musical material comprises Bandolita, a pasillo composed by Luis Uribe Bueno, Bambuquísimo, a bambuco by Leon Cardona, and Adiós a Bogotá, a danza by Luis Antonio Calvo.

A Study Of Selected Taiwanese Pedagogical Solo Piano Music Of The Twentieth Century, Hsun-Yin Chang

Dissertations

Sonatinas and folk music are often used for pedagogical purposes because of their short structure and simpler technique. Beginning in the nineteenth century, the Sonatina became one of the prevailing genres in piano music written by a variety classical composers that included Clementi, Kuhlau, and Diabelli. Other classical composers such as Bartók and Kodály developed a strong interest in collecting folk music, which they incorporated into their compositions. Taiwanese composers did likewise; they used the Chinese pentatonic and heptatonic scales and other native Taiwanese and Chinese folk elements, and combined these ideas with western compositional materials to create a unique …

Choral Theatre, Albert Joseph Wolfe Jr.

Dissertations

Jamaica gained its independence from Great Britain in 1962, after some 300 years of colonization. Prior to Independence, the standard arts education curriculum was decidedly British and Western European. That which was labeled Caribbean or Jamaican “folk” by the British was deemed inferior and was not taught, demonstrated, or performed in formal settings. Thus, generations of Jamaicans never observed or imagined a Caribbean aesthetic in the visual and performing arts. Instead, pre-Independence Jamaicans were taught British and Western European music and performed it the “British” way.

Today, Jamaicans boast a number of artistic developments that are instantly recognized across the …

Developing A Rhythmic Vocabulary: Exercises Derived From The West African Influence On Jazz, Brian Anthony Rodesch

Dissertations

Rhythm is largely noted as a defining characteristic of jazz, yet as jazz education has gained a more prominent role in higher education, course time and materials dedicated to rhythmic training remain scarce. As previous research has demonstrated, there is an abundance of resources and methods that emphasize harmonic elements, focusing largely on chord/scale relationships; this prevalence of materials dedicated to harmony only serves to highlight the paucity of resources related to rhythm. This study seeks to develop exercises that can supplement harmonic exercises and concepts to aid educators and performers in gaining a broader understanding of rhythm, while bolstering …

A Jamaican Voice: The Choral Music Of Noel Dexter, Desmond A. Moulton

Dissertations

As we approach the twenty-first century, the world generally is moving away from the dominance of the European aesthetic towards a world music that owes much to the musical resources of the African-American tradition. Jamaica’s social and philosophical music belong mainly to that tradition, which includes the use of rhythms, and timbral and melodic resources that exist independently of harmony. Already in this century, Jamaicans have created two totally new music - Nyabinghi, which performs a philosophical function and Reggae, which performs a social function. The choral music of Noel Dexter is important because it is uniquely Jamaican/Caribbean in its …

Beyond Harmony: Incorporating Rhythmic Elements Of Jazz Improvisation Through Pedagogy And Curriculum, Jonathan M. Campbell

Dissertations

Jazz studies programs have become established within the realm of formal education systems and currently play an increasingly important role in the development of jazz education as well as providing means for jazz students to study improvisation. Among the array of college-level jazz courses such as jazz history, jazz arranging and composition, jazz theory, and jazz ensembles, jazz improvisation sequences are often the focal point within jazz programs. However, as previous researchers have pointed out, jazz improvisation pedagogy is almost exclusively focused on chord/scale systems and harmonic based elements of improvisation. This has led to a pedagogical model that neglects …

A Pedagogical Guide To Roberto Carpio's Music For Solo Piano, Pablo Ernesto Sotomayor Kamiyama

Dissertations

The purpose of this document, targeted to an international audience of pianists, is to present the solo piano music of the Peruvian composer Roberto Carpio (1900-1986). While most of Carpio’s compositions are scored for solo piano, he also composed lieder, choral pieces, and a few string chamber music works. A pianistic analysis of his keyboard output reveals a relative modesty of technical requirements, which makes his pieces suitable for pianists in their formative years. Notwithstanding the technical simplicity, Carpio’s piano music shows a remarkable musical creativity and an interest to combine elements derived from traditional Peruvian music with early twentieth-century …