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CLCWeb: Comparative Literature and Culture

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Ambiguity Now, Martin Harrison Dec 2010

Ambiguity Now, Martin Harrison

CLCWeb: Comparative Literature and Culture

In his article "Ambiguity Now" Martin Harrison focuses on the pivotal place which modernist critical theory ascribed to ambiguity in the definition of meaning and structure in poetry. In particular, Harrison considers the way in which the category of experience is deployed in the discourse of ambiguity but is limited to only certain narratives of so-called experience. Harrison argues for a contemporary practice less focused on ambiguity and more on notation and provisional structure, demonstrating key elements of such practice in the work of modern poets Leslie Scalapino and Frank Bidart and the poet-artist Alex Selenitsch.


Ambiguity, The Artist, The Masses, And The "Double Nature" Of Language, Elizabeth Rechniewski Dec 2010

Ambiguity, The Artist, The Masses, And The "Double Nature" Of Language, Elizabeth Rechniewski

CLCWeb: Comparative Literature and Culture

In her article "Ambiguity, the Artist, the Masses, and the 'Double Nature' of Language" Elizabeth Rechniewski discusses the function of the European intellectual elite through a close reading of two very different yet related books, John Carey's The Intellectuals and the Masses, and Pierre Bourdieu's Les Règles de l'art. Through a contrapuntal reading of the arguments of these two critics, she argues that Symbolist experiments may actually be read as reactionist; in celebrating art's supposed conquest of independence and refinement, they are replete with nostalgia for a time when the artist and the intellectual were able to ignore the pressure …


Silence, The Utmost In Ambiguity, Mario Perniola Dec 2010

Silence, The Utmost In Ambiguity, Mario Perniola

CLCWeb: Comparative Literature and Culture

In his article "Silence, the Utmost in Ambiguity" Mario Perniola presents a historical perspective on the meanings and development of the term "ambiguity" from ancient Greek to the modern age. Perniola's perspective is not a review of different approaches and schools of thought; instead, he presents an alternative philosophical and aesthetic discourse he counter-poses to modern and contemporary cultural positions which he considers useful in order to explain the state of today's art and intellectual discourse. Perniola does so by stressing the significance of silence as the aesthetic attitude that combines contemplation and action. Drawing on the work of Pascal …


Disambiguating The Sublime And The Historicity Of The Concept, Vrasidas Karalis Dec 2010

Disambiguating The Sublime And The Historicity Of The Concept, Vrasidas Karalis

CLCWeb: Comparative Literature and Culture

In his article "Disambiguating the Sublime and the Historicity of the Concept" Vrasidas Karalis explores the notion of sublime or sublimity as the field of colliding signifiers and of experiential frameworks in conflict. Instead of treating the traditional notion as a structural element of style of ideology, he analyses it from the point of its contextual validation and its very historicity: what makes sublimity emerge is the extra-lingual unease, the existential dysphoria of the world outside the text, as refracted through specific works of art. Such dysphoria is expressed through ungrammatical language or/and through the attempt in specific moments in …


On Ambidextrousness, Or, What Is An Innovative Action?, Brett Neilson Dec 2010

On Ambidextrousness, Or, What Is An Innovative Action?, Brett Neilson

CLCWeb: Comparative Literature and Culture

In his article "On the Ambiguity of Ambidextrousness, or, What is an Innovative Action?" Brett Neilson explores the significance of the fact that the technical equality of the hands is realized above all in the act of manual labor, revisiting an influential essay by Robert Hertz, a student of Emile Durkheim and associate of Marcel Mauss, published in 1909 and entitled "The Pre-Eminence of the Right Hand." In his text, Hertz argued that the basic spatial distinction between the left and right hand acquires the polarity of a social hierarchy owing not to the physiology or psychology of motor asymmetry …


Ambiguity, The Literary, And Close Reading, David G. Brooks Dec 2010

Ambiguity, The Literary, And Close Reading, David G. Brooks

CLCWeb: Comparative Literature and Culture

In his article "Ambiguity, the Literary, and Close Reading" David G. Brooks approaches the matter of literary ambiguity from two directions: firstly by presenting the question of what we might learn if we look at ambiguity not so much from the angle of the author as that of the reader, a question which may appear obvious and inoffensive on the surface, but which becomes intricate and captivating as Brooks, arguing that literary ambiguity cannot be discussed without attention to the idea of close reading, peels layer upon layer of commonsensical assumptions away from reading practice, to arrive at the point …


A Consilient Science And Humanities In Mcewan's Enduring Love, Curtis D. Carbonell Sep 2010

A Consilient Science And Humanities In Mcewan's Enduring Love, Curtis D. Carbonell

CLCWeb: Comparative Literature and Culture

In his article "A Consilient Science and the Humanities in McEwan's Enduring Love" Curtis D. Carbonell provides a reading of a Third Culture novel that foregrounds the relationship of the sciences and the humanities. In Ian McEwan's novel we see a perfect example of how literary thinkers are listening to the world of science and speaking to it in return. This article responds to Stephen Greenberg's ideas about how Neo-Darwinian themes in the novel point to social themes by arguing that what underlies both of these is a deeper structure: the tension between C.P. Snow's Two Cultures, which is only …


The Stereotyped Image Of Christ In Villiers's "Les Amants De Tolède", Graciela Susana Boruszko Sep 2010

The Stereotyped Image Of Christ In Villiers's "Les Amants De Tolède", Graciela Susana Boruszko

CLCWeb: Comparative Literature and Culture

In her article "The Stereotyped Image of Christ in Villiers's 'Les Amants de Tolède'" Graciela Susana Boruszko discusses images in Auguste Villiers de l'Isle-Adam's text. The embedding of icons of foreign cultures, histories, and religions into a literary narrative results in a work of art enriched by the images fashioned by the "foreign eye." The narrative strategy of Villiers creates a kaleidoscopic representation of themes and images that merge the fields of religion, literature and history. These themes and images — transposed into the domain of littérature fantastique — follow the initiation of the reader to a supernatural world that …


Erotic Mourning And Post-Traumatic Sexual Desire, Gila G. Ashtor Sep 2010

Erotic Mourning And Post-Traumatic Sexual Desire, Gila G. Ashtor

CLCWeb: Comparative Literature and Culture

In her article, "Erotic Mourning and Post-traumatic Sexual Desire" Gila Ashtor investigates the ways Dave Eggers's A Heartbreaking Work of Staggering Genius 2000 memoir contains an alternative logic of affectivity that locates possibilities for mourning in the ambivalent directionalities of post-traumatic sexual desire. Ashtor links dominant conceptualizations of post-traumatic working-through and regimes of heteronormative sexual reproductivity in order to argue that Eggers's self-exhibitionistic spectacle of failed post-traumatic healing, precisely as a drama of undoing that replaces the cumulative acquisition of psychic cohesion with survival incoherent gestures, produces a version of what this paper will call "radical mourning." To particularize the …


Gender In Winterson's Sexing The Cherry, Paul Kintzele Sep 2010

Gender In Winterson's Sexing The Cherry, Paul Kintzele

CLCWeb: Comparative Literature and Culture

In his article "Gender in Winterson's Sexing the Cherry" Paul Kintzele examines the ways in which Jeanette Winterson's 1989 novel explores and critiques aspects of gender and sexuality. While acknowledging the importance of the performance theory of gender that derives from the work of Judith Butler, Kintzele contends that such an approach must be complemented with a psychoanalytic approach that insists on a particular distinction between sex and gender. Although some scholars map the sex/gender distinction onto the perennial nature/nurture binary and thus reduce sex to biology or anatomy, scholars of psychoanalysis such as Joan Copjec and Charles Shepherdson, read …


Nationhood And Women In Postcolonial African Literature, Elda Hungwe, Chipo Hungwe Sep 2010

Nationhood And Women In Postcolonial African Literature, Elda Hungwe, Chipo Hungwe

CLCWeb: Comparative Literature and Culture

In their article "Nationhood and Women in Postcolonial African Literature" Elda Hungwe and Chipo Hungwe, through an analysis of Pepetela's Mayombe, Achebe's Anthills of the Savannah, and Ngugi's Petals of Blood discuss nationhood and nation in postcolonial African literature within the framework of the postcolonial theory. Postcolonial theory negates master narratives of nation and nationhood, hence it deconstructs such narratives as problematic. Hungwe and Hungwe discuss problems associated with definitions of nation where groups or members are peripheralized. While Hungwe and Hungwe acknowledge that nationalism served a critical role during decolonization, their conclusion is that in postcolonial Africa notions of …


About Intermedialities: A Review Article Of New Work By Paech And Schröter, Chapple And Kattenbelt, And Ellerström, Arno Gimber, Asunción López-Varela Azcárate Sep 2010

About Intermedialities: A Review Article Of New Work By Paech And Schröter, Chapple And Kattenbelt, And Ellerström, Arno Gimber, Asunción López-Varela Azcárate

CLCWeb: Comparative Literature and Culture

No abstract provided.


Modernity In Márquez And Feminism In Ousmane, Geetha Ramanathan Jun 2010

Modernity In Márquez And Feminism In Ousmane, Geetha Ramanathan

CLCWeb: Comparative Literature and Culture

In her article "Modernity in Márquez and Feminism in Ousmane" Geetha Ramanathan analyzes Gabriel García Márquez's One Hundred Years of Solitude and Sembène Ousmane's God's Bits of Wood. Ramanthan argues that if Márquez presents the semblance of the signs of modernity as fantasy and delusion, Ousmane's investment in the train as an instrument of the future in realist terms seems to challenge the modernist dictum that imperialism can be challenged only through modernist decenterings and through tricking and trumping. Yet, Ousmane's refusal to engage in the hallucination of the modern in his novel offers us a version of modernity that …


Haitian Zombie, Myth, And Modern Identity, Kette Thomas Jun 2010

Haitian Zombie, Myth, And Modern Identity, Kette Thomas

CLCWeb: Comparative Literature and Culture

In her article "Haitian Zombie, Myth, and Modern Identity" Kette Thomas analyzes texts by Zora Neale Hurston, Alfred Metraux, and Wade Davis. In these narratives we are re-introduced to the zombie not as a metaphor for lost consciousness, but, rather, as a common system that replaces personal subjectivity with an influence alien to our natural development. The discourse on subjectivity has become a central focus in the modern era but attention to fiction in "third world" cultures is neglected because they are studied almost exclusively through historical, political, sociological, or anthropological lenses or because their collective identities leads scholars to …


Literary Studies From Hermeneutics To Media Culture Studies, Siegfried J. Schmidt Mar 2010

Literary Studies From Hermeneutics To Media Culture Studies, Siegfried J. Schmidt

CLCWeb: Comparative Literature and Culture

In his article "Literary Studies from Hermeneutics to Media Culture Studies" Siegfried J. Schmidt discusses aspects of hermeneutics, the systemic and empirical (contextual) approach to literature and culture, radical constructivism, and his postulates for the field of media culture studies. Schmidt describes his understanding of the transformation of literary studies towards media culture studies in the context of overall developments of society. His argumentation with regard to move from hermeneutics to media culture studies offers the postulate that research ought to be empirical and contextual in order to foster intuition, invention, innovation, and socially relevant scholarship. He concludes that the …


Anti-Nationalism In Scott's Old Mortality, Montserrat Martínez García Mar 2010

Anti-Nationalism In Scott's Old Mortality, Montserrat Martínez García

CLCWeb: Comparative Literature and Culture

In her article "Anti-Nationalism in Scott's Old Mortality," Montserrat Martínez García examines national identity through war in Walter Scott's Old Mortality in order to illustrate that war was one of the main catalysts of nationhood and show, simultaneously, the disparity between the institutional and the popular attitude toward war. Martínez García pays attention to the way Scott portrayed war and identity and to what extent this literary representation coincided with or faced the uniform ideology of nationalism. Based on the historical background of the seventeenth and nineteenth centuries, Martínez García analyses Scott's novel to uncover focus his narrative of cracks …


The Motif Of The Patient Wife In Muslim And Western Literature And Folklore, Mounira Monia Hejaiej Mar 2010

The Motif Of The Patient Wife In Muslim And Western Literature And Folklore, Mounira Monia Hejaiej

CLCWeb: Comparative Literature and Culture

In her article "The Motif of the Patient Wife in Muslim and Western Literature and Folklore" Munira Hejaiej examines the tale of modern Tunisian tale of "Sabra" told by women to an all female audience. Hejaiej's analysis includes some of the tale's analogues from various linguistic and cultural contexts, including readings of the medieval variant written in Chaucer's Canterbury Tales. She argues that the comparative analysis provides us with a broader scope of interpretive paths in order to deconstruct essentialized readings of the tale, on the one hand, and to challenge previously accepted conventional boundaries between cultures on the other. …


Bibliography Of Siegfried J. Schmidt's Publications, Agata Anna Lisiak, Steven Tötösy De Zepetnek Mar 2010

Bibliography Of Siegfried J. Schmidt's Publications, Agata Anna Lisiak, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.


Myth And History In The Poetry Of Osundare, Christopher Anyokwu Dec 2009

Myth And History In The Poetry Of Osundare, Christopher Anyokwu

CLCWeb: Comparative Literature and Culture

In his article "Myth and History in the Poetry of Osundare" Christopher Anyokwu examines the interrelation of myth and history from an African perspective. Anyokwu analyzes the poetry of one of Africa's most prolific and decorated contemporary poets, Niyi Osundare. Osundare is a third-generation Nigerian poet whose work is based on Yoruba oral tradition and informed by Marxist ideology. Osundare's poetry demonstrates the so-called "return-to-roots" neo-traditionalist ethos in modern African writing. Osundare's attitude to myth, ritual, and other African animist categories is intriguingly complex, ambivalent, and giving rise to charges of ideological irresolution and culturo-epistemic bifurcation. As a champion of …


Playwriting In Three Major Nigerian Languages, Isaiah Ilo Dec 2009

Playwriting In Three Major Nigerian Languages, Isaiah Ilo

CLCWeb: Comparative Literature and Culture

In his article, "Playwriting in Three Major Nigerian Languages" Isaiah Ilo analyzes the frequency of playwriting in Hausa, Igbo, and Yoruba, the three major Nigerian languages, which together hold about a half of the country's estimated population of 140 million. Ilo uses a case study to contrast the importance of the languages, their evolution as literary languages, and their official status with a role in education. Ilo locates the significance of these factors next to an inventory of the plays and a listing of the writers to demonstrate the neglect of the mother tongue by experienced Nigerian dramatists. The study …


The Role Of The Unconscious In Culture: A Review Article Of New Work By Green And Bainbridge, Radstone, Rustin, And Yates, Xiana Sotelo Dec 2009

The Role Of The Unconscious In Culture: A Review Article Of New Work By Green And Bainbridge, Radstone, Rustin, And Yates, Xiana Sotelo

CLCWeb: Comparative Literature and Culture

No abstract provided.


Speech Act Disagreement Among Young Women In Iran, Vahid Parvaresh, Abbas Eslami Rasekh Dec 2009

Speech Act Disagreement Among Young Women In Iran, Vahid Parvaresh, Abbas Eslami Rasekh

CLCWeb: Comparative Literature and Culture

In their article "Speech Act Disagreement among Young Women in Iran" Vahid Parvaresh and Abbas Eslami Rasekh investigate the effects of solidarity and deference proposed by Ronald Scollon and Suzanne Scollon on the ways in which young women in Iran perform the speech act of disagreement in their own language and culture. Their data has been analyzed using Geoffrey Leech's classification of illocutionary functions which is based on the social goal of establishing and maintaining comity. Special care has also been exercised to take the respondents' points of view into consideration. Parvaresh and Rasekh suggest that in a non-Western Islamic …


Indirect Discourse In German, Russian, And English, Henry Whittlesey Schroeder Dec 2009

Indirect Discourse In German, Russian, And English, Henry Whittlesey Schroeder

CLCWeb: Comparative Literature and Culture

In his article "Indirect Discourse in German, Russian, and English" Henry Whittlesey Schroeder analyzes the different tenses of indirect discourse in these three languages. Indirect discourse in the eighteenth and early nineteenth century adopts a different time in English, German and Russian. English indirect discourse reports in the preterit; German indirect discourse hovers in the subjunctive; Russian indirect discourse speaks in the present. The transposition of English indirect discourse allows the character's discourse to surface in a tense identical to the narration. Consequently, the character can corrupt the narration, undermining the narrator's narration and commentary on that narration. German indirect …


Innovation And Multimedia In The Poetry Of Cummings And Mayakovsky, Svetlana Nikitina Dec 2009

Innovation And Multimedia In The Poetry Of Cummings And Mayakovsky, Svetlana Nikitina

CLCWeb: Comparative Literature and Culture

In her article "Innovation and Multimedia in the Poetry of cummings and Mayakovsky" Svetlana Nikitina discusses how e.e. cummings and Vladimir Mayakovsky foreshadowed the digital revolution of today in their multimedia experiments in poetry. Although they spoke different languages and lived in different societies, the two modernist poets display similarities in their modernist aesthetics. Both are artists as well as poets who blur the line between the two forms of art. Their synesthesia inoculates them against postmodern disintegration of meaning or form. Although cummings is a staunch individualist, and Mayakovsky the tribune of the collective, they both rebel against traditional …


Necropolitics And Contemporary Hungarian Literature And Cinema, Ryan Michael Kehoe Dec 2009

Necropolitics And Contemporary Hungarian Literature And Cinema, Ryan Michael Kehoe

CLCWeb: Comparative Literature and Culture

In his article "Necropolitics and Contemporary Hungarian Literature and Cinema" Ryan Michael discusses aspects of the concept of necropower (Mbembe) applied to contemporary Hungarian literature and cinema. Kehoe argues that his analysis provides models of postcolonial "aesthetic acts" that disrupt, destabilize, and ultimately subvert the global regimes to which Achille Mbembe refers. Accordingly, Hungary's status as a postcolony is discussed within the context of Steven Tötösy de Zepetnek's and David Chioni Moore's contention that the parameters of postcolonial cultural analysis need to be expanded to account for Central and East Europe's transition out of the Soviet sphere of influence. Further, …


Variations On The Brazilian Orpheus Theme, Marília Scaff Rocha Ribeiro Sep 2009

Variations On The Brazilian Orpheus Theme, Marília Scaff Rocha Ribeiro

CLCWeb: Comparative Literature and Culture

In her paper, "Variations on the Brazilian Orpheus Theme," Marília Scaff Rocha Ribeiro discusses Vinícius de Moraes's play Orfeu da Conceição (1956) together with two of its filmic adaptations, namely Marcel Camus's Black Orpheus (1959) and Carlos Diegues's Orfeu (1999). Ribeiro's analysis is located in the context of the race debates of the second half of the twentieth century in Brazil. Ribeiro argues that the periodic resurfacing of a musician from the favelas as a special being who is able to chant and enchant speaks to the appeal both of popular music and of the thematic of race, issues that …


From Diaspora To Nomadic Identity In The Work Of Lispector And Felinto, Paula Jordão Sep 2009

From Diaspora To Nomadic Identity In The Work Of Lispector And Felinto, Paula Jordão

CLCWeb: Comparative Literature and Culture

In her article "From Diaspora to Nomadic Identity in the Work of Lispector and Felinto" Paula Jordão analyzes Clarice Lispector's A Hora da Estrela (1977; The Hour of the Star, Trans. Giovanni Pontiero, 1992) and Marilene Felinto's As Mulheres de Tijucopapo (1982; The Women of Tijucopapo, trans. Irene Matthews, 1994). Despite being stylistically different, Lispector's A Hora da Estrela and Felinto's As Mulheres de Tijucopapo depict protagonists who share the same social and ethnic background and diasporic identity as women from the Northeast of Brazil. A closer look at the narrative trajectory of these two main characters shows us that …


Undermining National Identities: A Review Article Of New Work By Gutiérrez Arranz And Barbeito, Feijóo, Figueroa, And Sacido, Montserrat Martínez García Jun 2009

Undermining National Identities: A Review Article Of New Work By Gutiérrez Arranz And Barbeito, Feijóo, Figueroa, And Sacido, Montserrat Martínez García

CLCWeb: Comparative Literature and Culture

No abstract provided.


Rewriting Space In Ruiz De Burton's Who Would Have Thought It?, Bernadine M. Hernandez Jun 2009

Rewriting Space In Ruiz De Burton's Who Would Have Thought It?, Bernadine M. Hernandez

CLCWeb: Comparative Literature and Culture

In her article "Rewriting Space in Ruiz de Burton's Who Would Have Thought It?" Bernadine M. Hernandez analyses María Amparo Ruiz de Burton's text in the context of Mexican American and US-American literary history. After the Treaty of Guadalupe Hidalgo was signed in 1848, the place where Mexicanos lived became contested space and land of these Native subjects were conquered, penetrated, and colonized without the hope of regaining power or agency over land, status, or space. This newly deemed "opened" space was reconstructed via a literary legal document written to benefit Anglo Americans. Language is tied to the historical process …


Bibliography For Work In Holocaust Studies, Agata Anna Lisiak, Louise O. Vasvári, Steven Tötösy De Zepetnek Mar 2009

Bibliography For Work In Holocaust Studies, Agata Anna Lisiak, Louise O. Vasvári, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

No abstract provided.