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Articles 631 - 660 of 1416
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Bibliography For Work In Ecocriticism, Zümre Gizem Yılmaz
Bibliography For Work In Ecocriticism, Zümre Gizem Yılmaz
CLCWeb: Comparative Literature and Culture
No abstract provided.
Motherhood And Sexuality In Flaubert's Madame Bovary, Amanda Kane Rooks
Motherhood And Sexuality In Flaubert's Madame Bovary, Amanda Kane Rooks
CLCWeb: Comparative Literature and Culture
In her article "Motherhood and Sexuality in Flaubert's Madame Bovary" Amanda Kane Rooks examines the narration of relationships in Gustave Flaubert's Madame Bovary between Emma's role as mother and her sexuality. Rooks argues that this narrative relationship provides a space where the association between the oppressions of motherhood and women's sexuality can be better understood. Further, Rooks posits that Flaubert's narrative condemns the nineteenth-century Western predilection for constructing a relationship of mutual exclusivity between motherhood and sexuality, while it exposes socially sanctioned performances of motherhood and sexuality as allied, perverse manifestations of the same repressive ideological system.
Trust-Based Learning And Its Importance In Intercultural Education, Clemens Seyfried
Trust-Based Learning And Its Importance In Intercultural Education, Clemens Seyfried
CLCWeb: Comparative Literature and Culture
In his article "Trust-Based Learning and Its Importance in Intercultural Education" Clemens Seyfried introduces the concept of "trust-based learning," an approach he developed for learning in an intercultural world and applied in primary and secondary education. The objective of the concept is the raising of opportunities students with (im)migrant background in education. Seyfried presents an overview of the educational situation of (im)migrants and ethnic minorities in the European Union with special focus on Austria, followed by a description of the said concept of trust-based learning including the results of a statistical survey conducted in Austria. The focus of the concept …
Translation As Relation And Glissant's Work, Sandra Bermann
Translation As Relation And Glissant's Work, Sandra Bermann
CLCWeb: Comparative Literature and Culture
In her article "Translation as Relation and Glissant's Work" Sandra Bermann proposes that in today's complex world of migration, war, and globalization, translation among languages and cultures is everywhere evident. Indeed, as citizens of the twenty-first century, we inevitably think in and through translation. Yet we have only begun to explore its contemporary modes of operation, its challenges, and its promise for study. Bermann suggests ways to think about translation — its difficulties, as well as its promise. Looking first to some traditional views of translation, Bermann then turns to particular ways in which it might be recast in terms …
Greenberg's Prose And Poetry About World War I, Chanita Goodblatt
Greenberg's Prose And Poetry About World War I, Chanita Goodblatt
CLCWeb: Comparative Literature and Culture
In her article "Greenberg's Prose and Poetry about World War I" Chanita Goodblatt analyzes the literary response of Uri Zvi Greenberg to the war. His volume of poetry Krieg oyf der Erd— largely untranslated to English — can be read as part of a multicultural literary response to World War I, particularly in juxtaposition with the poems of Wilfred Owen and Siegfried Sassoon. Goodblatt posits that a study of shared esthetic strategies and literary traditions underlines the way in which Greenberg created an "alienated wanderer" who witnesses and stands helpless in the face of the violence and destruction of …
Temporal Spaces In García Márquez's, Salih's, And Rushdie's Novels, Adrienne D. Vivian
Temporal Spaces In García Márquez's, Salih's, And Rushdie's Novels, Adrienne D. Vivian
CLCWeb: Comparative Literature and Culture
In her article "Temporal Spaces in García Márquez's, Salih's, and Rushdie's Novels" Adrienne D. Vivian discusses the significance of time in Gabriel García Márquez's One Hundred Years of Solitude, Tayeb Salih's Season of Migration to the North, and Salman Rushdie's Midnight's Children. While culturally distinct to one another, in each novel temporal space is narrated as a means to express and explore postcolonial identity. Vivian examines the connections between time and memory, history, and nation in each of the novels and the ways postcolonial authors use time as a device to mark the crossroads of precolonial past …
The Librarian In Rowling’S Harry Potter Series, Mary P. Freier
The Librarian In Rowling’S Harry Potter Series, Mary P. Freier
CLCWeb: Comparative Literature and Culture
In her article "The Librarian in Rowling's Harry Potter Series" Mary P. Freier discusses Hermione Granger's skills as a librarian and researcher which lead to the defeat of Lord Voldemort. In each novel in the series, Hermione's research provides the necessary information for the solving of the mystery. Throughout the series, Hermione proves to be the only character who can use books effectively without putting herself or others in danger. Hermione begins the series as a child who loves the library, but does not always know how to use it effectively, while Madam Pince begins the series as a stereotypical …
Conscience's De Leeuw Van Vlaanderen (The Lion Of Flanders) And Its Adaptation To Film By Claus, Gertjan Willems
Conscience's De Leeuw Van Vlaanderen (The Lion Of Flanders) And Its Adaptation To Film By Claus, Gertjan Willems
CLCWeb: Comparative Literature and Culture
In his article "Conscience's De Leeuw van Vlaanderen (The Lion of Flanders) and Its Adaptation to Film by Claus" Gertjan Willems discusses Hugo Claus's 1984 filmic adaptation of Hendrik Conscience's 1838 historical novel, a landmark in the history of the Flemish Movement. Willems's analysis is executed by means of a textual film analysis and archival research. Willems pays special attention to the Flemish-Dutch coproduction's complex relations with the national question. Despite various difficulties concerning Flemish nationalist sensitivities of the project, the producers wanted the film to be as faithful as possible to Conscience's novel. This resulted in an …
Marriage In The Short Stories Of Chekhov, Mark Richard Purves
Marriage In The Short Stories Of Chekhov, Mark Richard Purves
CLCWeb: Comparative Literature and Culture
In his article "Marriage in the Short Stories of Chekhov" Mark Richard Purves explores Anton Chekhov's often occurring depiction of marriage. Purves posits that Chekhov's depiction of the experience of marriage raises important ontological questions about the core features of family life such as what it means to be a husband, what it means to be a wife, and the degree of relatedness between them. Chekhov elaborates on what he sees as matrimony's central antinomy, namely that the wedding of one individual to another produces loneliness, an absence of intimacy, and a kind of alienation so acute it causes love …
Love And Marriage In The Work Of Abdul-Baki, Abu-Jaber, And Al-Razzaz, Qusai A.R. Al-Debyan, Shadi S. Neimneh
Love And Marriage In The Work Of Abdul-Baki, Abu-Jaber, And Al-Razzaz, Qusai A.R. Al-Debyan, Shadi S. Neimneh
CLCWeb: Comparative Literature and Culture
In their article "Love and Marriage in the Work of Abdul-Baki, Abu-Jaber, and al-Razzaz" Qusai A.R. Al-Debyan and Shadi S. Neimneh posit that love, marriage, and sexuality represent important aspects in Mu'nis al-Razzaz's 1997 novel Alive in the Dead Sea, Kathryn K. Abdul-Baki's 2000 novel Ghost Songs: A Palestinian Love Story, and Diana Abu-Jaber's 2003 short story "Madagascar." Issues of love, marriage, and sexuality in these texts suggest a rebellious attitude on the part of women protagonists against taboos of religion, politics, and sexuality and Abdul-Baki, Abu-Jaber, and al-Razzaz employ descriptions of sexual intimacy to reflect the social …
Time, Photography, And Optical Technology In Nabokov's Speak, Memory, Tetyana Lyaskovets
Time, Photography, And Optical Technology In Nabokov's Speak, Memory, Tetyana Lyaskovets
CLCWeb: Comparative Literature and Culture
In her article "Time, Photography, and Optical Technology in Nabokov's Speak, Memory" Tetyana Lyaskovets discusses how Vladimir Nabokov narrates time in his autobiography by invoking photography and optical instruments. Photography and optical technology function in Speak, Memory as metaphors and probe the limits of chronological time. Nabokov portrays time as personal and reversible time that collapses the past and the present and allows one to glimpse the future. Because this temporal collapse is not possible physically but, as Nabokov believes, can be achieved through one's will, he engages optical technologies which provide a spatial form for his project to …
Queering Masturbation In Lorde's Life And Writing, Eric Sipyinyu Njeng
Queering Masturbation In Lorde's Life And Writing, Eric Sipyinyu Njeng
CLCWeb: Comparative Literature and Culture
In his article "Queering Masturbation in Lorde's Life and Writing" Eric Sipyinyu Njeng discusses masturbation in Audre Lorde's life and works to signal an important aspect of her oeuvre often neglected in scholarship. Lorde stands out among prominent queer queens by demonstrating theory corporeally thereby going beyond mere theory and positing her body as a space of complex sexual passions. When Judith Butler speaks of gender as performative rather than embodied, Lorde theorizes and foregrounds this in her works and self and celebrates a sexual matrix that ranges from heterosexuality to homosexuality to auto-sexuality. Lorde places masturbation between the binary …
Arab Women Writers As Revolutionary Orators And Catalytic Agents Of Emancipation, Safaa S. Nasser
Arab Women Writers As Revolutionary Orators And Catalytic Agents Of Emancipation, Safaa S. Nasser
CLCWeb: Comparative Literature and Culture
In her article "Contemporary Egyptian and Palestinian Women's Writing as 'Committed Literature'" Safaa S. Nasser discusses the role of Arab women writers whose works were harbingers of the Arab Spring of 2011. Nasser's analysis demonstrate that the majority of Arab women writers acted as agents of feminist action and social change through their critique of patriarchal, phallocentric domi-nation and through their call for a secular sensibility. Their works demonstrate the symbiotic relation-ship between political, national, and feminist struggle for equality between genders. To exemplify this revolutionary perspective, Nasser analyzes texts by Nawal El Saadawi, Ahdaf Soueif, Salwa Bakr, Saki-na Fuad, …
Literature And Science In Nineteenth-Century Realist Novels: A Book Review Article About Ambrière's And Bender's Work, Anne-Marie Reboul
Literature And Science In Nineteenth-Century Realist Novels: A Book Review Article About Ambrière's And Bender's Work, Anne-Marie Reboul
CLCWeb: Comparative Literature and Culture
No abstract provided.
New Work About Reading Poetry: A Book Review Article On Stafford's And Bohn's Work, Martyna Markowska
New Work About Reading Poetry: A Book Review Article On Stafford's And Bohn's Work, Martyna Markowska
CLCWeb: Comparative Literature and Culture
No abstract provided.
Postmodernist Poetics And Narratology: A Review Article About Mchale's Scholarship, Biwu Shang
Postmodernist Poetics And Narratology: A Review Article About Mchale's Scholarship, Biwu Shang
CLCWeb: Comparative Literature and Culture
No abstract provided.
Postcolonial Studies In The Twenty-First Century: A Book Review Article About New Work By Ashcroft, Mendis, Mcgonegal, Mukerjee And Carrera Suárez, Durán Almarza, Menéndez Tarrazo, Alejandra Moreno
CLCWeb: Comparative Literature and Culture
No abstract provided.
Review Article About U.S. Comparative Literature Journals Published In 2013, Miaomiao Wang
Review Article About U.S. Comparative Literature Journals Published In 2013, Miaomiao Wang
CLCWeb: Comparative Literature and Culture
No abstract provided.
Introduction To History, Memory, And The Making Of Character In Roth’S Fiction, Victoria Aarons, Gustavo Sánchez-Canales
Introduction To History, Memory, And The Making Of Character In Roth’S Fiction, Victoria Aarons, Gustavo Sánchez-Canales
CLCWeb: Comparative Literature and Culture
No abstract provided.
Akedah, The Holocaust, And The Limits Of The Law In Roth's "Eli, The Fanatic", Aimee L. Pozorski
Akedah, The Holocaust, And The Limits Of The Law In Roth's "Eli, The Fanatic", Aimee L. Pozorski
CLCWeb: Comparative Literature and Culture
In her article "Akedah, the Holocaust, and the Limits of the Law in Roth's 'Eli, the Fanatic'" Aimee L. Pozorski argues that Philip Roth's 1957 short story dramatizes the tension between the law on the one hand and the philosophy of ethics, on the other hand with the story's protagonist ultimately choosing ethics as evidenced by his identification with a displaced Hasidic Jew near the story's end. In reading the story through the inter-textual references to the Genesis story of the Akedah, Pozorski discusses the limits of the law in the face of vulnerable children and within the context of …
The Perils Of Desire In Roth's Early Fiction, Victoria Aarons
The Perils Of Desire In Roth's Early Fiction, Victoria Aarons
CLCWeb: Comparative Literature and Culture
In her article "The Perils of Desire in Roth's Early Fiction" Victoria Aarons posits that Philip Roth's first collection of stories Goodbye, Columbus is the prototype for a host of characters who emerge throughout his oeuvre: characters who are engaged as the inveterate Nathan Zuckerman insists, in "an exchange of existences" abandoning willingly "the artificial fiction" of an inherent, essential self." From the stories in Goodbye, Columbus to the "final" novels comprising the Nemesis tetralogy, Roth's characters perform a spectacle of selves engaged in the making of character. The making of character in Roth's fiction appears in two ways: 1) …
Roth's Graveyards, Narrative Desire, And "Professional Competition With Death", Debra Shostak
Roth's Graveyards, Narrative Desire, And "Professional Competition With Death", Debra Shostak
CLCWeb: Comparative Literature and Culture
In her article "Roth's Graveyards, Narrative Desire, and 'Professional Competition with Death'" Debra Shostak analyzes Philip Roth's 1954 short story "The Day It Snowed" and surveys a range of his books. Shostak offers a reading of Sabbath's Theater and Everyman to explore Roth's fictional forms and his conception of storytelling, elucidates how the traumatic knowledge of death at graveside initiates the psychoanalytic process of repression, repetition, remembering, and telling, and uncovers several motifs or formal strategies that appear when Roth deploys cemetery scenes: the linear plotting toward death is often embraced within circular narrative structures; the voice of the mother, …
Reverse Anti-Semitism In The Fiction Of Bellow And Roth, Jay L. Halio
Reverse Anti-Semitism In The Fiction Of Bellow And Roth, Jay L. Halio
CLCWeb: Comparative Literature and Culture
In his article "Reverse Anti-Semitism in the Fiction of Bellow and Roth" Jay L. Halio discusses anti-Semitism in Philip Roth's fiction that what might be called reverse anti-Semitism: the active reaction by Jews who are subjected to anti-Semitism. This aspect of Roth's work is not often discussed: it is not the same as philo-Semitism, which takes a different form entirely. Since Roth was an admirer of Saul Bellow, Halio begins by considering reverse anti-Semitism in Bellow's early novel The Victim. In the novel the protagonist, Asa Leventhal, is accused by a character named Allbee of costing him his job …
Roth’S Humorous Art Of Ghost Writing, Paule Levy
Roth’S Humorous Art Of Ghost Writing, Paule Levy
CLCWeb: Comparative Literature and Culture
In her article "Roth's Humorous Art of Ghost Writing" Paule Lévy analyses Philip Roth's Exit Ghost, the last novel featuring Nathan Zuckerman, in which Roth reassesses his favorite alter ego's itinerary while exploring the troubled relation between writing and aging. Lévy considers Exit Ghost as an ironic sequel to The Ghost Writer and posits that in the light of Derrida's theories of writing and "hauntology" the central motifs of ghosts and "spectrality" in the novel are a means for Roth to reflect anew on the ambiguous relation between autobiography and fiction. Lévy asks whether Exit Ghost should be …
Jewish History, Us-American Fictions, And "Soul-Battering" In Roth's "Conversion Of The Jews", Sandor Goodhart
Jewish History, Us-American Fictions, And "Soul-Battering" In Roth's "Conversion Of The Jews", Sandor Goodhart
CLCWeb: Comparative Literature and Culture
In his article "Jewish History, US-American Fictions, and 'Soul-Battering' in Roth's 'Conversion of the Jews'" Sandor Goodhart discusses Philip Roth's story in which an innocent question raised in a Hebrew school discussion in the early 1950s gets wildly out of control. It leads the student into a screaming fight with his Rabbi, which propels the child into a confrontation with his mother, which in turn leads to a second violent confrontation with the Rabbi (who ends up slapping the child), and the episode culminates in a rooftop exchange over the synagogue where the boy’s thought of escape is suddenly converted …
European Literary Tradition In Roth's Kepesh Trilogy, Gustavo Sánchez-Canales
European Literary Tradition In Roth's Kepesh Trilogy, Gustavo Sánchez-Canales
CLCWeb: Comparative Literature and Culture
in his article "European Literary Tradition in Roth's Kepesh Trilogy" Gustavo Sánchez-Canales discusses the significance of European literature in Philip Roth's novels. Sánchez-Canales analyses the influence of Nikolai Gogol's "The Nose" and Franz Kafka's "The Metamorphosis" on Roth's The Breast and in Roth's The Professor of Desire of Anton Chekhov's tales and Franz Kafka's "A Hunger Artist" and The Castle. Further, Sánchez-Canales elaborates on the impact of Thomas Mann's Death in Venice and W.B. Yeats's poem "Sailing to Byzantium" on Roth's The Dying Animal.
Roth's Contribution To The Narrativization Of Illness, Miriam Jaffe-Foger
Roth's Contribution To The Narrativization Of Illness, Miriam Jaffe-Foger
CLCWeb: Comparative Literature and Culture
In her article "Roth's Contribution to the Narrativization of Illness" Miriam Jaffe-Foger argues that Philipp Roth's fiction represents him as an empath, a writer who prescribes for modern medicine a dose of humanity in listening to the pain of others. Using Roth's The Anatomy Lesson, The Dying Animal, and Exit Ghost as primary source material in combination with theories from medical anthropology, Jaffe-Foger suggests that Roth is an inspiration for the field of narrative medicine. Jaffe-Foger examines the art in organizing narratives to tell these stories. Jaffe-Foger also argues against misogynist views of Roth as he represents woman's …
Philip Roth, Henry Roth And The History Of The Jews, Timothy Parrish
Philip Roth, Henry Roth And The History Of The Jews, Timothy Parrish
CLCWeb: Comparative Literature and Culture
In his article "Philip Roth, Henry Roth and the History of the Jews" Timothy Parrish argues that while Roth's status as a Jewish American writer has been a pressing issue since his career began and that while in recent scholarship Roth's achievement as a US-American writer is stressed, the durability of Roth's work depends more on its implied submission to a Jewish tradition. From "The Conversion of the Jews" (1959) to Nemesis (2010), his characters challenge endlessly the ethical and moral constructs of their Jewish community to acknowledge the fact that they exist inside of it. One might choose any …
Roth's Fiction From Nemesis To Nemesis, Emily Budick
Roth's Fiction From Nemesis To Nemesis, Emily Budick
CLCWeb: Comparative Literature and Culture
In her article "Roth's Fiction from Nemesis to Nemesis" Emily Budick discusses Philip Roth's novel Nemesis as the culminating work of a career in which one nemesis or another has afflicted almost all of the author's protagonists. During the bulk of Roth's career, the hero's nemesis was generally, as in the ordinary, literary usage of the term, the protagonist's enemy, whether Judge Wapter in The Ghost Writer or the alter-Roth in The Counterlife. In Nemesis Roth restores the word nemesis to its classical meaning: Nemesis, as the goddess of revenge and cosmic balance. The nemesis in Roth's novel, therefore, …
Literary Adaptations Of James In Roth's, Ozick's, And Franzen's Work, John Carlos Rowe
Literary Adaptations Of James In Roth's, Ozick's, And Franzen's Work, John Carlos Rowe
CLCWeb: Comparative Literature and Culture
In his article "Literary Adaptations of James in Roth's, Ozick's, and Franzen's Work" John Carlos Rowe posits that Henry James continues to exert a powerful influence on contemporary writers. Given the dramatic social, economic, and political changes from modern to postmodern eras, his continuing influence requires explanation. Rowe considers three US-American novelists—Philip Roth, Cynthia Ozick, and Jonathan Franzen—who are influenced by James and presents an interpretation of James's continuing impact. Despite James's reputation as a cosmopolitan modern who influenced global literature in significant ways, US-American writers attempt to "Americanize" him. Their effort expresses the problem of contemporary US-American literary practice …