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Articles 421 - 450 of 1416
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Reflections On The Crisis Of Comparative Literature In The Contemporary West, Zhoukun Han, Quan Wen
Reflections On The Crisis Of Comparative Literature In The Contemporary West, Zhoukun Han, Quan Wen
CLCWeb: Comparative Literature and Culture
In their Article "Reflections on the Crisis of Comparative Literature in the Contemporary West" Zhoukun Han and Wen Quan review the challenges met during the evolution of comparative literature as a discipline between the turn of nineteenth century and 1958. They maintain that comparative literature in the contemporary West is indeed experiencing a crisis, explicate the reasons for this. Apart from the pursuit of sameness inherent in conventional comparative studies and the position of western-centrism, the shift from literary comparison to cultural study has exacerbated the crisis. In view of this situation, some western scholars call for a return to …
The Significance Of The Variation Theory In Cross-Cultural Communication, Yi Wan
The Significance Of The Variation Theory In Cross-Cultural Communication, Yi Wan
CLCWeb: Comparative Literature and Culture
In her article "The Significance of the Variation Theory in Cross-Cultural Communication" Yi Wan analyzes some problems that East-West Comparative Literature, as a discipline, has encountered and discusses the significance of the development of the Variation Theory, proposed by Shunqing Cao. The author aims to explore two important points of this new platform, namely, heterogeneity and variation, and compares this new perspective to the French School, which is based on "influences" and the American School which is based on "analogies." By investigating the variations of literary texts or theories during the course of cross-civilization communication from the perspectives of imagology …
Selected Bibliography For The Study Of The "Death" Of The Discipline Of Comparative Literature, Peina Zhuang
Selected Bibliography For The Study Of The "Death" Of The Discipline Of Comparative Literature, Peina Zhuang
CLCWeb: Comparative Literature and Culture
No abstract provided.
Perspectives On Video Games As Art, Jeroen Bourgonjon, Geert Vandermeersche, Kris Rutten, Niels Quinten
Perspectives On Video Games As Art, Jeroen Bourgonjon, Geert Vandermeersche, Kris Rutten, Niels Quinten
CLCWeb: Comparative Literature and Culture
In their article "Perspectives on Video Games as Art" Jeroen Bourgonjon, Geert Vndermeersche, Kris Rutten and Niels Quinten engage in discussing whether or not video games can be considered a form of art. Although this question has already been discussed elaborately, the debate is guided by many different and often conflicting positions. The aim of this article is to revisit this debate by mapping out a range of perspectives on video games as art. The authors explore the relation between games and different definitions and functions of art, different motives of artists, and the potential impact of the arts. The …
Transnational Uses Of Mafia Imagery In Zadie Smith’S White Teeth, Andrea Ciribuco
Transnational Uses Of Mafia Imagery In Zadie Smith’S White Teeth, Andrea Ciribuco
CLCWeb: Comparative Literature and Culture
In his article "Transnational Uses of Mafia Imagery in Zadie Smith's White Teeth" Andrea Ciribuco discusses the literary representation of multiculturalism in Zadie Smith's first novel, White Teeth (2000). The novel focuses on multicultural encounters in Great Britain in the second half of the twentieth century. This article focuses on one site for these encounters: the character of Millat Iqbal, who joins a gang of teenagers and subsequently a radical Islamic group in his problematic search for identity and belonging. This search is characterized by Millat's tendency to define himself by reference to well-known pop-cultural Mafia figures, whom he …
The Suppression Of Satirizing Belgian Community Difficulties In Flemish Cinema And The Film Adaptation Of Will-O'-The Wisp, Gertjan Willems
The Suppression Of Satirizing Belgian Community Difficulties In Flemish Cinema And The Film Adaptation Of Will-O'-The Wisp, Gertjan Willems
CLCWeb: Comparative Literature and Culture
In his article "The Suppression of Satirizing Belgian Community Difficulties in Flemish Cinema and the Film Adaptation of Will-O'-the Wisp" Gertjan Willems analyzes two film projects of Frans Buyens. In 1970, Buyens received a positive funding recommendation for Top-Hit Girl, a satire about community difficulties in Belgium. However, Minister of Culture Frans van Mechelen refused to support the project because it conflicted with his pro-Flemish views. The minister successfully swept this controversial decision under the rug by offering Buyens the option to trade his socially critical project for a film adaptation of Willem Elsschot's novel Will-O'-the Wisp. …
Black Australia ‘Writes Back’ To The Literary Traditions Of Empire, Danica Čerče
Black Australia ‘Writes Back’ To The Literary Traditions Of Empire, Danica Čerče
CLCWeb: Comparative Literature and Culture
I In her article "Black Australia 'Writes Back' to the Literary Traditions of Empire" Danica Čerče discusses the verse of Australian Indigenous authors Romaine Moreton and Alf Taylor, notable for the overt objection to the institutional and historical processes. These have enabled and maintained the dominant position of those identified as white on the one hand, and the concomitant political, economic, and cultural subordination of Indigenous Australians on the other. Focused on strategies and poetic devices used by the two poets to engage non-Indigenous readers in the experience of their writing, the article examines how the rhetoric of their critique …
Khaled Hosseini’S A Thousand Splendid Suns As A Child-Rescue And Neo-Orientalist Narrative, Abdullah M. Al-Dagamseh, Olga Golubeva
Khaled Hosseini’S A Thousand Splendid Suns As A Child-Rescue And Neo-Orientalist Narrative, Abdullah M. Al-Dagamseh, Olga Golubeva
CLCWeb: Comparative Literature and Culture
In their article "Khaled Hosseini's A Thousand Splendid Suns as a Child-Rescue and Neo-Orientalist Narrative" Abdullah Mohammad Dagamseh and Olga Golubeva argue that the novel contributes to hegemonic Eurocentric discourse by showing the superiority and benevolence of the West. In contrast to existing scholarly focus on Hosseini's portrayal of female characters, this article highlights how children of both sexes are represented. The authors' aim is to show how Hosseini's picture of children affected by war contributes to the neo-Orientalist and child-rescue discourses, justifying the foreign involvement in Afghanistan's internal affairs. Moreover, Dagamseh and Golubeva argue that the use of universal …
Voiceless Victims In Sin Tetas No Hay Paraíso, Henry James Morello
Voiceless Victims In Sin Tetas No Hay Paraíso, Henry James Morello
CLCWeb: Comparative Literature and Culture
In his article "Voiceless Victims in Sin tetas no hay paraíso" Henry James Morello discusses Gustavo Bolívar's Sin tetas no hay paraiso. The novel is, in Bolívar's words, his way of bringing attention to the problem of young women in Colombia using prostitution in order to pay for plastic surgery a very specific problem facing the youth of Colombia. However, at what price is the success of the novel? Or, rather, who is compromised as a result of this cultural phenomenon? The author may have intended to write a novel that called attention to the problems facing Colombian …
Governmental Discourses In Advertising On Iran's State, Azra Ghandeharion, Morteza Yazdanjoo
Governmental Discourses In Advertising On Iran's State, Azra Ghandeharion, Morteza Yazdanjoo
CLCWeb: Comparative Literature and Culture
In their article "Governmental Discourses in Advertising on Iran's State Television" Azra Ghandeharion and Morteza Yazdanjoo apply a comparative cultural studies approach to examining Iran's State television (IRIB) advertising directions under two distinct political eras: Conservative era (2011-2013) and Moderate Reformist era (2013-2015). The transition from the former to the latter is reflected in Iran's national and international diplomacies, where the influence of this shift can be traced both at macro and micro levels. Ghandeharion and Yazdanjoo analyze this shift at the micro level by comparing IRIB's beauty-product advertisements broadcasted during the two political eras. Critical discourse analysis (CDA) enables …
The Maze Of Shanghai Memory In Kazuo Ishiguro's When We Were Orphans, Biwu Shang
The Maze Of Shanghai Memory In Kazuo Ishiguro's When We Were Orphans, Biwu Shang
CLCWeb: Comparative Literature and Culture
In his article "The Maze of Shanghai Memory in Kazuo Ishiguro's When We Were Orphans" Biwu Shang analyzes the memory writing of the novel by combining current memory studies with narratology. The paper pursues three major goals. First, it delves into the maze of Shanghai memory embedded in this novel, which is typically formulated by two contrasting aspects: Christopher Banks's naïve and beautiful childhood memory of Shanghai, and his unhappy adulthood memory of it. Second, it explores how memory plays a dual function of deception and decoration. That is to say, Christopher deliberately uses his memory to create positive …
Curricular Requirements, Critical Traditions, And Adaptation In The Paratext Of Chinese And American School Editions Of Robinson Crusoe, Haifeng Hui
CLCWeb: Comparative Literature and Culture
In his article "Curricular Requirements, Critical Traditions, and Adaptation in the Paratext of Chinese and American School Editions of Robinson Crusoe" Haifeng Hui analyses a Chinese new curricular edition and an American common core edition of Defoe's Robinson Crusoe to reveal how the paratext can be utilized to reveal different ways of understanding in different educational cultures. He argues that the paratext powerfully exerts the publisher's authority over the text and the reader, thus shaping readers' interpretation of the story in the service of fulfilling specific national curricular needs. The Chinese edition aims more at how Crusoe's story should …
A Comparative Minoritarian Study Of Language Poetry Of Iran And The United States, Sama Khosravi Ooryad
A Comparative Minoritarian Study Of Language Poetry Of Iran And The United States, Sama Khosravi Ooryad
CLCWeb: Comparative Literature and Culture
In her article "A Comparative Minoritarian Study of Language Poetry of Iran and the United States" Sama Khosravi Ooryad analyses Language poetry of the United States (1970s) and Language poetry of Iran (1990s) through Gilles Deleuze and Felix Guattari's concepts of minor literature and rhizomic text. The argument of the article is that the two movements, in both their poems and theoretical passages, carry potentialities to be related to Deleuzian concepts. The practice of minor literature, rhizomic text and book as machine is more evident in the works of U.S. language poets. Moreover, Iranian language poetry, while being analyzed alongside …
The Sin Of Pride In Dressing Bodies In Spanish And Anglo-American Ballads, Ana Belén Martínez García
The Sin Of Pride In Dressing Bodies In Spanish And Anglo-American Ballads, Ana Belén Martínez García
CLCWeb: Comparative Literature and Culture
In her article "The Sin of Pride in Dressing Bodies in Spanish and Anglo-American Ballads" Ana Belén Martínez García argues that trying to decipher the reasons for characters to dress in a certain way may help discover the underlying sociocultural mechanisms that prevail. The author aims to reveal the gender divide associated to clothing through a comparative approach towards popular literature in Spanish and English. She uses Judith Butler's theory of performative acts in order to conduct the text analysis. Clothes-related acts feature prominently in the case of popular balladry. Spanish "romances" and Anglo-American ballads are poems that were and …
China And The Politics Of Cross–Cultural Representation In Interwar European Fiction, Carles Prado-Fonts
China And The Politics Of Cross–Cultural Representation In Interwar European Fiction, Carles Prado-Fonts
CLCWeb: Comparative Literature and Culture
In his article "China and the Politics of Cross–Cultural Representation in Interwar European Fiction" Carles Prado-Fonts analyzes Joan Crespi's La ciutat de la por (The City of Fear, 1930) to illustrate the varied representations of China in interwar Europe. In the 1920s and 1930s, a plurality of views on China and the Chinese people became widespread across different parts of Europe, mainly shaped by English, French, and German representations. Contradictory images of China coexisted in literature, thought, and popular culture. Crespi's work exemplifies these contradictions: China appears as both an attainable reality and an unreachable fantasy, two tropes that prevailed …
Agency And Political Engagement In Gide And Barrault's Post-War Theatrical Adaptation Of Kafka's The Trial, Yevgenya Strakovsky
Agency And Political Engagement In Gide And Barrault's Post-War Theatrical Adaptation Of Kafka's The Trial, Yevgenya Strakovsky
CLCWeb: Comparative Literature and Culture
In her article, "Agency and Political Engagement in Gide and Barrault's Post-war Theatrical Adaptation of Kafka's The Trial" Yevgenya Strakovsky considers the political themes of André Gide and Jean-Louis Barrault's Le Procès (The Trial, 1947), the first theatrical adaptation of Franz Kafka's Der Prozess (The Trial, 1914). Strakovsky demonstrates that Le Procès, written and staged in the immediate aftermath of World War II, levels a critique against the passive complicity of citizens in unjust persecution in both its script and its staging. The paper also considers the elements of Kafka's prose that lend themselves to …
Memory And Identity-Focused Narratives In Tănase's 'Lived Book', Nicoleta D. Ifrim
Memory And Identity-Focused Narratives In Tănase's 'Lived Book', Nicoleta D. Ifrim
CLCWeb: Comparative Literature and Culture
In her article "Memory and identity-focused narratives in Tănase's 'lived book'" Nicoleta Ifrim analyses România mea (My Romania), Virgil Tănase's first book published after the fall of Ceausescu's regime, a collection of interviews in which personal history is fictionalized according to the narrative rules of a "spoken book." The text is representative for the Eastern intellectual travelling to the West, carrying out his own personal post-totalitarian traumas now mirrored in a self-oriented narrative.
Urhobo Folklore And Udje Aesthetics In Tanure Ojaide's In The House Of Words And Songs Of Myself, Mathias I. Orhero
Urhobo Folklore And Udje Aesthetics In Tanure Ojaide's In The House Of Words And Songs Of Myself, Mathias I. Orhero
CLCWeb: Comparative Literature and Culture
In his article "Urhobo Folklore and Udje Aesthetics in Ojaide's In the House of Words and Songs of Myself" Mathias Orhero argues that Ojaide's poetry incorporates Urhobo folkloric contents and Udje style. Using African New Criticism as its theoretical anchor, this paper reveals that Ojaide amply deploys Urhobo folkloric contents and Udje aesthetics in both the form and contents of his poetry and thus, he continues as a modern Urhobo Udje maestro of the hybrid tradition. This paper also brings Ojaide's recent collections to critical lenses, especially as masterpieces of his Urhobo folkloric and Udje adaptations. Orhero concludes by …
A Comparative History Of Resurrection Plants, John Charles Ryan
A Comparative History Of Resurrection Plants, John Charles Ryan
CLCWeb: Comparative Literature and Culture
In his article "A Comparative Literary History of Resurrection Plants" John Charles Ryan assembles a comparative history of resurrection plants through textual analysis of early botanical commentaries, herbal references, prose, poetry, and other sources. Resurrection plants include a diverse range of botanical species, typically of arid regions, that appear to come back to life after complete desiccation. Historical and contemporary observers—from sixteenth-century herbalist John Gerard to contemporary Australian poet John Kinsella—have expressed an abiding fascination for resurrection plants' capacity to survive harsh environmental conditions. The plants court their own deaths by paring down—then restoring—physiological processes in relation to shifting ecological …
The Indian Empire And Its Colonial Practices In South Asia, Yubraj Aryal
The Indian Empire And Its Colonial Practices In South Asia, Yubraj Aryal
CLCWeb: Comparative Literature and Culture
In his article "The India, Empire and its Colonial Practices in South Asia" Yubraj Aryal claims that Bharatiya discourse supports colonization in South Asia. This discourse justifies oppression of institutions, practices, of the non-Bharatiya colonized. The article examines Indian Empire's colonialism toward the weaker, smaller nations along its border and the Bharatiya ideology at the heart of the repressive empire, which is taken to represent the South Asian subcontinent. The article looks at the way in which Bharatiya is perhaps a more oppressive ideology than Orientalism and gives a glimpse into how society, culture, history, and textuality work around power …
Adoption, Cynical Detachment, And New Age Beliefs In Juno And Kung Fu Panda, Fu-Jen Chen
Adoption, Cynical Detachment, And New Age Beliefs In Juno And Kung Fu Panda, Fu-Jen Chen
CLCWeb: Comparative Literature and Culture
In his article "Adoption, Cynical Detachment, and New Age Beliefs in Juno and Kung Fu Panda" Fu-Jen Chen situates his study within today's prevailing climate of global consumption to argue that the 2007 film Juno—featuring an unconventional portrayal of the adoption triad and a cynical detachment from public values—not only trivializes and depoliticizes the practice of adoption but also serves as an ideological supplement to today's global capitalism. Furthermore, Kung Fu Panda 1 & 2 (2008; 2011) provide two ideological messages of contemporary New Age spirituality—"the belief in nothing" in part I, and "the attitude of inner peace" …
The Representation Of Instinctive Homosexuality And Immoral Narcissism In Gide’S The Immoralist (1902) And Mann’S Death In Venice (1912), Louise Willis
CLCWeb: Comparative Literature and Culture
In her article "The Representation of Instinctive Homosexuality and Immoral Narcissism in Gide’s The Immoralist (1902) and Mann’s Death in Venice (1912)" Louise Willis examines two early literary representations of homosexuality in André Gide's The Immoralist (1902) and Thomas Mann's Death in Venice (1912). She reads them with fin-de-siècle sexological theory, mainly Freud's Three Essays on the Theory of Sexuality (1905). Willis argues that the texts reflect the reconception of homosexuality as a latent instinct with pathological expression, rather than a sinful act of free will. The article explains that visual imagery conveys homoerotic desire, by incorporating Nietzsche's concept of …
Approaching The Value And The Future Of The Novel: A Book Review Article On Boxall's Scholarship, Yili Tang
Approaching The Value And The Future Of The Novel: A Book Review Article On Boxall's Scholarship, Yili Tang
CLCWeb: Comparative Literature and Culture
No abstract provided.
Networks Of Collaboration And Creation In Latin American Digital Literature, Carolina Gainza
Networks Of Collaboration And Creation In Latin American Digital Literature, Carolina Gainza
CLCWeb: Comparative Literature and Culture
In her article "Networks of Collaboration and Creation in Latin American Digital Literature" Carolina Gainza examines how production and reception of literature have been affected by digital technology, with special emphasis on issues related to Latin American digital literature. Gainza analyzes Jaime Alejandro Rodriguez's Narratopedia, Doménico Chiappe's La Huella de Cosmos, and Leonardo Valencia's and Eugenio Tiselli's El Libro Flotante in order to highlight collective practices of creation involved in digital productions. Through the discussion of these issues, Gainza offers an overview of ongoing changes wrought by digital technology in contemporary Latin American digital culture.
Towards The Inclusion Of Inter-Ethnic Studies In Comparative Literature In China, Xiaoqing Han, Aaron L. Moore
Towards The Inclusion Of Inter-Ethnic Studies In Comparative Literature In China, Xiaoqing Han, Aaron L. Moore
CLCWeb: Comparative Literature and Culture
In their article "Towards the Inclusion of Inter-Ethnic Studies in Chinese Comparative Literature" Xiaoqing Han and Aaron Lee Moore advocate for the inclusion of inter-ethnic studies in Chinese comparative literature. The traditional definition for many Chinese comparative literature scholars continues to confine the discipline to "inter-national" or "cross-civilization" studies rather than including "inter-ethnic" studies, and Chinese ethnic minority writing continues to be underrepresented in the national literary canon. This article is in no way opposed to the continued growth and development of a Chinese national literature. But rather, it seems crucial that inter-ethnic studies should be included in the discipline …
Metamodernism In Liksom’S Compartment No. 6, Kasimir Sandbacka
Metamodernism In Liksom’S Compartment No. 6, Kasimir Sandbacka
CLCWeb: Comparative Literature and Culture
In his paper "Metamodernism in Liksom's Compartment no. 6" Kasimir Sandbacka examines Rosa Liksom's latest novel Compartment No. 6 (2011). Liksom is considered to be one of the most prominent Finnish postmodernists. However, Compartment No. 6 has been seen by critics as a shift or return towards modernism or even realism. Sandbacka concurs with this observation but maintains that this is an insufficient analysis of the change in Liksom's writing. He argues that the change is related to the transformation of the cultural dominant, namely postmodernism. In dialogue with Jameson's theory of postmodernism, Sandbacka discusses recent theories of post-postmodernism and …
Ted Talks As An Emergent Genre, Julia Ludewig
Ted Talks As An Emergent Genre, Julia Ludewig
CLCWeb: Comparative Literature and Culture
In her article "TED Talks as an Emergent Genre" Julia Ludewig analyzes TED talks—short, informational, and entertaining presentations that are given during TED conferences in North America and abroad—as a hybrid and emerging genre. Based on a qualitative interpretation of 14 such talks, she offers a list of recurring thematic, argumentative, and rhetorical features, which she aligns with three parent genres—the sales pitch, the memoir, and the academic lecture. Comparing recent versions of TED talks with three older talks from the 1980s and 1990s, she suggests an historical trajectory, which emphasizes the professional performance character of recent talks and their …
Paris And The Birth Of The Modern Fantastic During The Nineteenth Century, Patricia Garcia
Paris And The Birth Of The Modern Fantastic During The Nineteenth Century, Patricia Garcia
CLCWeb: Comparative Literature and Culture
In her article "Paris and the Birth of the Modern Fantastic during the Nineteenth Century" Patricia Garcia discusses the unprecedented growth of Europe's urban centers during the nineteenth century in relation to the realist novel and takes urban and literary Paris as a paradigm. However, nineteenth-century Paris was also to become the epicenter of another narrative form: the fantastic. Garcia's objective is to explore how the modern city fueled the development of the fantastic by combining the literary and urban angle: how do works of the fantastic write the city? What role does the modern city play in the emergence …
The Dramatization Of Cultural Hybridity And The "In-Between" Turkey In Fazıl's Künye, Önder Çakırtaş
The Dramatization Of Cultural Hybridity And The "In-Between" Turkey In Fazıl's Künye, Önder Çakırtaş
CLCWeb: Comparative Literature and Culture
In his article "The Dramatization of Cultural Hybridity and the "In-Between" Turkey in Fazıl's Künye" Önder Çakırtaş addresses Turkey's historical context and exposes how political, social and cultural changes were expressed in Turkey's public sphere. Using Niyazi Berkes's theory of secularism as proceeding of modernism Çakırtaş discusses different examples of stylistic strategies of cultural hybridity in the playwright's historical-based play, Künye. He investigates how political changes in pre-Turkey times signify Turkey's national striving, and how the Ottoman-conservative past metamorphoses into Turkic-secular. The study juxtaposes the perceptions of 'introduction to Westernization' and 'departure from Islamic past' in a period …
Zamyatin's Reception Of Wells's Fiction, Natalia Aksenova, Marina Khatyamova
Zamyatin's Reception Of Wells's Fiction, Natalia Aksenova, Marina Khatyamova
CLCWeb: Comparative Literature and Culture
In their article "Zamyatin's Reception of Well's Fiction," Natalia Aksenova and Marina Albertovna Khatyamova examine several essays written by Yevgeny Zamyatin on Herbert Wells's texts and analyse Zamyatin's reception of Wells's work. Wells's ironic mindset, plot-driven writings, and attraction to parody drew Zamyatin's attention. Zamyatin felt a rapport with the central role of plot dynamics, unorthodox socialist politics, and dystopian tendencies in Wells's fiction. Discussions of the artistic qualities of Wells's writings allow Zamyatin to expound upon his own aesthetic program, known as "synthetism." In these discussions Zamyatin interprets Wells's work as a complex interpretation of technological modernity where the …