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Articles 31 - 60 of 437
Full-Text Articles in Entire DC Network
The Shrouds, Elijah Siegler
The Shrouds, Elijah Siegler
Journal of Religion & Film
This is a film review of The Shrouds (2024), directed by David Cronenberg.
My Omaha, John C. Lyden
My Omaha, John C. Lyden
Journal of Religion & Film
This is a film review of My Omaha (2025), directed by Nick Beaulieu.
2024-2025 Common Data Set, Systems Intelligence And Data Analytics, University Of Nebraska At Omaha
2024-2025 Common Data Set, Systems Intelligence And Data Analytics, University Of Nebraska At Omaha
Common Data Sets
The Common Data Set (CDS) initiative is a collaborative effort among data providers in the higher education community and publishers as represented by the College Board, Peterson’s, and U.S. News & World Report. The combined goal of this collaboration is to improve the quality and accuracy of information provided to all involved in a student’s transition into higher education, as well as to reduce the reporting burden on data providers.
Holy Water, Chris Deacy
Holy Water, Chris Deacy
Journal of Religion & Film
This is a review of the short film, Holy Water (2024), directed by Claire Barnett.
Foul Evil Deeds, Chris Deacy
Foul Evil Deeds, Chris Deacy
Journal of Religion & Film
This is a film review of Foul Evil Deeds (2024), directed by Richard Hunter.
Banr, Chris Deacy
Banr, Chris Deacy
Journal of Religion & Film
This is a film review of Banr (2025), directed by Erica Xia-Hou.
2025 Sundance Film Festival Introduction, John C. Lyden
2025 Sundance Film Festival Introduction, John C. Lyden
Journal of Religion & Film
Introduction to our coverage of the 2025 Sundance Film Festival
Dj Ahmet, John C. Lyden
Dj Ahmet, John C. Lyden
Journal of Religion & Film
This is a film review of DJ Ahmet (2025), directed by Georgi M. Unkovski.
Atropia, John C. Lyden
Atropia, John C. Lyden
Journal of Religion & Film
This is a film review of Atropia (2025), directed by Hailey Gates.
Where The Wind Comes From, John C. Lyden
Where The Wind Comes From, John C. Lyden
Journal of Religion & Film
This is a film review of Where the Wind Comes From (2025), directed by Amel Guellaty.
The Alabama Solution, Chris Deacy
The Alabama Solution, Chris Deacy
Journal of Religion & Film
This is a film review of The Alabama Solution (2025), directed by Andrew Jarecki and Charlotte Kaufman.
Magic Farm, Chris Deacy
Magic Farm, Chris Deacy
Journal of Religion & Film
This is a film review of Magic Farm (2024), directed by Amalia Ulman.
Opus, Chris Deacy
Opus, Chris Deacy
Journal of Religion & Film
This is a film review of Opus (2024), directed by Mark Anthony Green.
Rebuilding, Chris Deacy
Rebuilding, Chris Deacy
Journal of Religion & Film
This is a film review of Rebuilding (2025), directed by Max Walker-Silverman.
Sorry, Baby, Chris Deacy
Sorry, Baby, Chris Deacy
Journal of Religion & Film
This is a film review of Sorry, Baby (2024) directed by Eva Victor.
The Thing With Feathers, Chris Deacy
The Thing With Feathers, Chris Deacy
Journal of Religion & Film
This is a film review of The Thing With Feathers (2024), directed by Dylan Southern.
If I Had Legs I'D Kick You, Chris Deacy
If I Had Legs I'D Kick You, Chris Deacy
Journal of Religion & Film
This is a film review of If I Had Legs I'd Kick You (2024), directed by Mary Bronstein.
The Ballad Of Wallis Island, Chris Deacy
The Ballad Of Wallis Island, Chris Deacy
Journal of Religion & Film
This is a film review of The Ballad of Wallis Island (2024), directed by James Griffiths.
Bunnylovr, Chris Deacy
Bunnylovr, Chris Deacy
Journal of Religion & Film
This is a film review of Bunnylovr (2025), directed by Katarina Zhu.
Life After, John C. Lyden
Life After, John C. Lyden
Journal of Religion & Film
This is a film review of Life After (2025), directed by Reid Davenport.
Love, Brooklyn, John C. Lyden
Love, Brooklyn, John C. Lyden
Journal of Religion & Film
This is a film review of Love, Brooklyn (2025), directed by Rachael Abigail Holder.
Coexistence, My Ass!, John C. Lyden
Coexistence, My Ass!, John C. Lyden
Journal of Religion & Film
This is a film review of Coexistence, My Ass! (2025), directed by Amber Fares.
Lurker, Chris Deacy
Lurker, Chris Deacy
Journal of Religion & Film
This is a film review of Lurker (2024), directed by Alex Russell.
Oh, Hi!, John C. Lyden
Oh, Hi!, John C. Lyden
Journal of Religion & Film
This is a film review of Oh, Hi! (2025) directed by Sophie Brooks.
Two Women, John C. Lyden
Two Women, John C. Lyden
Journal of Religion & Film
This is a film review of Two Women (2025), directed by Chloé Robichaud.
Obex, John C. Lyden
Obex, John C. Lyden
Journal of Religion & Film
This is a film review of OBEX (2024), directed by Albert Birney.
Bubble & Squeak, John C. Lyden
Bubble & Squeak, John C. Lyden
Journal of Religion & Film
This is a film review of Bubble & Squeak (2025), directed by Evan Twohy.
Plainclothes, Chris Deacy
Plainclothes, Chris Deacy
Journal of Religion & Film
This is a film review of Plainclothes (2024), directed by Carmen Emmi.
East Of Wall, Chris Deacy
East Of Wall, Chris Deacy
Journal of Religion & Film
This is a film review of East of Wall (2024), directed by Kate Beecroft.
Brides, John C. Lyden
Brides, John C. Lyden
Journal of Religion & Film
This is a film review of Brides (2024), directed by Nadia Fall.