Digital Commons Network^™

A Social History Of Iranian Cinema (Farsi Translation), Kristian Petersen

Journal of Religion & Film

This is a Farsi translation of Kristian Petersen's book review of A Social History of Iranian Cinema by Hamid Naficy. The translation was done by Elham Rastegari.

The Development Of Step Up To Quality: What It Means For Families, Patricia A. Drewes-Hynek

Student Work

In June 2013 the Nebraska legislature signed into being LB507, also known as the Step Up to Quality Act. Designed to answer the need for quality early childhood care and experiences across the state of Nebraska, Step Up to Quality is Nebraska’s Quality Rating and Improvement System. Years in the making, Step Up to Quality aims to provide accountability for child care programs receiving state child care subsidy returns, increase family access to early childhood experiences through lowering of the income requirement levels to receive child care subsidy, and to provide an objective rating system for child care providers that …

Religion And Violence In Jesse James Films, 1972–2010, Travis Warren Cooper

Journal of Religion & Film

This essay analyzes recent depictions of Jesse James in cinema, examining filmic portrayals of the figure between the years of 1972 and 2010. Working from the intersection of the anthropology of film and religious studies approaches to popular culture, the essay fills significant gaps in the study of James folklore. As no substantial examinations of the religious aspects of the James myths exist, I hone in on the legend’s religiosity as contested in filmic form. Films, including revisionist Westerns, are not unlike oral-history statements recorded and analyzed by anthropologists, folklorists, and ethnographers. Jesse James movies, in other words, have much …

“To See My Home Before I Die”: The Trip To Bountiful, Memento Mori, And The Experience Of Death, Margaret Sullivan

Journal of Religion & Film

This article analyzes the portrayal of death in Peter Masterson’s 1985 film The Trip to Bountiful. My claim is that the experience of death, in the film, functions as a tool both for the elderly main character’s increased self-understanding and for her conscious, ethical action. I enter this discussion through an examination of late deconstruction’s ethical turn and the argument that aporetic unknowing, if experienced and endured, leads to the chance for real, authentic action. I then demonstrate how the film depicts such an aporetic encounter with death, and do so, in large part, by focusing on the film’s final …

Two-Spirit Mexica Youth And Transgender Mixtec/Muxe Media: La Mission (2009), Two Spirit: Injunuity (2013), And Libertad (2015), Gabriel S. Estrada

Journal of Religion & Film

Independent directors Peter Bratt, Adrian Baker, and Avila-Hanna create differing trans-border queer Indigenous media that resist Eurocentric cic-heteropatriarchy. While Bratt’s feature-length narrative film La Mission (2009) features a masculine Mexica gay teenager who survives fused homophobic and trans*-phobic violence, Baker’s short animation Two Spirit: Injunuity (2013) makes stronger trans* and two-spirit Mexica youth identity affirmations. Avila-Hanna’s short documentary Libertad (2015) offers the clearest transgender narrative of the three films as it focuses on a California transgender Mixtec immigrant activist who is coming of age as a woman with the aid of hormones and gender affirming surgery. This article’s trans*- and …

Common Data Set 2016, Uno Office Of Institutional Effectiveness

Common Data Sets

Common Data Set (2016-2017) for the University of Nebraska at Omaha.

Spr Bulletin, Fall 2016, Uno Office Of Research And Creative Activity

Sponsored Programs Bulletins

This bulletin features Recent Award Recipients.

Completions 2017-18, Uno Office Of Institutional Effectiveness

IPEDS Completions

Welcome to the IPEDS Completions survey component. The Completions component is one of several IPEDS components that is conducted during the Fall data collection period. It collects the number of degrees and certificates awarded by field of study, level of award, race/ethnicity, and gender. The reporting period for the Completions component is during the 12-month time period beginning July 1 of the previous calendar year and ending June 30 of the current calendar year; therefore, for this year’s Completions component, the reporting period is between July 1, 2016 and June 30, 2017. The Completions component is also collecting the number …

University Of Nebraska At Omaha 2017-2018 Course Catalog, University Of Nebraska At Omaha

Graduate Catalogs

The University of Nebraska Omaha (UNO) is a premier metropolitan university that combines the resources of a doctoral research institution with a thriving community in the heart of Omaha.

With a global reach and vision, UNO is large enough to provide opportunities students seek, yet personal enough to include the mentorship they need to achieve academic excellence, creativity, and engaged learningat competitive tuition rates.

UNO is committed to and engaged with the city surrounding it, allowing students unique hands-on opportunities, internships, service learning,applied research, and other collaborative activities that enhance time in the classroom.

This is the ”O” we want …

Internal Funding Newsletter, Academic Year 2016-2017, Uno Office Of Research And Creative Activity

Internal Funding Newsletters

Each year, University of Nebraska at Omaha faculty and students conduct globally relevant research and creative activity that reflects the metropolitan mission of the university. The Office of Research and Creative Activity’s internal funding programs support those scholarly endeavors through the Fund for Undergraduate Scholarly Experiences (FUSE), Graduate Research and Creative Activity (GRACA), the University Committee on Research and Creative Activity (UCRCA), and the Award for Distinguished Research and Creative Activity (ADROCA).

The Crimes Of Love. The (Un)Censored Version Of The Flood Story In Noah (2014), Wojciech Kosior

Journal of Religion & Film

A swift survey of Noah reviews clearly shows that the audience’s sensitivity was challenged in several regards; Noah was portrayed as a “religious extremist” and “borderline psychopath”, the Creator proved to be a “distant—unaware or uncaring—overseer”, while Aronofsky himself was said to have a “sinister purpose of leading people to believe that Christianity and Judaism are something they are not.” On closer examination, however, the above summarized pleas are not entirely relevant for two basic reasons. First, the movie consists of ideas that have been in use since antiquity, rearranged and composed into a new-old story and all the arguments …

Heri Faculty Survey Fall 2016 Analysis, Uno Office Of Institutional Effectiveness

Assessment

HERI Faculty Survey Fall 2016 Analysis

Review: Joas, Hans. The Sacredness Of The Person: A New Genealogy Of Human Rights. Washington, Dc: Georgetown University Press, 2013. Xi+217 Pp. $29.00 (Paper), Bharat Ranganathan

Religion Faculty Publications

On what grounds should human rights rest? How should the universality of universal human rights be understood, especially given the putative incommensurability among rival views that obtain in the contemporary world? Do human rights emerge from a particular metaphysics, for example, the idea that human beings are created in the image of God? Or are human rights sufficiently basic that whatever grounds them, for example, respect for humans as ends-in-themselves, is in fact justifiable across any and all moral, political, and religious views? These queries continue to concern both human rights advocates and critics.

Common Data Set 2015, Uno Office Of Institutional Effectiveness

Common Data Sets

Common Data Set (2015 - 2016) for the University of Nebraska at Omaha.

Mahmood, Liberalism, And Agency, Bharat Ranganathan

Religion Faculty Publications

In her book, Politics of Piety, Saba Mahmood (1) challenges liberal views about agency, and (2) offers her own account of agency. This article argues that Mahmood's characterization of liberal agency is a caricature. Contrary to her view, liberalism isn't merely procedural but rather espouses stringent commitments toward protecting people's basic rights and liberties. This article then argues that her account of agency may entail practices decried by liberal and some feminist theorists. Specifically, practices that override one's status in moral and political communities cannot be defended on the grounds that they are necessary for particular forms of human …

Review: Langer, Lorenz. Religious Offence And Human Rights: The Implications Of Defamation Of Religions. Cambridge Studies In International And Comparative Law. Cambridge: Cambridge University Press, 2014. Lxii+419 Pp. $115.00 (Cloth), Bharat Ranganathan

Religion Faculty Publications

In September 2005, the Danish newspaper Jyllands-Posten published a series of cartoons depicting the prophet Muhammad, including one in which a bomb was hidden under his turban. According to the paper’s cultural editor, Flemming Rose, the cartoons were an exercise in free speech, a value prized in liberal democracies. For him, fear of retaliation from Muslims was leading to self-censorship among Danish authors and artists. Muslim groups protested the cartoons not only within Denmark but also around the world, some of which turned violent. To their minds, the prophet (and members of their faith) had been defamed. Cases like this …

Uno Academic Integrity Survey To Charis & Directors 2016, Office Of Institutional Effectiveness University Of Nebraska At Omaha

Student Learning

Academic Integrity Frequency Table

The Roles Of Violence In Recent Biblical Cinema: The Passion, Noah, And Exodus: Gods And Kings, Kevin M. Mcgeough

Journal of Religion & Film

When The Passion was released, its extremely graphic violence horrified critics and scholars of religion although its success at the box office indicates that this, if anything, made the story of Jesus more appealing for viewers. Now that more time has passed and expectations surrounding levels of acceptable violence in cinema have changed, it is worth reconsidering how cinematic violence is used as reception strategy in Biblical cinema. Considering The Passion with more recent Biblical films, Noah and Exodus: Gods and Kings, it becomes apparent that violence is not only used to expand laconic Biblical narratives but to invest …

A Social History Of Iranian Cinema, Kristian Petersen

Journal of Religion & Film

This is a book review of A Social History of Iranian Cinema, Volume 1: The Artisanal Era, 1897-1941 (Durham: Duke University Press, 2011); A Social History of Iranian Cinema , Volume 2: The Industrializing Years, 1941-1978 (Durham: Duke University Press, 2011); A Social History of Iranian Cinema, Volume 3: The Islamicate Period, 1978-1984 (Durham: Duke University Press, 2012); and A Social History of Iranian Cinema, Volume 4: The Globalizing Era, 1984-2010 (Durham: Duke University Press, 2012), all by Hamid Naficy.

Hollywood Biblical Epics: Camp Spectacle And Queer Style From The Silent Era To The Modern Day, Kent L. Brintnall

Journal of Religion & Film

This is a book review of Richard Lindsay, Hollywood Biblical Epics: Camp Spectacle and Queer Style from the Silent Era to the Modern Day (Denver, CO: Praeger, 2015).

Contemplative Early Childhood Leadership, Mongkonrat Parks

Student Work

Contemplative preschool has a unique character and background that incorporates contemplative philosophy into early education. Contemplative early childhood leaders have also played a major role in synchronizing contemplative pedagogy with leadership skills in a unique school culture. These leaders have a direct impact on the quality and productivity of the student’s education. Studying the leaders’ professional growth will benefit early childhood educators in understanding contemplative leadership roles in a historical and contextual environment. The purpose of this collective case study is to understand how contemplative school leaders implement contemplative education in their personal and professional lives. This study is an …

An Interview With Agnieszka Smoczynska, Director Of The Lure, Rubina Ramji

Journal of Religion & Film

This is an interview with Agnieszka Smoczynska, Director of The Lure (2016).

Captain Fantastic, Rubina Ramji

Journal of Religion & Film

This is a film review of Captain Fantastic (2015) directed by Matt Ross.

Sonita, Rubina Ramji

Journal of Religion & Film

This is a film review of Sonita (2015) directed by Rokhsareh Ghaem Maghami.

Brahman Naman, Rubina Ramji

Journal of Religion & Film

This is a film review of Brahman Naham (2016) directed by Q.

Embrace The Serpent, Rubina Ramji

Journal of Religion & Film

This is a film review of Embrace the Serpent (2015) directed by Ciro Guerra.

Slamdance 2016: Where Film Makes A Statement, Rubina Ramji

Journal of Religion & Film

Introduction to the Slamdance Film Festival 2016.

Sundance 2016: Celebrating The Diversity Of Independent Cinema, Rubina Ramji

Journal of Religion & Film

Introduction to the Sundance Film Festival 2016.

Halal Love (And Sex), Rubina Ramji

Journal of Religion & Film

This is a film review of Halal Love (and Sex) (2015) directed by Assad Fouladkar.

The Lobster, Rubina Ramji

Journal of Religion & Film

This is a film review of The Lobster (2015) directed by Yorgos Lanthimos.