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University of Nebraska at Omaha

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A Glitch In The Matrix, John C. Lyden Feb 2021

A Glitch In The Matrix, John C. Lyden

Journal of Religion & Film

This is a film review of A Glitch in the Matrix (2021), directed by Rodney Ascher.


How It Ends, John C. Lyden Jan 2021

How It Ends, John C. Lyden

Journal of Religion & Film

This is a film review of How It Ends (2021), directed by Daryl Wein and Zoe Lister-Jones.


Cryptozoo, John C. Lyden Jan 2021

Cryptozoo, John C. Lyden

Journal of Religion & Film

This is a film review of Cryptozoo (2021), directed by Dash Shaw.


Coda, John C. Lyden Jan 2021

Coda, John C. Lyden

Journal of Religion & Film

This is a film review of CODA (2021), directed by Siân Heder.


The Fourfold, John C. Lyden Jan 2021

The Fourfold, John C. Lyden

Journal of Religion & Film

This is a film review of the animated short film, The Fourfold (2020), directed by Alisi Telengut.


This Is The Way We Rise, Michele M. Desmarais Jan 2021

This Is The Way We Rise, Michele M. Desmarais

Journal of Religion & Film

This is a review of the short film, This Is the Way We Rise (2019), directed by Ciara Lacy.


Common Data Set 2021, Office Of Institutional Effectiveness Jan 2021

Common Data Set 2021, Office Of Institutional Effectiveness

Common Data Sets

Common Data Set 2021-2022 for the University of Nebraska at Omaha.


2021 Year In Review, Leonard And Shirley Goldstein Center For Human Rights - University Of Nebraska At Omaha Jan 2021

2021 Year In Review, Leonard And Shirley Goldstein Center For Human Rights - University Of Nebraska At Omaha

GCHR Faculty Proceedings & Presentations

The UNO Goldstein Center for Human Rights bears the burden, like other academic programs and human rights organizations, of not only exploring human rights in theory but of actually researching and making public human rights abuses. This leads us down some dark paths in our classrooms and publications. Human rights matter for real individuals and their families. In 2021, year two of Covid-19, pressing human rights issues have come close to home here in Omaha, Nebraska. The year began with a raging public health emergency and an attempted insurrection to overthrow the results of a democratic election in the United …


Common Data Set 2020, Uno Office Of Instituional Effectiveness Jan 2021

Common Data Set 2020, Uno Office Of Instituional Effectiveness

Common Data Sets

Common Data Set (2020-2021) for the University of Nebraska at Omaha.


University Of Nebraska At Omaha 2021-2022 Course Catalog, University Of Nebraska At Omaha Jan 2021

University Of Nebraska At Omaha 2021-2022 Course Catalog, University Of Nebraska At Omaha

Undergraduate Catalogs

Located in one of America’s best cities to live, work and learn, the University of Nebraska at Omaha (UNO) is Nebraska’s premier metropolitan university. With more than 15,000 students enrolled in 200-plus programs of study, UNO is recognized nationally for its online education, graduate education, military friendliness, and community engagement efforts. Founded in 1908, UNO has served learners of all backgrounds for more than 100 years and is dedicated to another century of excellence both in the classroom and in the community


Internal Funding Newsletter, Academic Year 2020-2021, Office Of Research And Creative Activity Jan 2021

Internal Funding Newsletter, Academic Year 2020-2021, Office Of Research And Creative Activity

Internal Funding Newsletters

The University of Nebraska at Omaha is committed to fostering the academic and scholarly pursuits of faculty, staff, and students. While the 2020- 2021 Academic Year brought many changes and challenges, UNO has continued to invest in a multitude of funding programs to promote research and creative activity. This year’s programs provided over $530,000 for student and faculty projects that reflect the broad range of scholarly interests of the UNO community, including gender differences in remote meeting behaviors and networking, an inquiry into the scope of missing and murdered Indigenous women on the Pine Ridge Indian Reservation and its border …


Envisioning Black Feminist Voodoo Aesthetics: African Spirituality In American Cinema, Jessica Knippel Oct 2020

Envisioning Black Feminist Voodoo Aesthetics: African Spirituality In American Cinema, Jessica Knippel

Journal of Religion & Film

This is a book review of Kameelah L. Martin, Envisioning Black Feminist Voodoo Aesthetics: African Spirituality in American Cinema.


Queer Muslim Diasporas In Contemporary Literature And Film, Hina Muneeruddin Oct 2020

Queer Muslim Diasporas In Contemporary Literature And Film, Hina Muneeruddin

Journal of Religion & Film

This is a book review of Alberto Fernández Carbajal's Queer Muslim Diasporas in Contemporary Literature and Film.


Gender And Patriarchy In The Films Of Muslim Nations: A Filmographic Study Of 21st Century Features From Eight Countries, Candace Mixon Oct 2020

Gender And Patriarchy In The Films Of Muslim Nations: A Filmographic Study Of 21st Century Features From Eight Countries, Candace Mixon

Journal of Religion & Film

This is a book review of Patricia R. Owen, Gender and Patriarchy in the Films of Muslim Nations: A Filmographic Study of 21st Century Features from Eight Countries.


The Limits Of The Ethnographic Turn, Bharat Ranganathan Oct 2020

The Limits Of The Ethnographic Turn, Bharat Ranganathan

Religion Faculty Publications

This article reflects on the ethnographic turn in recent comparative religious ethics (CRE). Comparative religious ethicists should be lauded because they privilege engagement with non-Western intellectual sources. Such engagement is important since it undermines the erroneous view that non-Western sources are either soft or are part of someone else's commitments and therefore irrelevant. Yet some recent comparative work stops at merely describing these non-Western sources, moving ethics away from its normative tasks. If CRE is to remain relevant to broader conversations in moral and political theory, comparative religious ethicists should perform two tasks: they should evaluate the object under consideration …


Staff Perspectives Regarding The Influence Of Trauma On The Intimate Partnering Experiences Of Adolescent Mothers In Residential Foster Care, Autumn M. Bermea, Heidi Adams Rueda, Kwynn M. Gonzalez-Pons Jun 2020

Staff Perspectives Regarding The Influence Of Trauma On The Intimate Partnering Experiences Of Adolescent Mothers In Residential Foster Care, Autumn M. Bermea, Heidi Adams Rueda, Kwynn M. Gonzalez-Pons

Social Work Faculty Publications

Adolescent girls in foster care are disproportionately vulnerable to pregnancy and parenthood. These experiences of motherhood might be partially attributable to experiences of trauma, including sexual trauma. Trauma, particularly related to domestic violence and sexual abuse, have been linked to subsequent struggles in intimate relationships, such as dating violence or engagement in unsafe sexual behaviors. Although some research has begun to investigate experiences of trauma on relationships, there has been a lack of focus on intimate relationships in general and how they have been influenced by past and/or current traumatic experiences. The present study draws on 12 interviews with program …


Skyfall: The "Aliens Sequence" In Monty Python's Life Of Brian, Robert Cousland Mar 2020

Skyfall: The "Aliens Sequence" In Monty Python's Life Of Brian, Robert Cousland

Journal of Religion & Film

Despite its brevity and science fiction genre, Terry Gilliam's "aliens sequence" in Monty Python's Life of Brian functions in at least three ways: It is a brilliant parody of Star Wars and other space epics. It addresses concerns that were of profound significance for the religion of Jesus' day and, finally, and it significantly challenges the Christian premise of a divinely ordained purpose underlying Jesus' life.

In Memoriam Terry Jones (1942-2020)


Transcendental Style In Film: Ozu, Bresson, Dreyer (2nd Edition), Michael Gibson Mar 2020

Transcendental Style In Film: Ozu, Bresson, Dreyer (2nd Edition), Michael Gibson

Journal of Religion & Film

This is a book review of Paul Schrader's Transcendental Style in Film: Ozu, Bresson, Dreyer, 2nd edition (Oakland, CA: University of California Press, 2018).


The Fight, Rubina Ramji Jan 2020

The Fight, Rubina Ramji

Journal of Religion & Film

This is a film review of The Fight (2020), directed by Elyse Steinberg, Josh Kriegman, and Eli Despres.


Gchr 2020 - A Year Not To Be Forgotten, Leonard And Shirley Goldstein Center For Human Rights - University Of Nebraska At Omaha Jan 2020

Gchr 2020 - A Year Not To Be Forgotten, Leonard And Shirley Goldstein Center For Human Rights - University Of Nebraska At Omaha

GCHR Faculty Proceedings & Presentations

If there was ever a year to be dispatched early and forgotten, 2020 may be the one. Almost unimaginable twelve months ago, the novel coronavirus pandemic has transformed our lives. This “Year in Review” that I write to you as Executive Director of the Leonard and Shirley Goldstein Center for Human Rights, is soaked in human tragedy. Almost two million people are confirmed dead across the globe from Covid-19. In the United States we are approaching 350,000 deaths. As Wall Street soars, suffering disproportionally affects the most vulnerable amongst us – the elderly and the poor. Human Rights issues abound. …


Common Data Set 2019, Uno Office Of Instituional Effectiveness Jan 2020

Common Data Set 2019, Uno Office Of Instituional Effectiveness

Common Data Sets

Common Data Set (2019-2020) for the University of Nebraska at Omaha.


University Of Nebraska At Omaha 2020-2021 Course Catalog, University Of Nebraska At Omaha Jan 2020

University Of Nebraska At Omaha 2020-2021 Course Catalog, University Of Nebraska At Omaha

Undergraduate Catalogs

Located in one of America’s best cities to live, work and learn, the University of Nebraska at Omaha (UNO) is Nebraska’s premier metropolitan university. With more than 15,000 students enrolled in 200-plus programs of study, UNO is recognized nationally for its online education, graduate education, military friendliness, and community engagement efforts. Founded in 1908, UNO has served learners of all backgrounds for more than 100 years and is dedicated to another century of excellence both in the classroom and in the community


Using Bourdieu To Answer Spivak: On The Study Of Historical Subaltern Religious Practices, Curtis Hutt Nov 2019

Using Bourdieu To Answer Spivak: On The Study Of Historical Subaltern Religious Practices, Curtis Hutt

International Dialogue

Gayatri Chakravorty Spivak, in her 1988 publication “Can the Subaltern Speak?,” famously challenges the ability of scholars—educated and operating within the dominating power structures of oftentimes European colonizing transnational political and religious movements—to ever grasp subaltern religion. This skepticism logically extends to the work of historians investigating the obscured religious traditions of past cultures that have been overlooked, overwhelmed, and suppressed. In this paper, I lay out a restrained strategy inspired in part by the French sociologist Pierre Bourdieu and based upon my own historical work for circumventing some forms of historical blindness that conceal subaltern pasts. In conclusion, a …


Jo Jo Rabbit, Tony S.L. Michael Oct 2019

Jo Jo Rabbit, Tony S.L. Michael

Journal of Religion & Film

This is a film review of Jo Jo Rabbit (2019), directed by Taika Waititi.


Finding Fīlmfārsī: Reevaluations Of Pre-Revolutionary Iranian Cinema, William E. B. Sherman Oct 2019

Finding Fīlmfārsī: Reevaluations Of Pre-Revolutionary Iranian Cinema, William E. B. Sherman

Journal of Religion & Film

This article reviews two books: Pedram Partovi's Popular Iranian Cinema before the Revolution: Family and Nation in Filmfārsī, and Golbar Rekabtalaei, Iranian Cosmopolitanism: A Cinematic History.


Teaching Hierophany Through Film And Film Through Hierophany, Marc Yamada Oct 2019

Teaching Hierophany Through Film And Film Through Hierophany, Marc Yamada

Journal of Religion & Film

Courses that deal with cinematic representations of the sacred often focus on the experiences of characters in the film, relegating the viewer to the position of a passive witness to the reorienting effects of cinematic hierophanies. These types of courses do not take full advantage of the power of the cinematic medium to transform the way viewers understand the ontological and temporal structures they use to anchor themselves in the “profane” world. Based on my undergraduate course Cinema and the Sacred, this article outlines ways to allow students to experience the full transformative effects of cinema. As is the case …


Seeing Like The Buddha: Enlightenment Through Film, Skyler Osburn Apr 2019

Seeing Like The Buddha: Enlightenment Through Film, Skyler Osburn

Journal of Religion & Film

This is a book review of Francisca Cho's Seeing Like the Buddha: Enlightenment through Film.


Who Is Like God? The Deer Hunter As Angelic Allegory, Nicholas J. Schaser Apr 2019

Who Is Like God? The Deer Hunter As Angelic Allegory, Nicholas J. Schaser

Journal of Religion & Film

Michael Cimino’s The Deer Hunter utilizes Christian contexts and biblical motifs in order to present an allegory in which Michael (Robert De Niro) represents an angelic being. While Michael displays powers that parallel those of biblical angels, his lack of religious reverence and divine self-perception lead to a metaphorical fall in Vietnam. Michael’s friend Nick (Christopher Walken) is also an allegorical symbol for imperiled humanity in need of salvation. When Michael is unable to rescue Nick from a Russian roulette table in Saigon, Cimino’s film emerges as a theological statement about the problem of human violence and the necessity for …


External Funding Bulletin, January - June 2019, Uno Office Of Research And Creative Activity Apr 2019

External Funding Bulletin, January - June 2019, Uno Office Of Research And Creative Activity

Sponsored Programs Bulletins

This bulletin features recent award recipients.


I Am Mother, Rubina Ramji Feb 2019

I Am Mother, Rubina Ramji

Journal of Religion & Film

This is a film review of I Am Mother (2019) directed by Grant Sputore.