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The Return: Life After Isis, John C. Lyden Apr 2021

The Return: Life After Isis, John C. Lyden

Journal of Religion & Film

This is a film review of The Return: Life After ISIS (2021), directed by Alba Sotorra Clua.


Temporary Marriage In Iran: Gender And Body Politics In Modern Iranian Film And Literature, Alicia Izharuddin Mar 2021

Temporary Marriage In Iran: Gender And Body Politics In Modern Iranian Film And Literature, Alicia Izharuddin

Journal of Religion & Film

This is a book review of Claudia Yaghoobi, Temporary Marriage in Iran: Gender and Body Politics in Modern Iranian Film and Literature (Cambridge: Cambridge University Press, 2020).


2021 Year In Review, Leonard And Shirley Goldstein Center For Human Rights - University Of Nebraska At Omaha Jan 2021

2021 Year In Review, Leonard And Shirley Goldstein Center For Human Rights - University Of Nebraska At Omaha

GCHR Faculty Proceedings & Presentations

The UNO Goldstein Center for Human Rights bears the burden, like other academic programs and human rights organizations, of not only exploring human rights in theory but of actually researching and making public human rights abuses. This leads us down some dark paths in our classrooms and publications. Human rights matter for real individuals and their families. In 2021, year two of Covid-19, pressing human rights issues have come close to home here in Omaha, Nebraska. The year began with a raging public health emergency and an attempted insurrection to overthrow the results of a democratic election in the United …


University Of Nebraska At Omaha 2021-2022 Course Catalog, University Of Nebraska At Omaha Jan 2021

University Of Nebraska At Omaha 2021-2022 Course Catalog, University Of Nebraska At Omaha

Undergraduate Catalogs

Located in one of America’s best cities to live, work and learn, the University of Nebraska at Omaha (UNO) is Nebraska’s premier metropolitan university. With more than 15,000 students enrolled in 200-plus programs of study, UNO is recognized nationally for its online education, graduate education, military friendliness, and community engagement efforts. Founded in 1908, UNO has served learners of all backgrounds for more than 100 years and is dedicated to another century of excellence both in the classroom and in the community


Heroes, Villains And The Muslim Exception: Muslim And Arab Men In Australian Crime Drama, Sana Patel Oct 2020

Heroes, Villains And The Muslim Exception: Muslim And Arab Men In Australian Crime Drama, Sana Patel

Journal of Religion & Film

This is a book review of Mehal Krayem, Heroes, Villains and the Muslim Exception: Muslim and Arab Men in Australian Crime Drama.


Queer Muslim Diasporas In Contemporary Literature And Film, Hina Muneeruddin Oct 2020

Queer Muslim Diasporas In Contemporary Literature And Film, Hina Muneeruddin

Journal of Religion & Film

This is a book review of Alberto Fernández Carbajal's Queer Muslim Diasporas in Contemporary Literature and Film.


Gender And Patriarchy In The Films Of Muslim Nations: A Filmographic Study Of 21st Century Features From Eight Countries, Candace Mixon Oct 2020

Gender And Patriarchy In The Films Of Muslim Nations: A Filmographic Study Of 21st Century Features From Eight Countries, Candace Mixon

Journal of Religion & Film

This is a book review of Patricia R. Owen, Gender and Patriarchy in the Films of Muslim Nations: A Filmographic Study of 21st Century Features from Eight Countries.


No Riddle But Time: Historical Consciousness In Two Islamicate Films, David Sander Mar 2020

No Riddle But Time: Historical Consciousness In Two Islamicate Films, David Sander

Journal of Religion & Film

This article explores ways in which film expresses “internal history” in the context of Muslim cultures. As such, it enquires how film can work as both Islamic art and historical contemplation. The films discussed here, Nacer Khemir’s Wanderers in the Desert and Muhammad Rasoulof’s Iron Island, inhabit and explore the borderline between imagination and reality. The films in question offer an imaginal interspace between “modern” and “traditional” worlds. As such they open up critical perspectives on the meaning of history. What follows is a discussion of how each film offers a window onto differing perceptions of time, and what …


The Gaze And A Sufi Ethics Of Vision In Majidi’S The Willow Tree: Form, Meaning, And The Real, Cyrus A. Zargar Mar 2020

The Gaze And A Sufi Ethics Of Vision In Majidi’S The Willow Tree: Form, Meaning, And The Real, Cyrus A. Zargar

Journal of Religion & Film

In his 2005 film The Willow Tree (Bīd-i Majnūn), Majid Majidi offers a complex moral commentary on the faculty of sight. To do so, the filmmaker draws from Sufi theories of gazing, in which desire must be for ultimate meaning (maʿnā), as conveyed through the vehicle of perceivable form (ṣūra), a distinction with both metaphysical and ethical implications. Majidi presents sight, when devoid of contemplation, as a sort of voyeurism, especially in contrast to the privacy and immediacy of speech and especially within the context of the modern city. Moreover, his use of a …


The Muslim World In Post-9/11 American Cinema: A Critical Study, 2001-2011, Ali A. Olomi Mar 2020

The Muslim World In Post-9/11 American Cinema: A Critical Study, 2001-2011, Ali A. Olomi

Journal of Religion & Film

This is a book review of Kerem Bayraktaroglu's The Muslim World In Post-9/11 American Cinema: A Critical Study, 2001-2011 (North Carolina: McFarland and Company, 2018).


Saudi Runaway, John C. Lyden Jan 2020

Saudi Runaway, John C. Lyden

Journal of Religion & Film

This is a film review of Saudi Runaway (2020) directed by Susanne Regina Meures.


Yalda, A Night For Forgiveness, John C. Lyden Jan 2020

Yalda, A Night For Forgiveness, John C. Lyden

Journal of Religion & Film

This is a film review of Yalda, A Night for Forgiveness (2019) directed by Massoud Bakhshi.


University Of Nebraska At Omaha 2020-2021 Course Catalog, University Of Nebraska At Omaha Jan 2020

University Of Nebraska At Omaha 2020-2021 Course Catalog, University Of Nebraska At Omaha

Undergraduate Catalogs

Located in one of America’s best cities to live, work and learn, the University of Nebraska at Omaha (UNO) is Nebraska’s premier metropolitan university. With more than 15,000 students enrolled in 200-plus programs of study, UNO is recognized nationally for its online education, graduate education, military friendliness, and community engagement efforts. Founded in 1908, UNO has served learners of all backgrounds for more than 100 years and is dedicated to another century of excellence both in the classroom and in the community


Fatih Akin's Cinema And The New Sound Of Europe, Seda Öz Oct 2019

Fatih Akin's Cinema And The New Sound Of Europe, Seda Öz

Journal of Religion & Film

This is a book review of Berna Gueneli's Fatih Akin's Cinema and the New Sound of Europe (Bloomington: Indiana University Press, 2019).


Muslim Women In French Cinema: Voices Of Maghrebi Migrants In France, Shreya Parikh Oct 2019

Muslim Women In French Cinema: Voices Of Maghrebi Migrants In France, Shreya Parikh

Journal of Religion & Film

This is a book review of Leslie Kealhofer-Kemp's Muslim Women in French Cinema: Voices of Maghrebi Migrants in France (Liverpool: Liverpool University Press, 2015).


Blinded By The Light, Amir Hussain Aug 2019

Blinded By The Light, Amir Hussain

Journal of Religion & Film

This is a film review of Blinded by the Light (2019) directed by Gurinder Chadha.


Hala, John C. Lyden Jan 2019

Hala, John C. Lyden

Journal of Religion & Film

This is a film review of Hala (2019), directed by Minhal Baig.


Abe, John C. Lyden Jan 2019

Abe, John C. Lyden

Journal of Religion & Film

This is a film review of Abe (2019) directed by Fernando Grostein Andrade.


University Of Nebraska At Omaha 2019-2020 Course Catalog, University Of Nebraska At Omaha Jan 2019

University Of Nebraska At Omaha 2019-2020 Course Catalog, University Of Nebraska At Omaha

Undergraduate Catalogs

Located in one of America’s best cities to live, work and learn, the University of Nebraska at Omaha (UNO) is Nebraska’s premier metropolitan university. With more than 15,000 students enrolled in 200-plus programs of study, UNO is recognized nationally for its online education, graduate education, military friendliness, and community engagement efforts. Founded in 1908, UNO has served learners of all backgrounds for more than 100 years and is dedicated to another century of excellence both in the classroom and in the community


Visual Grandeur, Imagined Glory: Identity Politics And Hindu Nationalism In Bajirao Mastani And Padmaavat, Baijayanti Roy Dec 2018

Visual Grandeur, Imagined Glory: Identity Politics And Hindu Nationalism In Bajirao Mastani And Padmaavat, Baijayanti Roy

Journal of Religion & Film

This paper examines the tropes through which the Hindi (Bollywood) historical films Bajirao Mastani (2015) and Padmaavat (2018) create idealised pasts on screen that speak to Hindu nationalist politics of present-day India. Bajirao Mastani is based on a popular tale of love, between Bajirao I (1700-1740), a powerful Brahmin general, and Mastani, daughter of a Hindu king and his Iranian mistress. The relationship was socially disapproved because of Mastani`s mixed parentage. The film distorts India`s pluralistic heritage by idealising Bajirao as an embodiment of Hindu nationalism and portraying Islam as inimical to Hinduism. Padmaavat is a film about a legendary …


‘Love-Jihad’ And Bollywood: Constructing Muslims As ‘Other’, Nadira Khatun Dec 2018

‘Love-Jihad’ And Bollywood: Constructing Muslims As ‘Other’, Nadira Khatun

Journal of Religion & Film

In the postcolonial nation state that is India, cinema has become an important tool for propagating the idea of nationalism. In recent times, one of the most controversial components of Hindu nationalism has been the hate campaign against what is termed as ‘love-jihad’, which is deployed as a weapon to mobilize, polarize, and communalize citizens. The Indian Hindi-language film industry, popularly known as Bollywood, has also become a controversial site. In this paper, I argue that if ‘Indian nationalism’ is to be represented as ‘Hindu nationalism’ and ‘Indian culture’ as ‘Hindu culture,’ it logically follows that this majoritarian construction needs …


The Iranian Metaphysicals, Elise K. Burton Nov 2018

The Iranian Metaphysicals, Elise K. Burton

International Dialogue

Anthropologist Alireza Doostdar’s first book, The Iranian Metaphysicals, is a well-written and theoretically sophisticated contribution to scholarship on modern Iranian history and society. Combining vividly portrayed ethnography with archival research and textual analysis, he offers an unprecedented account of Iranians’ experiences with and beliefs about the supernatural. The term ‘metaphysical’ emerges directly from his Iranian interlocutors, who use the Persian equivalents metafiziki or mavara’i to describe paranormal practices and phenomena ranging from sorcery and traditional occult sciences, to spirit possession and séances, to clairvoyance and teleportation. Although many elite Iranians, secularist and orthodox Shi‘i alike, have condemned interest in the …


Reason (Vivek), J. Barton Scott Oct 2018

Reason (Vivek), J. Barton Scott

Journal of Religion & Film

This is a film review of Reason (Vivek) (2018), directed by Anand Patwardhan.


The Qur'anic Epic In Iranian Cinema (Farsi), Nacim Pak-Shiraz May 2018

The Qur'anic Epic In Iranian Cinema (Farsi), Nacim Pak-Shiraz

Journal of Religion & Film

The representation of religious figures in Islam has become particularly controversial in recent years. The creation of religious films has, therefore, turned into a highly sensitive undertaking. Iranian cinema is one of the very few in the Muslim world to have employed this new medium in imagining and narrating stories of revered religious figures. In this article I examine the complex socio-political context of Iran to study the relatively late emergence of the epic genre in Iranian cinema. I then study the recent creation and development of ‘Qur’anic Films’ within Iranian cinema with specific reference to Kingdom of Solomon (Mulk-i …


Butterflies, John C. Lyden Jan 2018

Butterflies, John C. Lyden

Journal of Religion & Film

This is a film review of Butterflies (2018), directed by Tolga Karacelik.


University Of Nebraska At Omaha 2018-2019 Course Catalog, University Of Nebraska At Omaha Jan 2018

University Of Nebraska At Omaha 2018-2019 Course Catalog, University Of Nebraska At Omaha

Undergraduate Catalogs

Located in one of America’s best cities to live, work and learn, the University of Nebraska at Omaha (UNO) is Nebraska’s premier metropolitan university. With more than 15,000 students enrolled in 200-plus programs of study, UNO is recognized nationally for its online education, graduate education, military friendliness, and community engagement efforts.Founded in 1908, UNO has served learners of all backgrounds for more than 100 years and is dedicated to another century of excellence both in the classroom and in the community.


The Making Of Salafism: Islamic Reform In The Twentieth Century, Matthew Vondrasek Nov 2017

The Making Of Salafism: Islamic Reform In The Twentieth Century, Matthew Vondrasek

International Dialogue

Henri Lauzière takes the reader on a multi-dimensional counterintuitive journey with The Making of Salafism: Islamic Reform in the Twentieth Century. The book might be more aptly titled The Conceptual Construction of Salafism as its most illuminating and insightful features focus more on linguistics and heuristic devices rather than history or political developments. Through detailed analysis of language, religion, history, and politics, Lauzière shows how Salafism, as it is understood today, represents a misunderstood construction that is often portrayed back into history onto primary sources. Perhaps the most important parts of the text help the reader “unlearn.”


Religious And National Identity In My Name Is Khan (Hindi Translation), Kathleen M. Erndl Sep 2017

Religious And National Identity In My Name Is Khan (Hindi Translation), Kathleen M. Erndl

Journal of Religion & Film

The Bollywood film, My Name Is Khan (2010) is the story of an Indian Muslim man, Rizwan Khan, with Asberger’s Syndrome, living in the San Francisco area and married to an Indian Hindu woman, who, post 9/11, sets off on a journey across the United States to tell the President, “My name is Khan, and I’m not a terrorist.” Filmed in lush settings in both India and the U.S., this high-budget production was a blockbuster both in India and abroad. For director Karan Johar, known for his highly successful glossy romantic dramas, such as Kuch Kuch Hota Hai (1998) and …


A Social History Of Iranian Cinema (Farsi Translation), Kristian Petersen Jun 2017

A Social History Of Iranian Cinema (Farsi Translation), Kristian Petersen

Journal of Religion & Film

This is a Farsi translation of Kristian Petersen's book review of A Social History of Iranian Cinema by Hamid Naficy. The translation was done by Elham Rastegari.


"I Do Feel The Fire!": The Transformations Of Prison-Based Black Male Converts To Islam In South Central, Malcolm X, And Oz, Kameron J. Copeland Apr 2017

"I Do Feel The Fire!": The Transformations Of Prison-Based Black Male Converts To Islam In South Central, Malcolm X, And Oz, Kameron J. Copeland

Journal of Religion & Film

Historically, imprisoned Black male converts to Islam have been known for their narratives of redemption and struggles for religious freedom behind bars. While Islam possesses a strong visible presence throughout predominately Black areas of inner cities, it has become a natural feature of Black popular culture in mediums such as hip-hop, film, and literature. By the 1990s, the portrayal of Islamic conversions yielding Malcolm X-style transformations among young Black men, who formerly embodied self-destructiveness, were visible in films featuring Black male protagonists. The prison-based transformations typically involved highly influential Black Muslim leaders improving the social conditions of the inmate, the …