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Salve Regina, Fritz Volbach

Marian Sheet Music

The second part of Fritz Volbach's Raphael suite, "Salve Regina" is arranged for a four-part female chorus (two soprano parts and two alto parts) with piano or organ accompaniment. The Raphael suite is a set of three pieces inspired by paintings of the Virgin Mary by the Renaissance artist Raphael: the Madonna of Foligno, the Madonna del Granduca, and the Sistine Madonna.

Ave Maria!, Pietro Mascagni, Piero Mazzoni, Frederick Weatherly

Marian Sheet Music

"Ave Maria!" is a hymn set to music adapted from the intermezzo of Pietro Mascagni's opera Cavalleria Rusticana. The Italian lyrics were written by Piero Mazzoni, and the English lyrics for this edition were translated by Frederick Edward Weatherly. This edition is arranged for a solo mezzo-soprano or baritone with piano accompaniment.

Les Mystères Sataniques De Lourdes À Travers Les Âges, Léopold Goursat

Rare Books

xi, 116, 124 pages

Published by Arthur Savaète.

Clugnet Collection

Contents: En quoi consista l'acte matériel du péché originel: le naturalisme charnel -- Glorification séculaire du péché originel sous la forme des Pierres obscènes: adoration de la chair -- La Pierre-Vénus de Lourdes: tête du Serpent immonde – Revanche triomphale de l’Immaculée Conception à Lourdes – Opprtunité de ce triomphe à l’heure de la résurrection du culte de la chair.

St. Mary's Institute 1905, University Of Dayton

University Yearbooks

University of Dayton student yearbook. Early yearbooks cover St. Mary's Institute. Annual publication of the Daytonian began in 1923; it was not published in 1929, 1932-1934 and 1944. Short volumes highlighting the graduating class were published in 1930, 1931 and 1945 under different titles.

The Exponent, December 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, November 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, July 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, June 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, May 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, April 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, March 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, February 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

Tractatus De Conceptione Sanctae Mariae, Eadmer

Rare Books

The title translates to: Treatise on the conception of Saint Mary / Eadmer; formerly attributed to St. Anselm, now published for the first time in its entirety to the credit of the codex, with the addition of certain contemporary documents by Herb. Thurston and Th. Slater. This book is an edited German edition of a manuscript by Eadmer of Canterbury OSB (c.1060-c.1124), a monk of Christ Church. This edition was published in 1904 in Freiburg, Germany by Herder Publishers.

The manuscript by Eadmer is used in scholarship about the development of the doctrine of the Immaculate Conception in the Medieval …

The Exponent, January 1904, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

Virgini Immaculatae, Ignaz Mitterer

Marian Sheet Music

Ignaz Mitterer's opus 122, a hymn in honor of the fiftieth anniversary of the papal bull Ineffabilis Deus, which defined the dogma of the Immaculate Conception of Mary. This song is written for a mixed chorus (soprano, alto, tenor, and bass voice parts), with orchestra (oboe, bassoon, French horn, trumpet, trombone, violin, viola, cello, and bass parts).

Missa Ave Maria, Franz Nekes

Marian Sheet Music

A mass setting in honor of the Virgin Mary by Franz Nekes for an unaccompanied male choir (two tenor parts, two bass parts).

Cantate A La Vierge Immaculée, Paul Vidal, Paul Rey

Marian Sheet Music

Fragments from "Cantate a la Vierge Immaculée" (Cantata to the Immaculate Virgin), composed by Paul Vidal with lyrics by Paul Rey. Arranged for soprano, mezzo-soprano, and contralto voices with harmonium or organ accompaniment. Included as part of a supplement in the December 1904 issue of Mois Littéraire et Pittoresque, a monthly Catholic magazine published by the Maison de la Bonne Presse, which was run by the Augustine Fathers of the Assumption.

The Exponent, December 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, November 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, September 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, August 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, July 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, May 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, April 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

The Exponent, March 1903, St. Mary's Institute

The Exponent

Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes

Plegaria A La Sma. Virgen, Antonio González

Marian Sheet Music

Spanish hymn to the Blessed Virgin Mary written for four voice parts (two tenors, one baritone, one bass).

The Rosary (Le Chapelet, Der Rosenkranz), Ethelbert Nevin, Robert Rogers, Theodore Baker, Isadore Martinez

Marian Sheet Music

Arrangement for solo mezzo-soprano or baritone voice with piano accompaniment of Ethelbert Nevin's popular hymn "The Rosary," with French and German translations of the lyrics. The lyrics were written by Robert Cameron Rogers, with the French translation by Isadore Martinez and German translation by Theodore Baker. The song premiered in 1898. By 1928 it had sold over 2.6 million copies, making it one of the best selling pieces of sheet music of the period.

Vier Marienlieder, Max Reger

Marian Sheet Music

A collection of four Marian hymns by Max Reger, arranged for two voice parts (soprano and alto or tenor and bass) with organ accompaniment. This work contains a conductor's copy with all voice and instrumental parts, and separate copies for the soprano/tenor and alto/bass voice parts without accompaniment.

Stabat Mater, Josef Rheinberger, E.J. Bidermann

Marian Sheet Music

Joseph Rheinberger's opus 138, a version of the "Stabat Mater" hymn for a four part chorus (soprano, alto, tenor, and bass) with organ accompaniment. This edition was arranged by Edward Julius Biedermann, with an English translation of the Latin lyrics.

Immaculata Messe Zu Ehren Der Unbefleckten Gottesmutter, Basílio Röwer

Marian Sheet Music

Mass setting by Brother Basílio Röwer, O.F.M., in honor of Mary Immaculate. This mass setting is for four voice parts (two tenors and two basses), unaccompanied. The sheet music also contains Brother Röwer's "Ave Maria," arranged for three unaccompanied voice parts.