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Articles 22711 - 22740 of 22990
Full-Text Articles in Entire DC Network
The University Of Dayton Exponent, October 1920, University Of Dayton
The University Of Dayton Exponent, October 1920, University Of Dayton
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, July 1920, St. Mary's College
The Exponent, July 1920, St. Mary's College
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
Himno A Nuestra Señora De Loreto En Su Coronacion, Sebastián Simonet, Antonio Corredor
Himno A Nuestra Señora De Loreto En Su Coronacion, Sebastián Simonet, Antonio Corredor
Marian Sheet Music
"Himno a Nuestra Señora de Loreto en su Coronacion" is a Spanish hymn by Father Sebastián Simonet, O.F.M., with lyrics by Father Antonio Corredor, O.F.M. The title translates to "Hymn to Our Lady of Loreto on her Coronation." This sheet music is for two voice parts with piano accompaniment.
Ave Maria, Franz Schubert
Ave Maria, Franz Schubert
Marian Sheet Music
Franz Schubert's "Ave Maria," arranged for mezzo-soprano or baritone voice with piano accompaniment.
Vytis, Volume 5, Issue 3 (May 3, 1919), Knights Of Lithuania
Vytis, Volume 5, Issue 3 (May 3, 1919), Knights Of Lithuania
Vytis: The Newsletter of the Knights of Lithuania
Newsletter of the Knights of Lithuania national organization (United States); digitized and made available with the permission of the organization. Content may be protected by copyright.
A Litany, Frank Bridge, Phineas Fletcher
A Litany, Frank Bridge, Phineas Fletcher
Marian Sheet Music
Choral work by Frank Bridge based on a poem by seventh century Scottish poet Phineas Fletcher. This work is for two treble (or soprano) voices and one alto, with accompaniment by organ or harmonium ad libitum.
Missa Consolatrix Afflictorum, Dominique Heckmes
Missa Consolatrix Afflictorum, Dominique Heckmes
Marian Sheet Music
Mass setting by Luxembourgian composer Dominique Heckmes in honor of Mary, Consolatrix Afflictorum (Comforter of the Afflicted). This mass setting is for five voice parts (soprano, alto, tenor, baritone, and bass) with no accompaniment.
Magnificat, Charles Stanford
Magnificat, Charles Stanford
Marian Sheet Music
Charles Villiers Stanford's Opus 164, "Magnificat" for an eight-part double chorus (two soprano parts, two alto parts, two tenor parts, and two bass parts), unaccompanied. The sheet music does include a piano practice part, not intended to be used in performances of the work.
Vytis, Volume 4, Issue 12 (September 25, 1918), Knights Of Lithuania
Vytis, Volume 4, Issue 12 (September 25, 1918), Knights Of Lithuania
Vytis: The Newsletter of the Knights of Lithuania
Newsletter of the Knights of Lithuania national organization (United States); digitized and made available with the permission of the organization. Content may be protected by copyright.
Vytis, Volume 4, Issue 8 (May 30, 1918), Knights Of Lithuania
Vytis, Volume 4, Issue 8 (May 30, 1918), Knights Of Lithuania
Vytis: The Newsletter of the Knights of Lithuania
Newsletter of the Knights of Lithuania national organization (United States); digitized and made available with the permission of the organization. Content may be protected by copyright.
The Exponent, May 1918, St. Mary's Institute
The Exponent, May 1918, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, April 1918, St. Mary's Institute
The Exponent, April 1918, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
Vytis, Volume 4, Issue 5 (March 30, 1918), Knights Of Lithuania
Vytis, Volume 4, Issue 5 (March 30, 1918), Knights Of Lithuania
Vytis: The Newsletter of the Knights of Lithuania
Newsletter of the Knights of Lithuania national organization (United States); digitized and made available with the permission of the organization. Content may be protected by copyright.
The Exponent, March 1918, St. Mary's Institute
The Exponent, March 1918, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
Regina Coeli, Melchiorre Mauro-Cottone
Regina Coeli, Melchiorre Mauro-Cottone
Marian Sheet Music
Arrangement of "Regina Coeli," one of the four Marian antiphons sung during the night prayers (or compline) of the Church, for solo voice and two-part chorus with organ accompaniment. This song was dedicated to Eduardo Marzo by the composer.
The Exponent, January 1918, St. Mary's Institute
The Exponent, January 1918, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
Regina Coeli, Robert Holzmer
Regina Coeli, Robert Holzmer
Marian Sheet Music
An arrangement for four voice parts of "Regina Coeli," one of the four Marian antiphons sung during the night prayers (or compline) of the Church. This hymn was either composed or transcribed by Brother Robert Holzmer, S.M., at Mount St. John, the Marianists' home in Dayton, Ohio.
Our Lady Of The Pillar, Robert Holzmer
Our Lady Of The Pillar, Robert Holzmer
Marian Sheet Music
A hymn for four voice parts dedicated to Our Lady of the Pillar, the name given to Mary for her apparition in Zaragoza, Spain in the first century. This hymn was written by Brother Robert Holzmer, S.M., at Mt. St. John, the Marianists' home in Dayton, Ohio. Our Lady of the Pillar holds special significance for the Society of Mary, as Blessed William Joseph Chaminade was residing in exile near the shrine in her honor when he received a message from the Virgin Mary to start the religious order that would become the Marianists.
Lode A Maria Ss. Addolorata, Carlo Gerbaldi, Antonio Fontana
Lode A Maria Ss. Addolorata, Carlo Gerbaldi, Antonio Fontana
Marian Sheet Music
Italian hymn to Our Lady of Sorrows, composed by Carlo Gerbaldi with lyrics by Father Antonio Fontana. This sheet music was published by the Church of San Carlo in Torino.
The Exponent, December 1917, St. Mary's Institute
The Exponent, December 1917, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, November 1917, St. Mary's Institute
The Exponent, November 1917, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, October 1917, St. Mary's Institute
The Exponent, October 1917, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, July 1917, St. Mary's Institute
The Exponent, July 1917, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, June 1917, St. Mary's Institute
The Exponent, June 1917, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, May 1917, St. Mary's Institute
The Exponent, May 1917, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
Vytis, Volume 3, Issue 5 (April 3, 1917), Knights Of Lithuania
Vytis, Volume 3, Issue 5 (April 3, 1917), Knights Of Lithuania
Vytis: The Newsletter of the Knights of Lithuania
Newsletter of the Knights of Lithuania national organization (United States); digitized and made available with the permission of the organization. Content may be protected by copyright.
The Exponent, April 1917, St. Mary's Institute
The Exponent, April 1917, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, March 1917, St. Mary's Institute
The Exponent, March 1917, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
The Exponent, February 1917, St. Mary's Institute
The Exponent, February 1917, St. Mary's Institute
The Exponent
Published monthly, usually from October through July, in the interest of the students of St. Mary's Institute. Contents include Essays, Editorials, Exchanges, Alumni Notes, University Chronicle, and Athletic Notes
Ave Maria, Luigi Cherubini, Louis Saar
Ave Maria, Luigi Cherubini, Louis Saar
Marian Sheet Music
An arrangement of Luigi Cherubini's "Ave Maria" for a chorus of women's voices (two soprano parts and one alto part) with a soprano solo and piano accompaniment. This piece was arranged by Louis Victor Saar.