Digital Commons Network^™

The Uniform Soybean Tests: Northern Region 2021, Guohong Cai, Adam Brock

Uniform Soybean Tests Northern Region

The purpose of The Uniform Soybean Tests is to critically evaluate the best of the experimental soybean lines developed by federal and state research personnel in the U.S. and Canada, for their potential release as new varieties. A test is established for each of ten maturity groups. Uniform Test 00 includes maturity Group 00 strains adapted to production in the northern fringe of the present area of soybean production. Uniform Tests 0 through IV include later maturing strains adapted to locations progressively further south in the North Central States and areas of similar latitude. Each year new selections are added …

Reflections On Award-Winning Books, 1985-2020

The Writing Center Journal

Deidra Faye Jackson and Alice Johnston Myatt

Reflection: ESL Writers: A Guide for Writing Center Tutors

edited by Shanti Bruce and Ben Rafoth, 2004

Review: Theories And Methods Of Writing Center Research: A Practical Guide Edited By Jo Mackiewicz And Rebecca Day Babcock, Emily Bouza

The Writing Center Journal

With nine chapters on theories and 10 chapters on methods, all contributed by knowledgeable professionals, Theories and Methods of Writing Center Research: A Practical Guide, edited by Jo Mackiewicz & Rebecca Day Babcock, is the research guide I have been waiting for. I have previously conducted two IRB-approved studies on writing centers and am in the middle of my third; without this guide, I have had to pull from multiple sources and have tried to read between the lines of published articles to determine the theories, methods, and methodologies that might best suit a writing center-specific context as a …

A Balancing Act: Black Women Experiencing And Negotiating Racial Tension In The Center, Talisha Haltiwanger Morrison

The Writing Center Journal

Writing centers increasingly have been concerned with issues of race and racism in the center. However, most of the conversation around race has centered on student writers, with references to tutors of color given only in passing or in the context of larger discussions on race. This study uses interview data and a grounded theory methodology to examine the experiences of racism and anti-Blackness in writing centers for female Black undergraduate and graduate peer tutors, categorizing the experiences in three ways: attacks on character and identity, denials of credibility, and silencing. Connections are drawn with the experiences the tutors have …

Centering The Emotional Labor Of Writing Tutors, Bethany Mannon

The Writing Center Journal

Writing consultants regularly perform emotional labor. They suppress or express emotions to welcome clients and invoke enthusiasm to cultivate writers’ confidence. Because emotional labor performs these crucial functions, it merits focused attention in writing center studies. However, while research has considered the emotional needs that writers bring, scholars have not yet sufficiently examined the affective engagements that consultations require of writing consultants. The first section of this article presents a case for treating affective dimensions of tutoring as labor. The second section analyzes five tutor-training manuals using the Specific Affect Coding System (SPAFF) to identify references to emotion and affect …

Composing An Anti-Racism And Social Justice Statement At A Rural Writing Center, Amanda Fields

The Writing Center Journal

This article describes the year-long collaborative composing process of a rural writing center seeking to develop an anti-racism and social justice statement. The author reflects on the way in which rural perspectives are often dismissed, often seen as provincial and hostile towards ideas that might be included in an anti-racism and social justice statement. The piece also connects theories of composing, fluidity, and identity to the writing of the statement and provides a detailed analysis of the lengthy, often challenging composing process used. The author finds that the collaborative composing process, more than the resulting statement, was significant to the …

The Neglected “R”: Replicability, Replication, And Writing Center Research, Susanne Hall, Holly Ryan

The Writing Center Journal

This article makes an argument for the value of both replicable research and replication research in writing center studies. In their discussion of replicability, the authors argue that writing about empirical research so that this research can be replicated will improve the quality of communication in writing center studies whether or not replication studies are subsequently undertaken. The authors further provide for researchers specific guidance on how to create replicable studies, focusing on best practices for describing data sets and sampling, sharing surveys and interview protocols, detailing coding efforts, establishing infrastructure to share data sets, and writing about statistics. Further, …

The Response To The Call For Rad Research: A Review Of Articles In The Writing Center Journal, 2007–2018, Havva Zorluel Ozer, Jing Zhang

The Writing Center Journal

The study examined in this article explored the impact of RAD research on articles (N = 97) in a 12-year period of The Writing Center Journal (WCJ), in 2007–2012 and 2013–2018, to achieve four purposes: 1. to document the amount of replicable, aggregable, and data-supported (RAD) research published in WCJ in two equal periods before and after Driscoll & Wynn Perdue’s (2012) call for RAD research in writing center scholarship; 2. to identify how WCJ articles score in individual areas specified in Driscoll & Wynn Perdue’s RAD research rubric; 3. to provide an understanding of methodological trends in research …

Contingent Writing Center Work: Benefits, Risks, And The Need For Equity And Institutional Change, Dawn Fels, Clint Gardner, Maggie M. Herb, Liliana M. Naydan

The Writing Center Journal

This study investigates and reports on the personal, professional, and programmatic benefits and risks associated with contingent writing center work. Interviews were conducted with 48 contingent writing centers workers, including directors, assistant directors, associate directors, graduate student workers, and tutors. Survey data of the interview participants showed contingent writing center workers are usually White women with advanced degrees. Most of this article focuses on interview data, analyzed using grounded theory. Interviews revealed participants’ understanding of what contingency means and revealed their struggles with instability, insecurity, and uncertainty even while they lauded the flexibility, freedom, and autonomy their contingency afforded them. …

Conceptual Replication And Extension Of The Relation Between The Number Line Estimation Task And Mathematical Competence Across Seven Studies, Alexa Ellis, María Inés Susperreguy, David J. Purpura, Pamela E. Davis-Kean

Purdue Center for Early Learning Faculty and Staff Publications

A recent meta-analysis demonstrated the overall correlation between the number line estimation (NLE) task and children’s mathematical competence was r = .44 (positively recoded), and this relation increased with age. The goal of the current study was to conceptually replicate and extend these results by further synthesizing this correlation utilizing studies not present in the meta-analysis. Across seven studies, 954 participants, ranging from 3 to 11 years old (Age M = 6.02 years, SD = 1.57), the overall estimation-competence correlations were similar to those of the meta-analysis and ranged from r = −.40 to −.35. The current conceptual replication demonstrated …

If The World Was Ending: Companion Animals And Their Guardians In Covid-19 Times, Yahaira Segarra-González, Liza M. Meléndez-Samó

People and Animals: The International Journal of Research and Practice

This research aimed to quantitatively explore various elements related to people living with companion animals during the COVID-19 emergency lockdown in Puerto Rico. Among the variables studied are guardians’ gender, age, animal species, time spent per day with the companion animal, perceived benefits, and attachment level between the person and their companion animal. Matters related to emergency preparedness plans regarding companion animals, changes in the human- animal interactions, and perceived companion animals’ changes during the lockdown were analyzed. Researchers used an online questionnaire for data collection. The sample consisted of participants over 21 years old (n = 3,663) living on …

Developing Soft Skills With Interdisciplinary Teams In The First Year: Lessons Learned, Christian Rogers

Symposium on Education in Entertainment and Engineering

The academic structure of most universities dictates that a student work with those of their own program and in conjunction with a program that is tangential to theirs. Interdisciplinary educational experiences that provide students with the opportunity to develop soft skills (such as communication, empathy and problem solving) are considered rare but are much more common in the working environment. As an example, working environments such as Universal Creative are comprised of multiple disciplines (i.e. civil engineer, mechanical engineering, illustration, user experience design, etc.) A function of working in an interdisciplinary team can also be to work on unknown or …

Insects And Their Laboulbeniales (Ascomycota, Fungi) Of Lake Eustis And Emeralda Marsh Conservation Area: A Case Study On Urbanization And Diversity, Patricia J. Kaishian

Purdue University Libraries Open Access Publishing Fund

A rapid biodiversity assessment of insects and associated Laboulbeniales fungi was conducted over the course of five nights in August, 2018, at two central Florida lakes: Lake Eustis and the nearby protected and restored National Natural Landmark, Emeralda Marsh Conservation Area (EMCA), which encompasses a portion of Lake Griffin. Lake Eustis was surveyed for Laboulbeniales in 1897 by mycologist Dr. Roland Thaxter but has not since been investigated. Because Lake Eustis has been urbanized, with the lake perimeter almost entirely altered by human development, the site offers a look into Laboulbeniales diversity across a 121-year timeline, before and after human …

Timing, Latency, And Live Performance, Robert Klimek, Catherine Skokan

Symposium on Education in Entertainment and Engineering

How important is synchronous timing in a performance? In the world of science, engineering and the arts, we cannot avoid it. In the arts, it is a living and vital concept between composer, performer and audience. During the Pandemic, with an increase in virtual meetings and performances, made us more aware of timing issues and introduced us to a path with many questions about latency and affect between audience and performer. The hand waving, head nodding and eye gestures of Renaissance musicians led eventually to the classic conductor’s baton. These all helped ensembles of dissimilar instruments and/or voices, conquer problems …

La Méditerranée Des Artistes: Ouverture Sur Le Présent, Maria Grazia Messina

Artl@s Bulletin

Ce texte, conçu comme un épilogue au colloque La Méditerranée des artistes, entend faire le point sur les méthodes de travail des artistes qui ont abordé le thème de l’identité méditerranéenne dans leurs œuvres au cours des cinquante dernières années. A la lumière de quelques récents points de repère bibliographique, des thèmes majeurs sont envisagés, tels que le genius loci, la crise induite par une remise en cause des identités due à la mondialisation, le risque du folklore et d’un orientalisme introjecté, les différences entre les artistes des rives Nord et Sud de la Méditerranée.

« Squilli Di Gloria Nel Sole Di Napoli »: Le Pavillon L’Albania Nella Civiltà Mediterranea De La Prima Mostra Triennale Delle Terre Italiane D’Oltremare À Naples (1940), Alessandro Gallicchio

Artl@s Bulletin

En 1940, à l’aide d’un dispositif de monstration complexe, le pavillon de l’Albanie de l’expo-sition coloniale de Naples propose, pour la première fois, une lecture italienne et fasciste du passé de ce pays balkanique, en évoquant des raisons d’ordre culturel et géographique : son identité « romaine », son positionnement à 71 km des côtes italiennes et ses richesses archéologiques. À partir de ce cas inédit, l’article tâche de questionner la nature des produc-tions artistiques conçues pour ce projet idéologique, d’analyser les discours historiques pro-duits autour du mythe de l’Albanie romaine et fasciste et de décrypter les stratégies visuelles employées …

La Méditerranée De Tériade Pendant L’Entre-Deux Guerres, Poppy Sfakianaki

Artl@s Bulletin

Cet article traite de l’utilisation de l’idée de la Méditerranée par le critique d’art Tériade en France de l’entre-deux-guerres. En s’alignant avec le courant intellectuel et artistique dominant à l’époque qui considérait l’art du Sud/méditerranéen supérieur à l’art du nord/allemand, il a souligné dans ses écrits l’origine méditerranéenne des artistes qu’il souhaitait promouvoir ainsi que les caractéristiques méditerranéennes de leur art. Étant lui-même d’origine grecque, ses arguments sur la méditerranéité de l’art et des artistes reflétèrent tout autant chez Tériade un outil d’intégration dans l’establishment culturel français.

The Myth Of ‘Mare Nostrum’: Themes And Exhibitions, Legacy And Experimentation In The Construction Of Mediterranean Fascist Italy, Aurora Roscini Vitali

Artl@s Bulletin

This essay aims to analyse the ways in which the myth of the Mare nostrum entered into the artistic iconography of the early twentieth century. It was highly amplified during the Fascist regime thanks to some relevant graphic works, monumental commissions and, above all, temporary exhibitions that were characterized by a propagandistic overtone. The representation of a Mediterranean (in fact Italian) common identity became a fundamental part of a pervasive political strategy. The stylistic choices were conditioned both by the need to emphasize the glorious return of “Latinness” and the incardination of the “new” fascist modernity.

Formes Et Cahiers D’Art Dans Le Débat Des Années 1930: La Méditerranée Comme Creuset De La Suprématie Culturelle, Eleni Stavroulaki

Artl@s Bulletin

La géographie de l’art prend un essor incontestable dans les années 1930, alimentant une polarisation, souvent démesurée, entre le Nord et le Sud, à laquelle s’attachent des attributs culturels, artistiques et spirituels antithétiques. Des figures tutélaires de ce tournant historiographique, tel Josef Strzygowski, font leur apparition dans les revues de la période, dynamisant davantage le discours. Rapidement, les revues d’art, entre autres Formes et Cahiers d’art, sont convoquées à prendre position pour ou contre la Méditerranée comme point de départ d’un renouveau artistique à venir.

Mediterranizing Gauguin. Giuseppe Biasi’S Africa And Sardinia, Giuliana Altea

Artl@s Bulletin

Looking at the North- African stay of the artist Giuseppe Biasi (1885–1945), the paper deals with a brand of Mediterraneism marked by issues of national and regional identity. A key figure of the regionalist movement in his native Sardinia, in Egypt Biasi sympathized with the painters Mukhtar and Said’s nationalist ideals. Back in Italy, his works showed a conflation of the African and Sardinian worlds, implicitly confirming the theories of the anthropologist Giuseppe Sergi about the Italians as Mediterranean race and contributing to spread the fascist notion of a mediterraneism aimed at justifying colonialism.

L’Accent Sur Le Local : Modernisme Et Régionalisme Dans L’Art Grec De L’Entre-Deux-Guerres, Christina Dimakopoulou

Artl@s Bulletin

In 1919 a group of Greek modernist artists under the name “Groupe Tekhni” was presented to the Parisian public through a collective exhibition aiming at proving the synchronized status and the international scope of Greek contemporary art. Against all the ambitions, the exhibition did not meet the expectations of French critics who were searching vainly in the work of Greek artists for a certain accent local, typical of the region of oriental Mediterranean. This paper investigates the way in which the concept of accent local, proposed by the French critics, was interpreted in the Greek art of the …

Mediterranean Cubisms: Decoration, Classicism, Picasso And Professionalism, David Cottington

Artl@s Bulletin

‘A working countryside is hardly ever a landscape’, Raymond Williams observed fifty years ago in his book The Country and the City; for to perceive it as such is to have both the leisure and the distance from it, to aestheticize it. This essay argues that, similarly, art practices have too often been understood ‘from the outside in’: that in Cubist representations of the Mediterranean, the picturesque quality of the Riviera insinuated itself—indeed that that the influence of the decorative was so far- reaching in the inter- World War years that it co- opted avant-gardism itself, and that the …

Disclosing The Ultimate Mediterranean Cubist Village. Place, Identity And Politics In Eduardo Viana’S Olhão Landscapes, Joana Cunha Leal

Artl@s Bulletin

This article studies the early 1920s Olhão views painted by Eduardo Viana (1881–1967). It analyzes Viana’s turn to Algarvian-Mediterranean landscapes, while considering the emergence of Olhão as the Portuguese “cubist village” rendered just before its regionalization by the fascist cultural industry. I contend that Viana’s vistas stem from his cosmopolitan profile and earlier avant-garde experiences, suggesting also that Olhão’s Mediterranean “cubist”-built environment offered Viana the prospect of a denationalized geography. The relationship between identity, place and politics will therefore be discussed.

Beyond Noucentisme: Joaquim Sunyer’S Mediterranean Pastoral, Maria Lluïsa Faxedas

Artl@s Bulletin

Taking as case study the painting Pastoral (1910–11), one of the iconic works of the Catalan artist Joaquim Sunyer (1874–1956), this paper examines the established link between Mediterraneanism and Noucentisme in Catalan culture in the first decades of the twentieth century. A look at how this work was received when it was first exhibited, and the sub-sequent re- reading of its iconography, enables us to understand Pastoral nowadays not as much as a symbol of Noucentisme, but more as a potential meeting point between the different aesthetic trends of the period.

Les Jardins « Du Climat De L’Oranger » : Jean Claude Nicolas Forestier (1861-1930), Traditions Méditerranéennes Et Jardin À La Française, Camille Lesouef

Artl@s Bulletin

Dans l’ouvrage Jardins : carnet de plans et de dessins (1920), le paysagiste J. C. N. Forestier forge la typologie des jardins « du climat de l’oranger » qui réunit des traditions hortésiennes de différents horizons historiques et géographiques (gréco-romaine, arabo-andalouse, maghrébine, italienne). Cet article se propose d’étudier la vision de la méditerranéité qui émane de cette typologie, puis de la mettre en perspective avec le modèle du jardin moderne élaboré par le paysagiste dès le début du siècle. Il s’agit de mettre en lumière la façon dont l’imaginaire de la Méditerranée inspire le renouvellement de l’art des jardins au …

The Mediterranean As The Primitive Source For Noucentisme: Joaquín Torres-García’S ‘Classical Primitivism’—From Arcadian Frescoes To Constructive Universalism, Begoña Farré Torras

Artl@s Bulletin

This paper explores the place of the Mediterranean as the main source of primitive references for modern art in the noucentista art scene of Catalonia (Spain) in the early 20th century. It does so by focusing on the case of Joaquín Torres- García, a leading figure of the movement and advocate for the modernisation of mural painting. The discussion considers the noucentista conflation of the notions of classical and primitive, examines how it finds expression in Torres- García’s controversial frescoes for the seat of the regional government, and posits its relevance to the Constructive Universalism pictorial idiom developed by the …

“Dusty” Arcadias: Pastoral Visions And Greek Landscape In The Work Of Fred Boissonnas In The Context Of Mediterranean Cultural Myth, Marianna Karali

Artl@s Bulletin

In the following paper, I examine the possible affiliation the Swiss commercial photographer Fred Boissonnas shared with certain groups of Greek-French Nationalists as early as in 1903-1907 and the way this particular nexus inspired the integrity of his work on Greek landscape, forming as well his naturalistic vision on photography. Within the visionary spectrum of a northerner excursionist and the aesthetic eye of a Pictorialist photographer, Boissonnas marked an Innovative gaze upon Mediterranean Arcadian Imagery, altering the Symbolic Classicism of von Gloeden paradigm of Italian South.

Sous L'Impulsion D'Une Culture Latine Et Méditerranéenne : La Revue "La Renaissance Latine" (1902-1905) Et Les Arts, Katia Papandreopoulou

Artl@s Bulletin

La Renaissance latine (1902-1905), revue culturelle et politique de diffusion internationale, consacre une grande partie de son contenu à l’évolution des arts visuels d’une Méditerranée fantasmée. Régie par des critères essentialistes et ethniques, et animée par des acteurs connus pour leurs aspirations coloniales, elle ne parvient cependant pas à éroder la modernité transnationale de la jeunesse artistique, qui affirme avec véhémence ses particularités locales et antiacadémiques. Le « mouvement latin », qui concerne l’Italie, la France, la Grèce, l’Espagne et la Roumanie, favorise un creuset artistique au sein du bassin méditerranéen, avant que ses voix modernistes ne soient écartées de …

Opposing Strands: The Mediterranean As Site Of Cultural Conflict Around 1900, Neil F. Mcwilliam

Artl@s Bulletin

From antiquity to the Third Republic, this article follows visual and literary representations that measured space, time and ideological oppositions that spawned an image of the Mediterranean as an area of transmission and cultural tension. It focuses on three theorists: the head of Action Française, Charles Maurras; the novelist Louis Bertrand; and critic and cultural impresario Joachim Gasquet. Each contributed to the formation of an image of the Mediterranean basin as the birthplace of European heritage and a battlefield in a struggle against the forces of democracy and cultural hybridization.

L'Invention Artistique De La Méditerranée: Quelques Repères, Rossella Froissart

Artl@s Bulletin

Qu’en est-il de la Méditerranée pour les historiens de l’art ?

Si les relations nord-sud ont été abordées relativement souvent, on a gardé prudemment à distance toute analyse faisant cas d’un prétendu « genius loci » méditerranéen, fondé sur les concepts de « nation », de « peuple » et de « race ». Aujourd’hui les outils pour une lecture dépassionnée des imbrications du fait artistique avec les logiques spatiales ne manquent pas et le dossier peut être rouvert. Il faudra d’abord tenter d’établir à quel moment et sous quelles conditions la notion de « Méditerranée » apparaît dans le …