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Confinement, Care, And Commodification In Mati Diop’S In My Room, Brittany Murray Aug 2022

Confinement, Care, And Commodification In Mati Diop’S In My Room, Brittany Murray

CLCWeb: Comparative Literature and Culture

In her article, “Confinement, Care, and the Commodification in Mati Diop’s In My Room,” Brittany Murray discusses a short film released in 2020 by the French and Senegalese director, Mati Diop. Shot in the artist’s studio in a Parisian banlieue during mandatory Covid-19 confinement, the film tackles the issues of grief, isolation, and care. The article shows how the film represents these issues, particularly urgent during the pandemic and yet belonging to longstanding concerns about care work and reproductive labor. To mediate between present crisis and a larger historical framework, the article demonstrates how the film’s formal attributes make a …


Kazuo Ishiguro And The Service Economy, Kate Montague Aug 2022

Kazuo Ishiguro And The Service Economy, Kate Montague

CLCWeb: Comparative Literature and Culture

In her article, “Kazuo Ishiguro and the Service Economy,” Kate Montague argues that Kazuo Ishiguro’s novels enact a poetics of work for the present moment—not just at the level of narrative but also in the kind of language used to describe the service economies his characters are doomed to inhabit. In his best-known novels, a clinical, bureaucratic, and even glorifying lexicon of “donations,” “completions,” “substitutions,” and “lifting” is betrayed by the reality of work grounded in horror. In Ishiguro’s worlds, which are very much our own, the out-sourcing of reproductive and domestic labor is enabled by a larger system in …


Reading The Global City: Crisis, Cognitive Mapping And The “Urban Sensorium” In Tom Mccarthy’S Satin Island And Ben Lerner’S 10:04, Marty Gilroy Aug 2022

Reading The Global City: Crisis, Cognitive Mapping And The “Urban Sensorium” In Tom Mccarthy’S Satin Island And Ben Lerner’S 10:04, Marty Gilroy

CLCWeb: Comparative Literature and Culture

“What is the role played by the aesthetics and politics of space,” asks Kanishka Goonewardena, “in producing and reproducing the durable disjunction between the consciousness of our urban everyday life […] and the now global structure of social relations that is itself ultimately responsible for producing the spaces of our lived-experience?” (55). Goonewardena’s account of the “urban sensorium” describes the mediatory, ideological role played by space in this “gap,” informing his adaptation of Jameson’s “cognitive mapping” as a hermeneutics of urban experience vis-à-vis totality. This article considers the mediation of these insights as critical aesthetic strategies in two global city …


Literature And Economy In Portuguese-Speaking Southern Africa, Thomas Waller Aug 2022

Literature And Economy In Portuguese-Speaking Southern Africa, Thomas Waller

CLCWeb: Comparative Literature and Culture

In “Literature and Economy in Portuguese-speaking Southern Africa”, Thomas Waller offers a comparative reading of literary responses to neoliberalization in Portuguese-speaking southern Africa. Reading the proliferation of spectral effects in the Mozambican literature of the late 1980s alongside dystopian depictions of societal collapse in contemporary Angolan fiction, he suggests that writers in the two states have used distinctive aesthetic idioms to register the reintegration of southern Africa into the neoliberal world-system. In the fiction of Mozambican writers Aldino Muianga and Aníbal Aleluia, he shows how the legacy of colonial underdevelopment and its role in the transition to neoliberalism in Mozambique …


Conjunctures, Commodities, And Social State Marxism, Stephen Shapiro Aug 2022

Conjunctures, Commodities, And Social State Marxism, Stephen Shapiro

CLCWeb: Comparative Literature and Culture

In their article, “Conjunctures, Commodities, and Social State Marxism,” Stephen Shapiro discusses our current moment as the conjuncture of three temporalities: a secular trend of centrist liberalism, a Kress cycle of managerial capitalism, and three Kondratieff waves. These can be understood by the addition of implied terms in Marx’s advanced discussion of the commodity-form through an approach that Shapiro calls Social State Marxism.


Periodizing The Present: The 2020s, The Longue Durée, & Contemporary Culture, Treasa De Loughry, Brittany Murray Aug 2022

Periodizing The Present: The 2020s, The Longue Durée, & Contemporary Culture, Treasa De Loughry, Brittany Murray

CLCWeb: Comparative Literature and Culture

No abstract provided.


Everyday Consumption In Twenty-First-Century Brazilian Fiction, Lígia Bezerra Aug 2022

Everyday Consumption In Twenty-First-Century Brazilian Fiction, Lígia Bezerra

Purdue Studies in Romance Literatures

Everyday Consumption in Twenty-First-Century Brazilian Fiction is the first in-depth study to map out the representation of consumption in contemporary Brazilian prose, highlighting how our interactions with commodities connect seemingly disconnected areas of everyday life, such as eating habits, the growth of prosperity theology, and ideas of success and failure. It is also the first text to provide a pluralistic perspective on the representation of consumption in this fiction that moves beyond the concern with aesthetic judgment of culture based on binaries such as good/bad or elevated/degraded that have largely informed criticism on this body of literary work. Current Brazilian …


“A Sick Eagle” And “I Am”: Hymns To Sculpture By Keats And Rilke, Ya-Feng Wu Jun 2022

“A Sick Eagle” And “I Am”: Hymns To Sculpture By Keats And Rilke, Ya-Feng Wu

CLCWeb: Comparative Literature and Culture

At the turn of eighteenth and nineteenth, nineteenth and twentieth centuries, sculpture came to serve as an emblem of humanity’s response to the challenges of the times. John Keats and Rainer Maria Rilke, felt compelled at their encounters with ancient Greek sculpture in the museum to reflect upon their vocation in an age disrupted by political upheaval and rampant commercialization respectively. Keats’s sonnet, “On Seeing the Elgin Marbles” (1817), registers an intimation of his latent grandeur in the form of a “sick eagle,” confronting “a shadow of a magnitude.” To overcome this experience, Keats made attempts at epic on the …


Female Bonding And Marginality In Shang Wanyun’S Novella “Xialihe” (1978), Antonio Paoliello Jun 2022

Female Bonding And Marginality In Shang Wanyun’S Novella “Xialihe” (1978), Antonio Paoliello

CLCWeb: Comparative Literature and Culture

This article explores the representation of homosociality between two marginalized female characters in “Xialihe” (夏麗赫) (1978), a novella by Sinophone Malaysian writer Shang Wanyun (商晚) (1952-1995). Although some scholars have suggested that the writer’s preoccupation with the intimate world of women started only in the 1980s, I argue that “Xialihe” already highlights issues such as female intimacy and women’s social marginalization. The text represents, therefore, a link between her earlier nativist production and her later more feminist approach. Additionally, I contend that, writing from a marginal position at the periphery of Malaysia’s national literary system and from a doubly-conservative environment …


Trauma, History, And Terror In The Poetry Of Yusef Komunyakaa And Sinan Antoon, Reema Binghadeer Jun 2022

Trauma, History, And Terror In The Poetry Of Yusef Komunyakaa And Sinan Antoon, Reema Binghadeer

CLCWeb: Comparative Literature and Culture

In her comparative study “Trauma, History, and Terror in the Poetry of Yusef Komunyakaa and Sinan Antoon,” Reema Binghadeer considers the work of the African American poet Yusef Komunyakaa (b. 1941) and the (Arab) Iraqi poet Sinan Antoon (b. 1967) through the lens of trauma theory of some notable theorists including; Freud, Cathy Caruth, Jean Laplanche, Roger Luckhurst, and Shoshana Felman—have negotiated in this field. The article explores the literary manifestations of trauma in two distinct historical periods and geographical settings to show the specificities of each prototype and how the historical-cultural significance and textual meanings of trauma have intertwined …


The Extinction Race: Techniques Of The Human In Proust, Via Houellebecq, James Dutton Jun 2022

The Extinction Race: Techniques Of The Human In Proust, Via Houellebecq, James Dutton

CLCWeb: Comparative Literature and Culture

In his article, “The Extinction Race: Techniques of the Human in Proust, via Houellebecq” James Dutton “reads” identity and race from the point of view of technics. Namely, he does so through the work of two nominally “Eurocentric” authors, Marcel Proust and Michel Houellebecq, observing how familial and racial resemblance is a living inscription of “lost time.” This inscription comes about through the technical means available to and constitutive of the categories which bind them. Thus, instead of furthering unfinishable racial distinctions which only serve to support discourses of racism, this article follows assertions made in the novels of …


The Silmarillion By J.R.R. Tolkien And Shahnameh By Firdausi: A Sadraic Interpretation Of Free Will And Determinism, Mohsen Hanif, Masoud Tadayoni Jun 2022

The Silmarillion By J.R.R. Tolkien And Shahnameh By Firdausi: A Sadraic Interpretation Of Free Will And Determinism, Mohsen Hanif, Masoud Tadayoni

CLCWeb: Comparative Literature and Culture

Fate, doom, and free will have always proved to be controversial terms among philosophers. The chief problem is whether a deterministic power prescribes the destiny of creatures or they possess pure free will in shaping their destinies. Mulla Sadra, a 17th century Iranian philosopher, believes in a blending of determinism and free will which he develops in the terms of Qaza and Qadar respectively. He introduces a model of fate through which determinism and free will equally participate. Using the human soul as a model, Mulla Sadra points out that people meet their fate through several factors, one of which …


Poetics Of The Crystal-Image: Dreams In Mirror And Ashes Of Time Redux, Yuh-Yi Tan Jun 2022

Poetics Of The Crystal-Image: Dreams In Mirror And Ashes Of Time Redux, Yuh-Yi Tan

CLCWeb: Comparative Literature and Culture

This paper delves into recurrent dreams and related recollections in Andrei Tarkovsky’s Mirror and Wong Kar-wai’s Ashes of Time Redux. Gilles Deleuze has called Mirror a film of “turning crystal” because it reflects the two sides of the protagonist’s relationship with his mother and ex-wife by juxtaposing them in a mysterious labyrinth of past-present-future. The crystal imaging refracts four sides of two couples by showing the bonding of the parents along with the connection to his ex-wife and son. The same structure is apparent in Ashes of Time Redux where another set of two bilateral symmetries is initiated between …


The Turn Toward The Nonhuman In Susan Straight’S A Million Nightingales, Katarzyna E. Nowak-Mcneice Jun 2022

The Turn Toward The Nonhuman In Susan Straight’S A Million Nightingales, Katarzyna E. Nowak-Mcneice

CLCWeb: Comparative Literature and Culture

This article proposes a reading of Susan Straight’s 2006 novel A Million Nightingales in the light of critical posthumanities, focusing specifically on references to nonhuman animals. It does so in order to place Straight’s writing within the context of the recent posthumanist debate concerning the distinction between human and nonhuman animals (cf. Donna Haraway, Cary Wolfe). I claim that while addressing the “fused” discrimination (after Carol J. Adams) of sexism, racism, and speciesism, Straight’s prose can be seen as a proposition of a reconfigured subjectivity, one based on “entanglement” and “intra-action” (Karen Barad). A Million Nightingales, which – together …


Cooling Down Transmedia Storytelling, Jan Baetens, Domingo Sánchez-Mesa Jun 2022

Cooling Down Transmedia Storytelling, Jan Baetens, Domingo Sánchez-Mesa

CLCWeb: Comparative Literature and Culture

In this article we propose a reading of “Dead End Street”, one of the most successful songs of one of the most popular British pop groups of the 60s, The Kinks. However, we will not discuss the song as such, but its remediation as a music video (a practice that did not have to wait for MTV to make its appearance in mass media culture). The analysis will briefly contextualize the group, the song and the clip, but its major objective is to use the Kinks example to open a new question in the larger debate on intermediality and transmediality …


Extending The Frontiers Of The Detective Novel In Adaora Ulasi’S The Man From Sagamu, Onyeka Odoh Jun 2022

Extending The Frontiers Of The Detective Novel In Adaora Ulasi’S The Man From Sagamu, Onyeka Odoh

CLCWeb: Comparative Literature and Culture

Part of the beauty of detective literature is the mental engagement and psychological contest it stages between the author and the readers, as well as its fascinating probe into the nature and dynamism of crime. However, of greater import are the formulaic structural elements that define the genre—a crime, the detection of the crime, an omniscient detective who intelligently investigates the crime, and a justified resolution of all. Though the structure of Adaora Ulasi’s The Man from Sagamu does not exactly fit into the above model, it is still a detective novel. Therefore, this essay aims to propose a new …


Precarity In The Times Of Partition: Personal Vs Communal Love In Khushwant Singh’S Train To Pakistan And Saadat Hasan Manto’S “Gurmukh Singh Ki Wasiyat”, Ayesha Perveen Jun 2022

Precarity In The Times Of Partition: Personal Vs Communal Love In Khushwant Singh’S Train To Pakistan And Saadat Hasan Manto’S “Gurmukh Singh Ki Wasiyat”, Ayesha Perveen

CLCWeb: Comparative Literature and Culture

The paper studies how various shades of love respond to precarity in anarchic times by comparing the narrative representation of the aftermath of the Partition of the British colonized Subcontinent into independent countries of India and Pakistan in 1947 with particular focus on Sikh-Muslim relationships in Punjab as presented in Khushwant Singh’s novel Train to Pakistan and Saadat Hasan Manto’s short story “Gurmukh Singh ki Wasiyat.” Employing Judith Butler’s concept of precarity, the paper analyzes how both the writers sketch precarity in partition times ensuing in post-Partition communal violence and effacement of love. The selection of the texts is significant …


Ethical-Reparative Reconfigurations Of The Literary Today, André Cechinel Mar 2022

Ethical-Reparative Reconfigurations Of The Literary Today, André Cechinel

CLCWeb: Comparative Literature and Culture

This essay aims to debate the evidence of an ethical-reparative function for literature and literary studies today. Therefore, it is divided into two fundamental moments, two argumentative channels that, without a totalizing intention, point out the general perspective of the current, changing, stuation. On the one hand, the literature of the 20th century is presented through the image of a supposed negativity or radical intransitivity, capable of “undoing the work” in its “aesthetics of suppression.” On the other hand, from an introductory debate around some of the places of transitivity envisioned for literature at the beginning of the 21th century, …


“It Is Not All That Bad”—Hitler And Identity-Building In Er Ist Wieder Da (Look Who’S Back), Yuan Xue Mar 2022

“It Is Not All That Bad”—Hitler And Identity-Building In Er Ist Wieder Da (Look Who’S Back), Yuan Xue

CLCWeb: Comparative Literature and Culture

In Germany, multiculturalism and “leading culture” (Leitkultur) are a pair of closely connected but opposite concepts. Multiculturalism has been accused of being the main reason why culture loses its core cohesion. Despite the persistence of calls for a leading culture in Germany in recent years, many scholars argue that the concept is also problematic. A monopolistic leading culture may be hard to realize in an already pluralistic Europe. I argue that the choice between the two reflects the dilemma of the establishment of German cultural identity. Focusing on the German bestseller Er ist wieder da (Look Who’s Back, 2012), this …


“Passive Revolutions” After The Crisis Of Globalization: Gramsci And The Current Culture Of Populism, Yuri Brunello Mar 2022

“Passive Revolutions” After The Crisis Of Globalization: Gramsci And The Current Culture Of Populism, Yuri Brunello

CLCWeb: Comparative Literature and Culture

This article compares the ways in which two scholars, the anthropologist Kate Crehan and the philosopher Diego Fusaro, analyze Gramsci’s thought, verifying its current relevance and effectiveness in interpreting populism. In Crehan’s recent Gramscian studies the categories of senso comune and buon senso become crucial. Crehan utilizes categories such as “culture” and senso comune to explain both the Tea Party experience and Donald Trump’s election. Fusaro, on the contrary, is an Italian public intellectual who declares himself a sovereignist and who often includes, among the theoretical references of Italian contemporary sovereignism, the author of Quaderni del carcere. In the …


The Logic Of "Social Enterprise": The Big Issue Organization And New Labour Policy At The Millennial Juncture, Suman Gupta Mar 2022

The Logic Of "Social Enterprise": The Big Issue Organization And New Labour Policy At The Millennial Juncture, Suman Gupta

CLCWeb: Comparative Literature and Culture

This paper explores the emergence of and policies and practices underpinning ‘social enterprise’ in Britain: that is, the concept that businesses could provide social services and benefits while returning profits to those who have invested in them. This paper argues that, in Britain, the concept was massaged into existence and adopted as a business and policy model at a particular historical juncture, in the later 1990s and early 2000s. The process involved a careful interweaving of linguistic maneuvers with financial calculations both at the level of specific businesses and at that of political regimes. This process is traced here with …


On A Small Glossary Of Academic Anti-Intellectualism, William Díaz Villarreal Mar 2022

On A Small Glossary Of Academic Anti-Intellectualism, William Díaz Villarreal

CLCWeb: Comparative Literature and Culture

This article presents the Small Glossary of Anti-intellectualism, where the most common rhetorical strategies and themes of contemporary academic anti-intellectualism are commented on. Anti-intellectualism is as old as intellectual life itself. However, its contemporary version is historically and sociologically rooted in the very structure of modern culture industry. It is a manifestation of a now universal pseudo-culture (Halbbildung) which, according to Adorno, has become the “dominant form of contemporary consciousness.” Arthur Schlesinger said that anti-intellectualism has long been the anti-Semitism of the businessman; today, anti-intellectualism is certainly the antisemitism of several social and political groups, including academia …


The Brazilian System Of Television, Or How To Get A President, Tauan F. Tinti Mar 2022

The Brazilian System Of Television, Or How To Get A President, Tauan F. Tinti

CLCWeb: Comparative Literature and Culture

The purpose of this essay is to draw attention to some perhaps unexpected affinities between a considerably expressive segment of the Brazilian culture industry that for several reasons seems to usually fly under most interpretive radars and a certain regressive frame of mind that is becoming increasingly manifest and now holds both considerable political power and a surprisingly firm grip over a portion of the population whose size is still unclear. The following remarks and associations gesture tentatively at what could be preliminarily defined as a constellation of cultural junk being outlined, its shape against the night sky sometimes resembling …


Introduction: A Return To The Bad Old Times, Fabio Akcelrud Durão, Fernando Urueta Mar 2022

Introduction: A Return To The Bad Old Times, Fabio Akcelrud Durão, Fernando Urueta

CLCWeb: Comparative Literature and Culture

No abstract provided.


Poetic Explorations In Bill F. Ndi’S Worth Their Weight In Thorns: (De)Constructing Hegemonic National Integration And Debating Francophonecentric National Governance., Hassan Mbiydzenyuy Yosimbom Feb 2022

Poetic Explorations In Bill F. Ndi’S Worth Their Weight In Thorns: (De)Constructing Hegemonic National Integration And Debating Francophonecentric National Governance., Hassan Mbiydzenyuy Yosimbom

CLCWeb: Comparative Literature and Culture

This paper explores “hegemonic national integration” and “Francophonecentric national governance” in The Cameroons (TC) poetic scape. The former refers to La République du Cameroun (LRC)-British Southern Cameroons (BSC) or Southern Cameroons (SC) interconnectedness dominated by Francophones. The latter is governance that promotes a Francophone cultural superiority that refuses to see the Cameroonian world through Southern Cameroonians’ eyes. Cameroonians live in a time of enormous fragmenting “Francophonizing” and “Anglophonizing” processes. To flesh this argument out, this paper borrows critical perspectives from Benhabib’s “democratic iterations” and “deliberative democracy” and Rosenau’s “six-governance typology’ as requisites for good governance. It contends that …


Language And Betrayal: Posthuman Ethics In Kazuo Ishiguro’S Never Let Me Go, Netty Mattar Feb 2022

Language And Betrayal: Posthuman Ethics In Kazuo Ishiguro’S Never Let Me Go, Netty Mattar

CLCWeb: Comparative Literature and Culture

Netty Mattar discusses in her article “Language and Betrayal: Posthuman Ethics in Kazuo Ishiguro’s Never Let Me Go” the complexities of ethical compassion in this biotechnological age. Mattar highlights how genetic technology creates new forms of life that dissolve the line between ‘human’ and ‘technology.’ In spite of this, contemporary ethical discussions do not take into account changing conceptions of human subjectivity and instead reinstate older assumptions about what ‘human’ is. Mattar argues that speculative fiction (SF), as a self-conscious play on signs and signification, can draw attention to how ethical responses are determined by the language we use. …


The Symbolism Of Clothing: The Naked Truth About Jacques Lacan, Peter D. Mathews Feb 2022

The Symbolism Of Clothing: The Naked Truth About Jacques Lacan, Peter D. Mathews

CLCWeb: Comparative Literature and Culture

In the work of Jacques Lacan there exists an extended metaphor of clothing, whereby the ‘naked’ truth is always ‘clothed’ in deception. For Lacan, clothing functions at the intersection of the symbolic and the imaginary, with outward appearance shaping what we imagine to be underneath in order to determine the landscape of symbolic desire. Joan Copjec considers the political implications of this metaphor, arguing that utilitarianism, in particular, divides desire into a false dichotomy of rational, naked desire, and the ornamental clothing of irrationality, a mindset woven into both capitalism and French colonialism. The article then examines two examples from …


Returning To East Africa Via India: On M. G. Vassanji’S And Home Was Kariakoo, Shizen Ozawa Feb 2022

Returning To East Africa Via India: On M. G. Vassanji’S And Home Was Kariakoo, Shizen Ozawa

CLCWeb: Comparative Literature and Culture

In his article “Returning to East Africa via India,” Shizen Ozawa examines how M. G. Vassanji further develops his diasporic aesthetics in his latest travel book/ memoir And Home Was Kariakoo: A Memoir of East Africa (2014) from two perspectives. First, the essay explores some possible influences of his earlier travelogue A Place Within: Rediscovering India (2008). It seems partly because of his deepening relationship with his land of ancestral origin that in And, Vassanji emphasizes the cross-continental connections between East Africa and India more strongly than in his earlier works. Especially, he characterizes the very presence of …


Tituba, “Dark Eve” In The Origins Of The American Myth: The Subject Of History And Writing About Salem, Junghyun Hwang Feb 2022

Tituba, “Dark Eve” In The Origins Of The American Myth: The Subject Of History And Writing About Salem, Junghyun Hwang

CLCWeb: Comparative Literature and Culture

Recasting the Salem witchcraft trials in light of Walter Benjamin’s theses on historiography, this paper revisits the question of history by examining ways in which Tituba is dis/con-figured as the subject of American history in Arthur Miller’s The Crucible and Maryse Condé’s I, Tituba, Black Witch of Salem. Both stories of persecution revolve around the figure of Tituba, a slave from the Caribbean to whom the beginning of the witch trials is attributed, as the nodal point of different modes of representing the Salem history. The telos in Miller’s drama coincides with the subject-formation of Proctor as the legitimate …


Socrates The Degenerate: Irony As Trope Of Decadence, Daniel R. Adler Feb 2022

Socrates The Degenerate: Irony As Trope Of Decadence, Daniel R. Adler

CLCWeb: Comparative Literature and Culture

Decadence is typically associated with a fall from, or an opposition to, ideals of civilization. Western Civilization traditionally traces its roots to the culture of Ancient Greece. While theorists of periodicity from Vico to Nietzsche and Deleuze, to Hayden White and other contemporary scholars, associate decadence with excess, artificiality and over-indulgence, they also recognize that decadence often incorporates pre-civilized, base or “Other” tendencies. Paradoxically, decadence as a degeneration of an original culture’s values can also rejuvenate that culture’s core values through mutation so that a new version of the original culture arises. In literature, degeneration has also been associated with …