Digital Commons Network^™

Grid Culture, Eliot Bates, Arseni Troitski

Publications and Research

In this essay, we provide our initial ethnographic research about lines, which at a superficial level can be considered a platform, but which is also synonymous with a community of 8800 users, and with 606k unique posts authored by these users that in aggregate constitute a discourse network (Aufschreibesysteme, see Kittler 1990). lines—as platform, community, and discourse network—is primarily designed to support the development, documentation and user-generated code efforts specific to a set of hardware synthesis-related objects (the two we will focus on are called Norns and Grid; we’ll discuss what they are and what they do through the subsequent …

Local-Classical Singers Speak: Interviews With Trinidadian, Guyanese, And Surinamese Singers, Peter L. Manuel

Publications and Research

This is a compilation of transcriptions of several dozen interviews with Trinidadian, Guyanese, and Surinamese performers of Indo-Caribbean local-classical music (tan-singing, baithak gana) conducted in the 1990s by Peter Manuel. The informants include most of the leading singers of that era, such as Hanif Mohammed, Jameer Hosein, and Sam Boodram, as well as elder artists whose recollections date back to the 1920s-30s. The transcriptions are informal, messy, and unedited. Several of the interviews were conducted when Manuel was just beginning his research, and thus his questions were not always well informed.

Song Analysis - Final Project For The American Musical Experience, Agustina Checa

Open Educational Resources

Assignment designed as a final project for the undergraduate course MSH245: The American Musical Experience at Lehman College. This course surveys different musical expressions that emerged in the United States as well as the historical, social and technological contexts framing their popularization.This assignment asks students to analyze a song of their choosing performed by an American artist and to follow specific requirements in their study of this piece which include: historical and social contextualization, analysis of style, influences and lyrics, as well as the elaboration of a "listening guide" to fully appreciate the composition. Students are given the …

The Scholarship Of Rock Music: Knowledge Mapping Through Bibliography, Monica Berger

Publications and Research

Scholarship on rock and popular music has grown dramatically in volume and methodological variety and complexity including extensive use of interdisciplinary approaches. There currently is no comprehensive resource for scholars and educators to explore monographic scholarly literature on rock. I will showcase a new annotated bibliography, with a focus on disciplinarity and methodology, which provides a lens into how this scholarly discourse has evolved. This bibliography also makes visible broader trends regarding research topics in rock and popular music. This project will be a resource to academics and other authors, faculty designing and updating curricula, and librarians interested in building …

"Coros Y Danzas" I Les Contradiccions Del Nacionalisme Espanyol, Antoni Pizà

Publications and Research

L’estudi de Daniel Jordan ressegueix l’ús que va fer el primer franquisme d’aquestes agrupacions amb una base folklòrica. Sota l’estela de la Secció Femenina, fou entorn de trobada i lleure majoritàriament per a les dones, i va arribar a convertir- se en carta de presentació de cara al món.

A Critical Study Of Contemporary Palestinian Musical Culture, Karl H. Hausmann

Dissertations, Theses, and Capstone Projects

This study is concerned with the field of musical culture and practice in Palestine, and the connotations of musical expression, whether as music or songs. It addresses the period extending from the end of the seventies and the beginning of the eighties, through the first intifada of 1987 and then the era of the Oslo Accords until today.

This study deals with the artistic meanings and expressions associated with the music and singing that was produced in that period, assuming that it was created within the socio-political context in which it existed, specifically that music that was associated with the …

Changing Homelands: The Election Of Menachem Begin And The Diplomatic Campaign To Bring Ethiopian Jews To Israel, Abraham Silberstein

Dissertations, Theses, and Capstone Projects

This thesis examines diplomatic efforts by Israel, the United States, and non-governmental organizations to facilitate the immigration of Ethiopian Jews to Israel. While much of the historical literature on this topic has focused on the 1980s and 1990s, when tens of thousands of Ethiopian Jews were airlifted to Israel, this thesis largely considers the mid-late 1970s. For the first 25 years of its existence, the State of Israel had not been eager to see Ethiopian Jews enter the country, and the government deemed them non-Jews for the purposes of immigration. This started to change in 1973, when the Sephardi Chief …

Babel, Daniel Horowitz

Dissertations, Theses, and Capstone Projects

This thesis is a series of three memoiristic essays around the vortex of identity. The first is an exploration of how childhood overmedication split the continuity of the author’s self-conception. The second traces the slipperiness of Jewish and Queer identifications detailing their synthesis in the klezmer revival in New York City in late 1980s and early 90s. The third is a polyphonic narration of the recovery of a lost klezmer’s life story in the face of the silence of time and slaughter.

For What Is A Man?: Towards Languaging Contemporary Dance In A Black, Queer, Male-Presenting Body, Thomas Ford

Theses and Dissertations

This paper examines Queering Blackness: Solo on a Theme of Reconciliation, a performance event that invokes movement, spoken text, projections and sound to explore the mechanisms of identity. Engaging performance, Black, queer and dance studies, the paper contextualizes cultural identity markers, towards an understanding of what it means to be Black, queer and male-assigned in Black spaces.

Made In Italy: Gli Effetti Della Musica Italiana (T)Rap Sulla Società E Sulla Lingua, Paraskevi Z. Gkana-Alberico

Theses and Dissertations

This paper explores the history of Italian (t)rap music, and uses the lyrics of famous songs in an attempt to examine the effects the sometimes vulgar and explicit themes, which are usually accompanied by the use of foreign languages, could have on society and the Italian language.

Listening To The World: A Brief Survey Of World Music, Antoni Pizà

Publications and Research

A short and engaging introduction to music around the world.

Listen to the world. Explore music from around the globe. Acquaint yourself with a variety of international music styles and traditions. Investigate issues in popular music from both a social perspective (such as race, religion, language, economics, gender, diaspora, and politics), as well as an intrinsically musical position (beat, pitch, meter, rhythm, form, timbre, texture). Learn about how music reinforces values and negotiates tradition with innovation; how rural and urban contexts inform musical experiences; how soundscapes shape identity. Learn how to collect sounds and ask questions: what is this instrument’s …

Pleasure And Power In A Cover Culture: Audiences, Musicians, And Venues In İZmi̇R’S Popular Music Scene, Yılmaz Onur Sönmez

Dissertations, Theses, and Capstone Projects

The live popular music scene in İzmir, Turkey, is dominated by slow-changing cover repertoires that are performed by musicians who have been on stage for a few decades, at places that have been hosting covers shows for a prolonged time. In this dissertation, I question the reasons behind this practice, which I call cover culture, and analyze it from the three different but interrelated perspectives of audiences, musicians, and venues. My analysis relies on the fieldwork data I collected between March 2019 and May 2022, and on my long-term involvement with and observations of the scene since the early 2000s. …

“All The Evil Music Has:” Musical Representations Of The Vamp In Interwar American Popular Media, Martha Schulenburg

Dissertations, Theses, and Capstone Projects

This dissertation explores the vamp as a symbol of sociosexual deviance in film and American popular music of the 1910s and ‘20s. Abbreviated from vampire, “vamp” came to be used as a term for sexually voracious and predatory women in the early 20^th century. Following the unprecedented success of the 1915 film A Fool There Was, vamps then became a staple in American popular media. My project examines the process of remediation and cultural dissemination at the dawn of mass media via the vamp in music. Vamps were pervasive in cinematic accompaniment, vaudeville, jazz, and Tin Pan Alley …

Mediated Locality: Assembling The Independent Music Scene In Brooklyn, New York, Frank Meegan

Dissertations, Theses, and Capstone Projects

This dissertation investigates how independent musicians, concert organizers, and other scene participants in Brooklyn, New York use digital technology and new media in their artistic practice. It is based on three years of participant observation in Brooklyn from 2016 to 2019, where I attended events at small venues like bars and DIY spaces, and interviewed musicians, concert organizers, independent label runners, and other scene participants. I also observed the online activity of musicians and organizers on public Facebook, Instagram, and Bandcamp pages. I argue that Brooklyn independent musicians use digital media, and are themselves mediated, as their activities at physical …

Does Gender Matter? Gendered Relations In The Recording Studios, Diane Wong

Theses and Dissertations

Only 8.6% of all recording engineers currently employed in the United States are women. To understand the influence of a woman’s gender in their recording career, this study presents their experiences from multiple angles – the recording studio business, women engineers’ obstacles, the recording education pipeline, and diversity and inclusion in the industry.

Bruja Theory: Latinidad Without Latinos In Popular Narratives Of Brujería, William Orchard

Publications and Research

No abstract provided.

Feeling Analogue: Using Modular Synthesizers, Designing Synthesis Communities, Eliot Bates

Publications and Research

When Harald Bode nominally invented the modular synthesiser in 1960, it was not yet clear whether it was a musical instrument or a less-defined form of studio-sited audio technology (Subotnik 1970). Much of the technology, from the interface design to the specific parts, was shared with nonmusical test and measurement equipment. Sixty years later, hardware modular synthesis is used not just for musical creation but for noise, sound art and data sonification/visualization. Through an ethnographic study of the design and use of the Eurorack modular synthesis format, and of modular synthesis maker and user communities spread through North America, Europe …

Estás En La Sintonía De La Gozadera: En Vivo Desde Cumbiayork, El Movimiento Sonidero Del Futuro, Vita Dadoo

Capstones

For 30 years, New York's sonideros have been making noise on the central avenues of the city's Mexican and Latino ecosystems. The movement, made up of the sonidero (translated literally as "soundman"), his assistants, promoters, fans and dancers, has created a subculture that for a long time defined the relationship between the migrant and his native home in Mexico. Thirty years later, I explore how the movement has evolved, the traits that have distinguished it from the Mexican sonidero movement, and how it continues to flourish under a new generation of deejays.

The Double Silence: Reflections On Music And Musicians, Antoni Pizà

Publications and Research

A translation of EL DOBLE SILENCI, published in Catalan in 2003. The book is a compilation of essays originally published in Diario de Mallorca (2000-2003).

Etcètera Ii: Notes Sobre Música, Art I Literatura (2020-2022), Antoni Pizà

Publications and Research

A compilation of essays on music, the arts, and literature previously published in Bellver, the arts section of Diario de Mallorca (2020-2022). This is the second part of ETCETERA.

The Global Jukebox: A Public Database Of Performing Arts And Culture, Anna L. C. Wood, Kathryn R. Kirby, Carol R. Ember, Stella Silbert, Sam Passmore, Hideo Daikoku, John Mcbride, Forrestine Paulay, Michael J. Flory, John Szinger, Gideon D'Arcangelo, Karen Kohn Bradley, Marco Guarino, Maisa Atayeva, Jesse Rifkin, Violet Baron, Miriam El Haljli, Martin Szinger, Patrick E. Savage

Publications and Research

Standardized cross-cultural databases of the arts are critical to a balanced scientific under- standing of the performing arts, and their role in other domains of human society. This paper introduces the Global Jukebox as a resource for comparative and cross-cultural study of the performing arts and culture. The Global Jukebox adds an extensive and detailed global database of the performing arts that enlarges our understanding of human cultural diversity. Initially prototyped by Alan Lomax in the 1980s, its core is the Cantometric s dataset, encompassing standardized codings on 37 aspects of musical style for 5,776 traditional songs from 1,026 societies. …

Qui Té Por Dels ‘Rosalía Studies’? Guia De Perplexos, Antoni Pizà

Publications and Research

Molt a principis dels anys noranta del segle XX, quan jo començava a veure la possibilitat de doctorar-me, la musicologia era, si se’m permet una caricatura, una disciplina de capellans i arxivers. A l’Estat Espanyol, per exemple, la carrera oficial encara no existia, si bé hi havia estudis i tesis a algunes escoles de doctorat de filologia o història de l’art. El mot «musicologia», de fet, ni tan sols era acceptat o pràcticament acabava d’entrar en alguns diccionaris prescriptius. Sense estudis reglats, els aspirants a musicòlegs emulaven la feina, la metodologia i les temàtiques dels seus mestres.

Audiovisual Afterlives: The Soundtrack Of Liberal Nostalgia, Max W. Kaplan

Dissertations, Theses, and Capstone Projects

Following the 2016 American Presidential election, celebrity endorsements proved to be a more narrow gauge of public opinion than ever. The symbolic alignment with popular musicians, which had long abetted the Democratic Party’s standing with youth and particular identity groups, seemed only to reaffirm the party’s establishment status, drawing disavowal in a wave of anti-establishment sentiment on both the left and right. ‘Retromania,’ a term first coined by Simon Reynolds in 2010, can be tracked conceptually from the nostalgic inclinations of twenty-first century popular culture to the ideological sphere, where nostalgic, essentialized constructions of community, identity, and progress have coalesced …

Assembling The African City: Music Streets And Associational Life In Dakar's Médina, Brendan Kibbee

Dissertations, Theses, and Capstone Projects

What can you understand about a city through its music? Most days and nights in Dakar’s Médina­­––a crowded quartier populaire adjacent to the city’s central administrative zone–– streetscapes are transformed by musical assemblies, including life cycle ceremonies and events produced by the neighborhood’s robust array of civic and religious associations. This dissertation examines how the confluence of music, public spaces (streets), and associational life shapes the possibilities of urban living in the contemporary African city. The musical assemblies that fill the neighborhood, I argue, spatialize social life in the city, organizing people’s movements, exposing them to a common sense-world, and …

Voice, Arabness, And The Vocal Talent Competition Arab Idol, Insia Malik

Dissertations, Theses, and Capstone Projects

One of the most popular entertainment programs on Arabic television in the 2010s through to its most recent season in 2017, Arab Idol (Mahbub al-‘Arab) was an offshoot of the Idols television franchise that launched globally in the early 2000s. This dissertation is a study of how Arabness was voiced quite literally on Arab Idol, through rhetoric and production—but primarily through the music. A show in which an Arabness is implicit in the nomenclature, Arab Idol catered to an Arab audience and thereby featured music that might speak to this audience. What distinguished the offshoot from its …

Festivali11: The Long Sixties And Women In Communist Albania, Manjola Shehu

Dissertations, Theses, and Capstone Projects

Festivali11 is a digital project that aims to highlight the experiences of Albanian women during the communist period by collecting, digitizing and publishing oral histories for an Albanian and international audience. The heart of the project, which is hosted at www.festivali11.com, is a collection of educational materials built from two digitized interviews with an Albanian woman that describe her experiences during this period.

The project aims to showcase the potential of oral history in centralizing the experience of marginalized people in historical narratives and to provide contextualized, multimedia information and resources about this topic to an international public and facilitate …

Rupturismes: Art Sonor A Mallorca, Un Poc De Context, Antoni Pizà

Publications and Research

Antoni Caimari (1943-2021), com sap tothom, no era un músic com els altres; i tampoc no ho volia ser. Encapçalava els títols de les seves obres musicals amb les inicials EB o «esbós» (com altres compositors les inicien amb Op.) per donar una idea que no tenien res a veure amb les composicions tancades i immanents dels mestres del passat. Aquests EBs no tenien partitura perquè, com va dir Llorenç Barber, un altre compositor donat als aforismes, estaven alliberats de la tirania de la «partiturocràcia».

Analog Matters: Labels, Cassettes, And Alternative Economies In Argentina’S Independent Music Scenes, Maria Agustina Checa

Dissertations, Theses, and Capstone Projects

This dissertation is a multi-sited ethnographic study of current cassette production and circulation in Argentina. It analyzes the work of independent labels that record music available online onto cassette tapes, incorporating a variety of music styles. I examine practices of production, circulation, and exchange, and the alternative economies performed around cassettes, with particular attention to the materialities constituting these processes. Through cassettes, I conceptualize and trace "relational value," a notion to understand objects with different kinds of social agencies valued for their abilities to generate connections. Relational value is a theoretical construct that emerges from the ground-up approach to studying …

Lliçons Magistrals, Antoni Pizà

Publications and Research

No seria pianista. Jo no arribaria mai a ser pianista. L’epifania va començar a cristal·litzar poc després d’haver arribat a Salzburg el 1982 amb intencions d’estudiar-hi piano. Com el narrador de la novel·la de Thomas Bernhard Der Untergeher (si es vol, el fracassat o el mediocre), jo havia quedat psicològicament gelat per la presència d’alguns dels millors pianistes del món. En poc temps, i sense capacitat de digerir-ho —tenia vint anys escassos—, havia vist i sentit en viu Alfred Brendel, Maurizio Pollini, Claudio Arrau i Bruno Leonardo Gelber, entre altres.

Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames

Dissertations, Theses, and Capstone Projects

Billie Holiday was a singer, songwriter, vocalist, bandleader and composer in the fields of music, black culture and more specifically the genre of jazz. The primary focus of this study is Billie Holiday’s discography, music, and compositions as treated in relation to the black culture of production. This study will explore a secondary content analysis of Billie Holiday’s music, musicianship, musicality and compositional skills within the American jazz mainstream, broader jazz audience and world at large. This project will take an analytical look at the structure and form of the compositions of Billie Holiday. Billie Holiday is credited with composing …