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Who Was It Truly For?: Bernard Bragg, David Hays, And National Theatre Of The Deaf, Eni Buckhanan

Honors Theses

National Theatre of the Deaf is known for being the first professional sign language theatre company in the United States; however, the complexities of its origins and founders are rarely examined. This thesis explores the relationship between Deaf performer and educator Bernard Bragg and hearing set designer David Hays, along with what was prioritized in the creation of the company, and the aftereffects of these choices on the National Theatre of the Deaf and their Deaf and hearing audiences.

Bragg and Hays began correspondence in 1966, as they developed plans for what would become the National Theatre of the Deaf. …

Fall Faculty Dance Concert

Dance Programs

No abstract provided.

Sync, Lauren Brown

Honors Theses

The goal of my thesis is to develop an efficient way for dance professionals to network with each other. The dance industry is saturated with talent; therefore, relationships are key to booking jobs. Relationships connect mentors and collaborative spaces that lead to consistent and long-term growth. Dancers enter the professional industry with limited experience. The financial pressure to afford the living costs in dance hub cities like New York and Los Angeles often requires dancers to work multiple jobs. Balancing multiple jobs causes dancers to struggle to find time and opportunities to network meaningfully. Thus, the core problem is when, …

Final Assignment - Group Performance, Asya Gorovits

Open Educational Resources

The final assignment invites students to collaboratively devise and perform a site-specific, immersive theatrical experience in the ground floor of the Music Library. Working in groups, students will create a 7-minute mini-scene that engages with the space, considers audience sensory and emotional experience, and draws on techniques from twentieth-century avant-garde movements as well as insights from their midterm fieldwork. Through workshops, rehearsals, and a public performance, students practice creative collaboration, spatial analysis, and experiential design. The project emphasizes process, responsibility, and teamwork, enabling students to apply course concepts in embodied ways while developing practical skills in directing, performing, and devising. …

Midterm Assignment, Asya Gorovits

Open Educational Resources

This midterm assignment invites students to investigate theatricality beyond traditional theatre spaces by attending and analyzing a live, non-theatrical event such as a concert, religious service, festival, sports game, tour, or audio-guided experience. Through a 4–5 page reflective paper and a brief oral presentation, students will observe audience behavior, spatial dynamics, and implicit rules of participation, and relate these observations to early anti-realist theatrical movements discussed in class. The assignment develops close observation, critical thinking, and communication skills while encouraging students to connect personal experience with historical avant-garde practices and to contribute to a collaborative exploration of how performance operates …

Fall Dance Concert (Nov. 20-22, 2025), Lindenwood University

Student Dance Programs & Brochures

Event program for the Fall Dance Concert (Nov. 20-22, 2025), Lindenwood University.

Su Drama Bernarda Alba Production Photos, Henry Killbourn, Alex Jainchill, Reyna Sanchez

Drama - All Scholarship

This project strengthens the Syracuse University Department of Drama’s ability to document its theatrical productions through high-quality digital photography. With support from the SOURCE grant, the department acquired updated photography equipment that enables students to capture clearer, more accurate images of performances. These photographs document acting, staging, costumes, sets, and lighting in a professional and archival manner.

Shrek: The Musical, David Lindsay-Abaire, Jeanine Tesori

Taylor Theatre Playbills

The playbill for Taylor University's performance of Shrek: The Musical with book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori.

Performed November 20-22, 2025 in the Mitchell Theatre at Taylor University.

Shrek is, on the surface, a whimsical fairy tale full of comedy, color, and charm. But beneath the humor lies a story about seeing and being seen—about belonging, forgiveness, and the quiet courage it takes to live authentically in a world that too easily labels and excludes. “For you created my inmost being; you knit me together in my mother’s womb. I praise you because I am …

Movement Lab Lunchtime Presentations: Hunter Whitaker-Morrow | Poster, Hunter Whitaker-Morrow, Movement Lab

Personal Work

No abstract provided.

55. Marian Or The True Tale Of Robin Hood [Program], University Of Northern Iowa

LGBTQIA+ Archive Class Projects

Marian, or the True Tale of Robin Hood is a contemporary play by Adam Szymkowicz. The play is a twist on the classic story where Robin Hood is Maid Marian in disguise. The show explores queerness in a time before the labels we use today.

Becoming Her, Paris Meller

Honors Theses

This dance-for-camera project explores the age-old question, “What do you want to be when you grow up?” Using a mix of interviews, choreography, and 70s-inspired sound, the project highlights women stepping into male-dominated spaces and reclaiming their power, creativity, and confidence on and off the stage. Ultimately, it serves as a celebration of self-expression and a reminder that identity is something we define for ourselves, not something the world decides for us.

The work is approximately five minutes in length and combines contemporary dance, pedestrian movement, and multimedia editing to create a layered performance for the camera. The project features …

Movement Lab Fellow Lunchtime Presentations: Patrick Buhr | Poster, Patrick Buhr, Movement Lab

Personal Work

No abstract provided.

Godspell Costume Construction, Catherine E. Michel

Departmental Honors & Graduate Capstone Projects

This submission contains progress photos and written documentation of a student's experience constructing a costume for the musical Godspell. This costume was a simple dress for the character performed by Sarah Lenahan.

White Christmas (Nov. 6-8, 2025), Irving Berlin

Student Theatre Programs

Event program for White Christmas (Nov. 6-8, 2025), Lindenwood University.

Julieta Lanteri And Political Caricature: The Democratic Reach Of Commercial Theater And The Expansion Of The Public Sphere, Buenos Aires, Argentina, Kristen Mccleary

International Journal on Responsibility

In the early twentieth century, popular theater in Buenos Aires appealed to a diverse audience, including immigrants, men, and women from all social classes, workers, as well as the most elite members of the oligarchy. By analyzing one work in particular, La doctora de Lantera, by Armando B. Rillo and Victor Dolard, one of the most well-attended plays of 1919, this article focuses on how theater reveals the social tensions surrounding the role of women in society during an era of dramatic change. It also shows how theater provides an outlet from which to identify, negotiate, and, at times, …

Investigating The Relationship Between Noun Classes And Plant Folk Taxonomy In Chasu Language Of Kilimanjaro Region In Tanzania, Peter Rabson Mziray

Journal of Humanities and Social Sciences

The current study investigates the relationship between noun classes and plant folk taxonomy in Chasu (G 22). The study focuses on two objectives: the first objective is to describe the plant folk taxonomy in Chasu and the second objective is to determine the relationship between noun classes and plant folk taxonomy in Chasu. Data were collected from rural villages in Same and Mwanga districts by using free listing, field interviews (jungle-walk-and-identify), and written texts containing Chasu plant names. The findings reveal that Chasu folk taxonomy reflects different ethnobotanical categories; including a unique beginner which is mmea/mimea ‘plant(s)’, and three life …

Summer And Smoke Poster, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Summer and Smoke by Tennessee Williams

October 30th - November 9th, 2025

Summer And Smoke Playbill, Providence College Department Of Theatre, Dance, & Film

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Summer and Smoke by Tennessee Williams

October 30th - November 9th, 2025

Director, Erin Joy Schmidt

Costume Design, David Costa-Cabral

Lighting Design, John Malinowski

Voice & Dialect Coach, Megan Chang

Scenic Design, Scott Osborne

Sound Design, Stuart Holland

Properties Design, TDF Production Team

Cast: Luke MacDonald - Rev . Winemiller; Olivia Barbarini - Mrs. Winemiller; Kyley Robinson - Alma Winemiller; Jude Larson - Dr. John Buchannan, Sr.; Jack Jozefowski - John Buchannan, Jr; Jesatey Zapata - Rosa Gonzales; Anthony Maldonado - Gonzales; …

Introduction – Musiques Au Proche-Orient Après Le Tournant Numérique, Amr Abdelrahim, Thomas Michel, Nicolas Puig

Regards

Le développement des pratiques du do it yourself, l’avènement des home studios et la multiplication des circulations sonores (samples, échantillons sonores, etc.) grâce aux supports numériques et aux plateformes d’écoute ont modifié en profondeur la production musicale au Machreq. Cette introduction dresse le tableau des études produites sur la musique au Proche-Orient depuis l’avènement du numérique au début des années 2000 ; elle passe en revue les différents paradigmes mobilisés et propose une approche centrée notamment sur les Science and Technology Studies pour comprendre le sens des évolutions en cours.
Elle décrit ensuite les différentes contributions qui alimentent ce …

Liminality And Monopoly: Contextualizing The Transformations Within The Egyptian Digital Music Scene After 2013, Fayrouz Karawya

Regards

The echoes of the political upheavals, notably in Egypt post-2011 and elsewhere in the Arab world, have produced a supra-monopolistic structure of music production systems and streaming platforms, reflecting post-revolutionary political strategies amid autocratic restoration across the region. While the digital age initially offered greater freedom and creativity to a rising “mediated dissidence class” and countercultural music currents, post-2013 strategies increasingly instrumentalized digital platforms to impose authoritarian control and restrict musical expression. In parallel, social media platforms, which have become crucial for musical mediation, promotion, and marketing, have mirrored broader social and political polarizations that emerged in the post-2013 period. …

Le Stade Rotana De La Pop Arabe, Pierre France

Regards

Rotana, owned by Saudi prince Al-Waleed bin Talal, has been a central and ambiguous player in the Arab music industry since the 1980s, yet its history remains fragmentary and elusive. More than a simple record label with a defined sound and aesthetic, it stands as an audiovisual group embedded within a large holding company linked to Gulf-style capitalism. Rotana has established a lasting model where music operates in close connection — or dependency, from a more critical perspective — with other economic sectors, shaping both artists’ career paths (conceived as buy/sell transactions and transfer markets) and how songs are produced. …

Contentious Culture: The Convergence And Contestation Of Class And Identity In Egypt’S Mahraganat Scene, Elisa Schouten

Regards

Since its inception in the early 2000s, Mahraganat music has undermined traditional cultural gatekeeping and reshaped Egypt’s music scene, becoming one of the country’s most debated music genres in recent history. This paper aims to examine Mahraganat within the broader context of cultural identity formation and technological developments and contextualize the criticism of the genre and its makers. Building on research conducted in Egypt’s capital between 2019 and 2024, this paper explores the history of cultural gatekeeping and argues that social class lies at the core of the heated debate surrounding Egyptian music and Mahraganat in particular. It shows that …

Brehony Louis, "Palestinian Music In Exile: Voices Of Resistance", Le Caire, Auc Press, 2023 – El Rashidi Yasmine, "Laughter In The Dark: Egypt To The Tune Of Change", New York, Columbia Global Reports, 2023., Amr Abdelrahim

Regards

The contributions of this special issue demonstrate a renewed scholarly interest in popular music in the Middle East in recent years. In the face of resilient Arab authoritarianism and the continuing ethnic cleansing of the Palestinians, it is not surprising that many scholars seek to identify a glimmer of hope in the everyday cultural practices of the dominated. The two volumes under consideration are representative of this scholarly impetus, as well as the challenges it must overcome to attain a better understanding of “music in everyday life”: namely articulating art and politics without collapsing one into the other, and resisting …

The Independent Music Scene In The Levant Between 2003 And 2023: Do-It-Yourself With The Support Of Arts And Culture Organizations, Areej Abou Harb

Regards

The beginning of the 21st century witnessed the rise of the internet and mobile technologies, as well as the expansion of the digital sphere and the emergence of the Do-It-Yourself music. Simultaneously, it experiences significant changes that reshaped the arts and cultural scene in general, and the music production in particular across the Levant. This period marked the institutionalization of arts and culture production and diffusion. It saw the formation of “intermediate” pan-Arab and regional organizations such as Culture Resource (Al-Mawred Al-Thaqafy) and AFAC (The Arab Fund for Arts and Culture), as well as the establishment of small record labels, …

Sonic Acts Of Care: Friendship-Based Networks And Grassroots Activism In Beirut, Rim J. Irscheid

Regards

The article examines a Beirut-based network of self-funded, independent musicians that translate memories and their emotions into artistic and activist practices. Drawing on musical albums created since the 2020 Beirut port explosion, the article explores the social and emotional impact of artist-run spaces for music production. Focusing on a friendship-based network around the collectively-run recording studio Tunefork Studios, it examines how care, trust, and solidarity with Lebanon’s citizens and music producers are translated into both their creative practices and their production and distribution strategies. I argue that Beirut-based musicians increasingly thematise the emotional toll and personal investment in political, infrastructural …

Disrupting Latina/X Media Representations: A Performance Art Installation Informed By Autoethnographic And Embodied Explorations, Sandra Cristina Roa

USF Tampa Graduate Theses and Dissertations

In this dissertation I use autoethnography and performance methods to create a performance art installation that examines and re-imagines the role of media representations in shaping how I as a Latina actively negotiates belonging and identifies this concept as always in a processes requiring negotiation. I argue belonging is influenced by how I see myself or don’t see myself in media representation and offer the counter-narrative as a way of asserting agency and disrupting marginalization. In this project, I tend to the tensions felt between being a community member, media maker, and qualitative researcher in order to disrupt media messages. …

Promouvoir Son Image Et « Se Faire Un Nom » Dans La Scène Rap Proche-Orientale : L’Exemple De Soundcloud, Thomas Michel

Regards

This article examines the role of the SoundCloud platform in building careers for independent rappers and producers in the Middle East, particularly in Jordan and Palestine. Based on an ethnographic survey conducted between Amman and Jerusalem, the author analyses how artists use this platform to make themselves known, distribute their music, and navigate a digitized musical ecosystem. The study draws on Popular Music Studies and studies of digital platforms to examine three main areas.
The first concerns visibility, through the recommendation tools and playlists offered by SoundCloud, which provide local and international exposure. The second looks at the forms of …

The Construction And Reflection Of The Theoretical Knowledge System Of Chinese Literature And Art:Summary Of The 16th Annual Conference Of The Chinese Association For Theory Of Literature And Art, Qianpeng Gu

Theoretical Studies in Literature and Art

No abstract provided.

Différance, Transparency And Truth: Jean-Luc Nancy On Beauty, Zhizhong Zhang

Theoretical Studies in Literature and Art

In God, Justice, Love, Beauty, Jean-Luc Nancy thoroughly elucidates his perspectives on beauty, extending beyond the confines of conventional epistemological aesthetics by introducing deconstructionism to the discourses on aesthetic issues. Specifically, Nancy reinterprets the legend of Narcissus, positioning its theme as the movement of beauty's self differentialspacing, and unveiling the différance inherent in beauty. However, as a generalized spacing movement, différance cannot highlight the singularity of beauty. Consequently, through an analysis of douard Manet's painting Reading, Nancy contends that beauty, as a motion of meaning that transcends signification, can only be represented as being of near-nothingness, that is, as a …

Dufrenne's Genetic Phenomenological Explanation Of “Affective A Priori”, Ziming Huang

Theoretical Studies in Literature and Art

The discussion on the nature of the affective in phenomenology can be traced back to the debate on the universality of the aesthetic affective in modern epistemological aesthetics. Dufrenne interpreted it from the perspective of genetic phenomenology and identified it as a problem of “affective a priori.” The “affective” is an object of feeling triggered by the work and constituted by the subject; and “a priori” is a means of preforming the object within the subject. As the constituent structure of the object, the affective a priori indicates the unity of the objective cosmological a priori and …