Digital Commons Network^™

Dramatische Werke, Amalie Von Sachsen

Drama and Film

No abstract provided.

Carte-De-Visite, Full Portrait Of Mr. & Mrs. "General Tom Thumb" In Their Wedding Costume, 1863, By Matthew Brady., Matthew B. Brady, E. & H.T. Anthony

Broadus R. Littlejohn, Jr. Manuscript and Ephemera Collection

Charles Sherwood Stratton (whose stage name was "General Tom Thumb" in P.T. Barnum's productions) is pictured with his wife Lavinia Stratton (maiden name: Warren). Stratton and Warren were married on February 10, 1863. Verso of CDV includes mimeographed inscriptions by the couple.

Bulwer's New Play: Review Of The Duchess De La Valliere, N. Beverley Tucker

Faculty Publications

No abstract provided.

Die Fürstenbraut, Amalie Von Sachsen

Drama and Film

No abstract provided.

Die Braut Aus Der Residenz, Amalie Von Sachsen

Drama and Film

No abstract provided.

Der Oheim, Amalie Von Sachsen

Drama and Film

No abstract provided.

Der Familienzwist, Durch Falsche Warnung Und Argwohn, Katharina Die Große, 1729-1796

Drama and Film

No abstract provided.

Lausus Und Lydie, Sophie Eleonore Von Kortzfleisch

Drama and Film

No abstract provided.

An Arrow Against Profane And Promiscuous Dancing Drawn Out Of The Quiver Of The Scriptures, Increase Mather

Electronic Texts in American Studies

When a dancing master arrived in Boston in 1685 and offered lessons and classes for both sexes during times normally reserved for church meetings, the Puritan ministers went to court to suppress the practice. Increase Mather (1639-1723) took the leading part, writing and publishing this tract, which compiles arguments and precedents for the prohibition of “Gynecandrical Dancing, [i.e.] Mixt or Promiscuous Dancing, viz. of Men and Women … together.” These justifications were certainly shared with the court, which found the dancing master guilty, fined him £100, and allowed him to skip town.

Mather’s tract on dancing is an overwhelming compendium …

Phantastes Chapter 14: Winter's Tale, William Shakespeare

German Romantic and Other Influences

William Shakespeare (1564-1616), The Winter’s Tale, published in 1623 in the First Folio.

Phantastes Chapter 20: The Faithful Shepherdess, John Fletcher

German Romantic and Other Influences

John Fletcher (1579-1625) was a contemporary of William Shakespeare and followed him as main playwright for the King’s Men. The Faithful Shepherdess (produced in 1608, probably published in 1609) is also important for Fletcher’s definition of tragicomedy, which highlights the importance of near-death to the genre.

Phantastes Chapter 22: The Revenger's Tragedy, Cyril Tourneur

German Romantic and Other Influences

Cyril Tourneur (1575-1626) was an English dramatist, a contemporary of Shakespeare; Tourneur was also a soldier and politician. The Revenger’s Tragedy (1607), as its name implies, is a revenge tragedy, and comments on the battle to avenge the destruction by the giants that lead to the brothers’ deaths. Literary critics now believe that the play was written by Thomas Middleton (1580-1627).

Phantastes Chapter 24: The Honest Whore, Thomas Dekker, Thomas Middleton

German Romantic and Other Influences

Thomas Dekker (1572-1632) was a dramatist and writer of popular pamphlets describing London life. This line comes from the play The Honest Whore, Part II (1605 or 1606). The Honest Whore, Part I, a collaboration between Dekker and Thomas Middleton, was performed in 1604.

Phantastes Chapter 15: Campaspe, John Lyly

German Romantic and Other Influences

Campaspe, an Elizabethan play by John Lyly (1584). The lines quoted are from Act 3, Scene 4, and they indicate the notion of a Platonic beauty, an ideal beauty that the artist can never capture perfectly