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Antitheatricality And Irrationality: An Alternative View, Kent Lehnhof Apr 2016

Antitheatricality And Irrationality: An Alternative View, Kent Lehnhof

English Faculty Articles and Research

"Over the last three decades, antitheatrical authors like Stephen Gosson, Phillip Stubbes, and William Prynne have become increasingly visible in the literary and cultural studies of the early modern period. Even so, the tendency has been to treat these authors as ideological extremists: reactionary hacks whose opposition to stage plays originates in outrageous ideas of the self, impossible notions of right and wrong, and bizarre beliefs about humanity’s susceptibility to external suggestion. This characterization can be traced back to several of the pioneering studies in the field, including Jonas Barish’s The Antitheatrical Prejudice (1985) and Laura Levine’s Men in Women’s …

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Disciplines, Institutions—And Desires, Will Stockton, Mario Digangi, Ruth Mazo Karras, Melissa E. Sanchez Apr 2016

Disciplines, Institutions—And Desires, Will Stockton, Mario Digangi, Ruth Mazo Karras, Melissa E. Sanchez

Publications and Research

Will Stockton: I would like to begin by asking you to consider the chiasmus under which we gather: “Desiring History and Historicizing Desire.” The chiasmus focuses our attention on the crossing of two terms, each with noun and verb forms their grammatical flexibility indexed, perhaps, to the methodological flexibility of the fields in which most of us work: early modern (here both Renaissance and late-medieval) queer and/or sexuality studies. Talk a bit about the definitions of desir/e/ing and histor/y/icizing, and the relation of these terms to the periodization and thematization of your and our work. Is defining these words more …

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Digital Humanities And Publishing A Learned Journal, Steven Tötösy De Zepetnek Mar 2016

Digital Humanities And Publishing A Learned Journal, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

In his article "Digital Humanities and Publishing a Learned Journal" Steven Tötösy de Zepetnek discusses digital humanities and the publishing scholarship online in the context of the politics of publishing scholarship specifically as it pertains to humanities. Funding for the publishing of humanities scholarship remains constricted worldwide whether in print or digital and the standard remains to publish journals by subscription fees. Based on his argumentation against the "colonialism of knowledge," Tötösy de Zepetnek argues for the publishing of humanities scholarship against subscription-based or author-pay models. Further, he presents suggestions as to the how-s of the founding of a digital …

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Postcolonial Studies In The Twenty-First Century: A Book Review Article Of Literature For Our Times & Reading Transcultural Cities, Alejandra Moreno Álvarez Mar 2016

Postcolonial Studies In The Twenty-First Century: A Book Review Article Of Literature For Our Times & Reading Transcultural Cities, Alejandra Moreno Álvarez

CLCWeb: Comparative Literature and Culture

No abstract provided.

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Is He Dead?, Otterbein University Department Of Theatre And Dance Feb 2016

Is He Dead?, Otterbein University Department Of Theatre And Dance

2015-2016 Season

This play was written by Mark Twain in 1898 and first published in print in 2003. The play focuses on a fictional version of the great French painter, Jean-François Millet, as an impoverished artist in Barbizon, France who, with the help of his colleagues, stages his death in order to increase the value of his paintings, and afterwards dresses as a woman to keep his secret safe. Combining elements of burlesque, farce, and social satire, the comedy relies on such devices as cross-dressing, mistaken identities, and romantic deceptions to tell its story, which raises …

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Moving From Self To Community: An Investigation Of Nonverbal Communication Through Improvisational Dance, Maia Draper-Reich Jan 2016

Moving From Self To Community: An Investigation Of Nonverbal Communication Through Improvisational Dance, Maia Draper-Reich

Dance Department Honors Papers

No abstract provided.

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Staging (Within) Violence: A Conversation With Frank Wilderson And Jaye Austin Williams, Jaye Austin Williams Jan 2016

Staging (Within) Violence: A Conversation With Frank Wilderson And Jaye Austin Williams, Jaye Austin Williams

Faculty Journal Articles

No abstract provided.

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Cuernos O Matrimonios De Conveniencia O Cuando La Tragedia Es Risible, Rakhel Villamil-Acera Jan 2016

Cuernos O Matrimonios De Conveniencia O Cuando La Tragedia Es Risible, Rakhel Villamil-Acera

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

En este artículo se analizan los posos trágicos presentes en el teatro cómico desde el estreno de La verbena de la Paloma en 1894 hasta el de Una noche de primavera sin sueño en 1927. Debido al éxito de los géneros cómicos durante una treintena histórica trágica llama la atención que fuera “lo cómico” y no “lo trágico” lo que arrastrara masivamente al público al teatro. Sin embargo, no faltan voces que destacan los posos de miseria y tragedia en sainetes, astracanes, esperpentos o tragedias grotescas. ¿Qué tiene de trágico el teatro cómico de estos años?

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Ethical Discourse And Narrative Strategies In Yan's老师，好美 (To My Teacher, With Love), Zhuo Wang Dec 2015

Ethical Discourse And Narrative Strategies In Yan's老师，好美 (To My Teacher, With Love), Zhuo Wang

CLCWeb: Comparative Literature and Culture

In her article "Ethical Discourse and Narrative Strategies in Yan's老师，好美 (To My Teacher, with Love)" Zhuo Wang discusses the way in which narrative converges with ethics at the site of a radical "ethical environment" in Geling Yan's novel. Wang focuses on how the novel's first-person confessional narration, third-person reflective narration, and online narration dialogue with and interrogate one another working together to bring forth Yan's reconsideration of the ethical dimensions of her text. Wang argues that the novel's personal and social ethics are embodied multiple narrative voices which altogether reflect on the close relationship between novels and ethical discourse …

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Human Cloning As The Other In Ishiguro's Never Let Me Go, Wen Guo Dec 2015

Human Cloning As The Other In Ishiguro's Never Let Me Go, Wen Guo

CLCWeb: Comparative Literature and Culture

In her article "Human Cloning as the Other in Ishiguro's Never Let Me Go" Wen Guo analyzes Kazuo Ishiguro's novel with focus on Ishiguro's analogy between human cloning and people of marginality in contemporary society. Guo discusses the novel's ambience of doubt and suspense and elaborates on how the theme of otherness is addressed by Ishiguro's mock-realism in a landscape of science fiction. Further, Guo analyses the "unhomely" Hailsham of the novel, the clones' self-pursuit, and their ethical attitudes. Guo argues that in Ishiguro's novel a person's ethical choices are determined by his/her situation which confirms Ishiguro's beliefs with …

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Introduction To Fiction And Ethics In The Twenty-First Century, Zhenzhao Nie, Biwu Shang Dec 2015

Introduction To Fiction And Ethics In The Twenty-First Century, Zhenzhao Nie, Biwu Shang

CLCWeb: Comparative Literature and Culture

No abstract provided.

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Perspectives Of Ethical Identity In Ng's Steer Toward Rock And Jen's Mona In The Promised Land, Hui Su Dec 2015

Perspectives Of Ethical Identity In Ng's Steer Toward Rock And Jen's Mona In The Promised Land, Hui Su

CLCWeb: Comparative Literature and Culture

In her article "Perspectives of Ethical Identity in Ng's Steer toward Rock and Jen's Mona in the Promised Land" Hui Su examines Fae Myenne Ng's and Gish Jen's novels. In the novels, the protagonists make different decisions: in Steer Toward Rock Jack after displacement in China adopts US-American identity and in Mona in the Promised Land Mona, a second generation Chinese American, selects Jewish identity. Owing to their different situations, the two protagonists reflect challenges of identity building in the case of the "Other" in US-American culture and society. Su argues that Ng and Jen, although varying in their …

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Narrative Ethics And Alterity In Adichie's Novel Americanah, Nora Berning Dec 2015

Narrative Ethics And Alterity In Adichie's Novel Americanah, Nora Berning

CLCWeb: Comparative Literature and Culture

In her article "Narrative Ethics and Alterity in Adichie's Novel Americanah" Nora Berning analyses Chimamanda Ngozi Adichie's novel through the lens of a narrative ethics of alterity. Focusing on the notion of alterity, Berning argues that a specific turn-of-the-century ethics emerges in contemporary fictions of migration in general and in intercultural novels in particular. An ethical genre in its own right, such twenty-first century fictions as Americanah generate a particular kind of ethical knowledge that revolves around questions of identity and alterity and around individual and collective perceptions of self and other. By addressing the interplay of "the ethics …

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Ethics Of Counter Narrative In Delillo’S Falling Man, Qingji He Dec 2015

Ethics Of Counter Narrative In Delillo’S Falling Man, Qingji He

CLCWeb: Comparative Literature and Culture

In his article "Ethics of Counter-Narrative in DeLillo's Falling Man" Qingji He analyzes Don DeLillo's counter-narrative in his post-9/11 novel Falling Man. The objective is to show how ethical dimensions function fundamentally in formulating an appropriate counter-narrative and why DeLillo's counter-narrative echoes views expressed in his "In the Ruins of the Future." He argues that DeLillo's counter-narrative entails the necessity of ethical consciousness and responsibility. It is Giorgio Morandi's still life paintings instead of media representation that become pivotal in Lianne's transformative and redemptive process after the terrorist attack. Similarly, David Janiak's performance art and Richard Drew's picture …

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Ethics Of Father And Son In Ri's 流域へ (Watershed Above) And Kaneshiro's Go, Inseop Shin, Jooyoung Kim Dec 2015

Ethics Of Father And Son In Ri's 流域へ (Watershed Above) And Kaneshiro's Go, Inseop Shin, Jooyoung Kim

CLCWeb: Comparative Literature and Culture

In their article "Ethics of Father and Son in Ri's 流域へ (Watershed Above) and Kaneshiro's GO" Inseop Shin and Jooyoung Kim discuss the ethics of father and son as they appear in the two novels by Kaisei Ri and Kazuki Kaneshiro. In both narratives the protagonists suffer from ethical conflicts with their fathers during their struggle to find their identities. The father is port-rayed as a figure who determines the ethical choices the protagonists face when they pursue their own lives. Shin and Kim argue that Korean Japanese fiction is a narrative that folds these choices back on oneself. …

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Ethical Dilemma And Ethical Epiphany In Mcewan’S The Children Act, Biwu Shang Dec 2015

Ethical Dilemma And Ethical Epiphany In Mcewan’S The Children Act, Biwu Shang

CLCWeb: Comparative Literature and Culture

In his article "Ethical Dilemma and Ethical Epiphany in McEwan's The Children Act" Biwu Shang attempts to explore the ethical nature of the child's welfare in Ian McEwan's novel. Shang examines the various legal cases processed by the British High Court judge Fiona Maye and the blood transfusion case of Adam Henry in particular. Shang argues that Maye adopts ethical criteria throughout the cases she deals with. More significantly, Adam's blood transfusion case and his consequential death lead Maye to her ethical epiphany related to the child's welfare: life is the fundamental welfare of the child and to protect …

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Luo’S Ethical Experience Of Growth In Mo Yan's Pow!, Zhenzhao Nie Dec 2015

Luo’S Ethical Experience Of Growth In Mo Yan's Pow!, Zhenzhao Nie

CLCWeb: Comparative Literature and Culture

In his article "Luo's Ethical Experience of Growth in Mo Yan's Pow!" Zhenzhao Nie examines the protagonist's experience of self-discovery in the process of natural to ethical choice. Nie's analysis of the novel rests on the theoretical framework "ethical literary criticism" he developed. In the novel Luo's life is narrated in retrospect when he is attempting to become the disciple of a monk and al-though Luo does not find what he is searching for in religion, he arrives at a new stage in his life which is based on ethical principles. The young Luo is unable to make …

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Resisting The Resistance: The Emancipation Of Students From The Hidden Curriculum Of Commodified Resistant Narratives In Young Adult Dystopian Film Through Open Pedagogical Space And Culture-Jamming, Robert B. Bauer Dec 2015

Resisting The Resistance: The Emancipation Of Students From The Hidden Curriculum Of Commodified Resistant Narratives In Young Adult Dystopian Film Through Open Pedagogical Space And Culture-Jamming, Robert B. Bauer

Theses and Dissertations

Young Adult Dystopian Film exercises an influence over young people of which they are not aware. As part of a structure of domination these films teach students to participate in their own oppression by the capitalist system. The film industry maintains a hidden curriculum like that utilized in school classrooms to conceal the oppression from the masses. One particularly effective means is the portrayal of resistance against oppression in the narratives of the YA Dystopian Film. Young people are drawn to that narrative and end up supporting the structure of domination financially and ideologically. Modes of resistance to this oppression …

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Leisure And Posthumanism In Houellebecq's Platform And Lanzarote, Nurit Buchweitz, Elie Cohen-Gewerc Dec 2015

Leisure And Posthumanism In Houellebecq's Platform And Lanzarote, Nurit Buchweitz, Elie Cohen-Gewerc

CLCWeb: Comparative Literature and Culture

In their article "Leisure and Posthumanism in Houellebecq's Platform and Lanzarote" Nuriot Buchweitz and Elie Cohen-Gewerc analyze Michel Houellebecq's novels in the context of leisure studies. They posit that in particular in Platform and Lanzarote Houellebecq explores leisure practices available in industrial societies marked by consumer culture. Further, Buchweitz and Cohen-Gewerc argue that the abundant depictions of leisure in Houellbecq's texts is not unintentional because he introduces the concept of the posthuman condition and rethinks agency and human selfhood as a consequence of the collapse of subjectivity. Employing postmodern indeterminacy, Houellebecq explores contemporary mores and debates the extinction of …

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Overt And Covert Shandyism Of Nabokov's Nikolai Gogol, Margarit Ordukhanyan Dec 2015

Overt And Covert Shandyism Of Nabokov's Nikolai Gogol, Margarit Ordukhanyan

CLCWeb: Comparative Literature and Culture

In her article "Overt and Covert Shandyism of Nabokov's Nikolai Gogol" Margarit Ordukhanyan examines Vladimir Nabokov's 1942 novel, an unusual biography of the nineteenth-century Russian author. Ordukhanyan discusses parallels between Nabokov's biography of Gogol and Laurence Sterne's Life and Opinions of Tristram Shandy. She highlights the direct allusions and textual references Nabokov makes to Sterne's novel and argues that Nabokov uses Tristram Shandy as the model for creating and interpreting his biography of Gogol by fictionalizing Gogol and portraying him as a Shandean character. Further, Ordukhanyan discusses how Nabokov uses Sterne's novel to undermine the genre of literary …

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Famously Yours...Forever, Otterbein University Theatre And Dance Department Nov 2015

Famously Yours...Forever, Otterbein University Theatre And Dance Department

2015-2016 Season

What if there was a refuge that kept out the darkness and provided companionship with a few kindred souls; a place suspended and exclusive for as long as time goes by?

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Middletown, Otterbein University Theatre And Dance Department Oct 2015

Middletown, Otterbein University Theatre And Dance Department

2014-2015 Season

Will Eno’s Middletown, or maybe more appropriately, Everytown, is a very insightful look at the alienation, loneliness and subtle despair that lives at the edges of contemporary life. It also examines the accumulation, and effects, of the small and seemingly insignificant moments of our lives, that in an instant can change our lives.

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Much Ado About Nothing, Otterbein University Theatre And Dance Department Oct 2015

Much Ado About Nothing, Otterbein University Theatre And Dance Department

2015-2016 Season

The friends include Don Pedro, a prince who is a close friend of Leonato, and two fellow soldiers: Claudio, a well-respected young nobleman, and Benedick, a clever man who constantly makes witty jokes, often at the expense of his friends. Don John, Don Pedro's illegitimate brother, is part of the crowd as well. https://www.sparknotes.com/shakespeare/muchado/summary/

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Rent, Otterbein University Theatre And Dance Department Sep 2015

Rent, Otterbein University Theatre And Dance Department

2015-2016 Season

This musical, set at the dawn of the 1990s, follows a group of New Yorkers as they struggle with their careers, love lives and the effects of the AIDS epidemic on their community. Mark,an aspiring filmmaker, and Roger (Adam Pascal), an HIV-positive musician, scramble for money to pay rent to their landlord and former roommate, Benny (Taye Diggs). Meanwhile, their friend Tom (Jesse L. Martin), a professor, has fallen for Angel (Wilson Jermaine Heredia), who is slowly dying of AIDS. https://www.imdb.com/title/tt0294870/plotsummary

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African American Masculinity In The Wartime Diaries Of Two Vietnam Soldiers, Sharon D. Raynor Sep 2015

African American Masculinity In The Wartime Diaries Of Two Vietnam Soldiers, Sharon D. Raynor

CLCWeb: Comparative Literature and Culture

In her article "African American Masculinity in the Wartime Diaries of Two Vietnam Soldiers" Sharon D. Raynor discusses an unpublished diary (1967-68) written by her father, Louis Raynor with the diary (1965-66) of David Parks that was revised and published as a memoir. By contextualizing the traditions of African American autographical writing and wartime diaries, Raynor analyzes how African American masculinity permeates the autobiographical structure in the Raynor and Parks diaries as each soldier interweaves a collective experience with a unique personal experience in the Vietnam War. The Vietnam experience challenged their ideologies about racial politics, but affirmed their masculine …

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The Soldier As "I"-Witness In Novels By Barbusse And Ehni, Jane E. Evans Sep 2015

The Soldier As "I"-Witness In Novels By Barbusse And Ehni, Jane E. Evans

CLCWeb: Comparative Literature and Culture

In her article "The Soldier as 'I'-Witness in Novels by Barbusse and Ehni" Jane E. Evans discusses the representation of the French soldier in two first-person accounts based on life writing journals. The first, set during World War I, describes the simple ground soldier or troufion (Le Feu). The second, set during the Algerian War for Independence and later, sketches the life of the French army conscript. Three themes in Evans's analysis predominate: the narrators' reliance on life writing as sources of inspiration in both Henri Barbusse's 1916 Le Feu and René-Nicolas Ehni's 2002 Algérie roman, the narrator's …

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Through A Wheat Field; To A Pond, Ian Mikyska Sep 2015

Through A Wheat Field; To A Pond, Ian Mikyska

The Goose

Poetry by Ian Mikyska

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Kaffka's (1880-1918) Life Writing And Objection To The War, Steven Tötösy De Zepetnek Sep 2015

Kaffka's (1880-1918) Life Writing And Objection To The War, Steven Tötösy De Zepetnek

CLCWeb: Comparative Literature and Culture

In his article "Kaffka's (1880-1918) Life Writing and Objection to the War" Steven Tötösy de Zepetnek discusses the Hungarian author's poems, diary entries, and fictional texts. While Kaffka's importance as one of the most influential writers in modern Hungarian literature is recognized, her oeuvre as proto-feminist writing has only been studied only since the 1990s. Further, Kaffka's anti-war writing has not been explored except in a few isolated instances. Tötösy de Zepetnek elaborates Kaffka's objection to the war as seen in her poetry published in 1914 and in her diaries and correspondence and argues that Kaffka's objection to the war …

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The War Memoirs Of Rachel Maccabi, Ilana Rosen Sep 2015

The War Memoirs Of Rachel Maccabi, Ilana Rosen

CLCWeb: Comparative Literature and Culture

In her article "The War Memoirs of Rachel Maccabi" Ilana Rosen analyzes the memoirs of Rachel Maccabi (1915-2003) about her sacrifices to fulfill the Zionist creed. Raised in a well-off Zionist family, Maccabi moved to Israel/Palestine in the mid-1930s, served in the Haganah pre-State military organization, and later became an army officer. Her first husband fell in the 1948 War of Independence and her son in the 1973 Yom Kippur War. Between 1964 and 1992 Maccabi published five memoirs. Rosen focuses on Maccabi's last three memoirs, in which she responds to the deaths of her husband and son in Israel's …

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Women's Wartime Life Writing In Early Twentieth-Century China, Li Guo Sep 2015

Women's Wartime Life Writing In Early Twentieth-Century China, Li Guo

CLCWeb: Comparative Literature and Culture

In her article "Women's Wartime Life Writing in Early Twentieth-Century China" Li Guo discusses military diaries, prison memoirs, and autobiographical reportages. These documents offer rich insights into the political endeavors and military mobility of women. Guo analyzes Bingying Xie's 1928 war diary about the Chinese nationalists' northern expedition, Langi Hu's 1937 book about anti-Japanese activism, and Lang Bai's 1939 reportage about the Sino-Japanese War and argues that these texts allow women to reconfigure the discourse of nation through experimental life writing in order to develop the genre with tales of valor, hope, struggle, and heroism. Guo argues that contrary to …

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