Digital Commons Network^™

3rd Place Contest Entry: Aesthetic Activism: Protest Art In The Delano Grape Strike, Felicia Viano

Kevin and Tam Ross Undergraduate Research Prize

This is Felicia Viano's submission for the 2019 Kevin and Tam Ross Undergraduate Research Prize, which won third place. It contains her essay on using library resources, a three-page sample of her research project on the use of art as a social movement tactic by the United Farm Workers during the Delano Grape Strike, and her works cited list.

Felicia is a senior at Chapman University, majoring in History and Peace Studies. Her faculty mentor is Dr. Robert Slayton.

En Quête D’Image(S) : L’Emploi Des Archives Pour La Construction D’Une Mémoire (Visuelle) Palestinienne, Charlotte Schwarzinger

Regards

By relying on the works of two Palestinian directors – one being a found-footage documentary and the other an experimental piece – this article examines the importance of archives in the elaboration of Palestinian visual memory. Through its complex cinematographic history and the “missing image / ‘invisibled’ image,” Palestinian creators today use the medium of film to bear witness to their presence. The author aims to think through the use of archives in this struggle against invisibility and toward the recognition of a history, a culture, and a memory that are constantly threatened by erasure. At the border between historical …

Decay As Political Metaphor In Ely Dagher's "Waves '98" And Mounia Akl's "Submarine", Joey Ayoub

Regards

Lebanese cinema serves as a useful tool with which to assess postwar dynamics given the dominance of the civil war in artistic production since 1990. As the first postwar generation reached adulthood, we have been witnessing the inevitable rise of a “second wave” of postwar Lebanese cinema – defined as the generation of filmmakers born towards the end of or after the civil war. This essay analyses two postwar Lebanese films, Ely Dagher’s 2015 Waves ’98 and Mounia Akl’s 2016 Submarine, as unique responses to a feeling of despair brought about by the city/nation, explored through the theme of …

Singin' In The Rain, Otterbein University Theatre And Dance Department

2018-2019 Season

Singin’ in the Rain gives us the heightened reality of an MGM musical to highlight the ways in which we create our own realities. Whatever we believe can become true. If we just close our eyes and imagine, we can make anything happen, even a BROADWAY MELODY production number. The heightened reality of a musical allows us to witness what might be possible.

Modes Of Cartoon Corporeal Performance, Gregory Langner

LSU Doctoral Dissertations

This dissertation project works to introduce and interrogate a phenomenon I am calling cartoon corporeality. The phenomenon refers to the varied ways in which cartoons “escape” their usual two-dimensionality through performance, appearing to manifest in physical environments in ways that should be understood as culturally impactful. Cartoon corporeality encompasses different modes of performance wherein the explicit visual presence of a cartoon subject informs an immediately observable physical impact through the body of the performer. I interrogate the phenomenon by focusing on four select modes of cartoon corporeal performance: videogame play, cosplay, theatrical adaptation, and the active weaving of cartoons …

Vulnerability And Resistance In Carmen Aguirre’S Mexican Hooker #1, Cinta Mesa

CLCWeb: Comparative Literature and Culture

In her article, “Vulnerability and Resistance in Carmen Aguirre’s Mexican Hooker#1,” Cinta Mesa examines Chilean-Canadian playwright and actress Carmen Aguirre’s latest autobiographical novel, Mexican Hooker#1, to analyze Latina vulnerability in relation to exile, emigration, gender violence and stereotypes. The article relies upon Judith Butler’s definition of vulnerability (20), which is excluded from official texts. The consequences of these types of trauma, which are written on female bodies, are expressed through post-traumatic stress disorder. The author expresses the difficulty of acting because of her post-traumatic stress disorder symptoms and the challenges she meets on her way to heal herself and …

Motherhood, Vulnerability And Resistance In The Elysium Testament By Mary O’Donnell, María Elena Jaime De Pablos

CLCWeb: Comparative Literature and Culture

Mary O’Donnell’s novel The Elysium Testament (1999) narrates the story of Nina, an accomplished grotto restorer, but a neglectful wife and mother according to the Irish patriarchal symbolic order –the “register of regulatory ideality” (Butler, Bodies that Matter 18). Estranged from her husband, Neil, she sends him a series of letters, her “testament,” where some of the most significant aspects of her life are exposed. Readers discover that Nina’s and Neil’s marriage begins to crumble after the birth of their second child, Roland, to whom Nina attributes a frightening dual nature, which she tries to control through physical and psychological …

Chase Riboud’S Hottentot Venus (2003) And The Neo-Victorian: The Problematization Of South-Africa And The Vulnerability And Resistance Of The Black Other, Maria Isabel Romero Ruiz

CLCWeb: Comparative Literature and Culture

This article touches upon issues of captivity, suppression, misrepresentations and exclusion of black people from a historical and cultural point of view through the analysis of Chase-Riboud’s neo-Victorian novel Hottentot Venus (2003). It also focuses on the implications and consequences for contemporary South Africa of situations of slavery and exploitation of African descended peoples. Notions of identity and moral and legal inclusion of black women into past and contemporary societies and communities will be also discussed from the point of view of postcolonial and gender and sexuality studies. The complexities of blackness and the violation of human rights as a …

The Commodified Body And Post/In Human Subjectivities In Frears’S Dirty Pretty Things And Romanek’S Never Let Me Go, Rocio Carrasco

CLCWeb: Comparative Literature and Culture

Following new materialist analysis, this article takes the body as the central locus of analysis, and relates it to broader questions such as ethics, ideology, power and/or technologies. Specifically, it revolves around the idea of embodied subjectivity as articulated by scholars Rosi Braidotti, Sherryl Vint or Cary Wolfe, whereby body and subjectivity are indissolubly and interestingly connected. Stephen Frears’s Dirty Pretty Things (2002) and Mark Romanek’s Never Let Me Go (2010) exploit the idea of the commodified body, understood here as a vulnerable body, a disposable commodity at the service of powerful and/or wealthy people. Victims of the cruelties inflicted …

Trespassing Physical Boundaries: Transgression, Vulnerability And Resistance In Sarah Kane’S Blasted (1995), Paula Barba Guerrero, Ana Mª Manzanas Calvo

CLCWeb: Comparative Literature and Culture

Sarah Kane’s Blasted has been analyzed from various perspectives that address the layers of destruction it exposes. From the questioning of its title and meaning, to the unravelling of the protagonists’ abusive relationship, the analyses have emphasized the depiction of vulnerability as the defining human trait that Jean Ganteau observes in contemporary British literature. However, a key aspect has been overlooked in the critical response to the play: for Kane vulnerability does not equal helplessness, but rather stands in opposition to it. Hence, this article concentrates on how Blasted formulates a new understanding of vulnerability that fits Judith Butler’s later …

Introduction, Maria Isabel Romero Ruiz, Manuela Coppola

CLCWeb: Comparative Literature and Culture

This special issue addresses contemporary representations of “vulnerable” bodies in transit in Anglophone literature and culture and explores their strategies of resistance. The use of the expression “bodies in transit” in this issue has to be understood both as a reference to the materiality of diasporic, exiled, migrating, trafficked bodies, and as an allusion to the metaphorical transition of these marginalized subjects from alienation to regeneration in multiple contexts. The interdisciplinary contributions in this special issue tackle vulnerability as a marginal(ized) and potentially enabling condition entailing the crossing of bodily, sexual, mental, ethical, cultural, and national borders. Ranging from literature …

“In The Beginning Was Body Language” Clowning And Krump As Spiritual Healing And Resistance, Sarah S. Ohmer

Publications and Research

In the neighborhood of HollyWatts in Los Angeles, dance allows a shift from existing as bodies presented as sites of threat and extinction to sources of spiritual empowerment. Clowning and Krump dancers—their subjectivity and their dancing bodies—negotiate survival from trauma and socioeconomic marginalization. I argue that the dancers’ performances act as embodied narratives of “re-membering in the flesh.” The performance acts as a spiritual retrieval and re-integration of traumatic memories and afflictions into memory through the body. Choreography and quotes from dancers support the claim that Krump and Clowning is “re-membering in the flesh” that enacts self-worth, self-defined sexuality, and …

Performing Desire In Times Square: Sailors, Hustlers And Masculinity, Kel R. Karpinski

Dissertations, Theses, and Capstone Projects

From WWII to the early 1970s, New York City as a port town created a liminal space extending from the piers in the Brooklyn Navy Yard all the way to Times Square in Midtown Manhattan. In Times Square, through interactions on the street, in bars and in hotel rooms, desire and masculinity become a performance between and for men. The queerness of these performances lies in the fact that they fall outside of the norms of society both as same-sex encounters and because sex work is viewed as “deviant.” Further, these interactions eschew traditional labels and limits of desire and …

Edgerton Center 2019/2020 Season, Edgerton Center For The Performing Arts

Edgerton Center Programs

Program brochure for the Edgerton Center for the Performing Arts 2019/2020 season.

Shush: A Creative (Re)Construction, Kathleen Spring

Faculty & Staff Publications

Shush: A Creative (Re)Construction stems from work conducted during a sabbatical in fall 2017. The audio piece, Shush Me Awake, is a composition that explores the shush as a performative act. The accompanying framing essay uses an autoethnographic approach to provide a contextualized look at the composition process for this piece, while simultaneously situating it within existing scholarship in library and information studies on the image of the librarian and stereotypes. The composer notes provide additional technical details about the audio piece itself.

Teatro Del Oprimido, Nozad Heshmat Kasem

Teatro: Revista de Estudios Escénicos / A Journal of Theater Studies

Resumen

Este texto tiene dos objetivos. El primero es estudiar la teoría del Teatro del Oprimido de Augusto Boal, y el segundo es analizar las técnicas utilizadas por el grupo teatral para cumplir con la base principal del Teatro del Oprimido.

La innovación de este teatro reside en no ser un teatro didáctico convencional cuyo objetivo principal es dirigir al público hacia el prototipo ideal de acuerdo con las normas sociales y políticas. Es un teatro pedagógico en el que todos aprenden, actores y público. De este modo, el principio de la teoría de Augusto Boal es la destrucción de …

Myrrha Now: Reimagining Classic Myth And Mary Zimmerman's Metamorphoses In The #Metoo Era, Claire A. Pukszta

Scripps Senior Theses

This paper represents the final culmination of a theater senior project. The project consisted of an analytical research paper, performance in a mainstage department production, and supporting process documentation. I portrayed Myrrha, Hunger, Zeus, and others in a production of the play Metamorphoses.

Through research on Mary Zimmerman’s 1998 play Metamorphoses, adapted from the works of Roman poet Ovid, this thesis grapples with the historical meaning of the myth of Myrrha. A polarizing figure, Myrrha was cursed to fall in lust with her father. By exploring of portrayals sexual assault onstage, I tackle themes of audience relationships to …

El Paseo De José Moreno Arenas: Fotografiando Los Rincones Lorquianos Con Una Lente Miope En Federico, En Carne Viva, Polly J. Hodge

World Languages and Cultures Faculty Books and Book Chapters

"Un gallo con su canto de quiquiriquí es la primera imagen que pinta Federico García Lorca en su obra breve escrita en 1925, El paseo de Buster Keaton. Un estudioso de esta obra de Lorca ha interpretado esta imagen simbólicamente en términos históricos: el anuncio de un nuevo amanecer para la industria cinematográfica, ya que en 1927 el cine mudo experimentó su transición al cine sonoro (Allen 23) .1 De una manera semejante, aunque se abre sin quiquiriquí, la obra Federico, en carne viva (2019)2 anuncia una nueva etapa en la producción teatral de José Moreno Arenas. Este experto en …

The State Of Dancingness: Staying With Leaving, Jo Pollitt

Research outputs 2014 to 2021

Borrowing from Cixous’ ‘State of Drawingness’ (1993), this article proposes a ‘State of Dancingness’ as method of inhabiting the practice of writing as dancing. Understanding the dancing body as a place of virtuosic attention, the practice of writing is activated as a ‘continuation’ of dancing; neither as creative response or description but as frame for housing (staging) emergent content. The work proposes that the dancer begin on the page from the vantage and experience of entering the stage as solo improvising performer. These words come with this body tucked and pressing inside them. Pressing. The State of Dancingness …

The Valiant Welshman, The Scottish James, And The Formation Of Great Britain, Megan Lloyd

Research in Medieval and Early Modern Culture

When James VI of Scotland and I of England proclaimed himself King of Great Britain, he proposed a merger of the English and Scottish parliaments, and he looked to Henry VIII’s Acts of Union of England and Wales (1536/43) as an example for English Scottish union under one king. On the London stage after 1603 many plays paid tribute to the new king and provided a predominantly English audience a means of accepting the not so palatable ideas of Scottish power, assimilation and unity. The Valiant Welshman is distinctive among these works, as no other extant early modern English drama …

Restaging World Literature In The Age Of Neoliberalism/Neocolonialism, Shaobo Xie

CLCWeb: Comparative Literature and Culture

In his article "Restaging World Literature in the Age of Neoliberal­ism/Neocolonia­­lism" Shaobo Xie argues that Goethe's notion of world literature spells a genuine universalism that contributes to resistance to neoliberal imperialism. In the age of neocolonial­ism/ne­oliberalism all conduct, and all spheres of human life are framed and measured by economic terms and metrics and neoliberalism both as a govern­ing rationality and as an economic policy is penetrating into every part of the world. The politics that is really heter­ogeneous or external to the rule of neoliberal capitalism in the neocolonial global present consists in thinking towards new possibilities of organizing …

Resistance To Neocolonialism In Contemporary Chinese Literary Theory, Zeng Jun

CLCWeb: Comparative Literature and Culture

In his article "Resistance to Neocolonialism in Contemporary Chinese Literary Theory" Jun ZENG claims that the introduction of Western Literary Theory in the past forty years of China's reform and opening up was carried out under the background of neo-colonialism. "Western imagination" in the discourse of contemporary Chinese literary theory was an important aspect of the strategy of cultural resistance under the overwhelming influence of Western neocolonialism. Contemporary Chinese literary theory no longer simply regards Western literary theory in the twentieth century as a bourgeois literary ideology; instead, it adopts a "de-ideological" attitude to return to the issues of literature, …

The End Of The Nobel Era And The Reconstruction Of The World Republic Of Letters, Guohua Zhu, Yonghua Tang

CLCWeb: Comparative Literature and Culture

In their article "The End of the Nobel Era and the Reconstruction of the World Republic of Letters" Guohua Zhu and Yonghua Tang critically examine mechanisms of cultural hegemony associated with the Nobel Prize in Literature from a neocolonial lens. Borrowing from Casanova's idea of the "World Republic of Letters" and its attentiveness to geopolitics, the essay proceeds to reconstruct the dialectical relations between the nation and the world. It does so, in the first place, by documenting and analyzing the process of negotiation and bargaining entailed in the construction of global cultural hegemony and thereby examine the functions and …

Mo Yan’S Reception In China And A Reflection On The Postcolonial Discourse, Binghui Song

CLCWeb: Comparative Literature and Culture

In his article "Mo Yan's Reception in China and a Reflection on the Postcolonial Discourse" Binghui Song argue that the controversial style and themes of Mo Yan's works are necessitated by the interconnected yet different contexts of China and the rest of the world, only by means of which Mo Yan can let his voice be heard. As one of the most excellent and unique contemporary Chinese writers, Mo Yan has exerted extensive influence on Chinese readers, and his works have also caused various controversies over the past 30 years. His winning of the Nobel Prize in Literature, rather than …

"The Politics Of Literature In Michel Foucault: Veridiction, Fiction And Desire", Azucena G. Blanco

CLCWeb: Comparative Literature and Culture

This article is based on two hypotheses. The first is that in the later Foucault we would find a reformulation of the status that literature had occupied in his work and the development of a politics of literature (already developed in “Sujetos irregulares: ficción y política en el Sade de Michel Foucault”). The second considers that fiction and desire are inseparably joined, which leads me to analyse the logic of Sade as logic of desire in the lectures that Foucault gave on the author at the University of Buffalo (1970). A reading of both aspects together needs to be …

Processes Of Subjectivation: The Biopolitics And Politics Of Literature In The Later Foucault, Azucena G. Blanco

CLCWeb: Comparative Literature and Culture

The last few years saw the publication of the lectures given by Michel Foucault at the Collège de France from 1970-71 until the year of his death, 1984. In May 2015, Éditions du Seuil published Théories et institutions pénales (1971-1972), which is the last volume of the series. Knowledge of these published lectures has led to a return to the French thinker’s work and to a transformation of the studies on subjectivity and politics both in literary theory and philosophy. The study of his work, in particular of his later theoretical production and of its reception, is therefore necessary and …

Bibliography: Life, Illness And Disabilities In Life Writing And Medical Narratives, I-Chun Wang, Jonathan Hart, Cindy Chopoidalo, David Porter, Shu-Hua Chung

CLCWeb: Comparative Literature and Culture

No abstract provided.

Landscapes Of Illness, Politics Of Segregation And Discourse Of Empathy In The 19th Century Leprosy Narratives Of Hawaii, I-Chun Wang

CLCWeb: Comparative Literature and Culture

Leprosy is one of the oldest known human diseases, recognized throughout the world. Leprosy causes serious damage to the nervous system, often resulting in deformity in the absence of an effective treatment; sufferers were often left at the mercy of its natural process or were segregated from others due to the fear of contagion. The places ravaged by leprosy became lands of fear. Modern science has shown that leprosy bacilli have a high rate of infectivity but a rather low rate of pathogenicity, and above ninety percent of people are equipped with immunity to leprosy. Leper colonies as described in …

Disability, Victorian Biopolitics And Oscar Wilde's Dorian Gray, Hiu Wai Wong

CLCWeb: Comparative Literature and Culture

In her article “Disability, Victorian Biopolitics and Oscar Wilde's Dorian Gray,” Hiu Wai Wong discusses The Picture of Dorian Gray as Oscar Wilde’s life writing of the androgynous beauty. Extending his praise of Lord Alfred Douglas in De Profundis, Wilde’s descriptions of Dorian as the androgyne can be read as the demonstration of Michel Foucault’s techniques of the self. She argues that the androgynous beauty can be a strategy of bodily practice that overthrows the Victorian biopolitics which enforces a rigid gender role. Moreover, she explores the notion of camp and Judith Butler’s theory of performance to explain the …

More Migrants With Nowhere To Go?, Mary E. Theis

CLCWeb: Comparative Literature and Culture

In "More Migrants with Nowhere to Go?” Mary Theis reframes the stories of the Tai Dam and discusses this group of people, who migrated from Vietnam and Laos to Thailand and then to Iowa in 1975 after the wars in Southeast Asia when they virtually had nowhere to go. It is based on interviews with some of the 1,200 Tai Dam who were invited by Governor Robert Ray to resettle in Des Moines, Iowa, and nearby cities. The stories are contextualized by research on U.S. policies on immigration and the current precarious fates of other migrants in the United States …