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A Midsummer Night's Dream

Taylor Theatre Playbills

Taylor Theatre presents William Shakespeare’s A Midsummer Night’s Dream.

Performed April 29-30 and May 6-7, 2016 at the Mitchell Theatre. Mischief meets merriment in this fresh re-imagining of Shakespeare's most popular romantic comedy.

In just one night, four magical stories are cleverly woven together: the marriage of the Athenian duke to the Amazon queen; the battle of the king and queen of the fairies; the follies of four lovers in a forest; and the hilarious antics of amateur actors staging a play. Enter a vibrant world where fairies fly overhead, a donkey bursts into song, and love potion makes your …

Fiddler On The Roof, Otterbein University Theatre And Dance Department

2015-2016 Season

At the beginning of the twentieth century, Jews and Orthodox Christians live in the little village of Anatevka in the pre-revolutionary Russia of the Czars. Among the traditions of the Jewish community, the matchmaker arranges the match and the father approves it. The milkman Reb Tevye is a poor man that has been married for twenty-five years with Golde and they have five daughters. When the local matchmaker Yente arranges the match between his older daughter Tzeitel and the old widow butcher Lazar Wolf, Tevye agrees with the wedding. However Tzeitel is in love with the poor tailor Motel Kamzoil …

Transgender Issues In Film, Eulalah R. Prater Mx

SEWSA 2016 Intersectionality in the New Millennium: An Assessment of Culture, Power, and Society

The question of gender inequality in film has been widely debated, both within the industry as well as within gender studies, with scholars such as Dr. Stacy L. Smith, Marc Choueiti, Elizabeth Scofeils, Dr. Katherine Pieper and Melissa Rigney arguing about gender inequality in modern popular films. However, these critics ignore the issue of trans-inclusive representation. My paper addresses the issue of trans* representation in modern film through comparative analysis with Greek theatre and early American film. I argue that in order to better understand lack of non-cis-gendered representation, it is instructive to connect this phenomenon to blackface in early …

Who's Afraid Of Virginia Woolf? Program [2016], University Of Southern Maine Department Of Theatre

Programs 2015-2016 Season

A play by Edward Albee

Directed by William Steele

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

Antitheatricality And Irrationality: An Alternative View, Kent Lehnhof

English Faculty Articles and Research

"Over the last three decades, antitheatrical authors like Stephen Gosson, Phillip Stubbes, and William Prynne have become increasingly visible in the literary and cultural studies of the early modern period. Even so, the tendency has been to treat these authors as ideological extremists: reactionary hacks whose opposition to stage plays originates in outrageous ideas of the self, impossible notions of right and wrong, and bizarre beliefs about humanity’s susceptibility to external suggestion. This characterization can be traced back to several of the pioneering studies in the field, including Jonas Barish’s The Antitheatrical Prejudice (1985) and Laura Levine’s Men in Women’s …

The Fight Master, Spring 2016, Vol. 38 Issue 1, The Society Of American Fight Directors

Fight Master Magazine

No abstract provided.

Mastering Macbeth, Shelby Gilliam, Dominique Rider, Rick Jones

Undergraduate Research Conference

The Tragedy of Macbeth is widely acknowledged as one of the theatre’s greatest tragedies. The play opens to the end of a massive battle in which Macbeth has just defeated the former Thane who sought to overthrow the king. Macbeth is given a prophecy by three witches, who promise that he will be king. To ensure the infallibility of the prophecy, Lady Macbeth plots the King’s murder and Macbeth does the deed. The Macbeths are crowned and are henceforth miserable, haunted by their guilt. The play is about a number of things such as political ambition, murder, love, and fate.

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Poster, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Risd Cabaret 1987-2000 Retrospective Program, Agnieszka Taborska, Bill Newkirk, Risd Archives

RISD Cabaret 1987-2000 Retrospective

No abstract provided.

Reefer Madness: The Musical Program, University Of Southern Maine Department Of Theatre

Programs 2015-2016 Season

Book by Kevin Murphy & Dan Studney

Music by Dan Studney

Lyrics by Kevin Murphy

Director: Cary Linkin

Musical Director: Edward Reichert

Choreographer: Vanessa Beyland

This production was a Participating entry in the Kennedy Center American College Theater Festival (KC/ACTF).

The Native Plays Of Lynn Riggs (Cherokee) And The Question Of “Race”-Specific Casting, Courtney Mohler

Scholarship and Professional Work – Arts

No abstract provided.

Transkripsi Struktur Penyajian Lakon Rabine Panji Pada Kelompok Wayang Topeng Tradisi Kedungmonggo Malang, E.W. Suprihatin Dyah Pratamawati, Tri Wahyuningtyas, Hartono Hartono

Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya

Malang is popular with one of its traditional dance that is Malang Puppet Mask (Wayang Topeng Malang, shortened into WTM). WTM has several characteristics, they are: (1) retelling Panji stories; (2) all dancers wear puppet mask with its own characters; (3) puppet master is usually performed by male and is responsible to tell stories and narrate the dialogs; (4) the stage has its definite patterns and cannot be changed according to the puppet master’s will. Panji’s stories and narration are based on folk lore so that the form and the structure are based on the puppet master’s memories, perception and …

Rabbit Hole

Taylor Theatre Playbills

Taylor Theatre presents Rabbit Hole by David-Lindsay-Abaire.

Performed February 19-21, 26-28, 2016 at the Mitchell Theatre.

As improbably funny as it is heartbreaking, this story of a family in crisis won the 2007 Pulitzer Prize for Drama. Becca and Howie had the perfect life—a great marriage, a beautiful house, and a lovely son. But after a tragic accident, the couple faces the challenges of surviving great loss and making a life with the family that remains.

Is He Dead?, Otterbein University Department Of Theatre And Dance

2015-2016 Season

This play was written by Mark Twain in 1898 and first published in print in 2003. The play focuses on a fictional version of the great French painter, Jean-François Millet, as an impoverished artist in Barbizon, France who, with the help of his colleagues, stages his death in order to increase the value of his paintings, and afterwards dresses as a woman to keep his secret safe. Combining elements of burlesque, farce, and social satire, the comedy relies on such devices as cross-dressing, mistaken identities, and romantic deceptions to tell its story, which raises …

A Case Study: Using Blackboard Tools To Measure Correlations Between Student Engagement And Student Achievement, Andrew Vorder Bruegge

Winthrop Conference on Teaching and Learning

The Blackboard course management system includes the tool "statistics tracking." An instructor can use this tool to generate a report that "displays the summary of usage for that content item and [the students] enrolled in the course. The access date, hour and day of the week are all reported for the selected item and [students]." In this case study the researcher will correlate aggregate data about students' visits to numerous content items in a course and their final grade in the course. The instructor will also correlate aggregate data from a study log created to track the number of hours …

Working

Taylor Theatre Playbills

The playbill for Taylor University’s Spring 2016 performance of Working by Stephen Schwartz and Nina Faso.

Working is a musical about the jobs of various people and their thoughts about their work.

Plotting The “Female Wits” Controversy: Gender, Genre, And Printed Plays, 1670–1699, Mattie Burket

English Faculty Publications

No abstract provided.

The Coventry Mysteries And Shakespeare's Histories, Clifford Davidson

Early Drama, Art, and Music

This study is a revision of a paper read at the Shakespeare Institute at Wheaton College and subsequently published in Shakespeare's Second Tetralogy: Some Christian Features, edited by Beatrice Batson (West Cornwall, CT: Locust Hill Press, 1989), 3-25.

Devising Performance & Queer Futurity, Brendan F. Leonard

Honors Theses

This project argues that devising performance is an inherently queer and utopian form. In response to recent political movements, such as Occupy Wall Street and Black Lives Matter, which seek to stage dissatisfaction with the systems of late capitalism, I turn to devising performance as a site. Informed by the queer and performance theories of Jose Esteban Munoz, Lee Edelman, and Jill Dolan, I argue that devised theater allows us to process disillusionment, rehearse collectivity, and stage futurity. In conversation with Munoz, I define futurity as an imaginative site that considers what will follow what some scholars suggest will be …

Ponts Théâtraux Et Transferts Temporels: Théâtre Du Xixe Siècle Pour Le Xxie Siècle (Catalogne), Sharon G. Feldman

Latin American, Latino and Iberian Studies Faculty Publications

En 1992, Richard Schechner, metteur en scène et théoricien nord-américain, faisait dans les pages de la revue TDR (The Drama Review) une observation qui fut jugée scandaleuse, en déclarant : « [T]heater as we have known and practiced it —the staging of written dramas— will be the string quartet of the 21^st century: a beloved but extremely limited genre, a subdivision of performance » (Schechner 1992, 8). Six ans plus tard, en 1998, encore étourdi par la fameuse affirmation (la condamnation plutôt) de Schechner, le théoricien et critique nord-américain W. B. Worthen attirait l’attention sur ce qu’il considérait un …

"Can We Do A Happy Musical Next Time?": Navigating Brechtian Tradition And Satirical Comedy Through Hope's Eyes In Urinetown: The Musical, Katherine B. Marcus Reker

Scripps Senior Theses

This thesis proposes a critical study of the theoretical framework of Urinetown, asking the question of whether or not the show is truly a “Brechtian musical,” utilizing the tenets and beliefs of Bertolt Brecht. Set in a quirky, Gotham-like town where you have “to pay to pee” due to a severe drought, Urinetown follows a cast of absurdist characters as they navigate a society plagued by the perils of big business, ecological devastation, and the inequalities of capitalism. While the show appears to make a relevant social commentary, supporting a righteous rebellion to overthrow the evil Urine Good Company, in …

Writing About Shakespeare: 1960–2010, Dominic Klyve, Laura Estill

Mathematics Faculty Scholarship

This dataset quantifi es writing (in number of articles, books, dissertations, and monographs) about each of Shakespeare’s plays during each year in the period 1960–2010. The information was extracted from the World Shakespeare Bibliography (www.worldshakesbib.org).

A Patriot For Men: The Politics Of Masculinity In John Osborne's "A Patriot For Me", Joshua Kelly

All Master's Theses

By applying David Savran’s scholarship on the politics of masculinity to John Osborne’s play A Patriot for Me (1965), I demonstrate that Osborne exemplified contradictory sexual politics in the play, and was criticized as homophobic and praised as revolutionary in similarly contradictory original reviews. I argue that play very much typifies the heteronormative politics of masculinity by placing a dominant homosexual (Redl) as protagonist, and inverts the positions of the period woman and the staged effeminate man. Redl is historically represented as a heroic homosexual, but is actually a heteronormative object. I provide evidence for this interpretation by employing Savran …

The Choreopolitics Of Liberation And Decolonization, Harrison M. Goodall Iii

Pomona Senior Theses

This thesis examines dance as a means of social and political revolt in the AIDS epidemic. The course of the AIDS epidemic within the United States was inexorably shaped by the way dancers and choreographers used their art form to rebel against concepts of masculinity, sexuality and disease transmission. Through confronting their audiences with the reality of their loss and humanizing themselves and their loved ones that passed away, dancers were able to change the image of the epidemic and push for necessary political and social reform. This paper also analyzes the ways that norms of masculinity and the stigma …

The Naïve Ingénue, The Plucky Everyman's Hero, And The Ingénue Gone Awry: The Satirical Deconstruction Of Theatrical Character Tropes In Urinetown: The Musical, Victoria Montecillo

Scripps Senior Theses

This thesis looks to explore Urinetown: The Musical through a critical and theoretical framework, analyzing the show's presentation and deconstruction of theatrical character tropes through musical satire. Using the theories of theatre theorists such as Bertolt Brecht, Peter Brook, and Augusto Boal, this thesis discusses the use of theatre as a device for political and social commentary. Additionally, this thesis focuses more specifically on the show's character of Penelope Pennywise as a new kind of character in the theatre: an "ingénue gone awry," within the context of approaching a performance of the character in a performance of the musical.

An Actor's Method To Building The Character Of Hamlet In The Tragedy Of Hamlet, Prince Of Denmark, Samuel C. Malone Iii

LSU New Orleans Theses and Dissertations

This thesis will set out to examine the process needed in order to deliver the character of Hamlet as a fully dimensional, complex human being who transcends time periods and class distinctions to connect with any audience of any background. This text will include biographical information about the author, William Shakespeare, as well as historical information about the circumstances and atmosphere surrounding the birth of this play. It will also include information about other performances, which will serve as references for comparison in terms of character development. Included in the scored actor’s script are the Sanford Meisner Techniques of moment-to-moment …

John Byrne's The Slab Boys: Technicolored Hell-Hole In A Town Called Malice, William Donaldson

Studies in Scottish Literature

Presents a detailed discussion and appreciation of the Slab Boys tetralogy, a sequence of four plays by the Scottish playwright and painter John Byrne, beginning with The Slab Boys (1978), focused on a group of apprentices in the color-mixing room of a Paisley carpet-factory in the 1950s, and then tracing the divergence of their lives through three later plays, The Loveliest Night of the Year (1979, later titled Cuttin' A Rug), Still Life (1982), and Nova Scotia (2008); examines Byrne's characterization, "excoriatingly destructive wit," and "rambunctiously demotic language"; analyzes the tetralogy's continuing major themes of the relation between art …

"Pitiful Creature Of Darkness": The Subhuman And The Superhuman In The Phantom Of The Opera, Jessica Sternfeld

Music Faculty Books and Book Chapters

"This chapter focuses on The Phantom of the Opera, the megamusical that perhaps most boldly faces the idea of disability head-on, as it stars a character whose face, as one journalist described it, looks 'like melted cheese' (Smith, 1995). The musical's approach to the Phantom's disability is remarkably layered and inconsistent; the Phantom is portrayed in numerous ways (monster, criminal, genius, god, ghost) and his physical disability blurs regularly with his 'soul;' which is where numerous characters locate the origin of his problems. His face and its famous mask covering are both feared and thrilled over, but with a reassuring …