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Articles 181 - 210 of 2606
Full-Text Articles in Entire DC Network
[Re]Fashioning A Means: Exploring And Adapting Anna Cora Mowatt's Fashion Through A Feminist Lens., Jordan Tudor Haggard
[Re]Fashioning A Means: Exploring And Adapting Anna Cora Mowatt's Fashion Through A Feminist Lens., Jordan Tudor Haggard
Electronic Theses and Dissertations
This MFA thesis explores gender representation in Anna Cora Mowatt’s Fashion (1845) and the adaptation [Re]Fashion presented by the University of Louisville’s Department of Theatre Arts in Spring 2021. Directed by Dr. J. Ariadne Calvano, University of Louisville faculty, staff, and students worked together to repurpose the script for a modern audience. Cast as the governess, Gertrude, I aimed to find truth in my character without ignoring the social prescriptions of mid-19th-century America. Gertrude values purity and honesty, virtues considered innately feminine by the period’s cultural feminists. I argue that Fashion is a cultural feminist work and Gertrude …
The Tempest 2021, Otterbein Theatre And Dance Department
The Tempest 2021, Otterbein Theatre And Dance Department
2020-2021 Season
Abducted and set adrift to die by her power-hungry sister and a jealous king, Prospera and her daughter, Miranda have survived 12 long years shipwrecked on a lonely island. When Prospera learns though her magical arts that those whose sought her child’s death are within her reach, she is consumed by rage. Conjuring the greatest of storms to break their ship upon her shores, Prospera brings her enemies to her feet. But when the opportunity to wreak her final vengeance is upon her, Prospera can no longer recognize the thing she has become, and she is forced to choose between …
Into A Lamplit Room, Otterbein Theatre And Dance Department
Into A Lamplit Room, Otterbein Theatre And Dance Department
2020-2021 Season
The life of Composer and Social Activist, Kurt Weill, is celebrated in this cabaret-style compilation of his work. The production includes more than 30 songs, ranging from his life in Berlin during the Weimar Era during which he was a voice against the Nazi regime, to his emigration to the U.S. where he was a supporter of the American war effort in the 1930’s, and finally his contributions to the American Musical Theatre canon. Audiences will particularly recognize his collaborations with Ira Gershwin, Bertolt Brecht, and Maxwell Anderson in the songs written for Broadway including Tschaikowsky, Mack the Knife, Pirate …
The Arena Players, Inc.: The Oldest Continuously Operating African American Community Theatre In The United States, Alexis Michelle Skinner
The Arena Players, Inc.: The Oldest Continuously Operating African American Community Theatre In The United States, Alexis Michelle Skinner
LSU Doctoral Dissertations
Hay (1994) gave the Arena Players the moniker, “the oldest continuously operating African American community theatre company” in the U.S. But, if Black Theatre is increasingly found in mainstream venues in regional theatre and Broadway while Black Drama is relegated to syllabi, where is the living practice of African American, or black, community theatre? And what guarantees its survival? Craig (1980) and Fraden (1994) give voice to black critics, like Locke (1925), in co-creating objectives for black theatre during the FTP which took stage as the Negro Little Theatre continued. Hill & Hatch (2003) solidify the geographical and ideological connections …
Players' Guild - Bowling Green, Kentucky (Sc 3597), Manuscripts & Folklife Archives
Players' Guild - Bowling Green, Kentucky (Sc 3597), Manuscripts & Folklife Archives
Manuscript Collection Finding Aids
Finding aid only for Manuscripts Small Collection 3597. Notebook of Mabel Thomas, Bowling Green, Kentucky, containing planning materials and programs for performances by the Players’ Guild, an amateur theater group in Bowling Green, Kentucky.
13 Musical Instruments In Early Drama: Tudor Plays, Mary Remnant
13 Musical Instruments In Early Drama: Tudor Plays, Mary Remnant
Early Drama, Art, and Music
A study of musical instruments in early Tudor plays that serves as a supplement to the author's "Musical Instruments in Early English Drama"; published in Material Culture and Medieval Drama (1999).
12 St. Martin's Clowns: The Miracle Of The Blind Man And The Cripple In Art And Drama, Martin W. Walsh
12 St. Martin's Clowns: The Miracle Of The Blind Man And The Cripple In Art And Drama, Martin W. Walsh
Early Drama, Art, and Music
A reprint, with revisions, of a study of the miracle of the healing of a pair of beggars by St. Martin, originally published in Early Drama, Art, and Music Review 17, no. 1 (Fall 1994).
14 Drama And Authority During The Reign Of Queen Mary, Peter Happé
14 Drama And Authority During The Reign Of Queen Mary, Peter Happé
Early Drama, Art, and Music
An otherwise unpublished study of drama and the English regime in the reign of Mary Tudor.
On Mochizuki: Interview With Mikata Shizuka And Udaka Tatsushige, Diego Pellecchia, Rebecca Teele Ogamo
On Mochizuki: Interview With Mikata Shizuka And Udaka Tatsushige, Diego Pellecchia, Rebecca Teele Ogamo
Mime Journal
No abstract provided.
Guise And Disguise: Nō Costumes In The Context Of Cultural Norms, Monica Bethe
Guise And Disguise: Nō Costumes In The Context Of Cultural Norms, Monica Bethe
Mime Journal
No abstract provided.
Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia
Introducing Genzai Nō: Categorization And Conventions, With A Focus On Ataka And Mochizuki, Diego Pellecchia
Mime Journal
No abstract provided.
Mochizuki: History And Context, Michael Watson
From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li
From Ataka To Kanjinchō: Adaptation Of Text And Performance In A Nineteenth-Century Nō-Derived Kabuki Play, Katherine Saltzman-Li
Mime Journal
Nō techniques and play borrowings provided important infusions into kabuki throughout its history, but in the nineteenth century, a genre of kabuki plays in close imitation of nō or kyōgen wasadded to the kabuki repertoire. The genre came to be called matsubamemono, meaning “[nō/kyōgen-derived kabuki] plays [performed] on a stage with a pine painted on the back wall” or “pine-boardplays.”1 These plays are the focus of this article, in which I first introduce the genre and its place in kabuki history, and then discuss its most famous example, the play Kanjinchō (Hattori 17–40; Meisakukabuki zenshū 181–197; Brandon, The Subscription List …
Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer
Paragons Of Loyalty On The Japanese Stage, J. Thomas Rimer
Mime Journal
No abstract provided.
On Ataka: Interview With Udaka Michishige And Sugi Ichikazu, Diego Pellecchia, Rebecca Teele Ogamo
On Ataka: Interview With Udaka Michishige And Sugi Ichikazu, Diego Pellecchia, Rebecca Teele Ogamo
Mime Journal
No abstract provided.
Practising Diversity At The Stratford Festival Of Canada: Shakespeare, Performance And Ethics In The Twenty-First Century, Kim Solga, Erin Julian
Practising Diversity At The Stratford Festival Of Canada: Shakespeare, Performance And Ethics In The Twenty-First Century, Kim Solga, Erin Julian
Department of English Publications
What does it mean to ‘practise’ diversity in Shakespeare production in the twenty-first century, specifically in an Anglo-American context? How is ‘practising’ diversity, from devising and directing to work in the rehearsal hall and on audience engagement, materially different from the now-familiar (but still important) goal of ‘representing’ diverse bodies on stage? In the last twenty years, debates about what the diversification of Shakespeare performance – along racial lines, gender lines, the lines of age and ability – means or could mean, and the simultaneous interrogation of what ‘Shakespeare’ signifies, for whom, and to whose benefit, have become increasingly urgent …
09 The Arma Christi And The Croxton Play Of The Sacrament: A Prolegomenon To Regional Iconographic History, Ann Eljenholm Nichols
09 The Arma Christi And The Croxton Play Of The Sacrament: A Prolegomenon To Regional Iconographic History, Ann Eljenholm Nichols
Early Drama, Art, and Music
An otherwise unpublished study of the East Anglian Croxton Play of the Sacrament in relation to devotion to the instruments of the Passion.
00 Preface, Clifford Davidson
00 Preface, Clifford Davidson
Early Drama, Art, and Music
A preface to a collection of fourteen essays, most reprinted, with or without revisions, from the EDAM Newsletter or Early Drama, Art, and Music Review plus three newly written for this context.
01 The Investiture Contest And The Rise Of Herod Plays In The Twelfth Century, John Marlin
01 The Investiture Contest And The Rise Of Herod Plays In The Twelfth Century, John Marlin
Early Drama, Art, and Music
A reprint of a study of the figure of Herod in liturgical drama, originally published in Early Drama, Art, and Music Review 23 (Fall 2000).
02 Liturgy And Drama At St-Omer In The Thirteenth Through Sixteenth Centuries, Lynette R. Muir
02 Liturgy And Drama At St-Omer In The Thirteenth Through Sixteenth Centuries, Lynette R. Muir
Early Drama, Art, and Music
A reprint of a study of ceremonies and the Easter play at the collegiate church of St-Omer, originally published in the EDAM Newsletter 9, no. 1 (Fall 1986).
03 Il Doge And The Liturgical Drama In Late Medieval Venice, Nils Holger Petersen
03 Il Doge And The Liturgical Drama In Late Medieval Venice, Nils Holger Petersen
Early Drama, Art, and Music
A reprint of a study of the Easter Quem Queritis and the involvement of the Venetian Doge, originally published in Early Drama, Art, and Music Review 18, no. 1 (Fall 1995).
11 Medieval Actors And The Invention Of Printing In Late Medieval France, Graham A. Runnalls
11 Medieval Actors And The Invention Of Printing In Late Medieval France, Graham A. Runnalls
Early Drama, Art, and Music
A reprint of a study of the dissemination of play texts in print and the performance of drama, originally published in Early Drama, Art, and Music Review 22 (Spring 2000).
Cut Song Cabaret: Performing The Replaced, Rewritten, And Recycled Songs Of Musical Theatre, Claire Wilson
Cut Song Cabaret: Performing The Replaced, Rewritten, And Recycled Songs Of Musical Theatre, Claire Wilson
Mahurin Honors College Capstone Experience/Thesis Projects
In musical theatre, “cut songs” are the pieces of music that are removed from a show, whether the cut occur in the early creative stages, a pre-Broadway run, minutes before opening night, or even for a major revival years after its initial debut. These songs easily go unnoticed, as some are never made public while some are sneakily recycled for other musicals. Cut songs, though greatly varying in quality, are still works of art that at one time fulfilled their sacred duty of entertaining an audience and required just as much artistic effort to produce as the songs that survived …
04 Palm Sunday Ceremonies In Poland: The Past And The Present, Teresa Bela
04 Palm Sunday Ceremonies In Poland: The Past And The Present, Teresa Bela
Early Drama, Art, and Music
A reprint of a study of a long-lasting tradition of religious processions in Poland, originally published in Early Drama, Art, and Music Review 12, no. 2 (Spring 1990).
10 The "Stuff" Of The Medieval Palette: Paint, Painters, And The Dramatic Records, Jon Terry Wade
10 The "Stuff" Of The Medieval Palette: Paint, Painters, And The Dramatic Records, Jon Terry Wade
Early Drama, Art, and Music
A revision of a study of the availability of pigments painters used for pageant wagons, props, and costumes, originally published in Early Drama, Art, and Music Review 23 (2001).
05 From Synthesis To Compromise: The Four Daughters Of God In Early English Drama, Hans-Jürgen Diller
05 From Synthesis To Compromise: The Four Daughters Of God In Early English Drama, Hans-Jürgen Diller
Early Drama, Art, and Music
A reprint of a study of the Four Daughters of God in Middle English drama, originally published in Early Drama, Art, and Music Review 18, no. 2 (Spring 1996).
08 Embodying Text: Reassessing Characterization And Performance In The Medieval English Herod Plays, Carolyn Coulson
08 Embodying Text: Reassessing Characterization And Performance In The Medieval English Herod Plays, Carolyn Coulson
Early Drama, Art, and Music
A reprint with revisions of a study of the character of Herod in the English play cycles, originally published in Early Drama, Art, and Music Review 23 (2001).
07 Fox, Bull, And Lion In The Towneley Coliphizacio, John W. Velz
07 Fox, Bull, And Lion In The Towneley Coliphizacio, John W. Velz
Early Drama, Art, and Music
A reprint of a study of patterns of coercion exemplified in the Towneley Coliphizacio, originally published in Early Drama, Art, and Music Review 14, no. 1 (Fall 1991).
06 "Lyst Ye Saynt?" Saints In The Second Shepherds' Play, Karen Sawyer Marsalek
06 "Lyst Ye Saynt?" Saints In The Second Shepherds' Play, Karen Sawyer Marsalek
Early Drama, Art, and Music
A reprint with revisions of a study of the saints named in the Second Shepherds' Play, originally published in Early Drama, Art, and Music Review 23 (2001).
Practising Diversity At The Stratford Festival Of Canada: Shakespeare, Performance And Ethics In The Twenty-First Century, Erin Julian, Kim Solga
Practising Diversity At The Stratford Festival Of Canada: Shakespeare, Performance And Ethics In The Twenty-First Century, Erin Julian, Kim Solga
Department of English Publications
What does it mean to ‘practise’ diversity in Shakespeare production in the twenty-first century, specifically in an Anglo-American context? How is ‘practising’ diversity, from devising and directing to work in the rehearsal hall and on audience engagement, materially different from the now-familiar (but still important) goal of ‘representing’ diverse bodies on stage? In the last twenty years, debates about what the diversification of Shakespeare performance – along racial lines, gender lines, the lines of age and ability – means or could mean, and the simultaneous interrogation of what ‘Shakespeare’ signifies, for whom, and to whose benefit, have become increasingly urgent …