Digital Commons Network^™

Dressing Up: Religion And Ethnicity In Israeli National Dolls, Maya Balakirsky Katz

Graduate School of Jewish Studies Publications and Research

This article considers Israel’s national image both at home and abroad through the framework of Israeli costume dolls, looking specifically at the way that gender played a role in Israel’s national image as it travelled from domestic production to international reception. Initially, predominantly female doll makers produced three main types of Israeli dolls, but over time the religious Eastern European male doll triumphed in the pantheon of national types. Produced for retail sale to non-Hebrew speaking tourists by immigrant woman, the Eastern European religious male doll came to represent Israel abroad while the market pushed representations of the Middle Eastern …

The Last Mile Of The Way: Soul Music And The Civil Rights Movement, Christopher Smith

AUCTUS: The Journal of Undergraduate Research and Creative Scholarship

In the summer of 1960, a group of Soul performers was scheduled to perform at a segregated dance in Little Rock, Arkansas. Jesse Belvin, Jackie Wil-son and Arthur Prysock were to play two shows that evening—one for a black audience and a second show for a white audience. These segregated shows were essentially the norm in the majority of the country. However, that night, Jackie Wilson decided he was not going to perform the second show for a white audi-ence and encouraged the others to follow suit. They were all subsequently run out of town at gun point and somewhere …

Research In Special Education: Using A Research Poem As A Guide For Relationship Building, Rama Cousik

The Qualitative Report

Building positive relationships with participants is an important component of qualitative research in the field of special education. Research poems allow expression of the evolution of participant-researcher relationship in a sensitive and nuanced manner. In this paper, I use a research poem about gardening to demonstrate how a researcher can construct a positive relationship with his/her participants. Each line of the poem represents the sequence and evolution of relationship development between the researcher and families who participated in the research.

Musical Influence On Apartheid And The Civil Rights Movement, Katherine D. Power

Student Publications

Black South Africans and African Americans not only share similar identities, but also share similar historical struggles. Apartheid and the Civil Rights Movement were two movements on two separate continents in which black South Africans and African Americans resisted against deep injustice and defied oppression. This paper sets out to demonstrate the key role that music played, through factors of globalization, in influencing mass resistance and raising global awareness. As an elemental form of creative expression, music enables many of the vital tools needed to overcome hatred and violence. Jazz and Freedom songs were two of the most influential genres, …

Rave Culture- A Tale Of Two Scenes, Christopher Mohr

Faculty Curated Undergraduate Works

This article compares two iterations of rave culture through the perspective on scenes as outlined by Geoff Stahl in his essay "'It's Like Canada Reduced': Setting the Scene in Montreal." By applying both communication and sociopolitical theory to the comparison of the original rave scene to that of today's, a vivid understanding of how scenes and subcultures construct themselves- both within and around the cultural environments from which they are born- will become apparent.

I Am Not Your Video Girl, Rashida Aluko-Roberts

SURGE

“We need girls who are willing to be up on stage with us and who are not afraid to go HAM dancing in front of a crowd. I know at least a few of you who have the confidence/jaw-dropping dance moves to pull this off.” [excerpt]

Adapting & Appropriating Art From Afar: Negotiating A Global Identity Through Popular Culture, A Study Of Salsa In The Senegalese Context, Elizabeth Bockenfeld

Independent Study Project (ISP) Collection

The following study is essentially an attempt to explore cross-cultural exchange and the resulting (re)creation of different forms of cultural expression. In its broadest sense it aims to explore the quotidian, cultural sides of globalization. It takes for its focus the re-appropriation of salsa music in Dakar, Senegal. Through interviews and participant observation in a number of salsa venues, I explore the various meanings Senegalese salseros put into salsa music and dance. Senegalese salsa is rooted in a very concrete historical background, while also holding meaning for the present. In short, the appropriation of salsa into the Senegalese context serves …

Just Sing What You Want To Say: The Importance Of Linguistic Tone In Bai Songs, Lisa Andrews

Masters Theses

The Bai people, a minority group in the People's Republic of China numbering at least 1.6 million, live mostly in the Dali Autonomous Prefecture in northwest Yunnan. Historically, Bai from the central region would gather annually at the base of Shibaoshan Mountain to sing partner style love songs in search for a suitable marriage partner; today, this time is marked by a three-day festival officially titled "Shibaoshan." The annual song competition invites skilled singers to spontaneously compose melodies in response to their counterpart, crafting lyrics to flatter or tease their singing partner. The study quantifies the close relationship between Bai …

An Undergraduate Seminar On Irish Musical Culture In Ireland And The Irish Diaspora In America, Including The Influence Of Irish Music On Appalachian Folk Music Culture, Frieda Eakins

Masters Theses

The following project establishes a concise, yet multifaceted design for a seminar on Irish musical culture. While it was initially developed as a course for its author to teach in the undergraduate, on-ground classroom, this project provides a framework adaptable enough for use by other instructors and/or for additional music seminars. This project is unique in its two-fold purpose in that the design and resources are directed to assist the instructor with streamlining course curriculum preparation, while the course content specific to the project when utilized offers students in the undergraduate college classroom a better understanding of Irish musical culture …

When Black Meets White In The Heart Of Worship: A Case-Study Of Musical Changes In A Multiracial Church, Serge Volpe

Masters Theses

The Worldwide Church of God began as a denomination relying on certain Jewish practices and other Euro-centric distinctions to define its' identity. In the New York City area, African-American churchgoers exceeded that of whites; yet church liturgy retained its European-American flavor. When the denomination underwent transformation in the 1990s, many congregants were unable to accept changes, including new musical styles, and reacted in a manner inconsistent with what church leaders had hoped for. This thesis examines what some African-Americans experienced during this period when liturgy changed to include music representative of their culture. Interviews were conducted with African-American churchgoers from …

The ‘Narod’ In Narodnjaci: Perceptions Of Turbo Folk In Contemporary Sarajevo, Uchechi Esonu

Independent Study Project (ISP) Collection

Turbo Folk is often associated with the ultranationalism and violence of the Wars of Yugoslav Succession in the nineties. Working from the perspective of people who enjoy this music and/or frequent establishments where Turbo Folk is played in contemporary Sarajevo, I investigate the narratives employed by both listeners and detractors of Turbo Folk. What attributes or values are projected on the genre, in present day Sarajevo? Have these values changed from how the genre was perceived during the war in the 1990s? Is Turbo Folk political or politicized? Based on ethnographic field research conducted over the course of one month …

Creative Renewal Of The Son Jarocho Fandango In Los Angeles, Alexander D. Hernandez

NACCS Annual Conference Proceedings

No abstract provided.

From Modern Rock To Postmodern Hard Rock: Cambodian Alternative Music Voices, Linda Saphan

Ethnic Studies Review

Cambodian modernity was driven by the political agenda of the Sihanouk government beginning in the 1950s, and Cambodian rock and roll emerged in the 1960s in step with Sihanouk's ambitious national modernization project. Urban rockers were primarily upper-class male youths. In. the postcolonial era rock and roll was appropriated from abroad and given a unique Cambodian sound, while today's emerging hard rock music borrows foreign sociocultural references along with the music. Postmodern Cambodia and its diaspora have seen the evolution of a more diverse music subculture of alternative voices of hard rock bands and hip-hop artists, as well as post-bourgeois …

Vamonos Al Baile! Corridos, Regionalism, & Cultural Symbolism: An Expressive Narrative Approach To Los Tigres Del Norte, Jorge Luis Aguilar

Open Access Theses & Dissertations

This study seeks to understand how qualities and characteristics of the study's participants are influenced not only by their families and humble roots, but also for how they are influenced specifically by corridos of Los Tigres Del Norte in which the theme of the songs speak of immigrant life, values, and experiences as bicultural citizens and naturalized citizens. In this study, these ideas are explored and examined using various methodological approaches, including in-depth interviews, open-ended questions, and participant observations. This study also demonstrates how corridos communicate with their listeners, how they are influenced by the corridos, and more importantly, how …

New Representations Of The “Golden Lineage”: The Mongolian Folk Rock Of Altan Urag, Jonathan Heins

Independent Study Project (ISP) Collection

This project will examine the ways in which the self-proclaimed Mongolian “folk rock” band, Altan Urag, combines elements of both traditional Mongolian and Western music and culture in order to recast and recreate Mongolian tradition. These new representations of Mongolian tradition occur within the context of a young and rapidly developing democratic nation which looks both deeply into its own past to construct a strong national sense of identity and looks increasingly outward to the international community with aspirations of establishing itself as a recognized and respected member of that community. Altan Urag’s new representations of Mongolian national heritage are …

The Status Of Students With Special Needs In The Instrumental Musical Ensemble And The Effect Of Selected Educator And Institutional Variables On Rates Of Inclusion, Edward C. Hoffman Iii

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

The purpose of this study was to describe the current status of students with special needs in the instrumental musical ensemble and to examine the effect of selected educator and institutional variables on rates of inclusion. An online survey was designed by the researcher and distributed electronically to 600 practicing K-12 instrumental music educators in the states of Idaho, Mississippi, Nebraska, Nevada, New Mexico, and Rhode Island. While 13.6% of the total school-aged population nationwide received special education services, demographic data provided by respondents revealed that students with special needs accounted for 6.8% of all students participating in bands, orchestras, …

The Symbolic Creation Of Cultural Performance At The Walnut Valley Festival, Maggie Colleen Cobb

Graduate Theses and Dissertations

Through two years of ethnographic fieldwork and 19 interviews, I synthesize symbolic interaction and a sociological framework of culture to examine the ways in which the Walnut Valley Festival is created and experienced as a unique form of cultural performance, one that is always shifting in response to the emergent cultural creation and reception of attendees. No work to date combines the dimensions of both production and reception of music festivals as a unique form of cultural performance. In bringing back the oftentimes ignored affective dimension in cultural studies, I use Griswold's (2004) metaphor of a cultural diamond, examining the …

Ua68/1/3 Arts & Letters, Vol. 2, No. 1, Wku Potter College Of Arts & Letters

WKU Administration Documents

Magazine created by WKU Potter College of Arts & Letters regarding faculty and student research, events and programs.

The Poetics Of The Ancestor Songs Of The Tz’Utujil Maya Of Guatemala, Linda O’Brien-Rothe Ph.D.

Journal of International and Global Studies

This essay attempts to define the relationship between a song tradition that survives in the Mayan highlands of Guatemala, and 16th century poetic Mayan literature. This song tradition of Santiago Atitlán, Guatemala is slowly disappearing as the socio-cultural context in which it flourished changes. By comparing the poetics of the song texts (including their rhythmic structure, versification, and use of poetic devices such as assonance, alliteration and onomatopoeia) to the poetics of the Popol Vuh, a K’iché Maya text probably copied from a manuscript that predates the Spanish invasion, a continuity is discovered that places the song texts squarely within …

Interview With Jeremiah Wright, Arlen Parsa

Chicago Anti-Apartheid Movement

Length: 175 minutes

Oral history interview of Jeremiah Wright by Arlen Parsa

Rev. Wright begins by describing his family, his “atypical” childhood, and his early aspirations to become a seminary professor. He explains the impact that the civil rights sit-ins had on his perspective and direction of his career path, attending college, joining the military, and entering the seminary. He explains how he became involved in the anti-Apartheid movement through his acquaintance with South African students in Chicago, his participation in TransAfrica and Commission for Racial Justice, and his involvement in divestment efforts within the churches. He reviews the history …

Letting Go Of Data In Aboriginal Australia: Ethnography On “Rubber Time", Sara Stevens Zur

The Qualitative Report

While attempting to investigate modes of musical transmission among the Yol ŋ u People in Northeast Arnhem Land Australia, questions regarding the meaning of the word “research” led to the decisive abandonment of data collection. Specifically, the processes of observation, recording, and other typical Western means of genera ting data seemed to be in direct opposition to the way knowledge was traditionally shared. The author critically examines her multiple attempts at conducting this research, and discusses why eventually giving up on the research led to a more profound understanding.

When Tejano Ruled The Airwaves: The Rise And Fall Of Kqqk In Houston, Texas, Guadalupe San Miguel Jr.

NACCS Annual Conference Proceedings

No abstract provided.

[Review Of] Adelaida Reyes. Songs Of The Caged, Songs Of The Free: Music And The Vietnamese Refugee Experience, Deborah Wong

Ethnic Studies Review

This important book documents two areas, the history of the Vietnamese traumatic emigration to the U.S. from 1975 to the early 1990s and the central role of music in Vietnamese responses to diaspora. Because ethnographic studies of the Vietnamese diaspora are still limited in number, and this is the first focused on Vietnamese expressive practices, Songs of the Caged is a major contribution on both fronts. Unlike many accounts of the Vietnamese American experience, Reyes' book is based on extended field research and addresses big issues with attention to history and to real people in real situations often conveyed through …

Tingkah Laku Pengguna Terhadap Muzik : Kajian Di Kalangan Belia Terhadap Lagu Melayu Nusantara, Noorihal Muhammad

Student Works (2000-2009)

The aim of this study is to identify the characteristics that are outstanding in the youth of today towards the special kind of music and songs that are generally referred lagu Melayu Nusantara'. The factors that influence the attraction of the youth of today towards this kind of music is given prominence. These factors are as follows, ( i ) the existence of forces that attract these youth to this particular kind of music, ( ii ) the singer presenting the song and finally, ( iii ) the lyrics of the song that captivates the youth. In my study, I …

Ua77/4 Uniting The Spirit, Vol. 1, No. 1, Wku Alumni Relations

WKU Administration Documents

Newsletter created by WKU Society of African American Alumni and Minority Student Support Services to promote homecoming events.

The Process Of Becoming A Songwriter: A Qualitative Analysis Of Self-Perceptions And Early Environmental Experiences, Becky Ehlts

Masters Theses & Specialist Projects

Becoming a songwriter implies a process through which someone must experience specific things indigenous to the social world of songwriters. This research focused on the process someone goes through to become a songwriter. The process as described by the actor is influenced by both the actor and society. Previous research is limited to structural factors while this study allows the social actor to describe, in his or her own words, how his or her self-perceptions and early environmental influences have altered, influenced, and directed the process the songwriter experiences to become a member of the social world of songwriters. All …

Leaders Of The New School: A Comparative Analysis Of Selected African American Rap Artists, Andrew P. Smallwood

Black Studies Faculty Proceedings & Presentations

“This is a presentation examining the cultural influence of rap groups Gang Starr, The Roots, and Rakim to examine their message directed at African American youth culture . . . It is through examining the messages in Rap music that we can educate Black youth about Black culture and Black life at the dawn of the 21st century.”

Vol. 20 No. 4 (1997): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Vol. 20 No. 4 (1997): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

A Study Of Ideological Change In Reggae Music From 1971 To 1993, William H. Stanley

Masters Theses

The purpose of this study was to see if the reggae music that became popular in the United States was ideologically different from the reggae that originated in Jamaica. The hypothesized change was derived from a model developed by Humphrey Regis (1994, 1988) labeled “cultural domination by re-exportation”. It was determined that early reggae music and the Rastafarian religion had very similar ideologies. The change within reggae music was measured against the Rastafarian belief system.

A content analysis of twenty-five songs was undertaken. The method of doing ideological analysis of the reggae lyrics was derived from Cormack (1992). The sample …