Digital Commons Network^™

Grid Culture, Eliot Bates, Arseni Troitski

Publications and Research

In this essay, we provide our initial ethnographic research about lines, which at a superficial level can be considered a platform, but which is also synonymous with a community of 8800 users, and with 606k unique posts authored by these users that in aggregate constitute a discourse network (Aufschreibesysteme, see Kittler 1990). lines—as platform, community, and discourse network—is primarily designed to support the development, documentation and user-generated code efforts specific to a set of hardware synthesis-related objects (the two we will focus on are called Norns and Grid; we’ll discuss what they are and what they do through the subsequent …

Mediating Authenticity: An Ethnographic Portrait Of Experience At U.S. Popular Music Festivals, Elizabeth Navarra Varnado

Theses and Dissertations--Music

This ethnographic study of U.S. popular music festivals subverts the impression of festivals as strictly ‘presentational’ live music events by utilizing a nuanced approach that is grounded in ethnographic fieldwork, historical analysis, and participant interviews.

Interlocutors, drawn from the author’s personal network of festival attendees, musicians, and promoters, reflect on “particularly positive festival moments,” the social and emotional benefits of festivals, and the corporeality of festival aesthetics. Discourse and published media play a vital role in festival participants’ perception of the festival field and their place within it; therefore, this study draws inspiration from the tripartite focus of iconic festival …

Education Equity: Music Theory Information Literacy At A Hispanic-Serving Institution (Hsi), Charles Roush, Katrina Roush, Norma Denae Dibrell

School of Music Faculty Publications

No abstract provided.

Buddhist Music As A Contested Site: The Transmission Of Teochew Buddhist Music Between China And Singapore, Jie Zhang

Yale Journal of Music & Religion

In the Chaozhou City Gazetteer of Buddhism & Chaozhou Kaiyuan Monastery Gazetteer published in 1992, the then Abbot of the Kaiyuan Monastery, Shi Huiyuan 释慧原 heavily condemned the Qing Dynasty (1644–1911) monk Shi Kesheng 释可声 (date unknown) for "starting the sins among laities in the Chaozhou region who dared transgressing (the Buddhist doctrines) and became chant leaders in a flaming mouth ceremony.” Why was the Abbot so upset with a fellow monk back in history? What did Kesheng do, and what were the implications of him starting this "transgression"? This article investigates the history of the international traffic of Buddhist …

Teaching Hispanic Culture, Diversity, And Tolerance Through Hispanic Dances And Music: Two Approaches For Flamenco & Caribbean Dances, Chita Espino-Bravo Ph.D., D. Nicole English

Modern Languages Faculty Publications

A Sociology Approach: Dance can be a useful tool for teaching students about culture and community. Through the language of Dance and Music (Caribbean Dance), context is given to social facts, which engages and informs students about such social issues as history, Colonialism,social class, gender, race/ethnicity, and social justice. The added bonus of using Dance as a lens is that it involves active, embodied learning (Dewey, English, Mead), making the material more memorable, meaningful, and relevant to the learner. A Communicative Approach (Task-based Learning Activity) & Language for Specific Purposes:Task-Based Language Teaching (TBLT) is a derivative of the Communicative Approach …

Vol. 46 No. 2 (2023): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 46, No 2-Dec 2023 edition of the Pacific Studies Journal.

Performing Tongan Identity And Indigeneity In Global Sporting Events, ‘Inoke Hafoka, Arcia Tecun, Tēvita O. Ka‘Ili, S. Ata Siu‘Ulua

Pacific Studies

During the 2017 Rugby League World Cup, Tonga’s national team made it into the semifinals, unleashing a powerful spirit of Tongan identity across the globe. Drawing from the borderlands concept and the Tongan tāvā theory, we analyze intersecting tensions of identity and colliding contexts during the tournament. Tonga’s team (mostly composed of players who chose Tonga rather than playing for the nation-states of their birth) revealed the limits of national identities while reinforcing them. Indigenous performances of sipi tau (war challenge/posture dance) and ancestral memories of kasivaki (ancient Tongan sport), cultivated feelings of māfana (exhilaration …

Vol. 46 No. 2 (2023): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lā ‘ie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Open Access, Anne Shelley, Rachel E. Scott

Faculty and Staff Publications – Milner Library

[Conclusion] While the embrace of Open Access within music scholarship and librarianship has been somewhat spotty and circumstantial to date, there are some patterns to celebrate. Music librarians have collaborated with stakeholders to create a number of high-value and openly-licensed online collections, libraries and publishers are exploring models that will better fund OA research by arts and humanities scholars, professional societies are responding to members’ prompts and formalizing their support through new OA publications, and the increased incorporation of linked open data standards will better connect information that was once siloed. It is challenging to predict the state of the …

Introduction: Indigenous Multilingualism In Lowland South America, Patience Epps

Tipití: Journal of the Society for the Anthropology of Lowland South America

Recent decades have seen an exponential growth in our understanding of the indigenous languages of lowland South America – from their structures and interrelationships to the dynamics of their day-to-day use and the ways they are conceptualized by their speakers. These advances highlight not only the diversity of languages in lowland South America, but also the complexity of the dynamics of interaction among speakers in multilingual settings. The region is home to a range of interactive indigenous ‘regional systems’, such as the Vaupés, Upper Xingu, and other areas, where multiple languages have thrived alongside each other for generations, and interaction …

Vaupés Multilingualism And The Substance Of Language, Stephen Hugh-Jones

Tipití: Journal of the Society for the Anthropology of Lowland South America

By focusing on ordinary conversational language, relying on a notion of “group” derived from unilineal descent theory, and neglecting mythology and ritual, studies of Vaupés Tukanoan multilingualism have inadvertently tended to reproduce a Western ideology of language as marking national identity and concerned with conveying meaning. This paper suggests that attention to musical, ritual, and shamanic contexts reveals multilingualism in a different light, with ritual speech acts as constitutive of social groups, names as vehicles of reproduction, and breath as a substance-like bodily element and source of vitality. The more esoteric, rhetorical, musical, or visual ornamentation is given to breath, …

Jewish Music Sound Recording Collections In The United States, Judith S. Pinnolis

Faculty Works

This chapter examines several significant Jewish music sound-recording collections in the United States, most of which originated as private collections but are now housed at academic institutions. Their origins provide insight into individual agency tied to different understandings of Jewish music. A discussion of their complexities from a library-science perspective focuses on conservation and preservation as well as bibliographic control and other issues in which the complexities of Jewish music unfold more clearly. Authenticity, comprehensiveness, and other constructions demonstrate how sound-recording collections reflect the overall difficulties of defining and delimiting Jewish music. Subsequent discussions and observations on access and audiences …

Politics And Country Music: Analyzing Why Country Music Is Associated With The Political Right, Christa Noe

Musicology and Ethnomusicology: Student Scholarship

The general perception that country music aligns itself with the political right is perhaps most exemplified by the songs, “Courtesy of the Red, White, and Blue (The Angry American)” by Toby Keith and “Okie from Muskogee” by Merle Haggard. Both songs speak of patriotic values that are traditionally associated with that side of politics. However, At the same time, some country songs, particularly older music, align more with the political left, such as “Man in Black” by Johnny Cash and “9 to 5” by Dolly Parton. Nadine Hubbs (2014) has shown how country music is often associated with the poor …

The Scholarship Of Rock Music: Knowledge Mapping Through Bibliography, Monica Berger

Publications and Research

Scholarship on rock and popular music has grown dramatically in volume and methodological variety and complexity including extensive use of interdisciplinary approaches. There currently is no comprehensive resource for scholars and educators to explore monographic scholarly literature on rock. I will showcase a new annotated bibliography, with a focus on disciplinarity and methodology, which provides a lens into how this scholarly discourse has evolved. This bibliography also makes visible broader trends regarding research topics in rock and popular music. This project will be a resource to academics and other authors, faculty designing and updating curricula, and librarians interested in building …

Componiendo El Núcleo: Una Exploración De La Bomba Y La Identidad Afroecuatoriana En El Valle De Chota, Ethan Guok

Independent Study Project (ISP) Collection

Este proyecto se centra en la bomba, una tradición musical y de danza afroecuatoriana que se practica en el valle del Chota, situado entre las provincias de Imbabura y Carchi, pero también más ampliamente en el Territorio Ancestral que comprende el valle del Chota, La Concepción, Salinas y Guallupe. Históricamente y en la actualidad, la bomba ha desempeñado un papel importante en la creación de comunidad y la preservación de la identidad cultural afrochoteña, y el conocimiento de cómo tocar la bomba se ha transmitido intergeneracionalmente a través de la tradición oral. Sin embargo, como tradición negra y oral, la …

(Alte)Rnative Realities In Ghana; An Africanfuturist Travelogue Into The World Buildings Of Contemporary Ghanaian Female Alte Musicians, Agasarokeza Natasha Naomi

Independent Study Project (ISP) Collection

In this research paper, I will use Africanfuturism as a lens through which I explore Ghanaian female alte musicians’ contributions to the growing Africanfuturistic imaginaries. Overall, this research aims to contribute to the growing body of knowledge on Ghanaian female Alte musicians and highlight their significance in shaping alternative realities. I will employ a qualitative research methodology, including interviews with two Ghanaian female alte musicians, and content analysis of their music videos, lyrics, and musical productions. By delving into their personal experiences and artistic expressions, the paper seeks to uncover how these artists challenge traditional gender roles, explore cultural identities, …

Representasi Jejak Memori Budaya Lokal Dalam Karya Performance Art Seniman Indonesia, Litya Ainunning Puri, Handriyotopo Handriyotopo, Khoirunnisa Qonita

Paradigma: Jurnal Kajian Budaya

This article offers an interpretation of performance artworks that serve as representations of local identity and values in the period of Indonesian new media artists. By emphasizing on local identity, this article seeks to reveal how artists respond to global challenges through artworks while capturing the aesthetics and values prevailing throughout Nusantara (the Indonesian archipelago). Additionally, this research offers an analysis of the timeline and geographic distribution of performers from the standpoint of the growth of new media art. Data were collected using a variety of methods, including observation, interview, and literature review involving both historical archives and literary works. …

Creating Information-Literate Musicians In The Academic Library, Z. Sylvia Yang, Jessica M. Abbazio, Angela L. Pratesi

Library Faculty publications

For musicians, the act of creation is multifaceted: musicians perform, analyze, write, speak, and teach in highly collaborative and diverse environments. Information-literate musicians require training to understand and engage with the myriad kinds of content and materials inherent to the contemplation, study, creation, and enjoyment of music.

The various information needs of musicians requires creators to make many choices--from selecting a particular score edition or recording from many similar options, to employing a specific scholarly or pedagogical methodology to their work, musicians require the skills to critically evaluate information and determine its usefulness. Music’s ubiquity adds a further layer of …

Journey, Movement, Affect And Rhythm: Migration Through North Indian Folk Songs, Sangeeta Gupta, Shambhavi Gupta

International Journal on Responsibility

This paper captures the lived experiences and affect associated with migration, through the folk songs of North India. While migration is usually studied as a larger demographic movement involving temporary or permanent displacement and departure, our project captures the pain and apprehension it entails. We have tried to retrieve the vital connection between gender and migration through an analysis of folk songs about the experiences of women. These songs passed down as a part of the oral tradition, articulate how a woman engages and interacts with migration – both due to her marriage and also when her husband leaves home …

Vol. 46 No. 1 (2023): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 46, No 1-Jun 2023 edition of the Pacific Studies Journal.

Vol. 46 No. 1 (2023): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lā ‘ie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Transoptic Landscape Analysis: Multidimensional Landscapes Of A Multinational Wales, Mark Rhodes

Michigan Tech Publications, Part 1

In this article I propose a novel extension to landscape analysis through multidimensional understandings, including—yet reaching beyond—tangible and into more-than-representational understandings of landscape. This "transoptic" approach to landscape, breaking away from strictly searching for visual representations of culture, allows for sonic, experiential, and emotional layers of meaning embedded in landscapes to emerge from their plural cultural and historical contexts. Memory, and the production and experience of that memory in the landscape, benefit from this transoptic understanding. Utilizing memory work, which includes both memory production and consumption, in Wales as a case study, I employ a transoptic landscape analysis to approach …

The Music Of Democratic Kampuchea: Revolution Songs As Public Pedagogy, Anissa Jade Lesh

Masters Theses

The Communist Party of Kampuchea (CPK) which ruled Cambodia from 1975 to 1979 utilized a variety of methods to ensure control over the country and its people. Among these methods were the creation and dissemination of revolutionary songs which extolled the virtues of the CPK, instilled fear, and provided explicit instructions on how to serve the Ângka (the organization). While scholars unanimously recognize the use of music as public pedagogy during the regime, there are very few works which explore the songs, their lyrics, or how the music itself reflected their intended sociopolitical purpose. Through the transcription, translation, and analysis …

Worship Leadership From The Beginning: A Comparative Study Of Exodus 15:1-21 And Judges 5, Vivian Ann Petties

Doctoral Dissertations and Projects

Although many excellent books, commentaries, and journal articles have been written on worship leadership, no framework for worship leadership has been developed based upon Exodus 15:1-21 or Judges 5. The purpose of previous research has not been to discover principles of leadership, praise, and worship, or composition of music for use in ministry nor to develop a consensus about the roles played by the males and females in these texts. To develop a proposal for filling this lacuna, the present thesis will study Exodus 15:1-21 and (comparatively) Judges 5. This qualitative study will employ the exegetical methods of socio-rhetorical analysis …

Musical Time In Network Interaction: The Case Of Unfinished Line, Silvio Ferraz, William Teixeira

Journal of Network Music and Arts

Considering recent world events, art and music could not be unmoved by the dramatic turn of directions in both the way people relate and the place of technology in their lives. An ongoing project of both the authors in writing a new piece for cello and Disklavier operated by interactions in real-time gave place to a new kind of composition, mixing written music to improvisation and replacing real-time for something we are calling remote time. This paper presents such walking of resilience, first reviewing some relevant points of view about musical interaction in real-time and the importance of synchrony for …

We Are Gullah: A Community Approach To Preserving Gullah Geechee Historical Sites Of Significance, Peter Gaytan

All Theses

The National Register of Historic Places is an inventory established by the National Historic Preservation Act of 1966 that identifies architectural and archaeological sites significant to American history. The National Register was created to encourage the documentation, evaluation, and protection of America’s historic resources. Over 96,000 historic properties, sites, and structures are currently listed on the National Register. Despite the number of historic places listed on the National Register there is still an overwhelmingly low number of sites listed on the National Register relating to underrepresented communities. This thesis assessed the definition of significance laid out in the National Register …

The Psychogeographic Relationship With Memories, Popular Music, And Identity: A Case Study From 1995-2022 Of The Grateful Dead, Margaret Lane Walton

Theses

This paper will explore sonic geography and its impact on human and cultural geography through popular music, specifically the Grateful Dead, from 1995 to 2022. This research focuses on the eventization of the band and popular music post-Jerry Garcia’s death, whereas previous research has focused primarily on the band from 1965 to 1995. The infamous psychedelic rock and roll band was widely known for the created and imagined communities that it forged over their 30-year run. Recent research on soundscapes and music’s role in the study of geography precipitated the need for more attention to music geography. This paper explores …

“De Manhattan Pa El Bronx:” Dembow As The Sound Of Dominicanidad Ausente, Patricia Bautista Tiburcio , '23

Senior Theses, Projects, and Awards

This research project begins with the question, what is the role of music in the lives and identities of contemporary Dominicanyorkers? As a Dominicanyorker and a student of sociology, this project begins from the embodied knowledge that Dembow music is actively doing something important in relation to how Dominican migrants and their descendants navigate their Dominican identity and belonging in present-day New York City. I claim that Dembow is the sound of a particular urban condition of diasporic identities, what I call following Dominican studies, “dominicanidad ausente.” To fully understand the role of music in identity development, I use ethnographic …

The Headbangers Of The Himalaya: An Investigation Of Nepal’S Rock And Metal Scene, Samuel White

Independent Study Project (ISP) Collection

The goal of this research endeavor was to generate findings which unveil information about the culture, the bands, and the lives of the musicians and fans who make up the Nepali rock and metal scene. The community is rather esoteric and information regarding certain bands and their musicians’ background is limited to broad, outdated articles published online. Thus, most of the information regarding the scene can only be obtained if one truly immerses themselves within it. I was fortunate enough to make friends which granted me a firsthand look into the Nepali rock and metal scene. The general questions which …

Sociological Aspects Of Music Education In Higher Education In Brazil, Canada, Israel, Norway, And The United States During The Covid-19 Pandemic, Edward Richard Mcclellan, Stian Vestby, Jennifer Lang, Amira Ehrlich

Visions of Research in Music Education

The purpose of this study was to examine the sociological aspects of music education and perspectives of university music education professors in five continents in relation to remote learning during the COVID-19 pandemic. The concepts of community of practice and agency were used to investigate the social interaction, socialization, and collective impact of people and experiences observed in university-level music education in different parts of the world. As the global pandemic completely changed the conditions on university campuses and music education programs, each participant provided 1) an overview of the parameters of virtual and in-person instruction implemented by select institutions, …