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Vol. 18 No. 3 (1995): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Sep 1995

Vol. 18 No. 3 (1995): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Sep 1995

Books Received And Book Notices, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Book Listing for the Vol 18, No 3 Edition of the Pacific Studies Journal

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Melanesian Music On Compact Disc: Some Significant Issues, Peter Russell Crowe Sep 1995

Melanesian Music On Compact Disc: Some Significant Issues, Peter Russell Crowe

Pacific Studies

No abstract provided.

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Vol. 18 No. 2 (1995): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Jun 1995

Vol. 18 No. 2 (1995): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Vol. 18 No. 2 (1995): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Jun 1995

Vol. 18 No. 2 (1995): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Popular Music In Geographical Analyses, Lily Kong Jun 1995

Popular Music In Geographical Analyses, Lily Kong

Research Collection School of Social Sciences

As an area of geographical inquiry, popular music has not been explored to any large extent. Where writings exist, they have been somewhat divorced from recent theoretical and methodological questions that have rejuvenated social and cultural geography (see, for example, Cosgrove and Jackson, 1987; Jackson, 1989; Cosgrove, 1989; 1990; Anderson and Gale, 1992; Bames and Duncan, 1992). In this article I will focus on the interface between geography and popular music, focusing specifically on the contributions of such exploration towards cultural and social understanding. In what follows, I will first discuss the reasons for geographers’ relative neglect of popular music …

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Vol. 18 No. 1 (1995): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Mar 1995

Vol. 18 No. 1 (1995): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Vol. 18 No. 1 (1995): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Mar 1995

Vol. 18 No. 1 (1995): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Interview With Joe Hickerson Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives Feb 1995

Interview With Joe Hickerson Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of an interview with Joe Hickerson at the Library of Congress regarding Sarah Gertrude Knott and the National Folk Festival. Also includes discussions about folk music, folk musicians, and the National Council for the Traditional Arts.

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The Transmutation Of A Cultural Constant: A Mexican Political Corrido As Personal Legacy, Sara Soledad Garcia Jan 1995

The Transmutation Of A Cultural Constant: A Mexican Political Corrido As Personal Legacy, Sara Soledad Garcia

Teacher Education

No abstract provided.

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[Review Of] David G. Such. Avant-Garde Jazz Musicians: Performing "Out There ", Andrew Bartlett Jan 1995

[Review Of] David G. Such. Avant-Garde Jazz Musicians: Performing "Out There ", Andrew Bartlett

Explorations in Sights and Sounds

The burgeoning scholarship on the avant-garde in jazz of the 1950s and 1960s still accounts for only a small number of scholarly jazz-related publications. Though the ascendance of interdisciplinary, cultural studies paradigms leave open many pathways to discussions of avant-garde jazz, David G. Such's Avant-Garde Jazz Musicians incorporates little ofthe cultural criticism Ronald Radano offers in his equally new New Musical Figurations: Anthony Braxton’s Cultural Critique (Chicago: University of Chicago Press, 1993). Such instead focuses multiply on what avant-garde musicians say about their music's position a handful of topical devices which head chapters in the text. From considering "Labels," an …

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Interview With Andy Wallace Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives Jan 1995

Interview With Andy Wallace Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with Andy Wallace conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).

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Interview With Pete Seeger Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives Jan 1995

Interview With Pete Seeger Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with Pete Seeger conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).

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Interview With Charles And Nancy (Martin) Perdue Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives Jan 1995

Interview With Charles And Nancy (Martin) Perdue Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with Charles and Nancy (Martin) Perdue conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).

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Interview With Joe Wilson Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives Jan 1995

Interview With Joe Wilson Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with Joe Wilson conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).

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Interview With Don And Priscilla Urner Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives Jan 1995

Interview With Don And Priscilla Urner Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with Don and Priscilla Urner conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).

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Interview With John Ramsey Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives Jan 1995

Interview With John Ramsey Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with John Ramsey conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).

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Interview With Alan Jabbour Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives Jan 1995

Interview With Alan Jabbour Regarding Sarah Gertrude Knott (Fa 459), Manuscripts & Folklife Archives

Folklife Archives Oral Histories

Transcription of interview with Alan Jabbour conducted by Michael Ann Williams in 1995 about Sarah Gertrude Knott. Williams was a Folk Studies professor at Western Kentucky University. She used these interviews when writing her book: Staging Tradition: John Lair and Sarah Gertrude Knott (Urbana, Ill.: University of Illinois Press, 2006).

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[Review Of] Ronald T. Takai . Violence In The Black Imagination: Essays And Documents. Expanded Editions, Jennifer L. Dobson Jan 1995

[Review Of] Ronald T. Takai . Violence In The Black Imagination: Essays And Documents. Expanded Editions, Jennifer L. Dobson

Explorations in Sights and Sounds

Originally published in 1972 and re-issued in 1993, Violence in the Black Imagination was an early attempt to overcome the pitfalls of what some academicians have termed disjunctive scholarship. Ronald Takaki reminds us that too often fiction is analyzed narrowly as an art rather than as social documents that might be useful not only to those studying literature but also to those examining history. Reviewing three fictional works, Takaki makes a case or their use as historical sources. He asserts that “black fiction not only adds to our already limited number of ante-bellum black written documents, but also represents a …

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Vol. 17 No. 4 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Dec 1994

Vol. 17 No. 4 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Vol. 17 No. 4 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Dec 1994

Vol. 17 No. 4 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Vol. 17 No. 4 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Dec 1994

Vol. 17 No. 4 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Vol. 17 No. 4 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Dec 1994

Vol. 17 No. 4 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Columbia Chronicle (11/07/1994), Columbia College Chicago Nov 1994

Columbia Chronicle (11/07/1994), Columbia College Chicago

Columbia Chronicle

Student newspaper from November 7, 1994 entitled The Columbia College Chronicle. This issue is 8 pages and is listed as Volume 28, Number 7. Cover story: "Television students awarded scholarships at Chicago Emmys" Editor in Chief: Michael Schwartz

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Vol. 17 No. 3 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Sep 1994

Vol. 17 No. 3 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Vol. 17 No. 3 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Sep 1994

Vol. 17 No. 3 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Kiowa Powwows: Tribal Identity Through The Continuity Of The Gourd Dance, Benjamin R. Kracht Aug 1994

Kiowa Powwows: Tribal Identity Through The Continuity Of The Gourd Dance, Benjamin R. Kracht

Great Plains Research: A Journal of Natural and Social Sciences (through 2013)

Today, intertribal participants at Southern Plains powwows (Oklahoma and Texas) celebrate common history and culture-their sense of "Indianness"-through the enactment of ceremonial song and dance. The Kiowa playa central and assertive role in the Southern Plains powwow network. and they use the Gourd Dance as the vehicle to identify their "Kiowaness." The thesis of this paper is that the Kiowa continue to maintain their tribal identity through performances of the Gourd Dance. which they claim as their own. The maintenance of identity is traced from the late nineteenth century through the evolution of Kiowa dances leading up to the Gourd …

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Vol. 17 No. 2 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Jun 1994

Vol. 17 No. 2 (1994): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Vol. 17 No. 2 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies Jun 1994

Vol. 17 No. 2 (1994): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

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Modeling Music With Grammars: Some Examples From Balinese Kotekan, Janet Tom Cowal May 1994

Modeling Music With Grammars: Some Examples From Balinese Kotekan, Janet Tom Cowal

Dissertations and Theses

What is the relationship of music and language? Analogies and comparisons of music and language are plentiful in various types of literature. For researchers in the cognitive sciences, the importance of organization, patterning, and structuring of sounds is a common theme in analyzing both language and music. With the success of generative grammars for languages, a number of researchers have used similar kinds of grammars to describe or model particular aspects of music. In addition, researchers are interested in possible universals in musical grammars. However, while grammars of non-Western musics have been written, most of the work has been based …

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