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Articles 301 - 330 of 790
Full-Text Articles in Entire DC Network
Vol. 41 No. 1/2 (2018): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 41 No. 1/2 (2018): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
Unmasking Hybridity In Popular Performance, Hannah M. Harder
Unmasking Hybridity In Popular Performance, Hannah M. Harder
Student Publications
This paper explores cultural hybridization in popular music and the eroticization of the exotic eastern aesthetic. Using musicology and anthropology as tools, the paper examines varying perspectives of the artists, audience and marginalized groups. Although cultural appropriation has been used recently as a blanket buzzword in mainstream dialogue, it does provide a platform to discuss complex issues on gender, race and sexuality that has been muddled by colonial mentalities.
Vol. 41 No. 1/2 (2018): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 41 No. 1/2 (2018): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Front Matter for the Vol. 41, No 1/2-Apr/Aug 2018 edition of the Pacific Studies Journal.
Cervelli, Luanne Beth (Fa 376), Manuscripts & Folklife Archives
Cervelli, Luanne Beth (Fa 376), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 376. Interview with John Buell Edmonds conducted by LuAnne Beth Cervelli on 18 September 1988. Edmonds, a notable gospel singer from Bowling Green, Kentucky discusses his experiences performing gospel music, his involvement in recording and promoting gospel groups, his relationship with the local choir, and the current state of gospel music.
Sela/General News, Library News, And Personnel News
Sela/General News, Library News, And Personnel News
The Southeastern Librarian
Recent activities from the Southeastern Library Association, developments from SELA member institutions, and personnel news.
Yurumein - Homeland Study Guide, Andrea E. Leland, Lauren Poluha
Yurumein - Homeland Study Guide, Andrea E. Leland, Lauren Poluha
Documentary Study Guides
The Garifuna and Carib communities of St Vincent in the Caribbean collaborated with the documentary filmmaker Andrea E. Leland to produce Yurumein – Homeland: The Caribs of St Vincent, an exploration of the historical and spiritual significance of St Vincent and Baliceaux to Garifuna and Carib communities.
This film guide speaks about the history, culture, music, and food of the peoples that were displaced from their home and, through activities addressing the film's content, informs readers about the movement to bring Garifuna/Kalinago culture back to St Vincent and reconnect Garinagu to their homeland.
Ua68/14 Fsa Newsletter, Wku Folk Studies & Anthropology
Ua68/14 Fsa Newsletter, Wku Folk Studies & Anthropology
WKU Administration Documents
Newsletter created by and about the WKU Folk Studies & Anthropology department.
Religion On The Dance Floor: Afro-Dominican Music And Ritual From Altars To Clubs, Angelina M. Tallaj
Religion On The Dance Floor: Afro-Dominican Music And Ritual From Altars To Clubs, Angelina M. Tallaj
Publications and Research
In this essay, I examine the current New York scene and the emerging discourses surrounding the recent visibility of Dominican Voodoo (Vudú) and its music. When Dominicans migrated, they brought with them these marginalized genres of music including the music of Vudú, and, since the 2000s, this music (palo) has moved from the religious arena to the popular music world, in turn changing the nature of the religious rituals. In New York City, Vudú ceremonies can now publicly feature drumming and possession and are practiced in commercial venues rather than in private homes and altar spaces. While this move of …
The View From Ventress - 2018, University Of Mississippi. College Of Liberal Arts
The View From Ventress - 2018, University Of Mississippi. College Of Liberal Arts
Liberal Arts Newsletters
Cover Story: Home of the Brave. As military veterans arrive on campus, the University of Mississippi—one of only four SEC institutions designated a Purple Heart Campus by the National Order of the Purple Heart—welcomes them with resources and assistance.
Music In The Northern Woods: An Archaeological Exploration Of Musical Instrument Remains, Matthew Durocher
Music In The Northern Woods: An Archaeological Exploration Of Musical Instrument Remains, Matthew Durocher
Dissertations, Master's Theses and Master's Reports
Archaeological and historical literature neglects music and sound. The quantity and distribution of musical remains found during archaeological excavations at Coalwood, a Cleveland-Cliffs Iron Company (CCI) logging camp active from 1901-1912 in the Upper Peninsula of Michigan, addresses the importance of music to the people that lived there. Musical reed plates from harmonicas, concertinas, and accordions were recovered and examined. These musical remains have traditionally been ignored as a diagnostic artifact, but here, I use them as primary evidence to access the daily lives of people in the northern woods. To do this, I will present how CCI developed Coalwood …
Proceedings Of The Cuny Games Conference 4.0: The Interactive Course, Robert O. Duncan, Joe Bisz, Julie Cassidy, Kathleen Offenholley, Maura A. Smale, Carolyn Stallard, Deborah Sturm, Anders A. Wallace, Cuny Games Network
Proceedings Of The Cuny Games Conference 4.0: The Interactive Course, Robert O. Duncan, Joe Bisz, Julie Cassidy, Kathleen Offenholley, Maura A. Smale, Carolyn Stallard, Deborah Sturm, Anders A. Wallace, Cuny Games Network
Publications and Research
Proceedings of the CUNY Games Conference, held from January 22-23, 2018, at the CUNY Graduate Center and Borough of Manhattan Community College.
Critical Play with History (Panel) - Composition & Storytelling - Health & Cognitive Sciences - Gaming Anthropology: Teaching Culture and Power Through Games and Design (Panel) - Twine & Writing Games - Easy Ideas II - STEM Games - Global Games for Change Catalog (Panel) - Comics & Active Learning - Fact Checking & Research - Computer Science & Game Design - SimGlobal: Building a Serious Roleplay Course for the Social Sciences (Panel) - Role Playing Games, Narrative, …
The Role Of Institutional Repositories In Making Lost Or Hidden Cultures Accessible, A Study Across Four African University Libraries, Andrew Watson Malekani, George Kavishe
The Role Of Institutional Repositories In Making Lost Or Hidden Cultures Accessible, A Study Across Four African University Libraries, Andrew Watson Malekani, George Kavishe
Library Philosophy and Practice (e-journal)
This study was undertaken to uncover the potential role that Institutional Repositories (IR) can offer to preserve in the long term the special collections (especially cultural heritage materials) so as to reap the advantages that these collections offer in terms of intellectual development in Africa.
The study involved use of scoping review which involves five stages: research question, identifying the relevant study, selecting the study, developing a narrative review (charting data), summarizing (collating) data and an optional consultation step. The study also involved a Focus Group Discussion (FGD) involving participants in the Continuous Professional Development (CPD) programme at the University …
Immigration Et Clips Musicaux : Vers La Construction D’Espaces Sans Frontières, Souleymane Ganou
Immigration Et Clips Musicaux : Vers La Construction D’Espaces Sans Frontières, Souleymane Ganou
Présence Francophone: Revue internationale de langue et de littérature
Immigration is a reality which touches primarily the young in most country. This phenomenon must be undressed of its blaming considerations, in view of its incommensurable contribution in the development of many countries. If the United States of America arrived at the legalization of immigration, by instituting a lottery called “lottery visa”, it is that they are conscious of the benefit that this phenomenon can bring to their nation. Moreover, the United States is a nation built on the bases of the immigration to which they owe their power today. They are numerous these young people who set off to …
Vol. 40 No. 3 (2017): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 40 No. 3 (2017): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Front Matter for the Vol. 40, No 3-Dec 2017 edition of the Pacific Studies Journal.
Vol. 40 No. 3 (2017): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Vol. 40 No. 3 (2017): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies
Pacific Studies
Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …
The Acoustics Of Justice: Music And Myth In Afro-Brazilian Congado, Genevieve E. Dempsey
The Acoustics Of Justice: Music And Myth In Afro-Brazilian Congado, Genevieve E. Dempsey
Yale Journal of Music & Religion
For the Afro-Brazilian musicians of popular Catholicism, or Congadeiros, who live precariously on the urban and rural margins of Brazil, ritual undergirds their struggles for subsistence, spiritual fulfillment, and racial equality. When Congadeiros create ritual, they enter into a tradition begun in the seventeenth century in Brazil by their enslaved African and Afro-descendant ancestors who intoned songs of redemption. In keeping with their ancestors’ evocations of dignity during slavery, worshipers in the present day embed multiple kinds of vested interests within ritual festivity to achieve racial equality. This article explores Congado, the ceremonies of these disenfranchised musicians, to …
From Protest Song To Social Song: Music And Politics In Colombia, 1966-2016, Joshua Katz-Rosene
From Protest Song To Social Song: Music And Politics In Colombia, 1966-2016, Joshua Katz-Rosene
Dissertations, Theses, and Capstone Projects
Based on archival and ethnographic fieldwork in the cities of Bogotá and Medellín, this dissertation documents the development of canción protesta (protest song) in Colombia in the 1960s, and tracks its evolution in subsequent decades. At the turn of the 1970s, songwriters affiliated with a grassroots canción protesta movement in Bogotá used music as a vehicle for disseminating leftist political ideology and extolling the revolutionary guerrilla groups that had formed in the Colombian countryside in the preceding years. However, canción protesta was an urban phenomenon that emerged in tandem with other countercultural currents, and their confluence in the late 1960s …
Commentary: Wildlife Tourism As Crop Protection? Double-Goal Provisioning And The Transvaluation Of The Macaque In Postwar Japan, John Knight
Human–Wildlife Interactions
Human–wildlife interfaces are often sites of friction and conflict in the form of crop and livestock depredations that can lead to negative local attitudes towards the animals responsible. This paper examines the use of provisioning to reduce wildlife damage through diversion (‘diversionary feeding’) and to display the diverted animals for tourism. It focuses on a macaque (Macaca fuscata) provisioning initiative from the municipality of Ōita in western Japan that set out to achieve these two objectives of crop protection and tourism. Provisioning succeeded in establishing the macaques as a popular tourist attraction, but it has been far less …
Conference Conversations: Monique Charles On Corbyn And Grime, Florence Sutcliffe-Braithwaite, Monique Charles
Conference Conversations: Monique Charles On Corbyn And Grime, Florence Sutcliffe-Braithwaite, Monique Charles
Sociology Faculty Articles and Research
Yesterday Renewal co-hosted an event with The Corbyn Effect at Momentum’s conference, The World Transformed, in Brighton. One of the speakers, Monique Charles, recently completed a PhD on grime music. In The Corbyn Effect she looks at the phenomenon of Grime for Corbyn, and we had coffee with her to talk about her work, Jeremy Corbyn, and the Labour Party.
Nau, Kathy (Fa 1061), Manuscripts & Folklife Archives
Nau, Kathy (Fa 1061), Manuscripts & Folklife Archives
Folklife Archives Finding Aids
Finding aid only for Folklife Archives Project 1061. Paper titled “Iowa Fiddle Tunes” by Kathy Nau in which she writes about her project documenting fiddle tunes collected by Bill Hamilton of Winfield, Iowa. Includes annotated music for approximately 23 tunes.
Spectacular Politics And Everyday Performance: Tracing Music From Ceauşescu’S Romania To Multicultural America, Benjamin Dumbauld
Spectacular Politics And Everyday Performance: Tracing Music From Ceauşescu’S Romania To Multicultural America, Benjamin Dumbauld
Dissertations, Theses, and Capstone Projects
Drawing from fieldwork conducted throughout the United States and Canada, this dissertation examines the continued performance of socialist-era music within the Romanian-American community. It addresses why a community largely made up of people who sought to leave the country during the authoritarian regime of Nicolae Ceauşescu continue to perform music tied to that period by tracing the historical performance and reception of multiple genres, ranging from traditional peasant music to folk rock. The dissertation begins by examining the nationalization of Romania’s music industry under the early socialist regime (1944-1965), and locates the difficulties Communist Party members confronted in delineating a …
Music, Politics, And Sociality: Ethnic Tensions And The Performance Of Gikuyu Nationalism, Peter Njagi Mwangi
Music, Politics, And Sociality: Ethnic Tensions And The Performance Of Gikuyu Nationalism, Peter Njagi Mwangi
Foreign Languages & Literatures ETDs
This thesis examines how some selected Gikuyu popular music propagates ethnic tensions in Kenya by promoting Gikuyu nationalism at the expense of Kenyan nationalism. This music derives its themes from the historical period of the Mau Mau armed struggle against British colonists and connects this struggle with everyday experiences of the Gikuyu people. Memory and the performance of everyday life in this music solidifies the Gikuyu community as tied to a common destiny and distances other Kenyan communities from this destiny. The music consolidates Gikuyu ethnic nationalism and authenticates the position of the community as superior and a dominant force …
Inculturation Of Liturgical Music In The Roman Catholic Church Of Igbo Land: A Compositional Study, Benedict Nwabugwu Agbo
Inculturation Of Liturgical Music In The Roman Catholic Church Of Igbo Land: A Compositional Study, Benedict Nwabugwu Agbo
Journal of Global Catholicism
A study of inculturation, composition and music among Catholics in Igboland, Nigeria. The article insects with contemporary discussions of inculturation/enculturation after Vatican II and the recommendation of St. John Paul II in his Ecclesia in Africa.
Grime Launches A Revolution In Youth Politics, Monique Charles
Grime Launches A Revolution In Youth Politics, Monique Charles
Sociology Faculty Articles and Research
"The relationship between grime and politics has been an interesting and evolving one. Grime is a genre of music that emerged at the turn of the 21st century in London’s inner boroughs. Early on, its sound was most closely likened to US hip hop and rap. But those in the know appreciate grime’s deep connections to its UK predecessors, which include music from the British underground scene such as garage and jungle, in addition to Jamaican dancehall, electronic/experimental music, and British punk. The grime 'sound' developed as it grew, eventually being acknowledged as its own genre at the MOBOs in …
The “Bitter Sweetness” Of Hybridity: Being A Bicultural Greek Australian Musician, Renee Georgoulas, Jane E. Southcott
The “Bitter Sweetness” Of Hybridity: Being A Bicultural Greek Australian Musician, Renee Georgoulas, Jane E. Southcott
The Qualitative Report
“Calista” is a bilingual, bicultural Greek-Australian musician in Melbourne, Victoria who explores and enacts her bicultural identity by musicking (making music). This single case study explores the formation and development of hybridized identity which is a complex lifelong process that may generate tensions for an individual that changes across the lifespan. There are strengths and challenges for those traversing different cultures. This study focuses on a bicultural identity formed by personal, musical and cultural contexts. Calista enacts her bimusicality in different musical genres and in different modes of musical engagement. Data were collected by semi-structured interview and by reference to …
We Are One: Singing, Sisterhood, And Solidarity In Appleton-Area Women's Choirs, Lauren Vanderlinden
We Are One: Singing, Sisterhood, And Solidarity In Appleton-Area Women's Choirs, Lauren Vanderlinden
Lawrence University Honors Projects
Despite its relatively small population, the city of Appleton has a large and thriving women’s choir community. Between the Lawrence Academy of Music Girl Choir, which serves hundreds of girls every year, and Cantala, the women’s choir at Lawrence University, opportunities for involvement in nationally-recognized female-voice ensembles range from second grade all the way through to college graduation. Using the theories of Foucault, Bourdieu, Butler, Green, and Bentham, this project explores the women’s choir culture of Appleton in an attempt to discover the core values of these two influential programs. I accomplished this by conducting ethnographic research in the form …
How Native American Rappers Communicate And Create A Modern Identity, Hannah J. Berge
How Native American Rappers Communicate And Create A Modern Identity, Hannah J. Berge
Masters Theses, 2010-2019
Current research concerning identity and Native Americans is sparse outside the realm of expressly Native American scholarship. While most conversations about identity and Native Americans focuses on historical and political aspects, many sources do not explore alternative avenues of contemporary identity creation. This thesis uses Kenneth Burke’s pentad to analyze the lyrics for “AbOriginal” by Frank Waln. The pentad is used to analyze each line of the rap. A new term, alter-agent, is used to identify agents who the agent either associates with or who the agent views as hindering his progress. There is then a count of the number …
The Music And Politics Of Willy Chirino, Nancy N. Balcziunas
The Music And Politics Of Willy Chirino, Nancy N. Balcziunas
Honors College Theses
Cuban musician and singer Willy Chirino, the self-proclaimed inventor of the “Miami Sound,” was sent to the United States as a teenager in the 1960s under Operation Pedro Pan to escape the influence of Fidel Castro's communist regime. Throughout his career, he has used his music to spread a personal and political agenda; his rejection of communism and the Castro regime can be seen through his song lyrics, humanitarian efforts, and direct engagement in the world of politics.
The Suzuki Method: Influences Of Shinichi Suzuki On Japanese Music Education, Moriah L. Richards
The Suzuki Method: Influences Of Shinichi Suzuki On Japanese Music Education, Moriah L. Richards
Senior Honors Theses
This thesis will study the history of Japanese music education philosophies and pedagogy techniques. Specific focus has been given to the music education methods and philosophies of renowned Japanese music educator, Shinichi Suzuki. Suzuki’s views on the learning processes of children have greatly impacted the field of music education. Suzuki held the belief that the language acquisition process and the learning processes of children were intricately connected. He spent years applying his research to the field of music education. His resulting pedagogy techniques are now known as the Suzuki Method. The Suzuki Method, which has been adapted in various ways …