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New Urban Liturgy: Making A Lane For Hip-Hop In Multicultural Worship, Caleb Thomas Kudlo Dec 2021

New Urban Liturgy: Making A Lane For Hip-Hop In Multicultural Worship, Caleb Thomas Kudlo

Doctoral Dissertations and Projects

The urban environments of American cities are home to diverse cultures and subcultures. If God created humanity in His image, and if the gospel of Jesus Christ has transcending power, then urban churches are poised to become worship communities that reflect His creativity and redemption. However, the ideal of unity in diversity strives against the currents of homogenization in American history, church traditions, and human nature. This project brings attention to a subculture that makes its home in the urban environments of American cities but not in its churches: hip-hop should be counted among the diverse cultures that can uniquely …

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Worship, Culture, And Mission: Ethnomusicology As A Tool For Evangelism In America, Semaj H. Pennix Dec 2021

Worship, Culture, And Mission: Ethnomusicology As A Tool For Evangelism In America, Semaj H. Pennix

Doctoral Dissertations and Projects

Despite many efforts of using evangelism as a tool in the United States, a deficit within the mission field of the unchurched is still very present. Within the scope of the ethnomusicologist, there are both secular and sacred musical fronts and participants that must be presented with the gospel in a form that ministers to them and connects with their own cultural or traditional music. Infiltrating these atmospheres as an ethnomusicologist may be the way to meet these needs. Because music has such a strong potential for changing the hearts of others and fostering acceptance, it is important for the …

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‘Jesus Is Not A Foreign God’: Baptist Music Making In Burma/Myanmar, Heather Maclachlan Oct 2021

‘Jesus Is Not A Foreign God’: Baptist Music Making In Burma/Myanmar, Heather Maclachlan

Yale Journal of Music & Religion

Christians in the Southeast Asian country of Burma, also known as Myanmar, make up approximately five percent of the national population. The Christian community of Burma includes both Catholics and Protestants, and Baptists predominate among the Protestants. In this article I argue that twenty-first century Protestant Burmese Christians fulfill both aspects of a “twofold legacy” bequeathed to them by Adoniram Judson, the first Baptist missionary to Burma, and that their fulfillment of this legacy is manifest in their musical practices. I further argue that it has been, and continues to be, to Burmese Christians’ advantage to emphasize both aspects of …

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Vatican Ii, Liberation Theology, And Vernacular Masses For The Family Of God In Central America, Bernard J. Gordillo Oct 2021

Vatican Ii, Liberation Theology, And Vernacular Masses For The Family Of God In Central America, Bernard J. Gordillo

Yale Journal of Music & Religion

The Second Vatican Council (1962–65) instituted reforms in the Catholic Church that included changes in language and music employed in the liturgy, inspiring a proliferation of sung vernacular masses throughout Latin America. Drawing on archival and ethnographic research undertaken in Nicaragua and the United States, this article examines three Central American vernacular masses—Misa típica panameña de San Miguelito (1967), Misa popular nicaragüense (1969), and Misa campesina nicaragüense (1975). Each mass emanated from communities founded as part of the transnational Familia de Dios (Family of God) movement, which established programs of religious education, leadership training, and community building among impoverished …

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Sankyoku Magazine And The Invention Of The Shakuhachi As Religious Instrument In Early 20th-Century Japan, Matt Gillan Oct 2021

Sankyoku Magazine And The Invention Of The Shakuhachi As Religious Instrument In Early 20th-Century Japan, Matt Gillan

Yale Journal of Music & Religion

The early 20th century was a period in which understandings of music, religion, and the nation-state underwent rapid change in Japan. In this article I examine Japanese cultural discourse from the first decades of the 20th century in which the shakuhachi, a Japanese bamboo flute, was frequently portrayed as a religious instrument. In some cases, this discourse referenced pre-20th century historical affiliations of the shakuhachi with the Fuke-sect, an organization that was loosely affiliated to Rinzai Zen Buddhism. But the article also explores how religio-musical discourse surrounding the shakuhachi intersected with developments in modern Japanese religious life, …

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The King With The Vīṇā Flag – Perspectives Of Rāvaṇa In Film, Achintya Prahlad Oct 2021

The King With The Vīṇā Flag – Perspectives Of Rāvaṇa In Film, Achintya Prahlad

Journal of Religion & Film

Rāvaṇa, the ten-headed Rākṣasa (‘demon’) king of the epic the Rāmāyaṇa, is the most fascinating of all the antagonists in films based on Hindu mythology, so powerful that even the Sun cannot rise without his orders, and celebrated as an unparalleled musician-scholar and great devotee of the god Śiva. His passion for the vīṇā, a string instrument with divine associations, is so great that this instrument adorns his royal flag as its emblem. His consciousness of his supreme powers and great knowledge soon gives way to ahaṅkāra (hubris) and lust, which leads to his eventual downfall and death at the …

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The Cultural Relevance Model Of Worship, Mark David Brumagin Sep 2021

The Cultural Relevance Model Of Worship, Mark David Brumagin

Doctoral Dissertations and Projects

n the early decades of the twenty-first century a new model of worship has begun to emerge in some North American evangelical churches. Significant events in North American church history combined with cultural ideologies inherent to the North American context have influenced particular churches resulting in new worship practices. Churches that are affected are often marked by the development of highly affective worship experiences, the production and consumption of goods, the involvement of the worship team in marketing, and an elevated use of technology. In examining the cultural values at work in this development, this study found a historical thread …

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“Beer & Hymns” And Community: Religious Identity And Participatory Sing-Alongs, Andrew Mall Jun 2021

“Beer & Hymns” And Community: Religious Identity And Participatory Sing-Alongs, Andrew Mall

Yale Journal of Music & Religion

As a series of loosely-organized events, “Beer & Hymns” started at the Greenbelt Festival in England in 2006 and migrated to the Wild Goose Festival in North Carolina in 2012. Local Beer & Hymns gatherings meet at bars, breweries, clubs, and pubs across the U.K., the U.S., and around the world. Most are not affiliated with a church or Christian denomination, instead relying on the energy of independent local organizers. Some attendees are regular churchgoers, other are not, but all find community in these sing-alongs—congregational singing, that is, outside of traditional congregational contexts. Beer & Hymns is exactly what it …

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A Method For The Evaluation Of Song Texts In Evangelical Churches: A Crucial First Step In Developing Indigenous Songs, Kristi Jeanne Colas Jun 2021

A Method For The Evaluation Of Song Texts In Evangelical Churches: A Crucial First Step In Developing Indigenous Songs, Kristi Jeanne Colas

Masters Theses

How important are song texts in worship services? According to the Bible, these songs have a multi-faceted role. Not only do they contain truths about God’s revelation of himself in Scripture, but they also call his people to respond with their whole being. The same song can express worship to God, teach believers truths about him, and challenge unbelievers to turn from their false gods. Therefore, the lyrical content of Christian congregational songs is of utmost importance. However, a survey of ethnodoxological literature reveals a greater focus on songs’ musical content. One reason for this may be the general emphasis …

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Palestinian Evangelical Christian Music In Bethlehem, Israel/Palestine, Abby Smith May 2021

Palestinian Evangelical Christian Music In Bethlehem, Israel/Palestine, Abby Smith

Senior Honors Theses

Often the story of the Israeli-Palestinian conflict is portrayed as Jewish vs. Muslim, Hebrew vs. Arab. There is little room in the international dialogue for minorities such as Arab Christians. Though Palestinians have a rich culture of Arabic musical and poetic heritage, they are unable to produce their own new songs. In this study I interviewed three members of Immanuel Evangelical Church on their experiences and opinions on local Christian worship. The findings show that Palestinian Christians may feel unable to write worship music because of a prevalent feeling of inadequacy and a lack of musical training. I propose several …

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"I Can't Breathe": Toward A Pneumatology Of Singing And Missional Musicking For Racial Justice In Jacksonville, Florida, Thomas Shapard May 2021

"I Can't Breathe": Toward A Pneumatology Of Singing And Missional Musicking For Racial Justice In Jacksonville, Florida, Thomas Shapard

Doctor of Pastoral Music Projects and Theses

This thesis develops a philosophy of musicking that intersects with missional ecclesiology and expands the role of music-making beyond the church walls. The central hypothesis assumes that predominantly white congregations in the Free Church tradition located in the southern United States incorporate ways of singing that reinforce, albeit inadvertently, attitudes toward others that buttress white ethnocentricity. Musical practices arising from a Western European heritage can promote cultural exclusivity as well as a perceived—yet false— sense of superiority. Is there an implicit theology of singing in white churches that engenders a culture of complicity and apathy in matters of racial injustice, …

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Intangible Cultural Heritage: A Benefit To Climate-Displaced And Host Communities, Gül Aktürk, Martha B. Lerski May 2021

Intangible Cultural Heritage: A Benefit To Climate-Displaced And Host Communities, Gül Aktürk, Martha B. Lerski

Publications and Research

Climate change is borderless, and its impacts are not shared equally by all communities. It causes an imbalance between people by creating a more desirable living environment for some societies while erasing settlements and shelters of some others. Due to floods, sea level rise, destructive storms, drought, and slow-onset factors such as salinization of water and soil, people lose their lands, homes, and natural resources. Catastrophic events force people to move voluntarily or involuntarily. The relocation of communities is a debatable climate adaptation measure which requires utmost care with human rights, ethics, and psychological well-being of individuals upon the issues …

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Songs For The Journey: The Music Of Pilgrimage, Joshua Taylor Apr 2021

Songs For The Journey: The Music Of Pilgrimage, Joshua Taylor

Doctor of Pastoral Music Projects and Theses

Pilgrimage has been a part of Christian experience since biblical times. Creating new stories, pilgrimage affords sacred travelers experiences that transcend nationalism, denominational identity, and cultural borders melding their individual constructs of meaning with communal experiences to create new insights. On these pilgrimages, music has played a significant role in the development of community. While pilgrimage is an independent act, it is also a shared existence with other pilgrims with music serving as a bridge between these two realities. With an estimated 100 million people undertaking pilgrimages at the beginning of the twenty-first century, the rediscovery of pilgrimage, and the …

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01 Traditional Songs Introduction, William Donner Jan 2021

01 Traditional Songs Introduction, William Donner

Sikaiana Traditional Songs

This is an introduction to Sikaiana songs. It includes a discussion of the social cultural context of song composition and singing. There is a discussion of the different features of song production and a list of different song genres. Most of the discussion is concerned with traditional song expression that are part of derived form changes associated with colonialism and modernization.

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Review: Jake Johnson. Mormons, Musical Theater, And Belonging In America. Urbana: University Of Illinois Press, 2019., Amanda Beardsley Jan 2021

Review: Jake Johnson. Mormons, Musical Theater, And Belonging In America. Urbana: University Of Illinois Press, 2019., Amanda Beardsley

Mormon Studies Review

Jake Johnson opens his book Mormons, Musical Theater, and Belonging in America from the relatively vulnerable subject position of his relationship to the Church of Jesus Christ of Latter-day Saints. As Johnson explains, he was a former member of both the LDS Church and the Reorganized Church of Jesus Christ of Latter-day Saints (now the Community of Christ), but no longer subscribes to either faith. This personal detail about his background may be startling, but it immediately lends a unique authorial voice and point of view to his book, which, in turn, discusses the centrality of voice and theatricality in …

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Review: Brenda R. Weber. Latter-Day Screens: Genre, Sexuality, And Mediated Mormonism. Durham, Nc: Duke University Press, 2019., Andrew Patrick Nelson Jan 2021

Review: Brenda R. Weber. Latter-Day Screens: Genre, Sexuality, And Mediated Mormonism. Durham, Nc: Duke University Press, 2019., Andrew Patrick Nelson

Mormon Studies Review

For a religion whose adherents make up only 2 percent of the nation’s population, the Church of Jesus Christ of Latter-day Saints has occupied an outsized place in the American media landscape of the new millennium. Highly publicized events like the Salt Lake City Winter Olympics, the kidnapping of fifteen-year-old Elizabeth Smart, the arrest and trial of fugitive polygamist child rapist Warren Jeffs, and the presidential campaigns of former Massachusetts governor Mitt Romney have repeatedly thrust the Latter-day Saint faith into the national media spotlight. So have a variety of popular entertainments with Mormons as their subject, including the hit …

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Lost In Translation: A Critical Analysis Of The Libretto In Handel's Messiah, Jordan Lehto, Aaron Escamilla, Eden H. Nimietz Dec 2020

Lost In Translation: A Critical Analysis Of The Libretto In Handel's Messiah, Jordan Lehto, Aaron Escamilla, Eden H. Nimietz

2020 Festschrift: Georg Frideric Handel's "Messiah"

Handel’s Messiah is renowned for its lush sound and richly developed message regarding the rejoicing of Christians and the celebration of religion through their faith in a divine savior. Not only is the full oratorio performed by countless ensembles every year, but many scholars have spent months, and even years, poring over its libretto. The conclusions they have come up with regarding the intentions of the librettist, Charles Jennens, have sparked much controversy over the years. Because of Jennens’ personal, religious beliefs, many scholars are concerned that much of his libretto is designed to discredit all other religions and proclaim …

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Warfare And Welcome: Practicality And Qur’Ānic Hierarchy In Ibāḍī Muslims’ Jurisprudential Rulings On Music, Bradford J. Garvey Nov 2020

Warfare And Welcome: Practicality And Qur’Ānic Hierarchy In Ibāḍī Muslims’ Jurisprudential Rulings On Music, Bradford J. Garvey

Yale Journal of Music & Religion

While much ink has been spilled by musicologists on the legal standing of music in Islamic jurisprudential scholarship, few scholars have offered as comprehensive a view as Lois Ibsen Al-Faruqi. Thirty-five years after her major works on this issue, this article seeks to reassess her model of musical legitimacy within Muslim scholarship. Al-Faruqi places Qur’ānic recitation at the apex of a unidirectional continuum of sound art, with genres less similar to the recitation of the Qur’ān located progressively further away from it. Based on fieldwork in the Sultanate of Oman in 2015-17 and engaging with recent reinvigorations on the anthropological …

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Metta, Mudita, And Metal: Dhamma Instruments In Burmese Buddhism, Gavin D. Douglas Nov 2020

Metta, Mudita, And Metal: Dhamma Instruments In Burmese Buddhism, Gavin D. Douglas

Yale Journal of Music & Religion

Bells, gongs, and other dhamma instruments offer valuable insights into the role of sound in Buddhist practice. Participation in musical events in the Theravada Buddhist world is deemed inappropriate for devote laity and for those who have taken monastic vows. The seventh Buddhist precept implores monks “to abstain from dancing, singing, and music,” yet Buddhist monasteries and pagodas are sonically vibrant places that contain a wide variety of layered bells, gongs, chants, and prayers sculpting the sonic environment. This study examines the soundscape of Burmese Buddhist social space and argues that these sounds are essential to understanding the lived practice …

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How The Cerebellum And Cerebral Cortex Collaborate To Compose Fractal Patterns Underlying Transpersonal Experience, Larry Vandervert Sep 2020

How The Cerebellum And Cerebral Cortex Collaborate To Compose Fractal Patterns Underlying Transpersonal Experience, Larry Vandervert

International Journal of Transpersonal Studies

N/A

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The Performance And Patronage Of Baloch Culture Through Music (And Related Arts) In The Eastern Arabian Peninsula, George Murer Sep 2020

The Performance And Patronage Of Baloch Culture Through Music (And Related Arts) In The Eastern Arabian Peninsula, George Murer

Dissertations, Theses, and Capstone Projects

This dissertation is a study of Baloch musical—and ritual—idioms as cultivated (and variously innovated, embellished, patronized, and reconstructed) in the relatively prosperous and cosmopolitan urban environments of the coastal Eastern Arabian Peninsula—the third major concentration of Baloch population after Balochistan and Karachi. Due to historical and geographic particulars, the origins of Peninsular Baloch communities lie primarily in the Makran region that extends along the Arabian Sea coast and across the political boundary separating Iran and Pakistan. If musical activities play a significant role in orienting Baloch communities socially and politically, what are the presentational strategies implied in the foregrounding of …

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Talk This Way: A Look At The Historical Conversation Between Hip-Hop And Christianity, Joshua Swanson Aug 2020

Talk This Way: A Look At The Historical Conversation Between Hip-Hop And Christianity, Joshua Swanson

Electronic Theses and Dissertations

Christianity and Hip-Hop culture are often said to be at odds with one another. One is said to promote a lifestyle of righteousness and love, while the other is said to promote drugs, violence, and pride. As a result, the public has portrayed these two institutions as conflicting with no willingness to resolve their perceived differences. This paper will argue that there has always been a healthy conversation between Hip-Hop and Christianity since Hip-Hop’s inception. Using sources like Hip-Hop lyrics, theologians, historians, autobiographies, sermons, and articles that range from Ma$e to Tipper Gore, this paper will look at the conversation …

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Singing The Congregation: How Contemporary Worship Music Forms Evangelical Community (Book Review), John Macinnis Jun 2020

Singing The Congregation: How Contemporary Worship Music Forms Evangelical Community (Book Review), John Macinnis

Pro Rege

This review is published with permission of inallthings.org, a project of the Andreas Center at Dordt University, where it was published Dec. 18, 2019.

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“Give Me A Clean Heart”: The Life And Music Of Margaret Pleasant Douroux, Damian Demond Price May 2020

“Give Me A Clean Heart”: The Life And Music Of Margaret Pleasant Douroux, Damian Demond Price

Doctoral Dissertations and Projects

Margaret Pleasant Douroux (b. 1941) of Los Angeles, California is one of the most influential African American female gospel music composers of the twentieth century. She has penned classic hymns and gospel songs such as "I'm Glad," "We're Blest," "God is Not Dead," and "Rivers of Joy". Her compositions "Give Me a Clean Heart," “He Decided to Die," and "If It Had Not Been for the Lord on My Side" have become standards in the African American Church and have been sung by congregations and choirs for decades. However, in the roster of composers who have contributed to the genre …

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Contextualized Songwriting In The Japanese Church, Katie Ann Mcwilliams May 2020

Contextualized Songwriting In The Japanese Church, Katie Ann Mcwilliams

Masters Theses

The Christian Church of Japan has very few songs written in their own language and style. Most songs are translated from English or another language. While Japan is a very westernized country, this is a problem because things can get lost in translation and these songs are not always representative of their musical style. Furthermore, they have a unique voice of worship that is currently missing from the global Church. My research project was intended to identify songwriters and encourage songwriting for the local church with the intention of expanding the Japanese voice in the global context and raising awareness …

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The Song Of Cuba’S Great Awakening: Music In Baptist Worship And Witness, Michael Sharp, Ed Steele Apr 2020

The Song Of Cuba’S Great Awakening: Music In Baptist Worship And Witness, Michael Sharp, Ed Steele

Great Commission Research Journal

From the 1990s to the present, Cuban Baptists have witnessed a time of unparalleled church growth. During that time frame, musicians have participated in ministries aimed at church growth by organizing largescale public musical events, compiling a Cuban hymnal that included indigenous Cubano worship songs, developing new programs of leadership training for church musicians, and employing music in missionary projects both at home and abroad. This article explores what can be learned from the Cuban Baptists’ experience regarding music as an effective tool in evangelism, the value of musicians reaching musicians as a mission strategy, the importance of ethnodoxology in …

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Ecojustice, Religious Folklife And A Sound Ecology, Jeff Todd Titon Feb 2020

Ecojustice, Religious Folklife And A Sound Ecology, Jeff Todd Titon

Yale Journal of Music & Religion

Folk, traditional, and indigenous ecological knowledges have a significant role to play in ecojustice. A case study in the traditional ecological knowledge among one of the religious communities with whom I have spent several decades illustrates how they embody the main principle and three fields of an ecological rationality: the community of inter-related beings; the ways the beings participate in that community or place; and the relations of nature and the nonhuman world to humans and human nature. Ecological rationality stands in contrast to economic rationality, a branch of instrumental reason exemplified by what economists call rational choice theory. An …

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"No Human Ever Made A Cathedral Such As This": Scoping The Ecology Of The Carols By Candlelight Effect In Australia's Open-Air Environments, Robin Ryan Feb 2020

"No Human Ever Made A Cathedral Such As This": Scoping The Ecology Of The Carols By Candlelight Effect In Australia's Open-Air Environments, Robin Ryan

Yale Journal of Music & Religion

During Australia’s dry December, traditional and popular forms of caroling shape the sight and sound of the key Christian festival of Christmas. Creative connections between belief, place, and music are characteristically manifest in focused open-air environments of beach, bushland or park. Reasoning from gospel belief that the very first “Christmas carol” emanated from a heavenly host of angels singing to an audience of shepherds in a field, caroling alfresco is an appropriate activity. How, then, do Australian caroling venues become conducive to environmental spheres of sound and influence? While the annual mass Carols by Candlelight concerts televised from Melbourne and …

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A Heavy Rain Has Fallen Upon My People: Sindhi Sufi Poetry Performance, Emotion, And Islamic Knowledge In Kachchh, Gujarat, Brian E. Bond Feb 2020

A Heavy Rain Has Fallen Upon My People: Sindhi Sufi Poetry Performance, Emotion, And Islamic Knowledge In Kachchh, Gujarat, Brian E. Bond

Dissertations, Theses, and Capstone Projects

This dissertation is a study of the use and contestation of Sindhi-language Sufi poetry performance as a means of Islamic knowledge transmission and ethical self-formation in rural Muslim communities in Kachchh, a border district in the western Indian state of Gujarat adjacent to Sindh, Pakistan. Drawing on eighteen months of ethnographic research with Muslim performers and enthusiasts of Sindhi poetry between 2014-2018, I first examine an ecology of performative and interpretive practices revolving around the musico-poetic repertoire of the poet-saint Shāh ʿAbdul Lat̤īf Bhiṭā’ī (1689-1752 CE). I argue that the pedagogical efficacy of Sufi poetry performance is undergirded by its …

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Symposium 2020 Presenter List, Calvin Institute Of Christian Worship Jan 2020

Symposium 2020 Presenter List, Calvin Institute Of Christian Worship

Symposium on Worship Archive

Brief bios of presenters at the 2020 Calvin Symposium on Worship

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