Digital Commons Network^™

2017 Call For Submissions, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

Acknowledgments And Disclaimer, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

An Illustrated Introductory Note, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

Table Of Contents, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

From John S. Mbiti To Jacob K. Olupona: A Literary Journey In Review, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

Table Of Contents, Regennia N. Williams Phd

The Journal of Traditions & Beliefs

No abstract provided.

Souvenir Program Booklet For The Women And Spirituality Symposium, Regennia N. Williams Phd, Patricia A. F. O'Luanaigh Ma

The Journal of Traditions & Beliefs

No abstract provided.

Singing The Sermon: Where Musicology Meets Homiletics, Emmett G. Price Iii

Yale Journal of Music & Religion

From the beginning of the Christian Church, singing and preaching have served as major tools of communication. In fact, they remain the most utilized methods of articulating and explicating personal and communal theologies across the diverse and expansive expressions of Christianity.

From the life, ministry, and legacy of Jesus Christ through the teachings of the Apostle Paul, the roles and functions of singing and preaching are well known but not well studied as a unit. From the foundational writings of the early Church Fathers through the various theses of the reformers, the acts of singing and preaching have been studied …

Spiritual Transformation And Its Implications For Christian Worship, Thomas Wayne Doss

Masters Theses

The life change that Christ Jesus wants to produce in His children is nothing short of miraculous. His offer of salvation immediately transforms the accepting person, bringing him into a divine relationship with the Heavenly Father, but Christ desires to further transform the new believer into a person who more accurately bears the image of God and declares His greatness and glory to all. This is a progressive and life-long process that calls the Christian to a life that includes sacrificial worship, avoidance of worldly living, and renewing the mind with godly pursuits. Because this is the will of God …

'Sing Unto The Lord A New Song--Just Not That One!' A Case Study Of Music Censorship In Free Will Baptist Colleges, Jon Edward Bullock

Masters Theses

Like so many of the world’s other religious institutions, the Christian church has a long and well-documented history of using music to enhance and enliven the spiritual experiences of believers. Many of the church’s greatest champions throughout history have spoken about the inherent power of music, but as history always seems to demonstrate, along with power comes the need for control. As long as church leaders have used music to attain spiritual progress, they have also censored music that threatens to impede that progress. Even today, many church leaders still rely on music censorship to protect the future and identity …

“Mi Alma Cantará”: Tracing Issues In Music Education Within The Colonial And Contemporary Latin American Church, Kerry Digiacomo

Senior Honors Theses

Music education and institutionalized Christianity have been criticized by historians and ethnomusicologists for their role in the domination and transformation of indigenous Latin American cultures since the late 15th century. However, indigenous peoples, including Amerindians as well as more recent mestizo and Ladino people groups, have also taken an active role in transforming European musics to reflect an emic understanding of their own cultural identity. Music education within the Latin American church has provided an interface for these complex interactions between foreign and native cultural influences. This paper will explore the connections between colonial and contemporary-era music education movements in …

The Intersections Of Music, Love, And Worship, Jacob C. Wessel

Senior Honors Theses

When a right understanding of the doctrine of love infiltrates the art of music in the event of corporate worship, an opportunity arises for a unique synergism of knowledge, emotion and relationships. These qualities are paramount in the doctrine of love and practice of corporate worship, and they are especially encouraged by the powers of music. An exploration of these three aspects of love—knowledge, emotion and relationships—is here provided with special attention to the opportunity music and worship provide for intersections between them.

Buddhism As Performing Art: Visualizing Music In The Tibetan Sacred Ritual Music Liturgies, Jeffrey W. Cupchik

Yale Journal of Music & Religion

The eleventh-century Tibetan female ascetic, Machik Labdrön (1055-1153), developed a Vajrayāna (Tantric) Buddhist meditation method called Chöd (Tib. gCod, Eng. “to cut”) and associated ritual practices as a means of eliminating “self-grasping,” which is defined as the mistaken instinct of regarding one’s “self” and all phenomena as intrinsically, or independently, existent. Her musical-meditation method became renowned across Central Asia during her lifetime, and Chödritual practices and liturgies have been transmitted from teacher to disciple in unbroken lineages until today. The ritual is now well known globally, with Tibetan Lamas, nuns, and empowered exponents teaching widely, across a transnational …

Editorial, Robin A. Leaver

Yale Journal of Music & Religion

No abstract provided.

Jeremy Grimshaw, Draw A Straight Line And Follow It: The Music And Mysticism Of La Monte Young, Reviewed By Peter Mcmurray

Mormon Studies Review

No abstract provided.

Exploring The Efficacy Of "Crooked Sticks" : Diasporan Resistance And Discursive Ambivalence In Zora Neale Hurston's Jonah's Gourd Vine, Amy Schmidt

The Journal of Traditions & Beliefs

No abstract provided.

From The Editor-In-Chief: A Celebration Of American Arts And Letters, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

Table Of Contents, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

Self-Realization In A Restricted World: Janie's Early Discovery In Zora Neale Hurston's Their Eyes Were Watching God, Delisa D. Hawkes

The Journal of Traditions & Beliefs

No abstract provided.

Zora Neale Hurston And Then Ishmael Reed: Syncretizing Moses With "Sympathetic" Comic Rhetoric, Gillian Johns

The Journal of Traditions & Beliefs

No abstract provided.

One School Year With Zora Neale Hurston: A September - June Timeline Unit For K - 8 Schools, Lana J. Miller

The Journal of Traditions & Beliefs

No abstract provided.

New Perspectives On Religion, Race, And Culture, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

Pentecostalism In An African Context, Michael L. Zadell

The Journal of Traditions & Beliefs

No abstract provided.

Immigrants And Cultural Continuance In The Liturgy: Celebrating The Nigerian Igbo Mass In The United States, M. Reginald Anibueze D.D.L.

Journal of the Black Catholic Theological Symposium

The dynamics of the celebration of the Igbo Mass in the United States reveals a cultural nostalgia inherent among Igbo immigrants, one that aims at preserving the Igbo identity and culture, even in the diaspora. Convinced to maintain their cultural heritage on foreign soil, Nigerian Igbo Catholic immigrants established faith communities where liturgical worship is performed and expressed in ways that are consistent and meaningful to Igbo indigenous ways of worship. This essay studies the liturgical life of Nigerian Igbo Catholics in the United States, and how a people's cultural and religious heritage is preserved, sustained, and promoted in the …

Contemporary Conversations On Cross-Cultural Exchange, Jenni L. Shelton

The Journal of Traditions & Beliefs

No abstract provided.

Southern Black Gospel Music: Qualitative Look At Quartet Sound During The Gospel `Boom' Period Of 1940-1960, Beatrice Pate

Masters Theses

The purpose of this work is to identify features of southern black gospel music, and to highlight what makes the music unique. One goal is to present information about black gospel music and distinguishing the different definitions of gospel through various ages of gospel music. A historical accounting for the gospel music is necessary, to distinguish how the different definitions of gospel are from other forms of gospel music during different ages of gospel. The distinctions are important for understanding gospel music and the `Southern' gospel music distinction. The quartet sound was the most popular form of music during the …

Creativity And Captivity : Exploring The Process Of Musical Creativity Amongst Indigenous Cosmopolitan Musicians (Icms) For Mission, Uday Mark Balasundaram

ATS Dissertations

No abstract provided.

An Analysis Of The Need For A Congregational Songwriting Manual For The Evangelical Community, Travis Doucette

Doctoral Dissertations and Projects

Music has always been an essential part of the faith journey of God's people. The modern worship movement over the past twenty years has created an industry for new songs of worship. In conjunction with advances in technology, more than ever, songwriters have been able to easily create well-produced compositions. It is the author's opinion that with the massive influx of music, the craft of well-composed, singable tunes matched with theologically accurate lyrics has been largely neglected. There is a need for an academic songwriting manual, teaching students and worship leaders how to write congregational songs for the evangelical church. …

Sam Gill, Dancing Culture Religion, Anthony Shay

Pomona Faculty Publications and Research

No abstract provided.

The Pedagogy Of Hip Hop In Teaching Missiology: Exploring A Project Based Learning Environment Using Elements Of Hip Hop Culture As The Curriculum, Daniel White Hodge

Papers

No abstract provided.