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Volume 07, Number 09 (September 1889), Theodore Presser Sep 1889

Volume 07, Number 09 (September 1889), Theodore Presser

The Etude Magazine: 1883-1957

Nieck's Life of Chopin

Broad Culture

Liszt's Works and Their Effects

Word for Compulsory Music-Study

Ms. Beethoven Concert

Woman as Composer, Performer and Teachers

Is Music Aristocratic?

Analogies of Tone and Form

Organization versus Study

Music Teacher

Graded Course for Cabinet Organ

How Liszt Gave Lessons

Touch and Technic

Pianoforte Instruction

Sensible Talk About Opera


Volume 07, Number 01 (January 1889), Theodore Presser Jan 1889

Volume 07, Number 01 (January 1889), Theodore Presser

The Etude Magazine: 1883-1957

One-Sided Piano Teachers

Oliver Ditson

In the Teacher's Studio

Pernicious Sentiment

Tempo Rubato

Technicon in England

About Studying Music

Is the Piano a Doomed Instrument?

Current Phases of Piano Teaching

Purity of Tone in Piano Playing

Thought and Emotion in Piano Playing

Surgery for Pianoforte Players


Volume 06, Number 06 (June 1888), Theodore Presser Jun 1888

Volume 06, Number 06 (June 1888), Theodore Presser

The Etude Magazine: 1883-1957

Brotherhood's Technicon and Elementary Piano Teaching

Consecutive Fifths

A.D. Turner (Obit.)

Historical Pianoforte Recitals

On the Importance of Theoretical Studies to the Pianist

On the Use of Studies in Piano Teaching

Deppe Method Again

Missing Lessons

Rainbow Reference Cards

New Piano Effects

Musical Normals

Piano Teaching


Ursinus College Bulletin Vol. 4, No. 7, Augustus W. Bomberger, Jonathan L. Fluck Apr 1888

Ursinus College Bulletin Vol. 4, No. 7, Augustus W. Bomberger, Jonathan L. Fluck

Ursinus College Bulletin, 1885-1902

A digitized copy of the April 1888 Ursinus College Bulletin.


Volume 06, Number 03 (March 1888), Theodore Presser Mar 1888

Volume 06, Number 03 (March 1888), Theodore Presser

The Etude Magazine: 1883-1957

Rubato Tempo in Piano Playing

Minor Scale

Collateral Fancies

Talent and Intelligence Contrasted

Graded List of Piano-Forte Music

Notes from Anton Rubinstein's Cyclus of Seven Piano Recitals, with Historical Notes

Piano Playing and General Musical Instruction from the Beginning to the End

Philosophy of Legato Touch

On the Fingering of Diatonic Scales

Occasional Correspondence of a Music Teacher

Karl Klindworth

Criticism of a Piano Player

Correction

Concerning the Psychological Relation of Music

Piano Teaching


Volume 06, Number 02 (February 1888), Theodore Presser Feb 1888

Volume 06, Number 02 (February 1888), Theodore Presser

The Etude Magazine: 1883-1957

Improving the Hand by Surgery

A Keyboard for Children

Meaning of Music

To Authors of American Musical Works

Piano Teaching

Needs of the Piano Teacher

Some Old Pianists

Memoranda Upon Greek Music, and Arguments Derived From It

Musical Catechism

On Touch

Music Lessons

Practical Letters to Music Teachers

Philosophy of Legato Touch

Talk About Some Things

Practical Harmony

Stephen Heller

Schopenhauer's Musical Philosophy

High Ideals

We Work for Culture

Occasional Correspondence of a Music Teacher

Reminiscences of Musical Technique

Sound Sense

Foreign Correspondence

Concerning the Psychological Relation of Music


Volume 06, Number 01 (January 1888), Theodore Presser Jan 1888

Volume 06, Number 01 (January 1888), Theodore Presser

The Etude Magazine: 1883-1957

Limits of Personal Rights in Piano-forte Performance

Some Pianists in America

Plea for Simplicity

Notes from a Teacher's Diary

Catechism

Tarantelle (Poem)

An Open Letter to J.C. Fillmore

A Discussion of Piano-Forte Study

Personality in Music

Something About Beginners

Piano Pounding

Piano-Forte Music

Schopenhauer's Musical Philosophy

Some Old Pianists

Variety of Piano Playing

Piano Playing and General Musical Instruction from the Beginning to the End

Old-Time Frauds

Joseph Hofmann

Concerning the Psychological Relation of Music

Study of Music

Foreign Correspondence

Victor S. Fletcher: The Most Successful Collector of Genuine Old Violins

Piano Teaching


Ursinus College Bulletin Vol. 3, No. 2, Executive Committee Of The Board Of Directors Feb 1887

Ursinus College Bulletin Vol. 3, No. 2, Executive Committee Of The Board Of Directors

Ursinus College Bulletin, 1885-1902

A digitized copy of the February 1887 Ursinus College Bulletin.


Volume 04, Number 11 (November 1886), Theodore Presser Nov 1886

Volume 04, Number 11 (November 1886), Theodore Presser

The Etude Magazine: 1883-1957

Liszt from Another Point of View

Arm in Piano-Forte Playing

Tone Question Again

Our Musical Bringing Up

On Two Points in Piano-Forte Teaching

Music Teaching from a Psychological Standpoint

Shall Playing from Memory be Encouraged

Future of Music in America

Nature of Harmony

Grumble from Old Fogy

Music Teachers' Class Book

Techniphone Idea


Volume 04, Number 07 (July 1886), Theodore Presser Jul 1886

Volume 04, Number 07 (July 1886), Theodore Presser

The Etude Magazine: 1883-1957

Individuality in Piano Playing

Some People That I Saw

Duties of the Piano Teacher

Old Fogy At Last Praises Something

Concert Programmes

Suites by Handel

Musical Advancement

What Shall We Play or Musical Education in the Home


Ursinus College Bulletin Vol. 2, No. 1, Executive Committee Of The Board Of Directors Jan 1886

Ursinus College Bulletin Vol. 2, No. 1, Executive Committee Of The Board Of Directors

Ursinus College Bulletin, 1885-1902

A digitized copy of the January 1886 Ursinus College Bulletin.


Volume 03, Number 07 (July 1885), Theodore Presser Jul 1885

Volume 03, Number 07 (July 1885), Theodore Presser

The Etude Magazine: 1883-1957

Expectations Sure to be Disappointed

Imaginary Pilgrimage to Beethoven

Many Students of the Piano and Few Players: Letter Addressed to the Father of a Piano Pupil

Too Much Independence


Volume 02, Number 09 (September 1884), Theodore Presser Sep 1884

Volume 02, Number 09 (September 1884), Theodore Presser

The Etude Magazine: 1883-1957

On the Use of the Pedal

Course in Harmony

Graded List of Popular Music

Contributors

Chats with Pupils on What is it to be Musical?

Artist Concerts in Colleges, Etc.

How to Use the Metronome

Not a Musical Critic

Shall Lessons Missed Not Be Paid For?

John Field and His Habits

Piano Technic: The Formation of the Hand

Oberlin Conservatory of Music

How to Proceed in the Lesson Hour

Crossness

Some Commonplaces of Piano-Forte Teaching: The Pedal

Growth of Piano Playing


Volume 02, Number 02 (February 1884), Theodore Presser Feb 1884

Volume 02, Number 02 (February 1884), Theodore Presser

The Etude Magazine: 1883-1957

Few Thoughts for Piano-Forte Teachers

Gottschalk

Successes, Directions, Incentives, Developments

Action of the Fifth Finger in Piano Playing and the Means of Securing a Correct Position of Hand, Arm, and Fingers

Purity and Impurity

Robert Schuman's Rules for Young Musicians, Part 2

Thoughts on Piano Playing

Fourth Finger of the Left Hand