Digital Commons Network^™

Books: Suggestions For Further Reading, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

The Value Of Black Lives: The Effect Of The Digital Age On African American Identity And Political Participation, Lauren Grimes

The Journal of Traditions & Beliefs

No abstract provided.

Table Of Contents, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

The Wings Over Jordan And The Scholarship Of Oral History, Regennia N. Williams, Glenn Brackens

The Journal of Traditions & Beliefs

No abstract provided.

A Study Of Acculturation In Chinese-Mongolian Er’Rentai Folk Opera, Luyin Shao

Theses and Dissertations--Music

Er’rentai, or Mongolian dance and song duets, is a genre of folk opera in the Inner Mongolian Autonomous Region. Er’rentai performances can be categorized into two styles—the “western-style” and the “eastern-style.” The aim of this thesis is to explore the acculturation in Chinese-Mongolian er’rentai genre in the following ways. First, I address the historical background of the western-style er’rentai. Then, I draw on fieldwork with Huo Banzhu, a famous er’rentai musician, to introduce contemporary state of er’rentai's development. Finally, I employ musical analysis to demonstrate the borrowings of Mongolian music and culture in the formation and transmission …

Walking In The City: Koji Nakano’S Reimagining And Re-Sounding Of The Tale Of Genji, Isabella Ramos

Scripps Senior Theses

Imagined Sceneries is a work written by composer Dr. Koji Nakano of Burapha University, Thailand for two sopranos, koto, light percussion, narrations, soundscapes recorded in Kyoto, Japan in December 2015, and digital projections of Ebina Masao’s 1953 print series Tale of Genji. Imagined Sceneries’ reimagining and “re-sounding” of Heian Kyoto relies on a balance between what is imagined and what is experienced in performance. Its many elements collectively explore multiple layers of Japanese histories, soundscapes, environments, and sensibilities. Using Michel de Certeau’s concepts of the city, this thesis journeys through Nakano’s imagined spaces.

Making Movie Money: A 25-Year Analysis Of Rappers' Acting Roles In Hollywood Movies, Tia Tyree

Journal of Hip Hop Studies

No abstract provided.

Vol. 39 No. 3 (2016): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 39, No 3-Dec 2016 edition of the Pacific Studies Journal.

Vol. 39 No. 3 (2016): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Sacred Freedom: Sustaining Afrocentric Spiritual Jazz In 21st Century Chicago, Adam Zanolini

Dissertations, Theses, and Capstone Projects

This dissertation explores the historical and ideological headwaters of a certain form of Great Black Music that I call Afrocentric spiritual jazz in Chicago. However, that label is quickly expended as the work begins by examining the resistance of these Black musicians to any label. I theorize that this resistance is due to the experiences of Black history, throughout which labels have been used to enslave, exploit, and control people. I begin by discussing early musical labels, several important n-words, and then the innovation of African diasporic subjecthood and its labels. Then Black is examined, along with several corollary social …

Picturing The Cajun Revival: Swallow Records, Album Art, And Marketing An Identity Of South Louisiana, 1960s-1970s, Jessica A. Dauterive

LSU New Orleans Theses and Dissertations

In South Louisiana in the late 1950s, Ville Platte native Floyd Soileau joined a network of independent recording companies across the United States that provided an opportunity for local entrepreneurs and artists to profit from the global music industry. This paper analyzes the album covers of Floyd Soileau’s Cajun recording label, Swallow Records, during the 1960s-1970s. This period overlaps with a movement to subvert a negative regional identity among Louisiana Cajuns that is often referred to as the Cajun revival. Through a consideration of album covers as objects of business strategy and creative expression, as well as oral histories with …

Choral Theatre, Albert Joseph Wolfe Jr.

Dissertations

Jamaica gained its independence from Great Britain in 1962, after some 300 years of colonization. Prior to Independence, the standard arts education curriculum was decidedly British and Western European. That which was labeled Caribbean or Jamaican “folk” by the British was deemed inferior and was not taught, demonstrated, or performed in formal settings. Thus, generations of Jamaicans never observed or imagined a Caribbean aesthetic in the visual and performing arts. Instead, pre-Independence Jamaicans were taught British and Western European music and performed it the “British” way.

Today, Jamaicans boast a number of artistic developments that are instantly recognized across the …

Tarian Perdamaian: Enacting Alternative Hindu/Christian Identity Discourses Through "Secular" Balinese Performing Arts, Dustin D. Wiebe

Yale Journal of Music & Religion

This article examines the nature of interreligious relations between Protestants of the Bali Church and Hindus as enacted through dramatic forms of Balinese music and dance. Particular attention is paid to the influence of mass tourism as a contributing factor in this process. Since the early twentieth century these arts have formed a central component of a pan-Balinese identity discourse known as" kebalian." The first Balinese converted to Christianity during the 1930s and were subsequently excommunicated from their ancestral villages for refusing to participate in local customary practices (including the ritualistic use of gamelan music). For this reason, Balinese …

Music And The Migrant: A Transnational Account Of Cumbia, Irene L. Mekus

Audre Lorde Prize

This paper looks into the cultural synthesization and the transnational ties of cumbia between Latin America and the United States. Three case studies look at the story of migrants and their transnational ties through cumbia and are analyzed through an ethnomusicology framework.

Hex Workers: African American Women, Hoodoo, And Power In The Nineteenth- And Early Twentieth-Century U.S., Ann Kordas

The Journal of Traditions & Beliefs

No abstract provided.

Eliciting Acts As Cultural Reflectors In Wole Soyinka's Childe Internationale, Moji A. Olateju

The Journal of Traditions & Beliefs

No abstract provided.

The Living Dead: Anthropological Interpretation Of Rites Of Passage In Umuahia And Emure Ekiti, Oladosu O. Adebolu

The Journal of Traditions & Beliefs

No abstract provided.

African And African-Influenced Sacred Music, Suzanne Flandreau

The Journal of Traditions & Beliefs

No abstract provided.

2017 Call For Submissions, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

Acknowledgments And Disclaimer, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

An Illustrated Introductory Note, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

Table Of Contents, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

From John S. Mbiti To Jacob K. Olupona: A Literary Journey In Review, Regennia N. Williams

The Journal of Traditions & Beliefs

No abstract provided.

Table Of Contents, Regennia N. Williams Phd

The Journal of Traditions & Beliefs

No abstract provided.

Souvenir Program Booklet For The Women And Spirituality Symposium, Regennia N. Williams Phd, Patricia A. F. O'Luanaigh Ma

The Journal of Traditions & Beliefs

No abstract provided.

Thrill Of A Billion Eyes: The Prancing J-Settes, Mary Paige Blessey

Electronic Theses and Dissertations

The “Prancing J-Settes” is the official name of the dance line for the Sonic Boom of the South marching band at Jackson State University in Jackson, Mississippi. The popular form of dance termed “J-Setting” sources its name from the Prancing J-Settes. The Sonic Boom of the South and the Prancing J-Settes have a loyal fan following and have had a lasting and widespread influence on popular culture. This is an oral history interview project focusing on the current Prancing J-Settes themselves to hear their thoughts and definitions of the form of dance they perform and its significance. The primary interviews …

Vol. 38 No. 3 (2015): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 38, No 3-Dec 2015 edition of the Pacific Studies Journal.

Vol. 38 No. 3 (2015): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Singing The Sermon: Where Musicology Meets Homiletics, Emmett G. Price Iii

Yale Journal of Music & Religion

From the beginning of the Christian Church, singing and preaching have served as major tools of communication. In fact, they remain the most utilized methods of articulating and explicating personal and communal theologies across the diverse and expansive expressions of Christianity.

From the life, ministry, and legacy of Jesus Christ through the teachings of the Apostle Paul, the roles and functions of singing and preaching are well known but not well studied as a unit. From the foundational writings of the early Church Fathers through the various theses of the reformers, the acts of singing and preaching have been studied …

“Strength Shed By A New And Terrible Vision:” The Organic Evolution Of The Blues And The Blues Aesthetic In Richard Wright’S 'Uncle Tom’S Children', Jeffrey J. Horvath

Student Publications

An exploration into the development of the "blues aesthetic" in the African-American literary tradition.