Digital Commons Network^™

Savage, Classy, Bougie And Ratchet Feminist Pedagogy, Katrina Marie Overby, Gheni Platenburg

Feminist Pedagogy

No abstract provided.

Representaciones Ideológicas De La Lengua, La Conversación Y La Comunicación En Manuales De Urbanidad Del Siglo Xix En México: Guías Para La Civilización, El Orden Y El Progreso Nacional, Luis B. Quesada Nieto

Dissertations, Theses, and Capstone Projects

This study explores the main ideological representations of language, language use, conversation and communication found in a set of five etiquette manuals that were published and used in Mexico during the 19^th century. Following a glottopolitical perspective for the study of normativity, language policies, and sociolinguistic practices, the main hypothesis developed establishes that the ideas about language contained in these texts are strongly connected with the social, political, and economic period in which they are elaborated and enunciated, that is, the moment in which the nation is still defining itself, struggling to consolidate its viability and its value facing …

Collective Memory And Creative Subjectivity: A Living Conversation, Alexandra Katherine Goodall, Alba Torres Robinat

Artizein: Arts and Teaching Journal

This article is the record of a dialogue between two artists and Expressive Arts therapists, Alba Torres Robinat and Alexandra Katherine Goodall. They chose to undertake this conversation in the form of letters that were written back-and-forth over a period of time in a shared document, which places their correspondence in the tradition of epistolary writing. This decision to write the article as letters lends the conversation an immediacy, a warmth, a sense of time, distance and familiarity, and a feeling of intimacy.

The authors invite readers to witness the deepening of a relationship and the development of their conversational …

An Examination Of Working Memory In Dancers And Non-Dancers, Mason Low

All Master's Theses

The present study examined the behavioral working memory differences between dancers and non-dancers. Previous research has indicated that dance can provide an enhancing effect on working memory, particularly in non-dancers. A Dance History Questionnaire along with the letters backward, digits backward, digits forward, letters forward, and abstract visual subtests of the Test of Learning and Memory II was used to collect data. The current study found that dancers had greater visuospatial memory than non-dancers and that dance experience may have an effect on certain working memory tests such as the letters forward subtest.

Defining Gastrocriticism As A Critical Paradigm On The Example Of Irish Literature And Food Writing: A Vade Mecum, Anke Klitzing

Doctoral

The aim of this study is to map out the gastrocritical approach, using Irish literature and writing to test its premises, and to provide a vade mecum for its practical application, particularly for interdisciplinary scholars. The gastrocritical approach furnishes a “culinary lens” for reading food and foodways in imaginative texts, informed by work in the field of food studies and gastronomy. The approach was broadly characterised by Tobin in 2002, but only sparsely used since. The past fifteen years have seen an increasing self-awareness and reflexivity in the field of literary food studies. As the field matures, there have been …

A Personal And Poetic Inquiry Into Dutch Coloniality, Joel E. Berends

Wacana, Journal of the Humanities of Indonesia

The following personal and poetic inquiry examines Indonesian objects, art, and cultural expressions through the lensing of coloniality (A. Benítez Rojo 1992; A. Quijano and M. Ennis 2000; W.D. Mignolo 2011). The inquiry interacts with the objects, art, and cultural expressions through the creation of ekphrastic poetry – poems which describe works of art. Specifically, this inquiry examines my experiences with Dutch coloniality as a white cisgendered man with a Dutch heritage/inheritance who was born and raised in a predominantly Dutch immigrant community in West Michigan in the United States. Building from the work of Gloria Wekker and given my …

Borobudur Temple And The Megalith Villages Of The Ngadha And Manggarai In The Light Of Indonesia’S Tourist Promotion; A Legacy Of Colonial Representation, Tular Sudarmadi

Wacana, Journal of the Humanities of Indonesia

As a foreign exchange earner for the Indonesian government, the tourism industry has currently prioritized ten tourist destinations. Problematically, this promotion of the beauty and diversity of nature and ethnicty marginalizes and exoticizes a number of ethnic group and their areas. This promotion, which can be traced back to colonial times, still reflects the Dutch colonial legacy, particularly Darwinian social evolution. To clarify this situation, this article illustrates tourism promotion in the historical and socio-cultural contexts of Borobodur in Java and the megalith villages of the Ngadha and Manggarai people of Flores. It investigates the representation and articulation of colonial …

"Gawe Kuta Baluwarti Bata Kalawan Kawis"; Contribution Of Local Knowledge To The Expansion Of The Banten Sultanate On The Nusantara Spice Route, Rismawidiawati Rismawidiawati, Wuri Handoko, Roni Tabroni, Abd. Rahman Hamid, Muh. Subair

Wacana, Journal of the Humanities of Indonesia

So far, the trade and spice route historiography has focused on social, political, and economic aspects. This discussion is also fragmentarily or is part of another focus. No studies have discussed the relationship between local knowledge practices, spice routes, power networks, and Islamization. However, the spice trade and Islamization are two intersecting events important for their connection with the local culture. This article assumes that there was a local knowledge used as a strategy by the Banten rulers as a response to trade, Islamization, and power networks in the sixteenth and seventeenth centuries. It finds that Sultan Maulana Yusuf’s policy, …

Looking Back From The Periphery; Situating Indonesian Provincial Museums As Cultural Archives In The Late-Colonial To Post-Colonial Era, Adrian Perkasa, Ajeng Ayu Arainikasih

Wacana, Journal of the Humanities of Indonesia

Discussions on post-coloniality are often situated either in the centre of the colonizer or colonial metropole or the centre of the former colonized. The local perspective, especially in Indonesia, seems overlooked in existing literature, whereas it could be regarded as the cultural archive of the colonial era to post-independence Indonesia. Edward Said (1994) has said that cultural archives are a storehouse of a particular knowledge and structures of attitude and a reference to and structure of feelings. Gloria Wekker (2016) elaborates on the cultural archive; it has influenced historical cultural configurations as well as current dominant, cherished self-representations and culture. …

Marginalizing Colonial Violence At The Beginning Of The 21st Century The Representation Of Colonial Military Expedition To Banten Of 1808 In The National Museum Of Indonesia, Adieyatna Fajri

Wacana, Journal of the Humanities of Indonesia

The article discusses the narrative of colonial violence attached to the objects displayed in the National Museum of Indonesia in Jakarta. Taking the colonial military expedition to Banten in 1808 as a case study, this paper analyses the exhibition to show the interplay between museum as a product of colonialism and its focus on regionalism, its role in post-colonial nation-state-formation promoting national identity building, and the complexities of addressing violence. It argues that, as the museum engages with the discourse of coloniality and concurrently emphasizes national identity building, it inadvertently marginalizes the narrative of colonial violence. The findings show that, …

Exemplary Centre And "Terra Incognita"; Excursions, Diplomacy, And Appropriation Of Colonial Knowledge In Belu, Timor, Hans Hägerdal

Wacana, Journal of the Humanities of Indonesia

The article analyses early European knowledge about Belu, a historical region in Central Timor which, although “belonging” mostly to the Dutch colonial sphere, still had a position of cultural-ritual centrality on a Timor-wide level. Before the mid-nineteenth century, the region was, from a Dutch point of view, largely unknown in terms of political hierarchies, social structure, and economic opportunities. However, three officially commissioned authors, A.G. Brouwer, W.L. Rogge, and H.J. Grijzen, wrote extensive reports about Belu in 1849, 1865, and 1904, in which they attempted to understand local society and the opportunities they offered the colonial state. The article explores …

The Archive Of Faces And The Archive Of Plaster; Reading Anthropological Facial Plaster-Casts Taken From Living Individuals From The Former Netherlands East Indies, Laetitia Lai

Wacana, Journal of the Humanities of Indonesia

This article introduces two interconnected approaches to provenance research on anthropological facial plaster-casts taken from living individuals. It focuses on three series of facial casts taken by Dutch anthropologist Johannes Pieter Kleiweg de Zwaan (1875-1971) in the Netherlands East Indies in 1907 and 1910. It suggests that “reading” the facial casts as an archive of faces and an archive of plaster has the potential to reveal information systematically left out in their object biographies. Through this reading process, the colonial networks of control and power asymmetries which made the plaster-casting possible are examined. It seeks out additional information to bring …

Casar Student Discussion Series: Should Cultural Artifacts Be Returned To Their Country Of Origin?, The Prince Alwaleed Center For American Studies And Research Casar

Performances, Events, and Presentations

Student Debate Series - Launched in Fall 2023:

The Center of American Studies and Research (CASAR) launched a Student Discussion Series in Fall 2023 semester, it is a student-led debate on a plethora of current hot topics. In this student discussion series, students play the role of delving into topics together to understand one another. This event is broadcasted on facebook live via the CASAR Facebook Page, where the entire record is still available to watch. Students passionately present their arguments in an organized manner, going back and forth between the two sides, and often students become excited about leading …

The Animal In The Wild In Hwang Sun-Mi’S The Hen Who Dreamed She Could Fly, Sarah Yoon

CLCWeb: Comparative Literature and Culture

Hwang Sun-mi’s The Hen Who Dreamed She Could Fly has become a contemporary classic children’s story in Korea since its original publication in 2000. Since then, the story has been translated and redesigned with new illustrations in almost thirty different countries (Y. Kim). The Hen Who Dreamed She Could Fly centers on a hen that raises a duckling as her “baby,” with the story drawing upon a rich reservoir of cultural associations between humans and nature in East Asian traditions. In this story, the hen leaves the human-dominated barnyard, based on profit, exploitation, and competition, for a reconnection with moral …

Nonprofit Organizations And Arts Education In A Rural Community, Elise Lael Kieffer

Faculty & Staff Research and Creative Activity

The connection between public administration and nonprofit administration has been in existence since ancient times, when individual volunteers (the predecessors of a formal nonprofit sector) met humanitarian needs to which the government was unwilling or unable to attend. Addams (1910) formalized this intersecting relationship during her time working in Chicago’s slums with refugees. Pandey & Johnsons (2019) drew connections between public administration, public policy, and nonprofit management. They concluded that discoveries in one of those domains should necessarily be applied to the others. They advised that continued research should draw explicit connections across those sectors and highlighted examples of the …

Animal Motifs On Rock Art In Papua And West Papua, R. Cecep Eka Permana, Zubair Mas'ud

Wacana, Journal of the Humanities of Indonesia

Most of the rock art in Indonesia is found at prehistoric sites, specifically caves or cliffs in South Sulawesi, Southeast Sulawesi, East Kalimantan, Maluku, Papua, and West Papua. Most rock art with animal motifs is mainly located in Papua and West Papua. Therefore, the data in this paper are mostly based on the results of research conducted during the last ten years at rock art sites in Papua Province (with hinterland and mountainous characteristics) and in West Papua Province (with coastal and archipelagic characteristics). An analysis of these animal motifs has demonstrated that lizard and fish motifs dominate rock art …

"Mama Lima"; The Significance Of Women’S Role In Protecting Nature, Nurture, And Culture In Banda Islands, Muhammad Farid, Juul Sadée

Wacana, Journal of the Humanities of Indonesia

The historiography of Banda has paid little attention to the existence of women. Stories involving women are mainly about romance, family, and suffering. In reality, the existence of “Mama Lima” (groups of five women) is very strong in the Banda tradition (adat). They are the carriers of knowledge and tradition, a consequence of matriarchy. They determine the content and implementation of adat ceremonies like Buka kampong, forming the set of social norms and customary law of the community. Mama Lima groups are a living example of women throughout the ages who have played a significant …

Indonesia’S Women; Diversity And Dynamics, Anke Niehof

Wacana, Journal of the Humanities of Indonesia

The study of Indonesian women inevitably involves methodological questions, a prime one being whether Indonesian women as a category form a meaningful object of study. In edited volumes on Indonesian women, the contributions usually form a mosaic of different kinds of Indonesian women, defined by variables such as ethnicity, class, residence, or historical time. This raises questions about diversity and difference and the applicability of specific findings to Indonesian women in general. Taking as a point of departure that it is useful to treat Indonesian women’s studies as one field of study, I explore these issues in relation to women’s …

Depiction Restoring Women’S Power Through Eatery Names, Ajar Pradika Ananta Tur, Arini Sabrina, Azelin Mohamed Noor, Yashinta Farahsani, Ida Puspita, Muhammad Hafiz Kurniawan

Wacana, Journal of the Humanities of Indonesia

Empowering women entails bolstering their mentality and state of mind, as patriarchy is founded not only on sexuality. Addressing a married woman with the name of her husband or first son is claimed to be a sign of respect. Woman’s public inclusion is also still considered undervalued, which is shown in the way they name eateries. This study, which unfolds eatery names in Yogyakarta Municipality in Indonesia and Malacca in Malaysia, two places with identical historical backgrounds, analysed women’s efforts to increase their bargaining position in society through the naming of their eateries. Although two eateries do place women in …

Minangkabau Mothers And Daughters In Contemporary "Rantau" Society; Regaining Power With Modified Matrilineal Principles And Patriarchal "Rantau" Norms, Mina Elfira

Wacana, Journal of the Humanities of Indonesia

The action of pai marantau (emigrating) is usually associated with the Minangkabau, the world’s largest matrilineal society, and one of the most fervently Islamic societies in Indonesia – the country with the largest Muslim population in the world. Once, it was mainly men who migrated, but more recently, women have also been emigrating. One consequence of emigrating from the matrilineal heartland in West Sumatra is that women lose some of the privileges conferred by the matrilineal adat, especially those pertaining to inheritance. Using qualitative fieldwork methods and Kandiyoti’s theory of the patriarchal bargain (1988), this paper explores how these …

Reclaiming Women’S Space, Manneke Budiman, Melani Budianta

Wacana, Journal of the Humanities of Indonesia

No abstract provided.

In Memoriam, Edi Sedyawati, Supratikno Rahardjo

Wacana, Journal of the Humanities of Indonesia

No abstract provided.

Challenging The Patriarchal Culture; Feminist Critical Discourse Analysis Of The Indonesian Environmental Heroines, Ernanda Ernanda

Wacana, Journal of the Humanities of Indonesia

This study unveils the representations of women in the documentary film, Tanah Ibu Kami, which depicts women’s movements defending nature from corporations in four islands in Indonesia. It utilizes feminist critical discourse analysis which incorporates critical discourse analysis and feminist studies to disclose perplexing hegemonic power relations. The data in this study are taken from the transcription of the dialogues in the film. Some extracts constructing the representations of women in the film are extracted for further analysis. Interviews were conducted with the film’s producer and female figures. The four themes constructing the representations of women are: (1) women in …

Men Coblong; Voicing The Everyday Agency Of Oka Rusmini, Pamela Allen

Wacana, Journal of the Humanities of Indonesia

Starting out as a column in the Bali Post, Oka Rusmini’s alter ego Men Coblong offers, among other things, a feminist perspective on mothers and women and the social relations and cultural practices that confine them. Men Coblong fearlessly voices her view on religious sensitivities, culture, politics and, especially, everyday life. In Men Coblong, the self-titled collection of her columns, the (re)claiming of power operates on two levels. First, we have the journalist Oka Rusmini using words as power to challenge the injustices and absurdities she witnesses in contemporary Indonesia. Second, Oka’s alter ego Men Coblong engages in …

Dance/Movement Therapy Used As An Intervention To Heal Racial Trauma Within The Black Community: A Literature Review, Jennifer Noboise

Expressive Therapies Capstone Theses

The history of dance within the black community has served an important role while living through a racist and discriminatory society. Dance has been used to express anger, grief, and joy during hardships and moments of rejoicing from the black experience. African American people have endured years of trauma and abuse from oppressive systems. Research has been conducted to demonstrate that dance/movement therapy has been effective in treating those who have experienced a form of trauma since the trauma is stored in the body. Examining trauma symptoms such as anxiety, depression, and substance use, the research found these symptoms diminished …

The Well-Tempered Android: Philosophical Posthumanism In Science Fiction Cinema., Cody Gault

Electronic Theses and Dissertations

This dissertation examines philosophical posthumanism as a means for critical analysis of the interaction between humans and nonhuman androids in select science fiction cinematic universes. The interaction is analyzed through several facets, notably the interactions between humans and nonhuman androids, particularly as interactions between the human and nonhuman are often sites of violence. Chapter one is an introduction. Chapter two describes the development of philosophical posthumanism from humanism, also including an analysis of philosophical posthumanism, and how it can be used as a critical lens. Chapter three begins an analysis of science fiction cinema by examining the Blade Runner films …

“Chains Weigh Heavy”: Body Mapping Embodied Experiences Of Anxiety, Priya Vaughan Dr, Anna Tewson, Patricia Morgan Dr, Katherine M. Boydell Professor

The Qualitative Report

Anxiety has both cognitive and somatic dimensions as is ubiquitous at a population level. We report on an arts-based research workshop gathering data on embodied experiences of anxiety and non-anxiety. We developed an innovative short body mapping workshop to collect data and undertook thematic analysis to analyse textual and visual data. 35 body maps were produced. “Tightness,” “pain,” and “heaviness” were the most frequently expressed embodied sensations of anxiety. By contrast, when not feeling anxious, participants’ bodies primarily felt “energetic,” “ordered,” and “open.” Anxiety was most frequently felt in the stomach, head and heart. 35 Participants mostly used an abstracted, …

From Extractivism To Adjacency. A Research Manifesto, Margarita Palacios, Anette Baldauf

Emancipations: A Journal of Critical Social Analysis

This essay concerns with the ways in which extractivism continues to be reproduced in academic frameworks despite innumerous initiatives of decolonization. Engaging with artistic research and embracing a materialist approach that emphasizes embeddedness and embodiment, as well as acknowledging the affective-aesthetic flows that accompany research, the authors locate the heart of the problem at the disjuncture between critical epistemology and research practices. This disavowed space of knowledge production, they argue, is where the logics of extractivism and its racialized epistemic dualism are reproduced. The authors put forward the notion of adjacency, as in their view, dwelling on the power of …

Sicilian Puppet Theater: Alterity Or Diversity?, Jo Ann Cavallo

Representing Alterity through Puppetry and Performing Objects

From the perspective of alterity, the predominant figure of the Other in Sicilian puppet theater is undoubtedly the Saracen (Muslim) aggressor. Yet the Paladins of France cycle, with its over 300 nightly episodes, is replete with stories that eschew an opposition between an “us” and a “them” and instead underscore our common humanity across borders of all kinds. Indeed, camaraderie, friendship, and even romance can readily develop between individuals from the most disparate corners of the globe. My paper focuses on a selection of examples under the guise of both alterity and diversity, the latter achieved especially through heterogamous marriages.

The Western Tourist As Exotic Other: Coping With The Aggressive Ways Of The Casual Stranger, John Emigh

Representing Alterity through Puppetry and Performing Objects

In the summer of 2004, the author traveled with Prof. Barbara Hatley to see a performance by the Ludruk Karya Budaya troupe of Mojokerto in Eastern Java and while there, the author participated in the performance; this chapter reflects on the minefield of cultural issues involved in their improvised sketch.