Digital Commons Network^™

Edgerton Center 2022/23 Season, Edgerton Center For The Performing Arts

Edgerton Center Programs

Program for the 2022/2023 season of the Edgerton Center for the Performing Arts.

College Of The Arts 22/23 Season, Department Of Theatre And Dance, John J. Cali School Of Music

2022-2023

No abstract provided.

Shakespeare As Opera In English: Britten's Dream And Adès' The Tempest, Joanne E. Gates

Presentations, Proceedings & Performances

I assert that we learn Shakespeare better when we study him against the adaptation. Some of the adaptation choices made by opera composers and librettists-- and especially by stage designers in recent productions-- provoke us to critique a production concept for its innovative staging, forcing us to learn more about Shakespeare's original. The recent Metropolitan's The Tempest conveys the 2004 Thomas Adès Tempest as if an 18th century impresario Prospero had conjured or appropriated the contents of the Milan opera house to his island. Meredith Oakes's libretto simplifies much of Shakespearean language to efficient rhyming couplets, yet this opera eloquently …

Concert Recording 2022-03-07, Drew Irvin, Dayton Strick

Concert Recordings & Programs

[00:00]. Tango Etude No. 1 / Astor Piazzolla -- [02:56]. Sonata No. 3 in A Major / Joseph Bologne -- [14:37]. Louisiana Blues Strut (A Cakewalk) / Coleridge-Taylor Perkinson -- [17:38]. Incantations.

The Hybrid Teacher: Expanding The Vocal Pedagogy Regime, Mary Joy Nelson

Theses and Dissertations--Music

The world of professional vocal training is becoming more and more eclectic and demanding in the United States. Academic music programs, and subsequently, vocal and vocal pedagogy programs are still predominantly classical in 2022, due to the American university system’s historical roots. In the 21st century, the commercial music industry is at an all-time high. However, in contemporary academia, vocal and vocal pedagogy degree programs remain primarily classical. In recent years, voice professionals have been discussing the implications of academic programs updating their programs and pedagogy in order to include professional CCM and hybrid training. Classical, CCM and hybrid singers …

Concert Recording 2022-03-15, Richard Rulli, Tlaloc Perales, Katey J. Halbert, Cory Mixdorf, Benjamin Pierce, University Of Arkansas, Fayetteville. Arkansas Brassworks

Concert Recordings & Programs

[00:00]. Three Venetian cazoni. Canzon 22 / Batian Chilese -- Ricercar del sesto tuono / Andrea Gabrielli -- Canzon / Giosefo Guami -- [08:05]. Legends of Olympus. Helios ; Aphrodite ; Hermies ; Apolloa ; Dionysus / Stacy Garrop -- [35:56]. West side story. Prologue ; Something's coming ; Maria ; Tonight ; America ; One hand, one heart ; I feel pretty ; Somewhere / Leonard Bernstein.

Concert Recording 2022-04-02b, Kailey Miller Erwin, Henry Aggus, Edward Mountz, Roel Orduño, Victoria Greer, Kevin Lancaster, Alex Andrews, Cody Robinson, Kira Stackhouse, Molly Mccourt

Concert Recordings & Programs

the game: a contemporary opera in one act concert version / Kailey Erwin

Karol Lipiński As A Musical Interpreter In The Pre-Joachim Era, Andrzej Kunecki

Theses and Dissertations--Music

The work concerns a study of Karol Lipiński – the early nineteenth century Polish violinist – focusing on his activity as a musical interpreter. The work is supported by a comparison with another violinist acknowledged in this field – Joseph Joachim. The work is divided between four chapters: The first chapter begins with a discussion on the development of the concept of musical interpretation in the context of the broader social and aesthetical changes of the early nineteenth century, and ends with a summary of Joachim’s interpretative activity in the latter half of the same. The second chapter includes Lipiński’s …

Should Conductors Listen To Recordings When They Learn Scores?, Jan Pellant

Theses and Dissertations--Music

We can observe the conductor’s work at his performances and rehearsals. However, we cannot see the process of score preparation from the time they get the score to the downbeat of the first rehearsal because the conductor does this work alone. This dissertation discusses the debate among conductors past and present about whether, when, and how to use recordings as part of the score preparation. It considers the advantages and disadvantages of using recordings in the score preparation process. I conducted several types of research on the use of recordings by living conductors. I interviewed conductors using Skype and phone …

Mieczysław Weinberg: Music Transcending Tragedy, Ilana Shapiro

Pomona Senior Theses

This thesis examines the music of Mieczysław Weinberg, a prolific Jewish Holocaust-era composer whose compositions remain in relative obscurity through the present day. I begin by investigating the musical expression of Weinberg’s Polish and Jewish identity under Soviet state persecution via close analysis of selected works: the Cello Fantasia, Op. 52 and Cello Concertino, Op. 43bis. Through context of composition and allusions to Jewish music and Polish folksong, these works reveal Weinberg’s identity as a Jew and a Pole, his connection to his homeland and youth, and his musical expression beyond the demands of the state. Subsequently, I explore qualities …

The Most Common Vocal Fault In The Baritone Voice, Matthew Derek Cyphert

Graduate Theses, Dissertations, and Problem Reports (ETD)

The purpose of this research project is to create an approachable guide to avoiding the most common vocal fault found in the baritone singing voice. The specific fault being discussed has been coined the “baritone swallow.” This document will explore the history of the baritone singing voice along with information regarding vocal fach identification, an in-depth study of this common vocal fault frequently experienced by baritone singers, and a fault-specific guide to identifying and addressing the “baritone swallow.”

Ars Longa (Kenny), Jocelyn Nelson

Soundboard Scholar

A review of Ars Longa: Old and New Music for Theorbo, by Elizabeth Kenny, theorbo (Linn CKD 603, 2019, 1 compact disc).

"For Andrés Segovia": Francisco De Lacerda’S Suite Goivos (1924), Pedro Rodrigues

Soundboard Scholar

Suite goivos by Francisco Lacerda (1869–1934) stands out not only as one of the first examples of symbolist literature for guitar but also as the first work written for guitar by a Portuguese non-guitarist composer. So far, however, it has remained in relative obscurity. In this article, I first explore the suite’s context and history: its origin in meetings and correspondence between Lacerda and the work’s dedicatee, Andrés Segovia; its place among new works commissioned by Segovia from non-guitarist composers; and available manuscript sources for the work. I then argue for the work’s importance as music, highlighting its innovative features, …

Five Songs By Armstrong Gibbs (1889-1960): From Nostalgia To Christian Hope And The Assurance Of Heaven, James K. Richardson

Dissertations, 2020-current

During the first few decades of the twentieth century, prolific composer, teacher, and conductor, Armstrong Gibbs (1889-1960), was well-regarded for his contribution to the landscape of English art song. However, against the backdrop of Modernism and the tumult of the Second World War, his musical style was deemed “out of touch.” In a 1943 chain of correspondence with fellow songwriter Roger Quilter, Gibbs describes feeling “exceedingly sore and discouraged at neglect at the hands of the critics.” He further explains, “Just because we both write music that is intelligible & frankly tries to aim at beauty, we are considered beneath …

Addressing Audience Engagement Through Creative Performance Techniques, Lindsay Osterholt

Honors Projects

This project explores how utilizing creative performance techniques might affect change in the sociology that occurs within a Western art music performance. Creative performance techniques can include any behaviors or elements not typical to a Western art music performance. In the context of a senior vocal recital, this project aimed to see how audience members might respond to and engage with added creative elements.

Ensemble Concerts: Music For The Holidays, December 5, 2021, Illinois State University School Of Music

School of Music Programs

No abstract provided.

Ensemble Concerts: Music For The Holidays, Afternoon; December 4, 2021, Illinois State University School Of Music

School of Music Programs

No abstract provided.

Ensemble Concerts: Music For The Holidays, Evening; December 4, 2021, Illinois State University School Of Music

School of Music Programs

No abstract provided.

Kinme Reeves, Baritone, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

University Band, Symphonic Band, Symphonic Winds, November 16, 2021, F. Mack Wood, Lauren Bobarsky, John Gonzalez, T.J. Mack, Jinzhe Zhang

School of Music Programs

Center for the Performing Arts

November 16, 2021

Tuesday Evening

7:00 p.m.

Wind Symphony, November 15, 2021, Anthony C. Marinello, Anne Mcnamara, Cassie Wieland

School of Music Programs

Center for the Performing Arts

November 15, 2021

Monday Evening

8:00 p.m.

The University Treble Choir And The University Choir In Concert, Chapman University Treble Choir, Chapman University Choir

Printed Performance Programs (PDF Format)

No abstract provided.

Music Factory, November 10, 2021, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall

November 10, 2021

Wednesday Evening

7:30 p.m.

2021-2022 New Friends Dreams And Directions, Lisa Leonard, Feruza Dadabaeva, Marina Machado, Moises Molina, Peter Pao, Yinyu Li, Yue Yang, Nataniel Farrar, Silvia Valdivia Villasante, Gonzalo Manuel Kochi Kikuchi, Sergei Skobin, Diana Skobina, Sharon Villegas, Sebastian Orellana, Manuel Mendes Escobar, Carlos Avendano, Niloufar Mirzanabi Khani

Friends of the Conservatory Events

No abstract provided.

Concert Choir And Madrigal Singers, November 7, 2021, Karyl K. Carlson

School of Music Programs

Center for the Performing Arts

November 7, 2021

Sunday Afternoon

3:00 p.m.

Isu String Project: 20th Anniversary Concert, November 6, 2021, Mike Block

School of Music Programs

Center for the Performing Arts

November 6, 2021

Saturday Evening

7:00 p.m.

The Vocal Point: Honoring A Legacy: The Final Conversation With Arthur Woodley, Justin John Moniz, Minnita Daniel-Cox

Department of Music Faculty Publications

AMERICAN BASS ARTHUR WOODLEY APPEARED with prestigious opera companies around the U.S. and abroad, including the Metropolitan Opera, San Francisco Opera, Washington National Opera, Seattle Opera, L'Opera de Montreal, Opera Philadelphia, Dallas Opera, Cincinnati Opera, Pittsburgh, Opera, New Orleans Opera, and Opera Theatre of St. Louis. His many roles included Varlaam in Boris Godunov, Bartolo in Le nozze di Figaro, the Four Villains in Les contes d'Hoffman, Kuno in Der Freischütz, Banquo in Macbeth, Nick Shadow in The Rake's Progress, Sulpice in La fille du régiment, Leporello in Don Giovanni, Rocco in …

Chapman University Singers, Chapman University Singers, David York

Printed Performance Programs (PDF Format)

No abstract provided.

Ensemble Concerts: Treble Choir, Men’S Glee, And Belle Voix, October 31, 2021, Illinois State University School Of Music

School of Music Programs

Center for the Performing Arts

October 31, 2021

Sunday Afternoon

3:00 p.m.

An Analytical Guide To Gonzalo Vidal’S Suite De La Postguerra [Post-War Suite], Jairo Garcia Valencia

Dissertations

ABSTRACT

Although Gonzalo Vidal (1863-1946) is arguably one of the most influential Colombian composers, sadly his music has been forgotten and remains unknown. Unfortunately, little is known about his work as a pianist, composer, teacher, capellmeister, conductor, and even as a writer of prose. Even though Vidal has a vast catalogue of works, the majority of which is piano music, his fame is limited to being known as the composer of the anthem of the department of Antioquia.

The purpose of this document is to focus on Vidal’s last piano compositions, which were a set entitled Suite de la Postguerra …