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Volume 40, Number 01 (January 1922), James Francis Cooke

The Etude Magazine: 1883-1957

Would I Take Up Music Again? Symposium

Best Hand Position

Don't Threaten your Child

Should Grade Teachers Specialize in Music?

What Makes Piano Playing Interesting

Rehearse Phrases, Not Fragments

Teaching Rhythm in Class Lessons

Scale Solitaire

New Paths and Visions in Musical Progress (interview with Richard Strauss)

Chicago or Bayreuth

Robert Huntington Terry (photograph)

Musical Biographical Catechism : Tiny Life Stories of Great Masters

Little Lessons from a Master's Workshop

What the Piano Student Could Learn from the Violin Teacher

Humor and Music Teaching

Story of the Turn: Practical Advice Upon How to Play Such Embellishments

Most Helpful Piano Lesson …

Volume 39, Number 12 (December 1921), James Francis Cooke

The Etude Magazine: 1883-1957

Hour of Triumph

200 or 200,000

Tchaikowsky on Brahms

Value of Written Work

Music an Ideal Christmas Present (interview with John Philip Sousa)

Keep Your Methods Fresh

Teachers' Round Table

How the Masters Practiced

Seven Rules for Position at the Keyboard

Camille Saint-Saëns, To-Day and Yesterday

Will Piano Exercises Overcome Deformities of the Hand?

Liszt's Business

Save Your Breath?

Heart Music and Art Music

Advance with Every Lesson

Get the Musical Idea

Comparative Musical History Dates

Here and There in the Field of Music: An Intimate Page of Facts, Humor and Comment with the Great Music Makers of To-day and …

Volume 39, Number 10 (October 1921), James Francis Cooke

The Etude Magazine: 1883-1957

Glimpses of Genius (interview with Percy Grainger)

Mother and the Musical Boy

Telling is Not Teaching

Verdi's Thoughts on Art

My Star Soloist

From a Master's Workshop: Little Lessons in Musicianship

Lesson in Chopin Interpretation

Five-Year Old Pupil

Teachers' Fees Should Not be Lowered

Ten Musical Failures and Why They Failed

Ambidexterity in Piano Playing

Too Much Self Help

Mastering Mistakes: Common Errors and Shortcomings of Piano Students and How to Overcome Them

Ten Thoughts for Music Students

Five Wasted Years

Eliminating Stiffness in Piano Playing: Knocking Down the Blank Wall in the Way of Progress in Grade Three

Individual …

Volume 39, Number 09 (September 1921), James Francis Cooke

The Etude Magazine: 1883-1957

How to Develop Staccato Touch

Twenty Don'ts for Piano Teachers

Motives and Measure Bars

Square Deal for Teachers: Let Us Have a Better Financial Status for the Professional Musician

No Missed Lessons

Wrong Thing

Teaching Table Exercises to Beginners

Practical Ideas on Artistic Pedaling

Counting for a Star

Wise Selection of Piano Teaching Materials

Thumb on the Black Keys

Music and the Student's Health

One Minute with Haydn

Piano Teacher and His Success

Starting the Fire

Essense of Musical Memorizing

Parting Word

Getting Real Happiness from Your Music: Psychology and the Young Musician

Holding Young Child's Interest

Why Some Organists …

Volume 39, Number 06 (June 1921), James Francis Cooke

The Etude Magazine: 1883-1957

New Aspects of the Art of Singing in America (interview with Reinald Werrenrat)

Fingering of Major Scales

Teaching Music Through Feeling

Studio Thoughts

Fingering Facts for Self-Help Pupils

Saving Energy in Practice

Von Bülow's Concert Hat

Success Steps in Piano Teaching

Sight Reading and Musicianship

What Method Shall I Study? What Method Shall I Teach?

How the Piano Sings

Fair Price for Lessons

Fingering Scales in Flats

Magic of the Keyboard: Virtuoso Tricks in Piano Playing

Playing Teacher

Do You Lose Your Music?

Liszt's Playing

Shall the Classics be First or Last?

Very Little Ones

Where Long Finger Nails Fall …

Volume 39, Number 04 (April 1921), James Francis Cooke

The Etude Magazine: 1883-1957

Eminent Educational Experts Endorse the Golden Hour

Golden Hour: America's Most Serious Problem—A Possible Solution in Which You May Have a Vital Part

Modern Roads to Vocal Success (interview with Julia Claussen)

Sharps, Flats, Naturals

Helpful Criticism

Accent on the Third Beat

Cast Iron Methods

Lingering Lovingly on Details

Experience Plus Enthusiasm

Practical Phases of Pianoforte Technic (interview with Josef Lhevinne)

Taste

Inspiration in Piano Playing

Patience in the Study of Music

Studios, Yesterday and To-day

Psychology of Dress in Public Appearance

Alla Breve

What Was Liszt's Technic Life?

Interest Power in Music

Dialogue on the Pedals

Four Daily Practice …

Volume 38, Number 09 (September 1920), James Francis Cooke

The Etude Magazine: 1883-1957

How to Hold Your Audience

Injured Right Hand a Blessing

Playing in the Right Octave

How to Make Your Practice Time Less Tedious

Music Composition as a Field for Women (interview with Carrie Jacobs-Bond)

Why Underpay the Music Teacher?

Early Fall Recital

Does Your Pupil Know What Music to Bring to the First Fall Lesson?

Painless Musical Bookkeeping

Opening Gun of the Teaching Season: What a Teacher Must Do to Insure a Prompt Start and a Full Class

Gradual Hand Stretching Exercise

All About Variations

Some Hints on Modern Fingering

Ultra-Modern Music Explained: Unusual Futurist Harmony and Form Discussed

Remembering …

Volume 38, Number 08 (August 1920), James Francis Cooke

The Etude Magazine: 1883-1957

Three Touches Employed in Melody Playing

How to Create New Teaching Business

Direct Method in Music Study

Basis of Success in Music Reading

Fighting Fate to Triumph

Never Too Late

To Parents—Don't Give Up Your Music

To the Pupil Without a Teacher

School and Studio: Studies in the Cirriculum of the Public School Which Compare with Musical Studies

Practical Aspects of Modern Pianoforte Study (interview with M. Alfred Cortot)

Accenting Compound Measures

By-Product of Counting Aloud

Passing Notes

How Much Do You Practice?

More Advanced Technical Exercises and the Relation of Technical Exercises to Studies

Starting Them In

First Steps …

Volume 37, Number 11 (November 1919), James Francis Cooke

The Etude Magazine: 1883-1957

Echoes of Musical Czecho-Slovakia (interview with Josef Stransky)

Real Tendencies of Czecho-Slovak Music

If at First You Don't Succeed

Playing Without Looking at the Keys

Birth of the Czecho-Slavék Republic through Song

Invitation to Song: A Literal Translation of a Poem by Tablonsky

How the Name Bohemian Came Into False Repute

Bedrich Smetana, Founder of Modern Czecho-Slovak Music

Thumbnail Biography of Antonin Dvorék

Dvorák as I Knew Him

Great Masters as Music Teachers

Do Your Fingers Follow Your Eye?

Marks of Expression

Why Music is the Soul of Czechoslovakia

Neckache

Working Through Opposites

Czecho-Slovak Popular Music

How to Make a …

Volume 37, Number 06 (June 1919), James Francis Cooke

The Etude Magazine: 1883-1957

Professional Accompanist

Ten Golden Rules for Piano Study

Pianist and Time Values

Imperfection of the Musical Scale

Silent Rhythm

How to Study the Two-Voiced Inventions of Bach

Rock Bottom of Pianistic Progress

Talking and Doing

Muscular Action in Piano Playing

Make Technic Your Servant—Not Your Master

Practical and Helpful Ideas from the National Convention of the Music Teachers' National Association: What Active Teachers are Thinking and Saying

When Nero was Studying Singing

Out—Back at 2.30

Bible Operas

Cultivating Confidence in the Child

Famous Salon Compositions and Their Composers: Pieces Everybody Knows and the Musicians Who Wrote Them

Making the Summer …

Volume 37, Number 04 (April 1919), James Francis Cooke

The Etude Magazine: 1883-1957

Characteristic Mistakes of Young Piano Pupils

Teaching Children to Play

Inspiration of Ensemble Playing

Where Music Comes From

I Don't Like This Piece

Correct Position at the Key Board

More About Raising the Teacher's Income: Why the Music Teacher is Entitled to Larger Fees for Services

Awakening the Disinterested Pupil

What's in a Bell

True Reward of Good Work

Secrets of Success of Great Musicians

Proper Understanding of the Style of Several Master Composers

How to Practice Broken Chords: Modern Ideas Upon the Principle of the Minimum of Muscular Contraction and the Maximum of Controlled Weight Applied to an Everyday …

Volume 36, Number 09 (September 1918), James Francis Cooke

The Etude Magazine: 1883-1957

Music in Industry

Music, Just for the Fun of It

Musical Contagion

Greatest Musical Asset

Development of Rhythmic Sense in the Music Student

Circumstance and the Artist

Keyboard Maxims of Master Pianists of Today and Yesterday

Why and How to Read at Sight

Two Lessons a Week Versus One

When the Professor Got Back from His Vacation

Thoroughness in Little Things

Some Practical Psychology for Piano Teachers

Scale Honor Roll

Is the Sonata Form Exhausted?

Ties and No Ties

Pupils Whose Parents are Interested

Knack in Securing Agility and Velocity

Don't Neglect the Short Piece

Music's Debt to Gifted Amateurs …

Volume 36, Number 06 (June 1918), James Francis Cooke

The Etude Magazine: 1883-1957

Spirit of the Masters: Preparing for the Study of Schumann and Liszt

Absolute Time: A Study of the Heart Beat in Relation to Rhythm

How Fast and How Slow

Make Your Summer Count

Art of Simplifying

How to Become a Good Teacher

Why Bach?

Coining New Words

Let's Have More Music Than Ever: The United States Government Recognizes a Great Need

Music as a War Need

Toy Drum and a Tin Whistle

Music in Wartime

Ragging Good Music

That Weak Measure

Etude Master Study Page: A Group of Russian Composers

Artistic and Educational Importance of the Polyphonic Music of Bach …

Volume 35, Number 12 (December 1917), James Francis Cooke

The Etude Magazine: 1883-1957

Automatic Faculty in Piano Playing

How to Attain Freedom of the Fingers

Mass of Christ

Footlight Fear and Fever

Important Steps in the Educational Work of an Opera Singer

Three Measure Rhythm

Christmas Carols

Reading Detached Chords

Are the Black Keys Poisonous to the Thumb?

Time to Rest and a Time to Grow

Musical Reputations and How They are Achieved

Is Compulsory Music Study Advisable?

Successful Study of Octaves

Can You Pass This Normal Test?

Some Pianos I Have Known

Practice Individual Tones in a Chord

Beethoven's Characteristics as a Pianist

How to Study Two Against Three

Pianographs

Hints on …

Volume 35, Number 08 (August 1917), James Francis Cooke

The Etude Magazine: 1883-1957

Real Accomplishments

Simple Cure for Stage-Fright

How to Regain Your Technic

Paths to an American National School of Music (interview with Reginald de Koven)507

Bracelet of Fifths

Getting the Most from Five-finger Exercises

Sharp Major Scale Signature

How the Masters Sought Humor in Music

Echo Exercise

Spasmodic Performance

Up-to-Date Points from an Up-to-Date Teacher

How Can We Do Our Bit?

New Material and New Methods in Musical Composition

Non Plus Ultra

Playing Close to the Keys Versus the High Finger Stroke

Teresa Carreño (obituary)

High School Credits in Texas

How Shall I Play Phrases Properly?—With Special Illustrations Taken from Modern …

Volume 35, Number 07 (July 1917), James Francis Cooke

The Etude Magazine: 1883-1957

How to Get Control of Your Nerves

Jenny Lind, The Incomparable

Key to Success

Discord of Sweet Sounds

To Avoid Scratching in Violin Playing

Thoroughness in Operatic Preparation (interview with Frieda Hempel)

Let Your Piece Sing to You

Accuracy in Piano Playing—How to Teach it to Children

Controlled Relaxation

Why Should My Boy Study Music?

Electrical Music

Practical Steps in Tone Production: How the Player's Tone May be Enriched and Developed

Pianograms

Head, Heart and Head

High Lights in the Life of Handel—Significant and Interesting Human and Professional Characteristics of the Composer of the Messiah

How to Use The Etude's …

Volume 35, Number 05 (May 1917), James Francis Cooke

The Etude Magazine: 1883-1957

Symphony Orchestras in the United States

Memorable Performance

Certainly, I'll Play!

How Staccato Practice Puts a Snap in Playing

Symphony Orchestra and the Concert Band

How Beethoven Spiritualized Musical Form

Is the Symphony Played Out?

Two Brilliant American Composers

Aids to Good Timekeeping

Concise Dictionary of Noted Symphonic Composers

Richard Wagner as a Symphonist

New Scale Fingerings

Rise of the American Symphony

Does Teaching Make You Nervous?

Fifteen Vital Steps in Teaching Young Children

Have You a Self-Starter?

Scales and Baseball

Final Steps in Memorizing

How to Start a Local Symphony Orchestra

How Much Did You Practice?

Colored Pencils in …

Volume 34, Number 11 (November 1916), James Francis Cooke

The Etude Magazine: 1883-1957

What the American Girl Should Know About an Operatic Career

Last Days of Stephen Foster

Half Hour of Daily Technic

Useful Addition to the Gallery Collecton

Superlative Importance of Tempo

Some Interesting Musical Historical Facts

Hundred-Dollar Lesson

Difficult Pronunciations

Scale Wheel

Composer: A Powerful and Fascinating Romance of Modern Musical Life

Great Composers and the Harp

Study with Beads

Studio Visiting Days

Beethoven and the Blind Girl

Learning a Piece by Forgetting It

Musician's Worry Habit

Master Lesson for Earnest Students on Mendelssohn's Charming Spinning Song

What Kind of Music is Best?

How Verdi Sought to Avoid Pomp Even in …

Volume 33, Number 10 (October 1915), James Francis Cooke

The Etude Magazine: 1883-1957

Student Days with Edvard Grieg

Modern University-Trained Composer

Peer Gynt: A Dramatic Prose Reading Arranged from the Famous Drama by Henrik Ibsen, with Musical Accompaniment by Edvard Grieg

Development of the Romantic Folk-Songs of Scandinavia

Full Hour Lesson

Concise Biographical Dictionary of Scandinavian Musicians

Use of Finger Exercises in the Early Grades

Foundations in Touch for the Beginner

Ferdinand Hiller's Tribute to Robert Schumann

Blossom Time in Pianoforte Literature (interview with Percy Grainger)

Selecting the Pupil's Music

Some Occult Aspects of Music

How Liszt Encouraged Saint-Saëns

Scandinavian Musical Activities in the United States

Getting the Right Kind of a Start …

Volume 33, Number 06 (June 1915), James Francis Cooke

The Etude Magazine: 1883-1957

Hand Cramp and How It May Be Remedied

Real Vacation for the Music Worker

Music a Human Necessity in Modern Life (symposium)

Why the Musician Should Develop the Gift of Making Friends

Special Practice in Staccato

American Pageant

What the Composers Are Doing

Profitable Practice versus Wasted Practice (interview with Alexander Lambuert)

Benefits of Ensemble Playing

Dramatic Scenes from the Operas

Function of Piano Studies

Emotional and Picturesque in Music

May Drumming Be of Some Value?

Principles for Fingering the Major and Minor Scales

Etude Master Study Page—Richard Strauss

Well Known Composers of To-day—Elmer S. Hosmer

C Sharp Minor Waltz …

Volume 31, Number 07 (July 1913), James Francis Cooke

The Etude Magazine: 1883-1957

Emperor's Operatic Rules

Getting a Start in Europe as a Virtuoso

Teaching Too Many Pupils

Story of the Orchestral Instruments Told for the General Music Love: The Woodwind Section

Wisdom of Felix Mendelssohn

Pen Picture of Brahms

How to Become a Sure-Fingered Pianist

How to Make Summers Musically Profitable

Commonsense Helps in Teaching Little Folks

Despondent Versus the Over-Sanguine Pupil

Compelling Independent Finger Action

Teaching Children to Use the Pedals

Legato and Staccato Playing

Liszt as a Russian Master Saw Him

Some Old Musical Legends

Playing for Our Friends

Combating the Missed-Lesson Evil (symposium)

Neglected Staccato

Metronome and Its Uses …

Volume 31, Number 02 (February 1913), James Francis Cooke

The Etude Magazine: 1883-1957

Conserve Your Nerve Force

How Piano is Studied in France

Slow Movement

Chopin's Characteristics

Application fo Efficiency to Piano Playing

Preparing the Hands for Keyboard Mastery

Errors in Print

Giuseppe Verdi: Composer, Patriot and Philanthropist

Learning to Listen

Importance of Accent

Why are Consecutive Fifths Objectionable?

Vitalizing the Practice Period

What the Piano Teacher Can Do For the Reed Organ Pupil

Why We Have so Few Good Sight Readers

Success in Concert Singing (interview with Clara Butt)

Rhythmic Importance of Accent

Runs

Master Study Page—Handel

With the World's Great Educators—Herbert Spencer

Give the Boy a Chance

Well-Known Composers of To-day—John …

Volume 31, Number 01 (January 1913), James Francis Cooke

The Etude Magazine: 1883-1957

Personal Recollections of Famous Musicians

How Fine Editions Help the Student and the Teacher

Place of Technic in Pianoforte Playing (interview with Leopold Godowsky)

What Significance Has the Weight of the Arm in Piano Playing?

Making a Start as a Music Teacher

Delightful Home for Retired Music Teachers

Then and Now: Thirty Years of Advance in Musical America (symposium)

With the World's Great Educators—Herbart

Hugo Wolf's Method of Composition

Positive vs. Negative Teaching

Musical Thought and Action in the Old World

Etude Master Study Page—The Real Brahms

Well Known Composers of To-day—George Dudley Martin

Why Must I Practice Slowly?

Rubinstein's …

Volume 29, Number 11 (November 1911), James Francis Cooke

The Etude Magazine: 1883-1957

Rubinstein's Meteoric Tour of America: Personal Reminiscences of the Great Russian Master

Pupil's Part in Piano Study

Work, the Secret of Pianistic Success (interview with Vladimir de Pachmann)

Physical Development and Care of the Pianist's Hand: Practical Directions for Gaining Strength, Firmness and Flexibility, Treatment of Strained Muscles and Pianist's Cramp

Developing the Natural Rhythmic Sense of the Child

Graded Course for Piano Students (symposium)

Offenbach's Greatest Opera, Tales of Hoffmann

How The Tales of Hoffmann was Written

Story of The Tales of Hoffmann

Famous Singers in The Tales of Hoffmann

Volume 29, Number 06 (June 1911), James Francis Cooke

The Etude Magazine: 1883-1957

Spirit of Life in Music—Rhythm

Real Musical Interest in the Czerny Studies

Balfe's Opera The Bohemian Girl

Famous German Conservatories: The Conservatories of Southern Germany

Analysis of Teaching Material: The Rondo Form

What is Expected of the Student in the German Music School

History and Uses of the Metronome

Hearing with the Eye

Beginner Specialist in Piano Teaching

Volume 29, Number 05 (May 1911), James Francis Cooke

The Etude Magazine: 1883-1957

Influence of Germany's Greatest Masters on the Musicl Art of the World

Weber's Opera, Der Freischutz

Influence of the Folk-Song on German Musical Art (interview with Gustav Mahler)

Predominating Influence in the German Music of To-day

Some Important Things I Learned in Germany

Germany's Remarkable System of Music Schools: Music Schools of Northern Germany

What is Expected of the Student in the German Music School

Important Observations Upon Piano Practice

Ten Vital Tests in Finishing a Piece

Some Facts about Sopranos

Singers Who Lost Their Voices

How to Study a Song

Volume 28, Number 12 (December 1910), James Francis Cooke

The Etude Magazine: 1883-1957

Overheard at the Symphony Concert

Developing the Beautiful in Piano Playing

What Daily Practice Means

Difficult Art of Good Pedaling

Lessons from Memorable Piano Recitals

How One Teacher Raised Her Income

My First Composition

How and Why the American Teacher Has Succeeded in Europe

Those Missed Lessons

Patrons and Helpers of Great Composers

Some Wagner Caracatures

Crying Need in American Music

Professor's Christmas Dilemma: A Musical Romance of Xmas

Hand Drill

On Making the Most of a Poor Instrument

Well Known Composers of To-Day—Hermann Necke

Need of Better Sight Reading

Balzac's Interest in Music

Pupils Who Pay by the Lesson

Volume 28, Number 11 (November 1910), James Francis Cooke

The Etude Magazine: 1883-1957

Some Approximate Pronunciations of the Names of French Musicians

How Verdi Preserved His Originality

Lessons with Franz Liszt

Weber's Mistake

Cultivating Musical Taste in the Public Schools

Tschaikowski's Ideals

Triumph of Edward MacDowell

Wagner on Mendelssohn and Schumann

Beware of Fraudulent Publishers

Survival of the Fittest in Music: How the Great Works of the Tonal Art Remain Through the Centuries, While Those of Less Value Are Doomed to More or Less Certain Oblivion

Just Ordinary Miss Brown: The Story of an Old-fashioned Teacher and How She Got Real Results While Others Failed

What to Do at the First Lesson: The …

Volume 28, Number 10 (October 1910), James Francis Cooke

The Etude Magazine: 1883-1957

Music the American People Demand (interview with John Philip Sousa)

Scharwenka on Listening to One's Playing

Failure of Gounod's Faust

Heredity and Music: Remarkable Instances of the Manner in Which Musical Talent Has been Communicated from One Generation to Another

Some Great Virtuosos of the Present Day

Clara Schumann on Ear Training

Talk with Svendsen

Preparing the Hands for Advanced Pianoforte Study

Better Understanding of the Double Bar

Vital Defects of Most Pianists

Some Distinctions in Musical Terms

Volume 28, Number 09 (September 1910), James Francis Cooke

The Etude Magazine: 1883-1957

Franz Liszt and the Origin of the Symphonic Poem

How Spohr Learned the French Horn in One Day

What is Meant by Interpretation

Forgotten Rivals of Great Composers

Story of the Minuet

How Music Helps the Business Woman

Power of Concentration in Music Study and How to Develop It

Mendelssohn's Versatility

Italy the Land of Music? A German View

Schumann Epigrams

Trip to the Shrine of Beethoven

How Beethoven Found the Theme for His Fifth Symphony

Map of Musical Europe

Well Known Composers of To-Day—George B. Nevin

How Verdi Became a Musician

Comparative Difficulty of Sharp and Flat Keys

Purcell's …