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Articles 121 - 150 of 3465
Full-Text Articles in Entire DC Network
Music Review: “Indy Classical Innovation: Ymusic” At Usc’S Southern Exposure New Music Series, March 21, 2014, Peter B. Kay
Music Review: “Indy Classical Innovation: Ymusic” At Usc’S Southern Exposure New Music Series, March 21, 2014, Peter B. Kay
Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy
Review of “Indy Classical Innovation: yMusic” at the University of South Carolina’s Southern Exposure New Music Series, March 21, 2014.
Redefining The Art Songs Of Maude Valérie White, Sarah C. Rees
Redefining The Art Songs Of Maude Valérie White, Sarah C. Rees
LSU Doctoral Dissertations
Maude Valérie White (1866-1937) was an English composer during the Victorian Era. Her main output was in the genre of art song, of which she wrote more than two hundred during her life. Her music was very popular at the height of her career around 1880-1890, but fell out of favor with the general public in line with the general reaction against Victorian art and ideals. This written document focuses on the life of Maude Valérie White contextualized within the ideals of Victorian womanhood. It will explore the development of her musical style through eight song analyses: The Devout Lover, …
Guest Recital: Gregory Williams, Viola, October 31, 2024 [Program], University Of Northern Iowa. School Of Music.
Guest Recital: Gregory Williams, Viola, October 31, 2024 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
Wind Ensemble Concert (October 25, 2024), Lindenwood University
Wind Ensemble Concert (October 25, 2024), Lindenwood University
Student Music Performance Programs
Wind Ensemble Concert (October 25, 2024), Lindenwood University.
Keith Phares, Baritone [And] Charles Staples, Piano, Department Of Music, University Of Richmond
Keith Phares, Baritone [And] Charles Staples, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Fall Ensembles (October 22, 25, 2024), Lindenwood University
Fall Ensembles (October 22, 25, 2024), Lindenwood University
Student Music Performance Programs
Event program for Fall Ensembles (October 22, 25, 2024), Lindenwood University.
Choral Ensembles Fall Concert (October 22, 2024), Lindenwood University
Choral Ensembles Fall Concert (October 22, 2024), Lindenwood University
Student Music Performance Programs
Choral Ensembles Fall Concert (October 22, 2024), Lindenwood University
Northern Iowa Symphony Orchestra, October 14, 2024 [Program], University Of Northern Iowa. School Of Music.
Northern Iowa Symphony Orchestra, October 14, 2024 [Program], University Of Northern Iowa. School Of Music.
Music Recital Programs
Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.
Treble Choir With Guests In Concert: October 13, 2024, Lara Reem, Cristian Larios, Daniel Provis
Treble Choir With Guests In Concert: October 13, 2024, Lara Reem, Cristian Larios, Daniel Provis
School of Music Programs
Center for the Performing Arts
October 13, 2024
Sunday Afternoon
6:00 p.m.
Mozart's Requiem: October 13, 2024, Illinois State University School Of Music
Mozart's Requiem: October 13, 2024, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
October 13, 2024
Sunday Afternoon
3:00 p.m.
Coltrane’S A Love Supreme: Mediations Of Immediacy In Jazz Ritual And Recitation, James R. W. Crockford
Coltrane’S A Love Supreme: Mediations Of Immediacy In Jazz Ritual And Recitation, James R. W. Crockford
Yale Journal of Music & Religion
This paper explores the ritualized performance ethic of John Coltrane’s later career, which is charged with a determined exploration of freedom and spiritual ascendance through participative and gestural immediacy. Conceiving of this music as a spiritual and political tool for embodied transformation, this paper traces this ethic at play in Coltrane’s iconic 1965 album A Love Supreme, identifying ways the work effects a mediation of immediacy. Through focus on the album’s closing “Psalm” recitation, its parallels in Coltrane’s other works, and their analogue in traditions of ecstatic liturgical and political oratory, this paper demonstrates the consistent priority Coltrane gives …
Measures For A Funeral, Sherry Coman
Measures For A Funeral, Sherry Coman
Journal of Religion & Film
This is a film review of Measures for a Funeral (2024), directed by Sofia Bohdanowicz.
Symphonic Band And Symphonic Winds: October 3, 2024, Tj Mack, Colby Powers, Dr. Mack Wood, Dr. Useon Choi
Symphonic Band And Symphonic Winds: October 3, 2024, Tj Mack, Colby Powers, Dr. Mack Wood, Dr. Useon Choi
School of Music Programs
Center for the Performing Arts
Thursday Evening
8:00 p.m.
Wind Symphony: September 29, 2024, Anthony C. Marinello Iii, Christopher Bulding
Wind Symphony: September 29, 2024, Anthony C. Marinello Iii, Christopher Bulding
School of Music Programs
Center for Performing Arts
September 29, 2024
Sunday Afternoon
3:00 p.m.
The Tradition Of Illusion: Guitar Arrangement As A Post-Canonical Patchwork, Katalin Koltai
The Tradition Of Illusion: Guitar Arrangement As A Post-Canonical Patchwork, Katalin Koltai
Soundboard Scholar
This paper proposes an underpinning terminology for scholarly discussions of contemporary arrangement practices in the field of classical guitar performance. The introduction provides some historical foundations for the topic, aiming to present the roots of different approaches and methods in the work of important guitar arrangers. The paper continues by contextualizing arrangement processes within linguistics and language philosophy, discussing the topic of translation, and giving an overview of relevant terminologies. The centre of the paper is the theoretical investigation of arrangement and the identification of translating acts related to musical space, instrumental choreography, texture, timbre, or a combination of those, …
School Of Music Collage Concert: September 15, 2024, Illinois State University School Of Music
School Of Music Collage Concert: September 15, 2024, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
September 15, 2024
Sunday Afternoon
5:00 p.m.
2024-2025 Philharmonia Season Program, Lynn University Philharmonia, Guillermo Figueroa, Jon H. Robertson, Kenneth Amis, Andres Cardenes, Sheila Browne, Jon Manasse, Whitney Crockett, Tim Brumfield
2024-2025 Philharmonia Season Program, Lynn University Philharmonia, Guillermo Figueroa, Jon H. Robertson, Kenneth Amis, Andres Cardenes, Sheila Browne, Jon Manasse, Whitney Crockett, Tim Brumfield
Philharmonia
Lynn University Wind Ensemble
- Date & Time: September 14, 2024 at 7:30 p.m.
- Kenneth Amis, conductor
Philharmonia No. 1
- Date & Time: September 28, 2024 at 7:30 p.m. and September 29, 2024 at 3:00 p.m.
- Guillermo Figueroa, conductor
- Date & Time: November 9, 2024 at 7:30 p.m. and November 10, 2024 at 3:00 p.m.
- Guillermo Figueroa, conductor
- Featuring the winners of the 2024 Concerto Competition
Philharmonia No. 3
- Date & Time: January 18, 2024 at 7:30 p.m. and January 19, 2024 at 3:00 p.m.
- Jon Robertson, conductor
- Andrés Cárdenes, violin
Philharmonia No. 4
- Date & Time: February …
Charles W. Bolen Faculty Recital: Cora Swenson Lee, Cello; Soo Yeon Kim, Violin; September 10, 2024, Illinois State University School Of Music
Charles W. Bolen Faculty Recital: Cora Swenson Lee, Cello; Soo Yeon Kim, Violin; September 10, 2024, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
September 10, 2024
Tuesday Evening
7:30 p.m.
Musical Semiotics In Kate Soper’S Ipsa Dixit (2010–2016), Scott A. Miller
Musical Semiotics In Kate Soper’S Ipsa Dixit (2010–2016), Scott A. Miller
Dissertations, Theses, and Capstone Projects
This dissertation analyzes the six parts of Kate Soper’s Ipsa Dixit (2010–2016). While individual parts have received some music theoretical attention, this is the first analysis of the entire Pulitzer Prize-nominated work. Ambiguity and contingency are major themes of Ipsa Dixit, and by treating each part independently and in combination, I hope to honor Ipsa’s contingent status as a unified work comprised of six complete works. Soper’s libretto unifies an assemblage of texts with adaptations of Aristotle to investigate the intersections of language and music with authority, veracity, and (un)intelligibility.
I theorize that Soper’s “philosophy-opera” dramatizes the formation of …
Do Androids Dream Of Bad Tv?: Un/Originality In Neil Burger’S Voyagers, Tom Ue, Callum M. Mcnutt
Do Androids Dream Of Bad Tv?: Un/Originality In Neil Burger’S Voyagers, Tom Ue, Callum M. Mcnutt
Proceedings from the Document Academy
Critics did not take kindly to Neil Burger’s Voyager (2021). On Rotten Tomatoes, the film scored a dismal 25%, and the consensus is that it’s a trip best not taken: “It has a game cast and a premise ripe with potential, but Voyagers drifts in familiar orbit rather than fully exploring its intriguing themes.” This article seeks neither to reclaim the film as an unjustly neglected cinematic masterpiece nor to assert its importance in the canon of dystopian works. Rather, it treats Voyagers as a test case for exploring our own critical investment in the genre. Our aims are …
Out Of Many, One Voice: A Fundamental Map To Performing Shirley J. Thompson's Opera—Women Of The Windrush, Danielle Rosann Watson
Out Of Many, One Voice: A Fundamental Map To Performing Shirley J. Thompson's Opera—Women Of The Windrush, Danielle Rosann Watson
Doctoral Projects
Women of the Windrush, composed by Shirley J. Thompson, is a mono-opera for soprano, film, and chamber orchestra. Thompson uses Women of the Windrush to rewrite history and effect change in the way women are portrayed in opera—from weak characters to heroic figures. A prolific composer of pure originality, Thompson has made her music accessible through written compositions and successful performances. As one of the leading composers in England, Thompson is progressively recognized for her contributions to the body of music literature, nationally and internationally. This doctoral project seeks to promote women composers and undertakes the significant contributions of …
Martin Bresnick's “Bitter Suite” Duo For Violin And Piano, Xun Xu
Martin Bresnick's “Bitter Suite” Duo For Violin And Piano, Xun Xu
Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–
This document is intended to be a practical tool for those interested in performing, researching, and cultivating an acute understanding of Martin Bresnick’s Bitter Suite Duo for Violin and Piano. A composer working within varying neoclassical and modern idioms, Bresnick has merited many accolades, from the Rome Prize to a Guggenheim to the American Academy of Arts and Letters' first-ever Charles Ives Living Award.
The first movement of Bitter Suite was commissioned by the YIVO Institute for Jewish Research during the COVID-19 pandemic. Bresnick enjoyed composing this movement and was inspired to write three additional movements, transforming the commission …
Harmony In Collaboration: Curating Sustainability In Post-Pandemic Arts, Natalie M. Stepaniak
Harmony In Collaboration: Curating Sustainability In Post-Pandemic Arts, Natalie M. Stepaniak
LSU Doctoral Dissertations
In an interconnected world, collaboration in the arts is rising, challenging the traditional notion of the solitary artist. Interdisciplinary collaboration is crucial for advancing performing and visual arts, especially amidst declining audience attendance. Despite the COVID-19 pandemic exacerbating challenges for the arts sector, recent data suggests a gradual recovery, with collaborative efforts fostering resilience.
This dissertation investigates the transformative potential of interdisciplinary collaboration from the perspective of musicians and their organizations. Through three case studies—collaborations between the Rapides Symphony Orchestra and Play On Theater Company, The Next Festival for Emerging Artists, and violist-composer Leilehua Lanzilotti and her collaborative relationship with …
Hymns Of Babel: A Song Cycle Fmus Composition Project, Reed Spencer, Steven Day
Hymns Of Babel: A Song Cycle Fmus Composition Project, Reed Spencer, Steven Day
Lux et Fides: A Journal for Undergraduate Christian Scholars
Hymns of Babel Research Brief
Over the course of the eight-week faculty mentorship undergraduate scholarship period, Dr. Reed Spencer and senior Steven Day composed a twelve-song cycle on the theme of Generation Z’s interaction with social media. This piece sought to articulate the thoughts, emotions, responses, and impulses that accompany the virtual world. Many of the songs explored where we find God in our social media age, as well as how we create gods, try to act as a god, and pretend there is no God. The collaborative process began by creating a rough lyrical structure and purpose, followed by …
The Blessed Assembly: Irreplaceable Physical Co-Presence In Worship And Healthy Hybridity Reimagined After The Pandemic In The Digital Age, Yvette, Ying Wai Lau
The Blessed Assembly: Irreplaceable Physical Co-Presence In Worship And Healthy Hybridity Reimagined After The Pandemic In The Digital Age, Yvette, Ying Wai Lau
Doctor of Pastoral Music Projects and Theses
Because of the unprecedented and unexpected force of the pandemic since 2020, most churches around the world have experienced some online worship during the lockdown of their cities or the mandated closure of the church buildings. For many people, online worship seems to be an equivalent, if not better, alternative for gathering together—a physical co-presence in worship—even after the pandemic has ended. As necessary and vital as online worship experiences have been for Christians during the pandemic, the witness of the church from Pentecost throughout Christian history indicates that gathered worship in physical spaces is irreplaceable for faith formation and …
Singer’S Guide To Hak Jun Yoon’S Selected Art Songs, Sunmin Cha
Singer’S Guide To Hak Jun Yoon’S Selected Art Songs, Sunmin Cha
Dissertations and Doctoral Documents, University of Nebraska-Lincoln, 2023–
Composer Hak Jun Yoon is at the forefront of popularizing Korean art songs through the combination of artistry and mass appeal, positioning him as one of the representative composers of contemporary Korea. Recently, Yoon’s songs gained significant popularity after being featured on the Korean vocal competition TV program “Phantom Singer,” playing a major role in sparking public interest in Korean art songs in general. This document aims to widen that circle to more classical singers by analyzing poetic and musical elements in four of Yoon’s representative songs: “On the Way to You,” “A Flower Blooms Alone,” “Lingering Scent,” and “The …
A Survey Of Collegiate Voice Students With Asthma And Allergies And Their Perceived Impact On Singer Health And Performance Experiences – A Pilot Study, Nicole Dorothy Jenkins
A Survey Of Collegiate Voice Students With Asthma And Allergies And Their Perceived Impact On Singer Health And Performance Experiences – A Pilot Study, Nicole Dorothy Jenkins
Dissertations, 2020-current
An increasing body of research evidence indicates that college students of all majors with asthma and/or allergies represent a vulnerable population due to their inability to experience a consistent and dependable quality of life compared with their healthy collegiate peers. Further, in terms of their impact specifically on collegiate singers, the intricate network of co-morbid conditions associated with asthma and allergies, including pain, wheezing, and discomfort combined with physical symptoms of stress, disturbed sleep, fatigue, diminished concentration, depression, and high-risk behaviors, cannot be underestimated. As such, this study aims to identify and analyze the health impediments caused by asthma and/or …
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner
With Love, ; An Interdisciplinary And Intersectional Look At Why Creativity Is Essential, Theo Starr Gardner
Whittier Scholars Program
My Whittier Scholars Program self-designed major, Teaching Creativity, is a mixture of Art, Literature, and Education classes. My research and praxis classes have been focused on the ‘how?’s and 'why?’s of creativity, so it felt only right that my project should be a constructivist, generative project. The project I have been working on throughout my time at Whittier, and that has just fully come to fruition on April 11th, 2024, was a solo art gallery/open mic event entitled ‘With Love,’. With Love, was conceptually inspired by the research I’ve conducted on creativity and creative arts education over the past few …
The ‘Well-Rounded’ Artist: An Intersectionality Of Stage Presence, Artistry, And Entrepreneurship, Megan E. Zuhowski
The ‘Well-Rounded’ Artist: An Intersectionality Of Stage Presence, Artistry, And Entrepreneurship, Megan E. Zuhowski
Dissertations, 2020-current
Undergraduate voice students spend hours over their degree in coursework relevant to bettering their overall musicianship. Coursework in music history and music theory, coupled with applied lessons, allows students to develop the knowledge necessary for their future professions. While universities strive to equip students with advanced music proficiencies, as the landscapes of professional opportunities shift and morph into work in multiple genres of expertise, students may not receive the full scope of skills needed to be independent entrepreneurial designers.
The purpose of this DMA document is to explore the intersectionality of stage presence, artistry, and entrepreneurship through a course offering …
Digital Orchestration In Media Compositions, Jimmy Bartley
Digital Orchestration In Media Compositions, Jimmy Bartley
Electronic Theses and Dissertations
As composers gain access to better tools, digital mockups have increasingly grown in popularity. Composers often aim to emulate an idealized orchestral sound in their mockups. By understanding the nature of acoustic orchestration and instrumentation, specific techniques and approaches for virtual instruments and sample libraries, and methods to process and manipulate MIDI audio, composers can achieve this idealized sound. This thesis will focus on the common techniques and methods that composers can use to achieve this in digital mockups. Concluding the thesis is an original work that combines digital and live instruments while exploring different techniques to achieve an ideal …