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Volume 28, Number 06 (June 1910), James Francis Cooke

The Etude Magazine: 1883-1957

Spirit of Life in Music—Rhythm

Real Musical Interest in the Czerny Studies

Pianist and the Tuner

Balfe's Opera The Bohemian Girl

Famous German Conservatories: The Conservatories of Southern Germany

Analysis of Teaching Material: The Rondo Form

Some Sign-Posts on the Road to Success in Music Study

What is Expected of the Student in the German Music School

History and Uses of the Metronome

Finger-Habit in Memorizing

Volume 28, Number 05 (May 1910), James Francis Cooke

The Etude Magazine: 1883-1957

Influence of Germany's Greatest Masters on the Musicl Art of the World

Giving Lessons in the Country

Weber's Opera, Der Freischutz

Influence of the Folk-Song on German Musical Art (interview with Gustav Mahler)

Predominating Influence in the German Music of To-day

First Finger Exercises at the Keyboard

Some Important Things I Learned in Germany

Germany's Remarkable System of Music Schools: Music Schools of Northern Germany

What is Expected of the Student in the German Music School

Some Facts about Sopranos

Singers Who Lost Their Voices

How to Study a Song

Volume 28, Number 04 (April 1910), James Francis Cooke

The Etude Magazine: 1883-1957

Musical Faults Americans Must Correct (symposium)

How Tschaikowski Spent His Days

Neglected Details in Pianoforte Study (interview with Ferruccio Benvenuto Busoni)

Personal Glimpses of Moszkowski as a Teacher

Weber's Description of Beethoven

Some Familiar Teaching Pieces by Franz Liszt

To the Young Musician Who Would Compose (interview with Liza Lehmann)

Mendelssohn at Work

Diatonic Scale in the Works of the Masters

How Helen Keller Appreciates Music

Common Mistakes in Tempo and Rhythm

What Early England Gave to Music

How to Enjoy a Symphony

Plain Talk on Starting a Teaching Business

Tschaikowski and Rubinstein

Volume 28, Number 03 (March 1910), James Francis Cooke

The Etude Magazine: 1883-1957

Ten Important Attributes of Beautiful Pianoforte Playing (interview with S.V. Rachmaninoff)

Lessons with von Bülow (interview with Laura Rappoldi)

Origin and Development of the Suite

Tschaikowsky and Melody

Exercises for Practice of Three Notes Against Two

Much Misunderstood Facts Relating to the Laws of Sound

Lowell Mason, American Educator and Musical Pioneer

Some Composers of Valuable Pianoforte Pieces in Smaller Forms

Rhythm—The Secret of Swing in Music

Music as a Profession

Mother's Influence on Music in the Home

Writing Copy for Musical Advertisements

Beethoven as Others Saw Him

MacDowell at the Lesson

Cost of Running a Great Opera House

Volume 28, Number 02 (February 1910), James Francis Cooke

The Etude Magazine: 1883-1957

Lesson from Brahms

Methods and Customs of the Paris Conservatoire

Franz Joseph Haydn and the Development of the Sonata and the Symphony

Story of Pepito Arriola

Foreign Fingering vs. American Fingering

Some Uses for Old Music

Some Rules for Making Musical Manuscript

Analyses of Three Famous Classic Marches

How to Get the Most Out of Practice

Physiologist's Comments on Piano Playing

Ah! Sweet Mystery Of Life, Rida Johnson Young, Victor Herbert

Historic Sheet Music Collection

Ah! sweet mystery of life, at last I've found thee Ah! I know at last the secret of it all, All the longing, seeking, striving, waiting, yearning, The burning hopes, the joy and idle tears that fall! For 'tis love, and love alone, the world is seeking; And 'tis love, and love alone, that can repay! 'Tis the answer, 'tis the end of all living, For it is love alone, that rules for aye! For 'tis love and love alone, the world is seeking, For 'tis love, and love alone that can repay! 'Tis the answer 'tis the end and …

Volume 28, Number 01 (January 1910), James Francis Cooke

The Etude Magazine: 1883-1957

Short Biographical Notes Upon Italian Musicians

Paris Conservatory of Music

Moritz Moszkowski on Himself

Children of Unmusical Parents

Mme. Teresa Carreño on Individuality in Playing

Personal Recollections of Verdi (interview with Leando Campanari)

Some Striking Pictures of Rossini

Three Notes Against Two

Future of Italian Opera in America

Beginnings of the Oratorio and the Opera

Italian Writers for the Piano

Verdi's Position in Musical Art

Facts About Famous Italian Musicians

Historical Review of Italian Musical Art from the Beginning to the Present Day

Cherubini's Individuality

Some Piano Transcriptions of Numbers from Famous Italian Operas

Liszt on the Playing of His …

Phantastes Chapter 4: Ballad Of Sir Aldingar, James Kinsley

German Romantic and Other Influences

A child ballad of various origins. Aldingar attempts to seduce the Queen, who spurns him and sets off Aldingar to falsely accuse the Queen of sleeping with a leper. The king believes Aldingar, and the Queen asks that a knight fight for her honor. Unable to find a knight, she relies on a four-year-old boy, who defeats Aldingar. On his deathbed he admits his accusation was false. The history of this ballad can be found in Paul Christopherson’s The Ballad of Sir Aldingar, its Origins and Analogues, Oxford UP, 1952

First Use Of Organs By Professed Christians, L. F. Bittle

Stone-Campbell Books

No abstract provided.

The Sixth Chapter Of Amos, Daniel Sommer

Stone-Campbell Books

No abstract provided.

Instruments Of Music In The Service Of God, David Lipscomb

Stone-Campbell Books

No abstract provided.

The Gospel-Message In Song Revised & Enlarged, Flavil Hall, Samuel H. Hall

Stone-Campbell Books

No abstract provided.

Songs Of Redemption, G. Dallas Smith, Emmet S. Dean

Stone-Campbell Books

No abstract provided.

A Banjo Song / Music By Sidney Homer; Words By Howard Weeden, Sidney Homer, Howard Weeden, G. Schirmer Inc. (New York)

Sheet Music, 1910-1919

Cover: from a series called Bandanna Ballads; Publisher: G. Schirmer Inc. (New York)

Pine Apple Rag / Music By Scott Jolpin; Words By Joe Snyder, Scott Jolpin, Joe Snyder, Seminary Music Co. (New York)

Sheet Music, 1910-1919

Cover: drawing of a pineapple; Publisher: Seminary Music Co. (New York)

The Zinga Zula Man / Music By Ben M. Jerome; Words By Eduard Madden, Ben M. Jerome, Eduard Madden, Chas K. Harris (New York)

Sheet Music, 1910-1919

Cover: caricature of an African male clothed as a fusion of European servant and Zulu warrior; Publisher: Chas K. Harris (New York)

Listen To That Jungle Band / Music By Kendis And Paley; Words By Al. Bryan, Kendis And Paley, Al. Bryan, Shapiro Music Pub. Co. (New York)

Sheet Music, 1910-1919

Cover: exotic animals singing and playing music in jungle; photo inset of Sydney Gibson (see# 68); Publisher: Shapiro Music Pub. Co. (New York)

My, What A Funny Little World This Is! / Words By Lewis And Benett, Lewis And Benett

Sheet Music, 1910-1919

Cover: a contemplative man ; photo inset of Carrie Reynolds; Publisher: Jos. W. Stern and Co. (New York)

You're Gwine To Get Somethin' What You Don't Expect / Music By Bert Williams; Words By Vincent Bryan, Bert Williams, Vincent Bryan, Leo Feist Inc. (New York)

Sheet Music, 1910-1919

Cover: drawing of a well-dressed African American female having her palm read by an African American palm reader; photo inset of Bert Williams in blackface; Publisher: Leo Feist Inc. (New York)

Play That Barber Shop Chord / Music By Lewis F. Muir; Words By Wm. Tracy, Lewis F. Muir, Wm. Tracy, J. Fred Helf Company (New York)

Sheet Music, 1910-1919

Key of C. Cover: a photo of a man in a black suit; Publisher: J. Fred Helf Company (New York)

The Dance Of The Grizzly Bear / Music By George Botsford; Words By Irving Berlin, George Botsford, Irving Berlin, Ted Snyder Co. (New York)

Sheet Music, 1910-1919

Cover: drawing of two grizzly bears flanking a photo inset of Tim McMahon; Publisher: Ted Snyder Co. (New York)

School Catalog, Siegel-Myers Correspondence School Of Music

Siegel-Myers Correspondence School of Music

The catalog for the Siegel-Myers Correspondence School of Music detailing information about the School, its instructors, classes offered, and the nature of the correspondence courses.

Lesson Book: Grand Opera, Rubinkam I. Nathaniel

Siegel-Myers Correspondence School of Music

A Music Lesson Book for the correspondence courses offered through the Siegel-Myers Correspondence School of Music.
Lessons and Examinations: Grand Opera, number 1 through 10

Little Puff Of Smoke, Good Night / Music By G. Harris (Doc) White; Words By R. W. Lardner, G. Harris (Doc) White, R. W. Lardner, Victor Kremer Co. (Chicago)

Sheet Music, 1910-1919

Cover: drawing of an older African American woman sitting in a rocking chair with a child on her lap; description reads a southern croon; Publisher: Victor Kremer Co. (Chicago)

Listen To That Jungle Band / Music By Jean Kendis; Words By Al Bryan, Jean Kendis, Al Bryan, Shapiro Pub. Co. (New York)

Sheet Music, 1910-1919

Cover: drawing of a monkey conducting various jungle animals, as they perform music; photo inset of singer Clarence Marks in blackface. (see 419); Publisher: Shapiro Pub. Co. (New York)

Innocent Bessie Brown / Words By Irving Berlin, Irving Berlin, Ted Snyder Co. (New York)

Sheet Music, 1910-1919

Cover: Photo of Bessie Wynn; Publisher: Ted Snyder Co. (New York)

Fantasia, Variations / Words By W. C. Polla, W. C. Polla, Vandersloot Music Publishing Co. (Williamsport)

Sheet Music, 1910-1919

Cover: drawing of trees; Publisher: Vandersloot Music Publishing Co. (Williamsport)

Mammy's Song / Music By Harriet Ware; Words By Laura Spencer Porter, Harriet Ware, Laura Spencer Porter, John Church Company (Cincinnati)

Sheet Music, 1910-1919

Cover: drawing of an African American woman holding a Caucasian child on her lap; Publisher: John Church Company (Cincinnati)

Play That Barber Shop Chord / Music By Lewis F. Muir; Words By Wm. Tracey, Lewis F. Muir, Wm. Tracey, J. Fred Helf Company (New York)

Sheet Music, 1910-1919

Cover: photo of singer Bert Williams in blackface (see 479); Publisher: J. Fred Helf Company (New York)

A Banjo Song / Music By Sidney Homer; Words By Howard Weeden, Sidney Homer, Howard Weeden, G. Schirmer (London)

Sheet Music, 1910-1919

Cover: part of a series called bandanna ballads; Publisher: G. Schirmer (London)