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Volume 32, Number 08 (August 1914), James Francis Cooke

The Etude Magazine: 1883-1957

Tributes to the Memory of Hans Engelmann

Raising Your Rate of Tuition

Chief Musical Forces of the Nineteenth Century

Busy Teacher

Debussy's Unconventionality

Plea for More Rational Teaching

Star of Technic

Credit to the Conservatory

Coming of the Minnesingers

Between Lesson Thoughts

Musical Thought and Action in the Old World

French Opera in America

Seeing with a Child's Eyes

Awakening and Developing Musical Ability

Economize in Energy

Awakening Interest in Dull Pupils

Tone Production by Means of the Pressure Touch

Diplomacy and the Interfering Mother

Making Music Interesting to the General Public: What 3000 Pianoforte Recitals Have Taught Me

Lending …

Volume 32, Number 07 (July 1914), James Francis Cooke

The Etude Magazine: 1883-1957

Putting the Thumb Under

Elgar's Self-Instruction

Noble Contempt for Melody

Can There Be Any Really New Music?

Concert Pitch

Significant Phases of Modern French Music

Piano Technic of the Past, Present and Future

Ear Training for Young Pianists

Getting a Start in the Concert Field

Correcting the Stiff Wrist

Selecting the Right Instruction Book

Constant Growth in Music Study (interview with Katharine Goodson)

On Marking Pupils' Music

Making the Study of Pieces Attractive

Garden of Composers: How to Give an Outdoor Recital

Practical Concentration in Piano Study

Etude Master Study Page: Rossini

Home Music Culture Hour

Finding Profit in Scale …

Ua45/6 Commencement Concerts, Wku Registrar

WKU Administration Documents

Commencement concert program and graduation program listing music certificate / diploma recipients.

Volume 32, Number 06 (June 1914), James Francis Cooke

The Etude Magazine: 1883-1957

Making Drill Interesting

Helpful Pedal Exercise

Appreciation of Contemporary Music (interview with Claude Debussy)

Scales and the Child

High Teaching Ideals of American Musical Pedagogs

Qualifications for Positions in Summer Hotel Orchestras

Nature of the Difference Between the Classical and the Romantic Schools

Teaching the Lines and Spaces

Point in Musical History

Begin Music Study Early

Concentration in Music Study (interview with Olga Samaroff)

Have I Real Talent?

Leading the Pupil to See the Beauty of it All

Diagnosing the Talents of the New Pupil

Interesting Aspects of the Romances of Frederic Chopin

Art of Transposing

How the Music Teachers …

Volume 32, Number 05 (May 1914), James Francis Cooke

The Etude Magazine: 1883-1957

First Studies in Double Notes

Memorizing Music Successfully (interview with Ossip Gabrilowitsch)

How Gounod Surprised Berlioz

Charles Marie Widor: Dean of French Organ Masters

Method in Sight Reading

Balance in Rhythmic Movement

Study Harmony from Piano Playing

Wit of Malibran

Best of the New Music Issued by the Leading Publishers: Selected, Graded and Recommended to The Etude Readers

Prima Donna of To-Day and Yesterday

Interesting the Boy Pupil

Chopin as a Virtuoso: How Chopin's Playing Impressed His Hearers

Ballet in France

Masters Who Have Failed as Opera Composers

Musical Thought and Action in the Old World

How to Develop Concentration …

Volume 32, Number 04 (April 1914), James Francis Cooke

The Etude Magazine: 1883-1957

School Debussy Has Established

Personal Recollections of Gounod (interview with Emma Eames)

Grand Prix de Rome and Those Who Have Won It

Concise Dictionary of French Musicians

What the Piano Student is Expected to Accomplish at the Paris Conservatoire

Intimate View of Massenet

Rise of Modern French Music

Some Points for Beginner-Teachers

Tragic Career of Bizet

Arrest Richard Wagner

Disseminating General Musical Knowledge in Country Districts and Small Towns

Etude Master Study Page—The Real Saint-Saëns

Brief History of Music in France

Salaries Paid the Teachers at the Paris Conservatory

Development of Accuracy in Pianoforte Playing

How Paderewski Practiced

How to …

Volume 32, Number 03 (March 1914), James Francis Cooke

The Etude Magazine: 1883-1957

Some Devices that Make Sight Reading Easy

Chopin's Last Surviving Pupil Gives Recollections of His Master

Leading the Pupil to Think While Practicing (interview with Harold Bauer)

Comfort at the Keyboard

Self-Development and Piano Playing

Mozart's Personal Appearance

Pioneers of American Music

Ornamentation in Music

Pros and Cons of Correspondence Instruction in Music: A Far Reaching Symposium on a Much Discussed Subject

Some Things the Student Should Know about Mozart's Works

Liszt's Original Compositions

Music and Abstract Ideas

Foundation Stones of Good Piano Technic

Tragic Character of the Music of Russia

Recollections of Celebrated Musicians (interview with Henry Schradieck)

Exercises …

Volume 32, Number 01 (January 1914), James Francis Cooke

The Etude Magazine: 1883-1957

New Year's Greetings form Well Known American Composers

Talk with the Girl Who Would be a Prima Donna (interview with Nellie Melba)

Cheerfulness in the Lesson

To the Memory of Mathilde Marchesi, 1826-1913

Physical Side of Technical Development

Progress in Music Study (interview with Emil Sauer)

Musical Thought and Action Abroad

Pupils from a Farming District

Hints in Teaching Sight-reading

Attaining Technical Proficiency

To-day with Mozart in Salzburg

Lesson in Exact Terminology

Dot and the Double Dot

Operatic Choral Prayer

Recent Progress in Teaching Methods

Story of the Famous Singer Who Gave Richard Wagner His Ideals

Is Musical Theory Necessary? …

Sherwood Music School Annual Catalog 1914-1915, Sherwood Music School

Academic Catalogs

The 1914-1915 Annual Academic Catalog for Sherwood Music School, featuring information about the School, department descriptions, biographical information about and images of faculty, course descriptions, and tuition information.

Rockin' In De Win' / Words By W. H. Neidlinger, W. H. Neidlinger, Theodor Presser Co. (Philadelphia)

Sheet Music, 1910-1919

Description: A Raccoon Lullaby; Publisher: Theodor Presser Co. (Philadelphia)

The Darktown Poker Club/ Music By Bert Williams And Will H. Vodery; Words By Jean Havez, Bert Williams, Will H. Vodery, Jean Havez, Remick Music Corporation (New York)

Sheet Music, 1910-1919

No abstract provided.

Of How That Woman Could Cook / Music By Grace Le Boy; Words By Gus Kahn, Grace Leboy, Gus Kahn, Jerome H. Remick And Co. (New York)

Sheet Music, 1910-1919

Cover: a drawing of a woman cooking and baking; photo inset of Sam Chip and Mary Marble; Publisher: Jerome H. Remick and Co. (New York)

Miss Caroline / Words By Thos. S. Allen, Thos. S. Allen, O. E. Story (Boston)

Sheet Music, 1910-1919

Cover: drawing of an African American male singing and playing a five string banjo, while an African American female makes eyes at him; description reads southern serenade song; Publisher: O. E. Story (Boston)

He's A Rag Picker / Words By Irving Berlin, Irving Berlin, Waterson Berlin And Snyder Co. (New York)

Sheet Music, 1910-1919

Cover: drawing of a man playing piano; photo inset of Chretienne and; Publisher: Waterson Berlin and Snyder Co. (New York)

When I Was A Dreamer / Music By Egbert Van Alstyne; Words By Little And Lewis, Egbert Van Alstyne, Little And Lewis, Jerome H. Remick And Co. (New York)

Sheet Music, 1910-1919

Cover: no. Illustrat.; Publisher: Jerome H. Remick and Co. (New York)

I Want To Go Back To Michigan (Down On The Farm) / Words By Irving Berlin, Irving Berlin, Waterson Berlin And Snyder Co. (New York)

Sheet Music, 1910-1919

Cover: drawing of a little farm scene; photo inset of The Lynch Trio; Publisher: Waterson Berlin and Snyder Co. (New York)

Celebratin' Day In Tennessee / Music By Jack Glogau; Words By Lew Brown, Jack Glogau, Lew Brown, Leo Feist Inc. (New York)

Sheet Music, 1910-1919

Cover: drawing of a floral Pattern; photo inset of Emma Carus; Publisher: Leo Feist Inc. (New York)

When You're Away / Music By Victor Herbert; Words By Henry Blossom, Victor Herbert, Henry Blossom, M. Witmark And Sons (New York)

Sheet Music, 1910-1919

Cover: Floral Illustration; photo inset of a woman's portrait; Publisher: M. Witmark and Sons (New York)

In The Garden / Music By Arthur Lang; Words By Archie Fletcher, Arthur Lang, Archie Fletcher, Joe Moriss Music Company (New York)

Sheet Music, 1910-1919

Cover: photo of John Bunny; Publisher: Joe Moriss Music Company (New York)

St.Louis Blues / Music By W. C. Handy; Words By W. C. Handy, W. C. Handy, Handy Brothers Music Co. (New York)

Sheet Music, 1910-1919

Cover: photo inset of Marion Harris; Publisher: Handy Brothers Music Co. (New York)

The Violin My Great Grand-Daddy Made / Music By Ernie Erdman; Words By Roger Lewis, Ernie Erdman, Roger Lewis, Leo Feist Inc. (New York)

Sheet Music, 1910-1919

Cover: a drawing of a man playing Violin; a photo inset of Shale and Cole; Publisher: Leo Feist Inc. (New York)

(There's A Light That's Burning In The Window Of) The Little House Upon The Hill / Words By Ballard Mc Donald, Joe Goodwin, And Harry Puck, Ballard Mcdonald, Joe Goodwin, Harry Puck, Shapiro Bernstein And Co. (New York)

Sheet Music, 1910-1919

Cover: drawing of an elderly lady sitting on a bench near a dog, a house is centered in the background; photo inset of Ward and Delmore; Publisher: Shapiro Bernstein and Co. (New York)

Saint Louis Blues / Music By W. C. Handy; Words By W. C. Handy, W. C. Handy, Handy Brothers Music Co. (New York)

Sheet Music, 1910-1919

Cover: photo of Rudy Vallee; Publisher: Handy Brothers Music Co. (New York)

When It's Night Time Down In Dixieland / Music By Irving Berlin; Words By Irving Berlin, Irving Berlin, Waterson Berlin And Snyder Co. (New York)

Sheet Music, 1910-1919

Cover: drawing of rural African Americans gathered next to a log cabin at night, while a banjo and fiddle are played; photo inset of Val Harris and Jack Manion (see 550); Publisher: Waterson Berlin and Snyder Co. (New York)

Rufe Johnson's Harmony Band / Music By Maurice Abrahams; Words By Shelton Brooks, Maurice Abrahams, Shelton Brooks, Maurice Abrahams Music Co. (New York)

Sheet Music, 1910-1919

Cover: photo of Emma ONeil; Publisher: Maurice Abrahams Music Co. (New York)

He's A Rag Picker / Music By Irving Berlin; Words By Irving Berlin, Irving Berlin, Waterson Berlin And Snyder Co. (New York)

Sheet Music, 1910-1919

Cover: drawing of a Caucasian male playing piano, inset photo of McCormack and Irving; Publisher: Waterson Berlin and Snyder Co. (New York)

Can't Yo' Heah Me Callin' Caroline, Caro Roma, William Henry Gardner

Historic Sheet Music Collection

1. I miss yo' in de monin, when ole Bob White gives his call,
Caroline, Caroline, I miss yo at de sunset, when de evenin' shadows fall,
Caroline, Caroline, I miss yo' when de moonbeams out on de ribber shine,
Oh, can't yo' heah me callin' for yo', Caroline.

2. I miss yo' when de Robin is a whistlin' out his tune, Caroline, Caroline,
I miss yo' when de roses are a bloomin' all of June, Caroline, Caroline,
I miss yer hand a stealin' so trustin' like in mine,
Oh can't yo' heah me callin' for yo', Caroline.

CHORUS. Can't …

I Love You Like Lincoln Loved The Old Red, White & Blue, William Jerome, Joe Young, Jean Schwartz, Happy Williams Music Co

ALLM: Civil War Sheet Music Collection

80.7568.538 – “I Love You Like Lincoln Loved the Old Red, White & Blue”: William Jerome: Joe Young: Jean Schwartz: Happy Williams Music Co.: 1914: Vocal Solo.

You Are The Rose Of My Heart, Andrew K. Allison, James Kendis, Maurice Richmond Music Co

Popular Sheet Music of the 1900s-Archive

Front cover: A picture of a title in old Gothic text.

First line of song: I had a wonderful dream, dear, a garden so deary I saw

First line of chorus: You are the rose of my heart, dear, you are my sunshine

Valse Lento

Includes sheet music samples from the songs "What Do You Want With Me?"

Words by Andrew K. Allison

Music By James Kendis

Medium

1 score, (8p), 34x26 cm

Published by Maurice Richmond Music Co, New York

When I Come Back To Erin (I Am Coming For You), Will Callahan, Blanche M. Tice, Blanche M. Tic Music Co.

Popular Sheet Music of the 1900s-Archive

Front cover: A man sitting in a chair staring to the right at a lady in the corner.

First line of song: Colleen tonight I'm dreaming of you,

First line of chorus: When I come back to Erin I am coming for you,

Valse Andte

Refrain Slowly

Chorus for male or mixed voices.

Lyric by J. Will Callahan

Music by Blanche M. Tice

1 score, (6p.), 35x26 cm

Published by Blanche M. Tic Music Co., Iowa