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School Of Music Recital Programs From 1968-1969, Wright State University School Of Music

School of Music Printed Programs

This is a collection of programs from a variety concerts, recitals, and other performances previously held at Wright State University during the 1968 to 1969 school year.

Concert Programs 1968-1969, University Of Arkansas, Fayetteville. Department Of Music

Concert Recordings & Programs

This is the annual compilation of music programs from the Department of Music for the time period indicated

An Original Composition For Chorus Missa Brevis, Robert Austin Barbey

All Master's Theses

In the composition of this Mass the composer was faced with several alternatives in the selection of a suitable musical style. These choices were narrowed to include (1) "traditional" or "romantic"; (2) "pop"; or "jazz"; (3) "folk-mass"; or (4) avant garde. The ultimate choice was a synthesis, consisting of devices from fourteenth century music, and elements of contemporary style.

Luther The Musician, Charles L. Hill

Honors Theses

The chief contributions of Martin Luther to Western civilization are in the fields of theology and religious reform; but his influence upon, and even his direct contributions to, the development of music also are of considerable importance. Luther has established a place for himself in history as "the great German religious reformer who began the Protestant Reformation" (Brit., 436), but his abilities as a musician are often overlooked. That Luther had a great love for music is clear from a letter which he sent to Ludwig Senfl, the court musician at Munich, on October 4, 1530, in which he says: …

Erik Satie And His Influence On Music In France In The Twentieth Century, Lindsey Peters

Honors Theses

In nearly every period in musical history that is marked by dramatic change in thought and composition, there emerge figures whose contribution lies more in the philosophical and aesthetic influence than in the actual music they produced. It was true of the Florentine Camerata, whose influence did not reach musical fruition until Monteverdi. In late nineteenth and early twentieth century France, Erik Satie was a harbinger of directions French music was to take in the next fifty years. Although his music exhibits many advanced techniques, ideas revealed in Satie’s writings and conversations with artists of all media were influential in …

Use Of The Simultaneous Cross-Relation By Sixteenth Century English And Continental Composers, Tim Montgomery

Honors Theses

The principle of the simultaneous cross-relation in vocal music has generally and commonly been associated with the English composers of the sixteenth century. This assumption has been more specifically connected with secular music, namely the English madrigal. To find the validity of this assumption in relation to both secular and sacred music I have compared the available vocal music of three English composers, two major and one minor: Thomas Tallis (1505-1585), William Byrd (1543-1623), and Thomas Whythorne (1528-1596). In deciding whether the simultaneous cross-relation was an aspect of English music exclusively, I examined vocal music of three composers of the …

New Mexico Musician Vol 15 No 2 (January 1968)

New Mexico Musician

PRESIDENT'S MESSAGE 3

DIRECTOR OF FINE ARTS 7

NMMEA CONVENTION PROGRAM 8

ADVERTISERS INDEX 8

NMMTA NEWS 20

ALL-STATE AUDITION REPORT 22

SEEMS LIKE YESTERDAY 26

BOARD MEETING MINUTES 28

DISTRICT PRESIDENTS REPORT 30

IN BEHALF OF PROFESSIONALISM 37

Music At Central Winter 1968, Central Washington University Central Washington University

CWU Music Department Newsletters

Newsletter

Music At Central Fall 1968, Central Washington University Central Washington University

CWU Music Department Newsletters

Newsletter

Effects Of Music Backgrounds On Silent Reading Test Results Of Sixth Grade Students, Delbert Ray Rydquist

University of the Pacific Theses and Dissertations

It was the purpose of this study to analyze the effect that three backgrounds had on the silent reading achievement test results of sixth grade students. No music, soothing instrumental music, and stimulating instrumental music were used.

A Piano Recital Analysis, Mildred L. Beckemeyer

Masters Theses

No abstract provided.

Piece For Orchestra: An Original Composition For Full Orchestra, Orrin Young Hager

Dissertations and Theses @ UNI

Piece for Orchestra is a composition in one movement. Based upon a twelve-tone row, it is written in a free form with a combination of tonal and non-tonal elements. It contains many jazz components, all of which evolve from an initial rhythmic cell.

Ua94/6/1 Gemini 15 Invitational Travel Orders, U.S. Army

Student/Alumni Personal Papers

Letter regarding travel provided by the U.S. Army for the Gemini 15 European tour January 15 through March 22, 1968. Includes a list of Gemini 15 members who participated on the tour.

Marshall University Music Department Presents A Senior Recital, Mary Seaman, Tenor Sax, Annabell Napier, Soprano, James Spencer, French Horn, Mary Seaman, Annabell Napier, James Spencer

All Performances

No abstract provided.

Recital: Student, December 13, 1967, School Of Music

School of Music Programs

Centennial East 159
Wednesday
December 13, 1967
7:30 p.m.

Marshall University Choral Union Presents A Guest Artist, Jane Hobson, Mezzo-Soprano, Jane Hobson

All Performances

No abstract provided.

Winter Concert, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Handel's Messiah, December 8, 1967, James L. Roderick

School of Music Programs

Capen Auditorium
December 8 and 10, 1967
8:15p.m. and 2:30p.m.

Faculty Recital: Paula Darlene Nelson, Harpsichord And Piano; December 6, 1967, Paula Darlene Nelson

School of Music Programs

Capen Auditorium
December 6, 1967
8:15 p.m.

Blockprint December 04, 1967, Students Of Risd, Risd Archives

All Student Newspapers

Blockprint was a student newspaper published throughout the 1950s-60s. The December 4, 1967 issue features articles on a protest on Hallloween, Bob Krywy, a sculpture by Michael Casey at Woods Gerry, the drafting of a Blockprint contributor, and a satirical piece on Lyndon B. Johnson, along with other opinion pieces, editorials, and creative writing.

Marshall University Music Department Presents The Marshall Faculty Woodwind Quintet, William Davidson

All Performances

No abstract provided.

Twelfth Madrigal Dinner-Concert, December 1967, Illinois State University

Madrigal Dinner Programs

Ballroom, University Union, Illinois State University

Recital: Donald Hatch, Violin; November 28, 1967, Donald Hatch

School of Music Programs

Capen Auditorium
November 28, 1967
8:15 p.m.

Ensemble Concerts: The University Concert Choir And Oratorio Choir, November 21, 1967, James L. Roderick

School of Music Programs

Capen Auditorium
November 21, 1967
8:15 p.m.

Blockprint November 20, 1967, Students Of Risd, Risd Archives

All Student Newspapers

Blockprint was a student newspaper published throughout the 1950s-60s. The November 20, 1967 issue features articles on jazz musician Charles Lloyd, musician Alan Sondheim, Pete Seeger, Mike Bloomfield, an organ recital, school spirit at RISD, the underground film scene, television host Robert Jungels, draft protesters, Mexicans, and a photography exhibition of Guggenheim Fellows, along with other opinion pieces, editorials, and creative writing.

Joint Recital: Delta Omicron International Music Fraternity And Phi Mu Alpha Sinfonia Music Fraternity Of America, November 19, 1967, School Of Music

School of Music Programs

Centennial Lecture Hall
Sunday
November 19, 1967
3:00 p.m.

The Music And Speech Departments Of Marshall University Presents Wonderful Town, George J. Harbold, C. L. Kingsbury

All Performances

No abstract provided.

Ensemble Concerts: The University Orchestra, November 15, 1967, Lawrence Kinney

School of Music Programs

Capen Auditorium
Wednesday
November 15, 1967
8:15 p.m.

Sunday Afternoon Concerts, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

The University String Quartet: Donald Hatch, Violin; Isabelle Terrill, Violin; Lawrence Kinney, Viola; Robert Ashby, Cello; November 9, 1967, Donald Hatch, Isabelle Terrill, Lawrence Kinney, Robert Ashby

School of Music Programs

Centennial Lecture Auditorium
November 9, 1967
8:15 p.m.