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Articles 601 - 630 of 6395
Full-Text Articles in Entire DC Network
Old Dominion University Jazz Combo And Old Dominion University Jazz Orchestra, Old Dominion University Jazz Combo, John Toomey (Director), Old Dominion University Jazz Orchestra, Douglas T. Owens (Director)
Old Dominion University Jazz Combo And Old Dominion University Jazz Orchestra, Old Dominion University Jazz Combo, John Toomey (Director), Old Dominion University Jazz Orchestra, Douglas T. Owens (Director)
Ensemble Performances
No abstract provided.
Ensemble Concerts: Symphonic Winds And Wind Symphony, February 15, 2023, Anthony C. Marinello Iii, Mack Wood, John Gonzalez, Jeason Lopez
Ensemble Concerts: Symphonic Winds And Wind Symphony, February 15, 2023, Anthony C. Marinello Iii, Mack Wood, John Gonzalez, Jeason Lopez
School of Music Programs
Center for the Performing Arts
February 15, 2023
Wednesday Evening
8:00 p.m.
Choral Showcase, February 12, 2023, Illinois State University School Of Music
Choral Showcase, February 12, 2023, Illinois State University School Of Music
School of Music Programs
Center for the Performing Arts
February 12, 2023
Sunday Afternoon
3:00 p.m.
Rosanna Carteri, 89, Gifted Italian Soprano Who Partnered An Era’S Greatest Stars, Has Died
Rosanna Carteri, 89, Gifted Italian Soprano Who Partnered An Era’S Greatest Stars, Has Died
Journal of the Jussi Björling Societies of the USA & UK
One of the most beautiful and gifted Italian sopranos of her generation, Carteri made her professional debut at eighteen, as Elsa in Lohengrin at the Baths of Caracalla in Rome in 1949. Within the next few seasons, Carteri made house debuts at most of the principal Italian venues, including La Scala, Arena di Verona, La Fenice, Teatro di San Carlo and Maggio Musicale Fiorentino, as well as at Covent Garden, Paris Opéra and the Salzburg Festival. Celebrated for her elegance, impeccable technique and sympathetic stage presence, Carteri sang repertoire that ranged from Desdemona, Violetta, Alice Ford, Liù, Magda in La …
“All The Evil Music Has:” Musical Representations Of The Vamp In Interwar American Popular Media, Martha Schulenburg
“All The Evil Music Has:” Musical Representations Of The Vamp In Interwar American Popular Media, Martha Schulenburg
Dissertations, Theses, and Capstone Projects
This dissertation explores the vamp as a symbol of sociosexual deviance in film and American popular music of the 1910s and ‘20s. Abbreviated from vampire, “vamp” came to be used as a term for sexually voracious and predatory women in the early 20th century. Following the unprecedented success of the 1915 film A Fool There Was, vamps then became a staple in American popular media. My project examines the process of remediation and cultural dissemination at the dawn of mass media via the vamp in music. Vamps were pervasive in cinematic accompaniment, vaudeville, jazz, and Tin Pan Alley …
Jussi Björling Society – Usa At Symphony Center Chicago Conference Rescheduled!, Sue Flaster
Jussi Björling Society – Usa At Symphony Center Chicago Conference Rescheduled!, Sue Flaster
Newsletter of the Jussi Björling Societies of the USA & UK
JBS-USA is happy to announce that plans for the much-anticipated Chicago Conference, postponed from spring of 2021, are now being finalized for the weekend of March 24 to 28, 2022. We are accepting advance registrations with the enclosed form, or online, through the JBS web site. As before, the Conference will include nine distinguished speakers, group tickets to performances by the Chicago Symphony Orchestra and Lyric Opera of Chicago, and group discounted hotel rooms.
Full Issue
Newsletter of the Jussi Björling Societies of the USA & UK
No abstract provided.
Okay! (The Asd Band Film), Michele M. Desmarais
Okay! (The Asd Band Film), Michele M. Desmarais
Journal of Religion & Film
This is a film review of OKAY! (The ASD Band Film) (2022) directed by Mark Bone.
University Opera With University Symphony Orchestra - Gianni Schicchi And Buoso's Ghost, John J. Cali School Of Music
University Opera With University Symphony Orchestra - Gianni Schicchi And Buoso's Ghost, John J. Cali School Of Music
2022-2023
Gianni Schicchi & Buoso's Ghost Set in medieval Florence, the established Donati family are grieving around the deathbed of their patriarch, Buoso Donati. But when they find out he’s left their inheritance to the church - mourning turns to rage. They rope in a lower class fix-it guy, Gianni Schicchi, to change the will, in exchange for his daughter Lauretta marrying their young Rinuccio. Schicchi finds the perfect solution, executes the plan, and gets the Donati exactly what they deserve.
In the sequel to Puccini’s masterpiece, Michael Ching’s Buoso’s Ghost, Schicchi discovers a dark Donati secret. When they come back …
Matthew Worth, Baritone [And] Alexander Katsman, Piano, Department Of Music, University Of Richmond
Matthew Worth, Baritone [And] Alexander Katsman, Piano, Department Of Music, University Of Richmond
Music Department Concert Programs
No abstract provided.
Thirty Years On: Reflections On Haydn’S “Farewell” Symphony By James Webster, L. Poundie Burstein, Elaine Sisman, W. Dean Sutcliffe, James Webster
Thirty Years On: Reflections On Haydn’S “Farewell” Symphony By James Webster, L. Poundie Burstein, Elaine Sisman, W. Dean Sutcliffe, James Webster
HAYDN: Online Journal of the Haydn Society of North America
It has been just over thirty years since James Webster published his influential monograph Haydn’s “Farewell” Symphony and the Idea of Classical Style: Through-Composition and Cyclic Integration in His Instrumental Music (Cambridge University Press, 1991). To honor the anniversary of Webster’s groundbreaking book, the Encounters with Eighteenth-Century Music: A Virtual Forum steering committee asked L. Poundie Burstein, Elaine Sisman, and W. Dean Sutcliffe to offer perspectives on the book, and James Webster to respond to their perspectives. The interesting online session occurred on Tuesday, October 18, 2022, and included a lively open discussion following the presentations and Webster’s response. The …
New Music For A New World: Robert Ashley’S Television Operas, Nicole Kaack
New Music For A New World: Robert Ashley’S Television Operas, Nicole Kaack
Theses and Dissertations
Robert Ashley defined the majority of his works as “television operas”—spoken narrative music for television broadcast. Analyzing Ashley’s works through their cross-disciplinarity, this thesis addresses the development of Ashley’s chosen medium; assesses his use of visual, linguistic, and musical structures; and interprets their basis in American cultural identity.
Identity, Memory, And Performance In The Time Of Pandemic: A Duoethnography, Terry Sefton, Danielle Sirek
Identity, Memory, And Performance In The Time Of Pandemic: A Duoethnography, Terry Sefton, Danielle Sirek
Visions of Research in Music Education
How can a musician maintain her sense of self in quarantine, a self that is constructed by intertwined strands of creativity, performativity, and relationship? The hiatus brought about during the pandemic has created a lack for musicians and music educators, an absence or loss of professional identity and personal meaning. On March 12, 2020, we found ourselves shut out of the classroom and barred from the performance stage. Over the course of a year, we two musician-educators engaged in duoethnography as a way of documenting our experiences. It became a site where we could provide each other with a “destabalizing …
Edgerton Center 2023/24 Season, Edgerton Center For The Performing Arts
Edgerton Center 2023/24 Season, Edgerton Center For The Performing Arts
Edgerton Center Programs
Edgerton Center for the Performing Arts season brochure for 2023-24.
Ethics In Kakadu (1988): Finding Djilile’S “True Tracks”, Natasia T. Boyko
Ethics In Kakadu (1988): Finding Djilile’S “True Tracks”, Natasia T. Boyko
Electronic Theses and Dissertations
Tasmanian-born Peter Sculthorpe (1929 – 2014) was one of Australia’s most iconic modernist classical composers of the twentieth century. Kakadu (1988) seems to have sparked the most controversy of Sculthorpe’s works and has become one of his most well-known pieces. In the program notes provided in the score’s foreword, Sculthorpe asserts that “the melodic material in Kakadu, as in much of my recent music, was suggested by the contours and rhythms of Aboriginal chant.” Sculthorpe attributed this melodic material to the Arnem Land chant, Djilile. Consequently, Sculthorpe has been criticized for extracting Djilile from its authentic context as …
Women’S Voices From History: Gond Rani Durgawati And Rani Lakshmibhai, Nandini Sengupta, Moupia Basu
Women’S Voices From History: Gond Rani Durgawati And Rani Lakshmibhai, Nandini Sengupta, Moupia Basu
Monsoon: South Asian Studies Association Journal
Two strong women are compared and contrasted in this article. Gond Rani Durgawati (1524-1564) led a resistance movement in Jabalpur against the Mughal rule of Akbar. Rani Lakshmibai (1828-1858) organized the people of Jhansi against Sir Hugh Rose, an officer defending the interests of the British East India Company. Both women continue to be remembered for their bravery and their loyalty to the people they ruled.
Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift
Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift
Publications and Research
From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theater by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville …
การแสดงเดี่ยวขับร้องโดย ปฏิทัศน์ จันทนากร : วรรณกรรมเพลงคลาสสิกและละครเพลง, ปฏิทัศน์ จันทนากร
การแสดงเดี่ยวขับร้องโดย ปฏิทัศน์ จันทนากร : วรรณกรรมเพลงคลาสสิกและละครเพลง, ปฏิทัศน์ จันทนากร
Chulalongkorn University Theses and Dissertations (Chula ETD)
การแสดงเดี่ยวขับร้องโดย ปฏิทัศน์ จันทนากร : วรรณกรรมเพลงคลาสสิกและ ละครเพลง มีวัตถุประสงค์เพื่อนำเสนอความแตกต่างเชิงเทคนิคการขับร้องของทั้งสองลีลา (Style) โดยแบ่งออกเป็น 2 ช่วง ประกอบไปด้วย ช่วงขับร้องบทเพลงคลาสสิกซึ่งเป็นบทเพลงร้องศิลป์ (Art song) ทั้งหมด 5 บทเพลง และช่วงขับร้องบทเพลงจากละครเพลง (Musical Theatre) 7 บทเพลง เป็นจำนวนบทเพลงทั้งสิ้น 12 บทเพลง โดยมีแนวทางการจัดแสดงอย่างสร้างสรรค์เป็นแบบแผน พร้อมทั้งศึกษาประวัติความเป็นมาทั้งผู้ประพันธ์และตัวบทเพลง ไปจนวิเคราะห์ บทประพันธ์และเทคนิคเฉพาะ รวมไปถึงวิธีการออกเสียงให้ถูกต้อง ซึ่งเป็นส่วนสำคัญ ตามวัตถุประสงค์ที่วางไว้ เพื่อหาข้อสรุปเชิงเปรียบเทียบถึงข้อแตกต่างของทั้งสองลีลาที่ผู้วิจัยพบ และการนำไปใช้ในวิชาชีพของตนให้เกิดประโยชน์ผ่านการวิจัยในครั้งนี้
Subito 2023, Portland State University. School Of Music & Theater
Subito 2023, Portland State University. School Of Music & Theater
Subito: Student Voices from Portland State University School of Music & Theater
Issue 6, Spring 2023
Multiple articles from the new History of Hip-Hop course, faculty spotlight with School of Music & Theater Choir Directors Ethan Sperry and Coty Raven-Morris, analysis and commentary on multiple musical scores, tips for conductors avoiding injury, and so much more.
V.1 Winter 2023, Center For Arts & Language, Students Of Risd, Risd Archives
V.1 Winter 2023, Center For Arts & Language, Students Of Risd, Risd Archives
All Student Newspapers
v.1 is a publishing platform for the ongoing work, ideas, discussions, debates, and aspirations of students at the Rhode Island School of Design. The Winter 2023 issue has a theme of text, images, and communication. It contains written pieces that experiment with text and language, student visual art, and other work.
Music As Art: A Study Of Expressing Emotion Through Music And Art, Cadence Helleson
Music As Art: A Study Of Expressing Emotion Through Music And Art, Cadence Helleson
Schultz-Werth Award Papers
People have been expressing emotion with different art forms throughout history. Emotion has always been something that is hard for us to explain with words, so we have turned to painting, drawing, dancing, and music to add a visual or auditory explanation to what we feel. Depending on the chords or colors that are used, music and art can evoke specific emotions. There are many similarities between art and music, especially in the terms used to describe it. Both artists and musicians refer to their work as “compositions” and “pieces.” The musical term “timbre” means tone color and refers to …
A History Of Educational Concerts Of The Pittsburgh Symphony Orchestra, Sean Radermacher
A History Of Educational Concerts Of The Pittsburgh Symphony Orchestra, Sean Radermacher
Theses and Dissertations--Music
This project illuminates the history of educational concerts of the Pittsburgh Symphony Orchestra (PSO) and reveals a legacy of performances for young audiences, today’s educational innovations, and the orchestra’s evolving mission to serve young people. Concerts for young people are an important facet of the history of American orchestras. Today, these concerts and other educational programs are essential to increase the accessibility of orchestral music.
The PSO’s history highlights the close relationship of American orchestras with an educational mission from their early years to the present. After an overview of the origins of permanent orchestras and the national context of …
Music Reviews, Volume 79, No. 3, Kathleen Roland-Silverstein
Music Reviews, Volume 79, No. 3, Kathleen Roland-Silverstein
Voice - All Scholarship
Contains reviews of Leah Lax, librettist. Arias from Uncovered; Aria Collection/Volume 1: Arias for Soprano, Mezzo-soprano; Alto and Aria Collection/Volume 2: Arias for Tenor, Baritone, & Bass; Anna Russell Sings!!! Eight Parodies of Opera and Art Song: A Tribute to the Great Concert Comedienne Anna Claudia Russell-Brown 1911–2006.
The Effect Of Different Warm-Up Durations On Subjective And Objective Measures Of Singing In Choral Singers Over The Age Of 55, Jeremy A. Chesman
The Effect Of Different Warm-Up Durations On Subjective And Objective Measures Of Singing In Choral Singers Over The Age Of 55, Jeremy A. Chesman
Graduate Theses/Dissertations
Choral singing is a popular activity in the United States. Choral singers are often encouraged to warm up vocally before they sing. Considering voice conditions, like presbyphonia, that can develop shortly after retirement, more research about vocal warm-ups is needed for those over the age of 55. This study assesses the effects of various durations of vocal warm-ups on subjective and objective measures of the singing voice using a within-groups design with randomized condition order. Nine participants performed vocal warm-ups for 0, 5, 10, and 15 minutes. A song sample was then recorded and sent to two expert raters who …
Student Perspectives Of Music Courses In A Southwest Missouri School District: An Exploratory Case Study, Mary Elisa Wren
Student Perspectives Of Music Courses In A Southwest Missouri School District: An Exploratory Case Study, Mary Elisa Wren
Graduate Theses/Dissertations
The purpose of this study was to investigate student personal perspectives (grades 8-12) of music courses, their value, and what music courses they might choose or recommend. Numerous researchers and educators have debated and researched how music course offerings and instructional approaches used are central to the relevance, inclusiveness, accessibility, and equity in music education (Abramo, 2011; Clauhs & Cremata, 2020; Cooper, 2013; Green, 2006; Kelly & Heath, 2015). However, few researchers have investigated how students think about the motivations and barriers to different types of music courses. A semi-structured interview was used to explore secondary music students’ (a) perceptions, …
American Art Songs In The 21st Century: A Catalogue Of Selected Works, Islei Mariano Correa Hammer
American Art Songs In The 21st Century: A Catalogue Of Selected Works, Islei Mariano Correa Hammer
Graduate Theses, Dissertations, and Problem Reports (ETD)
This research explores American art songs of the 21st century. The paper provides a listing of 54 composers based in the United States and the art songs they composed from 2000 to 2023 which are available either through publishers or the composers’ websites. The research is divided into three categories: art songs with piano, chamber works with voice, and works for solo voice and large ensemble. The paper also includes biographies of each composer. This research provides singers, voice teachers, and collaborative pianists a useful resource to gain familiarity with the American art-song repertoire of the current century.
Guide To The Coleridge-Taylor Perkinson Collection, Columbia College Chicago
Guide To The Coleridge-Taylor Perkinson Collection, Columbia College Chicago
CBMR Collection Guides / Finding Aids
Coleridge-Taylor Perkinson was a composer, conductor, and pianist who composed classical, jazz, and popular music containing elements of spirituals, folk music, and blues. He was founding member and associate conductor of the Symphony for the New World, and had a long career as a composer includes activities in classical music, jazz, and film and television. The collection consists of scores, a scrapbook, programs, and publicity about his career from 1949 to 2004.
Robert Heller’S Magical Mystery Tours, Jessie Fillerup
Robert Heller’S Magical Mystery Tours, Jessie Fillerup
Music Faculty Publications
Robert Heller, a virtually unknown figure in music-historical accounts, trained in the 1840s at the Royal Academy of Music in London and gave the American premieres of Beethoven’s Fourth and Fifth Piano Concertos with the Germania Musical Society. But he also pursued a parallel career in theatrical magic, using his musical virtuosity to elevate his social and artistic stature as a conjurer. Between 1852 and 1878, his magic act was seen by millions in Europe, East Asia, and the United States, including states and territories in the American West never visited by contemporary piano virtuosos like Thalberg and De Meyer. …
The Yi Cycle: Finding The ‘Existing’ And ‘Potential’ In Tan Dun’S Intercourse Of Fire And Water For Cello Solo, Kevin He
Theses and Dissertations--Music
The Chinese American composer Tan Dun was born in 1957 in the Hunan province of China. His early life reflected the difficulties of being a student during the Cultural Revolution. Tan Dun’s Intercourse of Fire and Water for Cello Solo reflects the composer’s journey from China to the USA in the aftermath of the Cultural Revolution. The piece is the first solo concerto originating from Dun’s Yi0: Concerto for Orchestra, which was written in 2002 and is based on the ancient Chinese book I Ching (Book of Changes). The Yi Cycle includes four works: Yi0: Concerto for …
A Pianist Looks At Gerald Finzi's A Young Man's Exhortation, Op. 14, Mary Ann Wilder
A Pianist Looks At Gerald Finzi's A Young Man's Exhortation, Op. 14, Mary Ann Wilder
Theses and Dissertations--Music
Gerald Finzi is a twentieth-century British composer. Though he also composed for orchestra and chamber ensembles, he is primarily known as a composer of vocal works, both solo and choral. In this solo vocal works, he favored the poetry of Thomas Hardy; six of his nine song cycles set Hardy’s poetry. One of these, A Young Man’s Exhortation, was Finzi’s second song cycle for voice and piano, but the first to earn notable success. Finzi writes for the piano lyrically and independently, as though the piano were a duetting voice—or in many cases, voices. This paper focuses on a …