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Vol. 13 No. 3 (1990): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Contributors: Vol 13 No. 3, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Contributors list of Vol. 13 (1990): Pacific Studies Full Issue 3

Elizabeth Tatar's Review Of Richard Moyle's Traditional Samoan Music, Elizabeth Tatar

Pacific Studies

No abstract provided.

The Darius Milhaud Society Newsletter, Vol. 6, Spring/Summer 1990, Darius Milhaud Society

Darius Milhaud Society Newsletters

No abstract provided.

Winter/Spring 1990, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Summer 1990, 90.9 Wmpg Fm

WMPG Program Guides

Newsletter format.

Legitimate And Illegitimate Variation In Raga Interpretations, Peter L. Manuel

Publications and Research

No abstract provided.

Variation Procedures In Northern Ewe Song, V. Kofi Agawu

Publications and Research

The major organizational principle of Northern Ewe song is one shared by numerous African, Oriental, and European musical traditions: a small number of models (variously described as "basic shapes," "archetypes," "background structures," "basic designs," "core patterns," "deep structures") is transformed in a wide variety of ways during performance. Variation takes place on different hierarchic levels both within and between songs and includes practically all of a song's dimensions (rhythm, interval, register, contour, harmony, and so on). This principle, although widely demonstrated in the literature on African song (see, among others, Jones 1976; Kauffman 1984; Schmidt 1984; and Erlmann 1985), is …

[Review Of] Pompi: Popular Music Reriodicals Index, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.

Larry V. Shumway's Review Of Richard Moyle's Tongan Music, Larry V. Shumway

Pacific Studies

No abstract provided.

Spring 1989, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Summer 1989, 90.9 Wmpg Fm

WMPG Program Guides

Newspaper format

Andalusian, Gypsy, And Class Identity In The Contemporary Flamenco Complex, Peter L. Manuel

Publications and Research

This article endeavors to illustrate the important role played by flamenco and related subgenres in expressing and, to a considerable extent, helping to shape modern Andalusian identity. In this way we will attempt to demonstrate how musical style as well as text content can function not merely as passive reflections of broader sociocultural phenomena that shape them, but also as active contributors to the processes of cultural change.

Modal Harmony In Andalusian, Eastern European, And Turkish Syncretic Musics, Peter L. Manuel

Publications and Research

This article examined, in a cursory form, the standardized ways of harmonizing predominantly modal melodies in the contexts of a set of interrelated urban folk and popular musics of the Mediterranean area. Insofar as these music employ a harmonic-melodic system qualitatively distinct from that of Western common practice, they are worthy of scholarly attention in themselves. This article further seeks to revive the spirit of "Comparative Musicology" and to suggest ways in which cross-cultural comparison of selected musical parameters may reveal new sorts of pan-regional music areas.

The Concept Of Tāla In Thumrī, Peter L. Manuel

Publications and Research

No abstract provided.

George Alan Russell: Jazz's First Theorist, Robert E. Moore

Trotter Review

In 1953 George Alan Russell published The Lydian Chromatic Concept of Tonal Organization. By virtue of this work Russell carved out a unique niche for himself in the history of jazz, his opus representing the first theoretical work to come out of the jazz tradition. The purpose of this paper is to define his place in jazz history and to offer a biographical sketch off jazz’s first and most important theorist. My points of departure will be references made to Russell in two widely read works—Gunther Schuller’s Early Jazz and Wilfrid Meliers’ Music in a New Found Land. …

Tone And Tune: The Evidence For Northern Ewe Music, V. Kofi Agawu

Publications and Research

Abstract:

One of the most intriguing features of most African languages is that of tone, by which variations in speech tone generate different meanings (Pike, 1948, offers a valuable introduction to this subject and includes an extensive bibliography; Fromkin, 1972, is a comprehensive evaluation of specialised studies). In the Ewe language, for example, the word to [H] pronounced with a high tone means ‘ear’, as in To le venye (HLMM), ‘I have an earache.’ To can also mean ‘through’, Meto akɔnta me [MHLHML], ‘I have gone through the accounts.’ But as soon as the high tone is replaced by a …

Brochure 1988, 90.9 Wmpg Fm

WMPG Program Guides

Promotional brochure, 1988.

Summer 1988, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Summer 1988.

Winter/Spring 1988, 90.9 Wmpg Fm

WMPG Program Guides

Playbill format.

Music In The Funeral Traditions Of The Akpafu, V. Kofi Agawu

Publications and Research

"Nna lo senu kuwe, fie oresire somoloo?" ("Who laid a mat for him, so that he slept so deeply?") With this rhetorical question, the Akpafu of Southeastern Ghana initiate a period of public mourning occasioned by the death of one of their number.1 The philosophic significance of death in Akpafu culture is twofold. First, it marks the completion of the earthly cycle of existence, birth-circumcision-puberty-marriage-death. Second, it opens the door to a higher, spiritual realm in which the deceased, as an ancestor, takes his place alongside the lesser gods and the Supreme Being in the higher reaches of the hierarchy …

Fall 1987, Wmpg 90.9fm

WMPG Program Guides

WMPG program guide for Fall 1987

Includes notes from Program Director, information on shows and events, and schedule.

The Rhythmic Structure Of West African Music, V. Kofi Agawu

Publications and Research

The music of Africa has long intrigued many Westerners. From scattered comments in the accounts of explorers of the so-called Afrique Noire to the full-fledged ethnomusicological studies of the last fifty years, the constant theme has been the fundamental role of music-making in African life and society. And of all the elements of that music, rhythm has received the most attention.

There is something to be gained from looking closely at the early writings on African music, for although they represent the work of non-specialists, and for all their ethnocentricism and anthropocentricism, these accounts touch on the fundamental questions regarding …

Summer 1987, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Summer 1987

Volume 1, Various Authors

Journal of Music Theory Pedagogy

No abstract provided.

Fall 1986, Wmpg 90.9 Fm

WMPG Program Guides

WMPG program guide for Fall 1986

Includes notes from Program Director, information on shows and events, and schedule.

Clyde Davenport - Photograph, Clyde Davenport

Vintage Fiddlers Oral History Project Collection

A photograph of Clyde Davenport of Monticello, Kentucky in July of 1986.

Annadeen Fraley - Photograph, Annadeen Fraley

Vintage Fiddlers Oral History Project Collection

A photograph of Annadeen Frealey of Rush, Kentucky in June of 1986.

Spring 1986, Wmpg 90.9 Fm

WMPG Program Guides

WMPG program guide for Spring 1986

Includes notes from Program Director, information on shows and events, and schedule.

Spring 1986, 90.9 Wmpg Fm

WMPG Program Guides

Trifold, light blue, Spring 1986