Digital Commons Network^™

Jazz And Puerto Rican Traditional Music: A New Generation Of Musical Exploration, Pedro Lavezzari

Masters Theses

Many musical styles around the world have been born from struggle and search for cultural identity. The same idea applies to Jazz and the Afro-Caribbean music created within the African diaspora and influenced by Latin and European styles in the United States. More recently, the meaning of diaspora has been used to refer to a group of people and some aspects of their culture (Rivera 2010, 104). For older and newer generations of Puerto Rican musicians two traditions have intersected to create a modern form of expression that reaffirms Puerto Rico’s musical creativity and contemporary tendency. In 1989 Warren Pinckney …

Music In Poetry And Poetry In Music: Tumanian's Anush, Beata Asmik Navratil

Dissertations, Theses, and Capstone Projects

The poem Anush by the Armenian poet Hovhannes Tumanian (1869-1923) is rooted in traditional Armenian music. Tumanian's poem reflects a number of manifestations thereof: (1) It borrows in its style from Armenian lyrical songs (such as lalik and khagh), from the parerg style (the traditional dance-song), and from the voghb style (laments such as funeral laments, bayati, and tragic odes). (2) Ashug style of storytelling/singing as a main form of conveying the storyline and emotions of protagonists are present. (3) Dancing and music making during Armenian traditional rituals -- in particular, the Hambarsum celebration (Feast of Christ's Ascension), …

Student Ensemble: Symphonic Winds, September 17, 2015, Martin H. Seggelke Conductor

School of Music Programs

Center for the Performing Arts
Thursday Evening
September 17, 2015
8:00 p.m.

Report On Ams, Kenneth M. Cotich, Holly Gardinier

Faculty Papers and Conference Presentations with CGU Graduate Co-authors

This presentation summarizes and evaluates the American Musicological Society's website as a reference tool for music scholars. Evaluation methods used come from Laurie Sampsel (2012) and Holly Gardinier (2015).

Student Ensemble: Wind Symphony, September 13, 2015, Martin H. Seggelke Conductor, Daniel Gallagher Isu Concerto Competition Winner

School of Music Programs

Center for the Performing Arts
Sunday Afternoon
September 13, 2015
3:00 p.m.

Singing The Sermon: Where Musicology Meets Homiletics, Emmett G. Price Iii

Yale Journal of Music & Religion

From the beginning of the Christian Church, singing and preaching have served as major tools of communication. In fact, they remain the most utilized methods of articulating and explicating personal and communal theologies across the diverse and expansive expressions of Christianity.

From the life, ministry, and legacy of Jesus Christ through the teachings of the Apostle Paul, the roles and functions of singing and preaching are well known but not well studied as a unit. From the foundational writings of the early Church Fathers through the various theses of the reformers, the acts of singing and preaching have been studied …

Community Scholars Program - Caldwell County, Kentucky (Fa 739), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 739. This collection contains information and documentation about the Community Scholars Program’s workshops held in Caldwell County, Kentucky in 2008. The collection exclusively features a project about Amerindian culture completed by participant Melissa Earnest.

A Jamaican Voice: The Choral Music Of Noel Dexter, Desmond A. Moulton

Dissertations

As we approach the twenty-first century, the world generally is moving away from the dominance of the European aesthetic towards a world music that owes much to the musical resources of the African-American tradition. Jamaica’s social and philosophical music belong mainly to that tradition, which includes the use of rhythms, and timbral and melodic resources that exist independently of harmony. Already in this century, Jamaicans have created two totally new music - Nyabinghi, which performs a philosophical function and Reggae, which performs a social function. The choral music of Noel Dexter is important because it is uniquely Jamaican/Caribbean in its …

“The Great Speckled Bird”- Early Country Music And The Popularization Of Non-Secular Song, Kris R. Truelsen

Electronic Theses and Dissertations

Perhaps no melody in the country music canon has been as widely recognized and borrowed from as that of the song “The Great Speckled Bird.” This significant song has become resonant and representative of both country music culture and religious culture of the Protestant South.

Through this historiographical study, I have traced the influences that helped shape “The Great Speckled Bird” and in so doing have illustrated distinct movements that led to popularizing the non-secular song through commercial country music. The composer’s use of sentimentality, neo- traditionalism, and religious ideas made it appealing to a rural southern culture struggling with …

Collaboration, Fieldwork, And Film, Lee Bidgood

ETSU Faculty Works

Excerpt: I never imagined that I would help produce a documentary film based on my ethnographic fieldwork. Meeting documentary filmmaker Shara Lange during new faculty orientation at the university where we were both newly hired eventually led to our film Banjo Romantika (2013)—a full-length feature based on my research on bluegrass music in the Czech Republic, in which I play a key role as writer, producer, and on-screen character. Taking part in this film project has led me to consider how film enriches relationships with field colleagues, providing new opportunities for teaching and learning. I find that collaborations like ours …

“What Country Music Needs Is A Good War”: Country Music, Memory, And Conservative Politics, Emilee G. Johnson

Masters Theses

I argue that the Southern political realignment and the national conservative movement shaped and was shaped by country artists and their songs released during World War II, the Korean War, and the Vietnam War. I also argue that including country music offers valuable contributions to the work of history and memory scholars, showing how country artists used memory to cope with and interpret current events, and how war inspired uses of memory in country music. During World War II, country artists established a national reputation for political activism and laid the foundation for how the genre would respond to future …

'Sing Unto The Lord A New Song--Just Not That One!' A Case Study Of Music Censorship In Free Will Baptist Colleges, Jon Edward Bullock

Masters Theses

Like so many of the world’s other religious institutions, the Christian church has a long and well-documented history of using music to enhance and enliven the spiritual experiences of believers. Many of the church’s greatest champions throughout history have spoken about the inherent power of music, but as history always seems to demonstrate, along with power comes the need for control. As long as church leaders have used music to attain spiritual progress, they have also censored music that threatens to impede that progress. Even today, many church leaders still rely on music censorship to protect the future and identity …

Ecomusicology: Back To The Roots Of Sound/Music And Environmental Sustainability, Tiffany Challe

Dissertations, Theses, and Capstone Projects

We are currently living in the midst of a global warming crisis, and running against the clock to counter the rapid depletion of natural resources in an increasingly technology-run world. The first step toward sustainability is to care for our world that is full of vibrant ecosystems and that we must work together to preserve. While the visual arts have served as a cogent platform for the environmental movement, this paper will argue that sound and music have been vastly overlooked in sustainability topics. Place-making music can capture a place's unique spirit and connect listeners with their local ecologies. Therein …

Mental Discipline And Musical Meaning, Alice Harriet Jones

Dissertations, Theses, and Capstone Projects

Musical meaning, or what a musical experience communicates to a listener, is predicated on a shared habitus of listening between the musical creator (i.e., composer, performer, or improviser) and the listener. The meaning a listener takes away from a musical experience is partly dependent on the vessel transmitting it (i.e., who is performing, the quality of performance, or the visual aspects of performance), and a musical creator's actions are the result of his or her training, past experiences, enculturation, attentional focus, and bodily control in the heightened mental state in which creativity occurs. Even in traditions that consider the musician …

Educational Psychology In Undergraduate Music Education Degree Programs In Nasm-Accredited Institutions: Topics Covered And The Emphases Of Those Topics In Music Methods Courses, Ben E. Light

Student Theses and Dissertations

The purposes of this study were to (1) describe educational psychology course offerings within undergraduate music teacher training programs at National Association of Schools of Music (NASM) accredited institutions and (2) to examine the emphasis of common educational psychology topics in music methods courses. The study was guided by three research questions: (1) How are educational psychology courses situated (i.e. credit weight, course level) in the undergraduate music education degree program; (2) What are the demographics for the institutions and the music methods instructors sampled; and (3) How do music methods instructors emphasize educational psychology topics commonly cited in the …

'More Divine Than Human': Early Tudor Plainchant And Polyphony Of The Lenten Compline Office In The Use Of Salisbury, 1485-1558, Mark Wayland Ardrey-Graves

Dissertations, 2014-2019

Codified at Salisbury Cathedral in southern England during the twelfth and thirteenth centuries, the Use of Salisbury, or Sarum Use, was an influential model of church structure and liturgy across England until the middle of the sixteenth century. Within this model, certain distinctive features are observable, including patterns of ritual observance in such liturgies as the Office of Compline, prayed at the end of the day. This study examines the structure of the Sarum Compline Office, and the phenomenon of polyphonic music created for its observance, during the forty-day penitential season of Lent. This thesis specifically explores ways in which …

Kaze No Daichi Taiko: Convergent Thoughts Colliding Sounds, William Gruber

Honors Projects

By composing original works for kumi daiko, a Japanese group drumming musical style, I answer questions about authenticity and appropriation as an outsider playing this world music.

Werner Jaegerhuber’S Messe Sur Les Airs Vodouesques Or Messe Folklorique Haïtienne: A Performance Edition, Canes Nicolas

Glenn Korff School of Music: Dissertations, Theses, Student Creative Work, and Performances

Originally written for solo soprano with choir and organ, Werner Jaegerhuber completed this work in 1953, and his close friend and artistic collaborator, Louis Maximilien, commissioned it for the sesquicentennial of Haiti’s independence on January 1, 1954. However, since there are no published scores or even a reliable manuscript of this piece, what has been kept in the archives of the Société de recherche et de diffusion de la musique Haïtienne in Montreal, Canada are two dissimilar scores by unknown sources. One is the choral and organ version, which was made by a professional copyist in the 1950’s (judging by …

I Want To Be In That Number: A Song Profile Of "When The Saints Go Marching In", Gregory H. Jacks

Renée Crown University Honors Thesis Projects - All

“When the Saints Go Marching In” has never been subject to a sustained study of its origins, disseminations, and current manifestations. A study like this, focused on a song’s perceptions via various viewpoints through time, is typically referred to as a song profile; a form of reception history specifically concentrated on a single musical composition. “When the Saints Go Marching In,” also known as “Saints” or “The Saints,” is an African-American spiritual typically listed as a traditional in most songbooks without a composer.[1] I have laid out this paper into four sections, one for each period of the song’s …

From Paper To Podium: Exploring The Gap Between University Training And Professional Experience In Orchestral Conductors, Rachel L. Waddell

UNLV Theses, Dissertations, Professional Papers, and Capstones

In African polyrhythmic drum circles there is a proverb that exemplifies the necessity of common vision and community in group musical performance: “I am because we are.” This simple ideal is ostensibly mirrored in the western institution of the symphonic orchestra, an ensemble of many that nevertheless must arrive at one, shared interpretation of a piece of music. The structure of the orchestra is a complicated hierarchy with section players at its base, followed by principals, the concertmaster, and finally the conductor. Although conductors are the public face of leadership in orchestras, if they alienate the musicians they will have …

The Creation Of Fear Through Censorship: Repression Of Artistic Freedom In The Music Of The Syrian Revolution, Rebecca Aliah Ajamoughli

Undergraduate Honors Thesis Collection

"God, Syria, freedom, and that is all." These four words embody the goals of the Syrian Revolution. Yet, there is one key element of this chant that raises questions surrounding its meaning: freedom. For decades, the people of Syria have been subjected to restricted freedom by the Assad regime-especialIy musicalIy. The regime has artfulIy used music to legitimize its claim to the country. This utilization varies from early-learned pro-Baath chants to the monitoring of all performances held in the country. As Lisa Wedeen says in her work Ambiguities of Domination, "[this control of culture] isolates Syrians from one another, and …

“Mi Alma Cantará”: Tracing Issues In Music Education Within The Colonial And Contemporary Latin American Church, Kerry Digiacomo

Senior Honors Theses

Music education and institutionalized Christianity have been criticized by historians and ethnomusicologists for their role in the domination and transformation of indigenous Latin American cultures since the late 15th century. However, indigenous peoples, including Amerindians as well as more recent mestizo and Ladino people groups, have also taken an active role in transforming European musics to reflect an emic understanding of their own cultural identity. Music education within the Latin American church has provided an interface for these complex interactions between foreign and native cultural influences. This paper will explore the connections between colonial and contemporary-era music education movements in …

The Intersections Of Music, Love, And Worship, Jacob C. Wessel

Senior Honors Theses

When a right understanding of the doctrine of love infiltrates the art of music in the event of corporate worship, an opportunity arises for a unique synergism of knowledge, emotion and relationships. These qualities are paramount in the doctrine of love and practice of corporate worship, and they are especially encouraged by the powers of music. An exploration of these three aspects of love—knowledge, emotion and relationships—is here provided with special attention to the opportunity music and worship provide for intersections between them.

“Strength Shed By A New And Terrible Vision:” The Organic Evolution Of The Blues And The Blues Aesthetic In Richard Wright’S 'Uncle Tom’S Children', Jeffrey J. Horvath

Student Publications

An exploration into the development of the "blues aesthetic" in the African-American literary tradition.

Book Review Of 'Exploring American Folk Music, Ethnic, Grassroots, And Regional Traditions In The U.S.’ By Kip Lornell, Lee Bidgood

ETSU Faculty Works

Review of ‘Exploring American Folk Music, Ethnic, Grassroots, and Regional Traditions in the U.S.’ by Kip Lornell

“Ab-Soul’S Outro,” “Hiiipower,” And The Vernacular: Kendrick Lamar’S Rap As Literature, Tyler S. Bunzey

Senior Honors Theses

Kendrick Lamar’s “Ab-Soul’s Outro” and “HiiiPower” employ complex patterns of Signifyin(g), testifyin’, and other classical African-American literary tropes in order to construct a nuanced style. Lamar creates a double-voiced text not only within his narrative, but also within the form itself. Lamar plays on rap's unique status in African-American literature as an oral text; it is an extension of the vernacular. Through this oral text, Lamar decentralizes the Eurocentric focus of classical interpretation and qualification of literature to a new Afrocentric perspective that privileges the oral text. These raps are complex, wrapped up in their current context along with a …

Lincoln Days Festival - Hodgenville, Kentucky (Fa 744), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Colleciton 744. This collection contains the audio recording of an interview conducted by Bob Gates with historian Mac Trumbo about the Lincoln Days Festival held annually in LaRue County, Kentucky.

P-28 Musical Borrowing In Las Cuatro Estaciones Porteñas: Piazzolla, Desyatnikov, Vivaldi, Wayanne Watson

Honors Scholars & Undergraduate Research Poster Symposium Programs

Leonid Desyatnikov arranged Astor Piazzolla’s Las Cuatro Estaciones Porteñas for violin and string orchestra, interspersing quotations from Vivaldi’s Four Seasons throughout the new work. My score-based analysis of the arrangement investigates Desyatnikov’s borrowing techniques by locating the Vivaldi quotations, examining Desyatnikov’s alterations to their original content and context, and determining whether the quotations’ identities are maintained or transformed. My research shows that, generally, Desyatnikov minimizes drastic alterations to content, but usually makes changes to context. Overall, this leads to transformation of the quotations’ identities. By examining these compositional procedures, my analysis provides a more nuanced exploration of musical dominance and …

The Irish Experience: Identity And Authenticity In Irish Traditional Music, Elizabeth Graber

Lawrence University Honors Projects

Over the last century, Irish traditional music, or “trad,” has become a global phenomenon that has flourished in communities from the United States of America to Japan. A musician need not be Irish in heritage to play and do justice to Irish traditional music or to feel a strong emotional connection to it; yet ethnic ties, real and imagined, constitute a powerful reason to play. The music is inextricably linked with the poetically-titled Emerald Isle even if its musicians are not. In this project, I explore and analyze the many facets of perception of and participation in Irish traditional music, …

Sixth Annual Festival Of New Music February 27 - March 1, 2015, Mark Zanter

All Performances

No abstract provided.