Digital Commons Network^™

Correlations In Acquiring Musician’S Dystonia Amongst Professional Musicians: Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

Dystonia happens at a remarkable rate amongst musicians. The definition of acquired dystonia are types of dystonia that develop from other factors that cause damage or degenerate to the body the brain. Dystonia is a disease that is not fully understood by science and requires more research to uncover the disease’s abundance in professional musicians. Many medical studies have been done in regards to dystonia in the general population but there is still large questions about why dystonia is a crisis in the musical world. It is a topic misunderstood by most musicians and largely mysterious to the majority of …

Bollywood Production: Cultural Values And Studio Decisions: Annotated Bibliography, Tyler Thom

Musicology and Ethnomusicology: Student Scholarship

As India’s popular music, Bollywood has been used to discuss cultural representation and diffusion of ideas throughout India and the world. Musical, video, and pop culture analysis have widely been conducted but far less research has been done on the recording methods applied. Studio “magic” has been credited for the correction and production of modern music but editing decisions and mixing techniques are consciously chosen by an engineer and thus can be studied as an artistic endeavor. How are recording and mixing methods influenced and reflective of the cultural audience? While many techniques of music production originated in the West, …

Voiced Gender Signifiers Within ‘As One’ A Chamber Opera: Annotated Bibliography, Samuel Sherman

Musicology and Ethnomusicology: Student Scholarship

‘As One’, a popular modern chamber opera by composer Laura Kaminsky, presents the transition of transgender woman, Hannah. Hannah, however, is casted and composed as two separate voices, a baritone and mezzo-soprano, thus creating “Hannah before” and “Hannah after”. In doing so, a dichotomy of thought surrounding the attributes of a binary based practice of vocalization and character representation is created. Through the analysis of gender theory, voiced gender theory, and the ‘As One’ chamber opera, storytelling of complex gender-based characters may be solidified within biased gender compositional and musical tools. In discovering these repetitive actions through socially constructed stereotypes …

Narrative In Debussy’S Sonata For Flute, Viola And Harp: Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

An annotated bibliography to a proposed paper on narrative in Debussy’s Sonata for Flute, Viola and Harp.

Relationship Between Vocal Technique, Classification, And Appropriate Repertoire For The Tenor Voice, Joan Sebastian Marquez Unda

Musicology and Ethnomusicology: Student Scholarship

Within the training and career of a lyrical singer, it is necessary to approach a question: Why is it important to know the vocal classification and the technique for the correct assignment of the repertoire? Although the answer forces us to delve a little deeper into the history of the classification of voices by sex, we will also focus on characteristics that section lyrical voices by their tessitura, timbre and intensity, with a special emphasis on the tenor voice.

The Jingwei Bird Sings Performative Resistance: Music And Arts Programming As Catharsis, Acculturation, And Cultural Remembrance For Refugees In U.S. Immigration Detention Centers, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

Scholarship on immigration detention centers as sites for musical exchange and identity formation remain largely unresearched. Adelaida Reyes in her groundbreaking work, Songs of the Caged, Songs of the Free, offers insight into the “heterogeneity” of resettlement camps and their ambiguous sovereignty. Her work, however, does not examine the musical environments and ecologies of modern large-scale immigrant detention centers, nor these center’s specific musical identities. Significant analyses of music programming in detention centers include musicologists Donna Weston and Caroline Lenette’s article, “Performing Freedom: The Role of Music-Making in Creating a Community in Asylum Seeker Detention Centres” and ethnomusicologist Julia Morris’s …

Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

An Annotated Bibliography discussing how the music education forum could further diversify.

Exploring Maximalism In Music, Comparing The Selected Works Of Richard Strauss And Kanye West: Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

In the realm of music theory, many terms are used to simplify characteristics of musical compositions. Many of these terms become “ism’s” as a way to easily group many characteristics or techniques that composers implement. A well known ‘ism’ that is taught often in American music theory/history courses is minimalism, where composers made music with techniques like repetition, simplification, etc. This paper seeks to define another emerging ‘ism’ in music theory, Maximalism. This term broadly refers to the over exaggeration of compositional techniques in music, and their effects. I propose that in many ways the composers Richard Strauss and Kanye …

Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

This is a twelve source annotated bibliography with sources regarding the clarinet pedagogy of professors Yehuda Gilad and Howard Klug. It features dictionary articles, dissertations, journal articles, musical scores, and video and audio sources.

Fear And Death In Schubert’S Lieder: Annotated Bibliography, Michaela Hertrich

Musicology and Ethnomusicology: Student Scholarship

The themes of death are common throughout the genre of German Lied. However, fear is a much more subjective emotion that is often overlooked in textual and musical analysis of death. Schubert’s works “Erlkönig” and “Der Tod und das Mӓdchen” both illustrate situations of death, but they also include a deep permeation of fear. However, fear is dealt with differently between these two works, both in terms of historical context and importance as well as in general harmonic setting. This annotated bibliography includes sources that describe in detail Schubert’s compositional style, his approach to both the text and musical setting …

Einstein On The Beat: Transcribing Electronic Dance Music Using Methods Of Minimalist Analysis, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

This paper focuses on the transcription and methods of analysis for the modern musical genre of EDM, or electronic dance music. It takes a historical look at the origins of EDM in the early 1970s and explores how the compositional techniques of 21st century EDM producers are in fact similar to those of minimalist composers from the 1960s and 70s. By first establishing a common vocabulary to discuss the two genres, the paper will then examine compositions from both genres and attempt to provide a useful framework that can be used to analyze future catalogues of EDM.

How Have Classical Composers Written For And Adjusted Their View Of Viola Over Time? Annotated Bibliography, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

An annotated bibliography of a future research paper for MUAC 4000.

An Annotated Bibliography For Debating The ‘Authentic’ Use Of Vibrato In Early Bowed String Performance Practice, University Of Denver

Musicology and Ethnomusicology: Student Scholarship

Musicians debate daily the authentic execution of pretty much any music, especially historical styles, even among non-specialist performers. To be considered authentic, there is little consensus among musicians deciding upon a unified vision of accuracy. Maybe the idea of a strict authenticity threatens a musician’s fundamental understanding of musical expression. That discussion, alone, can become very personal in nature. For decades, semantic and philosophical discourses have driven the impetus to debate of what ‘authentic’ music is, and the answer is (mostly) clarified when you start to investigate minute and critical musical details.

Especially among period performance specialists, there tends to …

Same Old Song: An Analysis Of Adaptation And The Orpheus Myth In Musical Theatre, Aaron J. Wulf

Musicology and Ethnomusicology: Student Scholarship

This bibliography is a brief examination of various adaptations of the myth of Orpheus and Euridice throughout the history of musical theatre and opera, specifically through comparative textual analysis of the scripts and libretti. In this examination, additions to or retractions from the original story, whether common to several adaptations or unique to a single source, will be analyzed. From these findings it will be possible to speculate on historical and contextual reasons for the unique shape taken by each adaptation, and to add to the conversation about the nature and purpose of adaptation in general as well as the …

Golan V Holder’S Impact On Orchestra Performance Programming: Annotated Bibliography, Craig M. Winston

Musicology and Ethnomusicology: Student Scholarship

This project will examine how changes in copyright law enacted with the Supreme Court’s 2012 decision on Golan v Holder affect the performance programming of American symphony orchestras. The court’s decision brought many previously public-domain, foreign works under copyright protections in accordance with the Uruguay Rounds Agreement Act; among the musical works were frequently performed pieces by composers such as Prokofiev, Rachmaninoff, and Stravinsky. The result is that previously free or low-cost works would now have to be licensed or rented for performance at great expense to the performing group. I will seek to test a hypothesis proposed by legal …

What Is Jazz?: Exploring The Question, Dominick Tancredi

Open Educational Resources

This writing assignment begins a semester-long exploration addressing the question “What Is Jazz?” Being introduced by film to two New Orleans jazz musicians, George “Kid Sheik” Colar (1908-1996) and Emanuel “Manny” Sayles (1907-1986), students will get a firsthand perspective of the various levels of commitment to the music these two individuals maintained as working musicians. They dedicated themselves professionally, personally, emotionally, and spiritually. They took inspiration from their life experiences. The films convey the message that jazz goes beyond the notes we hear.

Lining-Out And Performance Practice Of The Dr. Watts Hymn- Lining Tradition In Three Selected African American Missionary Baptist Churches In The Northern Mississippi Delta Region, Kelvin K. Towers

Electronic Theses and Dissertations

The purpose of this descriptive study is to analyze the performance practice of lined-hymns that are sung in three selected African American Missionary Baptist churches located in the Northern Mississippi Delta region. ‘Dr. Watts’ lined-hymn singing has survived in some African American church denominations for approximately 150 years without the availability of a standardized printed musical notation source. Focus of the investigation is guided by five questions exploring the historical context, liturgical function, musical characteristics, performance practice, and method of learning of this musical tradition. Further examined are the role of the song leader, and cultural beliefs and philosophical differences …

Rhythms: Music At The University Of Northern Iowa, V40, Fall 2021, University Of Northern Iowa. School Of Music.

Rhythms: Music at the University of Northern Iowa

Contents:

From the Director --- 2
Guest Artists 2020-2021 --- 6
Operatini --- 8
Jazz Studies Update --- 10
Community Outreach --- 11
Scholarship Benefit Concert --- 13
Student Awards and Honors --- 15
Student Spotlight --- 16
Recent Graduates Update --- 17
Faculty Spotlight --- 18
Faculty News and Activities --- 19
Retirements and New Faculty --- 21
Emeritus Faculty News --- 23
Alumni News and Updates --- 24
Alumni Spotlight --- 27
Spotlight Series 2021-2022 --- 28
Donor Spotlight --- 29
Opportunities to Give --- 30

John Wesley Work Iii: Arranger, Preserver, And Historian Of African American Traditional Music, Kaylina Madison Crawley

Theses and Dissertations--Music

This study focuses on John Wesley Work III’s life and career in response to the scarcity of existing research and publication devoted to him. To expand the scholarship focused on Work and to deepen the history of African American artistry, this dissertation analyzes his additions to concert repertoire through his arrangements of spirituals, investigates his scholarship, and performance— including his activities as Director of the Fisk Jubilee Singers — and provides a foundation for further analytical study of African- American sacred music. Methodology utilized in this thesis includes construction of a biographical narrative based on primary sources and analysis of …

Shining A Spotlight On Female African American Composer Evelyn Simpson-Curenton, Iris E. Fordjour-Hankins

Theses and Dissertations--Music

Those who are interested in learning more about Evelyn Simpson-Curenton (b. 1953) will find it challenging to find scholarly material on her life and music. She is best known for her arrangements of spirituals that were sang and recorded by Kathleen Battle and Jessye Norman (whose concert recording Spirituals in Concert was released in 1991). Simpson-Curenton is also known for her choral work, “Psalm 91,” made famous by Oakwood University’s Aeolians. Though she is self-published, her absence from compilations, volumes, and anthologies for solo voice and piano is regrettable. This dissertation provides well researched scholarly information about her musical life …

The Matusiflute: A Bi-Timbral Flute Modification And The Cultural Influences That Inform Its Performance Practice And Repertoire, Joshua Gabriel Mcmahon

Theses : Honours

A product of flute modification and experimentation, the Matusiflute is a headjoint that allows the performer to alter the timbre of the western concert flute. This thesis examines this bi-timbral instrument, invented by Swiss flautist Professor Matthias Ziegler, and explores its capabilities to shift to a buzzing timbral colour which is similar to that of the dizi (Chinese end-blown flute). Composers may use the instrument for its unique textural timbral colour or to imitate the culturally-informed performance style of the dízi. Though reflective performance practice, music analysis and an interview with the inventor, the thesis examines the Matusiflute to …

Jay Chou’S Kuso Music: Cultural Fusion In The Age Of The Internet, Stz-Tsung (Stone) Han

Scripps Senior Theses

Jay Chou is one of the most significant singers in Chinese popular music history. One of Chou’s greatest achievements is his implementation of the Chinese “Egao” culture in his music, which originated from Japanese Kuso culture. Such an approach not only created his unique style but also allowed him to adopt various musical techniques together seamlessly. By doing so, Chou created a style that references multiple traditional musical conventions without being bound by any of them. This study aims to examine the evolution of the Kuso culture as well as Chou’s implementation of it. The development of Kuso is fostered …

The G7 Suite: Score And Analysis, Joseph C. Dunn

Theses and Dissertations--Music

The G7 Suite is a multi-movement chamber work that combines elements of European Art Music, Indigenous Music from Latin America, and various representations of American music. The melodic material is derived from the national anthems of the Great Seven nations: Canada, France, Germany, Italy, Japan, the United Kingdom, and the United States. Each melody is re-set to new music genres and aligns itself to the rules and expectations within each idiom. This compilation is more than a series of arrangements or reharmonizations of the anthems; these are new compositions based on melodic elements from previous works.

This analysis of The …

The Effects Of Improvisation In Beginning Musical Instruction On Music Literacy, Brandon Tyson

Williams Honors College, Honors Research Projects

Teaching is a skill that has many different techniques and strategies. Each instructional strategy is valid for giving the student the opportunity to learn. In the 1993 article “Improvisation is the Manifestation of Musical Thought,” Azzara states that improvisation is a spontaneous expression of musical concepts. Many have used improvisation to bring knowledge together and synthesize the content. Improvisation is a tool that can be utilized at any point in the educational process. Opportunities for improvisational play gives students personal experiences on leading to skill development in listening and performing of the skills. After a solid foundation of performance ability …

Explorations Of Timbre In Selected Songs From Schubert’S Winterreise, Samuel Clayton Garner

Electronic Theses and Dissertations

This thesis analyzes five songs from Franz Schubert’s song cycle Winterreise (1828) according to timbre using spectrographic images created with the Sonic Visualizer computer program. The report begins with an introduction to timbre, an explanation of spectrographic technology, and defining to terminology to be used in the analyses. The songs and topics to be covered are “Gute Nacht” and how individual performances can dictate timbre; “Die Wetterfahne” and the motive of wind related to timbre; “Der Lindenbaum” and timbral relationships among strophes; “Frühlingstraum” and how emotions, dream sequences, and weather are conveyed by timbre; and “Der stürmische Morgen” and the …

Furthering Cultural Understanding Through Music, Sophia Abukamail

Williams Honors College, Honors Research Projects

This project explores the role that music plays in fostering cultural understanding and equity by discussing the sociopolitical implications of musical collaboration between Palestinian and Israeli musicians. In order to do this, the paper will dive into the history of the conflict between Palestine and Israel, detail instances of musical collaboration between Palestinian and Israeli musicians, show how music is helping to bridge the divide between these two cultures, and examine the intentions and consequences of such collaborations as they relate to music, politics, and society. The purpose of this project is to investigate the ways that music can affect …

Lives In Musicology: My Life In Writings, Kofi Agawu

Publications and Research

Responding to an invitation from the editors of Acta Musicologica to tell the story of his life in musicology, Kofi Agawu describes his upbringing and early education in Ghana and his university studies in the UK and the US. In a career focused on teaching, research, and writing, he outlines a number of intellectual projects involving the analysis of African and European music. He ends by acknowledging renewed discussions of race and identity in the musical academy today, and hints at his own growing interest in African art music.

Christian Worship In Nagaland, Jane Elizabeth Laremore

Masters Theses

Christianity has historically suppressed Naga traditional music and culture, and yet Christian music plays an important role in the construction of Naga identity. A brief history and overview of Christian music in Nagaland including, hymn singing, contemporary Christian music, and revival songs demonstrates how the unique social, cultural and political context of Nagaland has created a generational divide in worship style preferences and the birth of the revival song genre. Snapshots of the life and work of Naga composers further illustrate these themes and provide insight into the incorporation of Naga folk music in Christian worship. While advocates make strong …

Fostering Music Performers In The 21st Century: A Contemporary Professional Perspective Toward A New Curricular Agenda For Graduate Study In Music, Andre Januario

Graduate Theses, Dissertations, and Problem Reports (ETD)

What if the core curriculum for graduate students in music performance were designed to prepare students to succeed in the world of the Fourth Industrial Revolution?

This dissertation offers a hypothetical answer: a structured and systematic academic curricular framework for music graduate students of performance of concert music (especially those in terminal degrees, such as doctoral students), along with music instructors, professional music performers, school administrators, and college professors, seeking to prepare such students for achieving and maintaining a music career more in keeping with the current work environment, especially those skills demanded by the Fourth Industrial Revolution and the …

#Canceled: Positionality And Authenticity In Country Music’S Cancel Culture, Gabriella Saporito

Graduate Theses, Dissertations, and Problem Reports (ETD)

From its beginning in film and television and its early adoption by Black Twitter, cancel culture has become a phenomenon in the era of social media. Marked by the popular hashtags #cancel, #canceled, #[InsertNameHere]isOverParty, and #Surviving[InsertNameHere], cancel culture is a practice which involves publicly denouncing and/or shaming a person or company when they do something that is considered offensive or objectionable. It saw a resurgence in the era of #MeToo that has not slowed down in an age dominated by social media presidents and global pandemics. Cancel culture has also seen a recent re-adoption by the political right, which begs …