Digital Commons Network^™

The Flint Assemblage From Tel Bet Yeraḥ, Maayan Shemer

'Atiqot

The excavation at Tel Bet Yeraḥ yielded 209 flint items, originating from five distinct occupation strata. The assemblage generally represents an industry characteristic of the Early Bronze Age, defined mainly by the consistent presence of Canaanean blades. The abundance of Canaanean blades produced from local raw material may indicate the existence of a specialized workshop near the site.

A Ceramic Zoomorphic Figurine From Tel Bet Yeraḥ, Nadeshda B. Knudsen

'Atiqot

A well-made ceramic zoomorphic figurine was recovered from a domestic EB IB context (Stratum V) in the southern part of Tel Bet Yeraḥ. The physical characteristics of this figurine suggest that it was intended to represent an equid, possibly a donkey. Such animal figurines are common at Early Bronze Age sites, usually representing familiar domesticate animals. The purpose of these figurines remains obscure, with multiple suggestions offered, including their use as toys, talismans, teaching aids, exchange tokens, or for rituals.

Early Bronze Age Remains In The Southern Part Of Tel Bet Yeraḥ, Amir Golani

'Atiqot

Five strata were exposed during a salvage excavation near the southwestern fringes of Tel Bet Yeraḥ: late EB I (Stratum V), EB II (Stratum IV) and EB III (Strata III–I). The direct superposition of the strata suggests a minimal time interval between the occupations and a nearly continuous habitation. The architectural remains attest that this area was domestic in nature, a conclusion further supported by the small finds, which include a large quantity of holemouth vessels, probably used as cooking pots, fauna, flint, ground stones and mollusks. This part of the site appears to have been finally abandoned in EB …

Late Chalcolithic And Early Bronze Age Ia Settlement Remains At Kafr Kanna, Lower Galilee, Edwin C.M. Van Den Brink, Valentine Roux, Anastasia Shapiro, Maayan Shemer

'Atiqot

Four strata were distinguished at the site: Stratum 4, dating to the Late Chalcolithic period; Strata 3 and 2, to EB IA; and Stratum 1, sub-recent. The Late Chalcolithic remains consisted of a stone surface and an underlying fill, and the EB IA remains included wall segments of three structures: two buildings (Stratum 3) and a wall of a large double-apsed structure (Stratum 2). The technological analysis of the pottery from the site testifies to a transmission from the Late Chalcolithic to Early Bronze Age populations in the way of making utilitarian ceramics, indicating continuity of the same population. The …

Front Matter, The Editorial Board

'Atiqot

No abstract provided.

40 Years Passing By In (A) “Heartbeat”, Christopher Janney

Monsoon: South Asian Studies Association Journal

This article outlines the forty-year history go Christopher Janney’s iconic performance work “HeartBeat.” Trained as an architect and jazz musician, Janney combines these two disciplines to create large interactive light/sound installations and performances. On the one hand, he attempts to make architecture more like music, more “alive” using real-time sensing devices as on his “Harmonic Convergence” installation on the Miami International Airport. On the other hand, he attempts to make music more like architecture, more physical more visual. In his “HeartBeat” performance, a dancer wears a heartbeat device that amplifies his/her heartbeat in “real time.” Over this pulse, live musicians …

Yoga Sūtra Book Four And The Yogabindu, Christopher Key Chapple

Monsoon: South Asian Studies Association Journal

Four themes from the fourth pāda of Patañjali’s Yoga Sūtra are examined here: karma (IV:2-13), individuality (IV:16), humility (IV:20-22), and freedom (IV:29-34). Affirmations and variant interpretations of these four are provided from Haribhadra Virahāṅka’s Yogabindu, most likely composed a century or two later.

Collective Karma: From The Yogasūtra To Taylor Swift, Zoë Slatoff

Monsoon: South Asian Studies Association Journal

The Indian knowledge traditions speak at length about karma, which is divided into three categories—accumulated (saṃcita), ripe (prārabdha), and future (kriyamāṇa). While much is said about our individual karma and how it affects our repeated reincarnation in cyclic existence, how does this affect others and how do others affect us? In other words, as this paper explores, what is our reciprocal and collective karma?

Painting Liberation: A Visual Ontology Of The Interplay Of Mind And Consciousness In Book Four Of The Yoga Sūtras, Melissa Townsend

Monsoon: South Asian Studies Association Journal

This presentation explores how artistic practice can illuminate philosophical questions about the nature of mind, consciousness, and liberation as articulated in Book Four of the Yoga Sūtras of Patañjali. Through a series of paintings that visually translate these sūtras, I propose that art offers a unique, experiential means of engaging with the complex relationship between citta (mind) and puruṣa (consciousness).

The paintings function as a form of “visual ontology,” inviting viewers to engage with abstract philosophical concepts in a sensory, tangible way. By depicting the interplay between the mutable processes of the mind and the unchanging awareness of consciousness, these …

The Categorisation Of Different Periods In Indian Art & The Market’S Role, Devashi Jain

MA Theses

When one thinks of Indian art, a broad spectrum of types of art & periods come to
mind. Each period is marked by distinct differences in style, influence, medium and
more, yet a significant number of these periods are grouped together, despite the
differences. Indian art is traditionally seen on the market under the Antiquities, or
Modern & Contemporary category in spite of the distinguishable differences in the
aesthetic, and cultural context. These categories inform market perceptions, value of the works as well as preferences of the collectors, and hence it is imperative to have well defined categories. This paper …

Disrupting The Timeline: Challenging Notions Of A Singular, Linear Early Muslim Historiography, Grayson D. Shaw

Pomona Senior Theses

Few historical events have received the same attention in the formative years of Islam as the so-called “‘Abbāsid Revolution” in 132 AH/750 CE. In both the medieval and modern contexts, this event has been recognized as a monumental formation from which the rest of Islamic history comes downstream from. Problematically, there are no cohesive historical sources from the losers of this conflict; the Umayyads. Utilizing numismatic and architectural evidence, I argue that the alleged rupture between the Umayyads and their ‘Abbāsid successors is overblown by historiography two centuries after the fact. Then, I further analyze what this continuity means for …

Lost & Found (Game Series) [Book Chapter], Owen Gottlieb

Articles

Description of game series for use in the classroom with best practices.

Building The Egyptian Canon In Early 20th-Century Germany: The Case Study Of Georg Steindorff’S Excavations, Darby Linn

Art History Theses and Dissertations

This thesis is a historiographic study of Germany Egyptology in the late 19th and early 20th centuries, with particular focus on how the different stakeholders involved in that academic environment – scholars, curators, donors and financiers, the German museum-going public, as well as Egyptian people who worked on archaeological excavations – influenced the development of the scholarly canon of ancient Egyptian art. The “canon” is an art historical concept from designating certain objects, styles, and forms as representative of a culture, time period, or artistic movement. Consequently, the canon establishes an artistic hierarchy according to European aesthetic standards that excludes …

Res Historica, Volume 2, Lynneth Miller Renberg Phd, Alpha Rho Epsilon Phi Alpha Theta

Res Historica

The 2023 journal of historical research by Anderson University students, Res Historica.

The editorial team for this edition of Res Historica was Dr. Lynneth Miller Renberg. Johnathan Sorce, and Helen Smith. Cover art for this volume by Helen Smith.

The Geometric Kufic Inscriptions On The Late Mamluk Architecture And Artifacts: A New Perspective Through Some Artifacts, Waleed Ahmed Salah Al-Din

Journal of the General Union of Arab Archaeologists

الخط الكوفي الهندسي على العمارة والتحف الفنية من العصر المملوكي الجركسي. منظور جديد من خلال بعض التحف الفنية. [Ar]

لقد أظهر الفنانون المسلمون براعتهم في إنتاج العديد من التحف الفنية بأشكالها وزخارفها العديدة والمميزة التي لازال الكثير منها بحاجة ماسة للدراسة والفحص. وقد أطنب فنانو العصر المملوكي في زخرفة تحفهم الفنية بالعديد من الزخارف المختلفة ومن أبرز هذه الزخارف هو الخط الكوفي الهندسي الذي لعب دورا حيوياً وبارزا في الفن المملوكي. ظهر الخط الكوفي الهندسي على العديد من المباني الأثرية التي ترجع إلى العصر المملوكي، ومن الملاحظ ندرة وجوده على الفنون والتحف التي ترجع إلى تلك الحقبة من الزمن، لذا …

Editor’S Note, Deepak Shimkhada

Monsoon: South Asian Studies Association Journal

This special issue of Monsoon is dedicated to the studies honoring the goddess traditions in South Asia. The onset of the Monsoon Season in South Asia typically commences in June and continues until late August and early September. The publication of this issue, therefore, has been strategically timed to coincide with that season, which is a vital source of sustenance for millions of individuals in this part of the world. This anthology consisting of five papers—written by scholars with expertise in the field of goddess and women studies—speak unequivocally about the goddesses or women for their strength, beauty, wisdom, and …

Constructing Jain Goddess Padmavātī In Gujarati Literature, Venu Mehta

Monsoon: South Asian Studies Association Journal

Worship of the goddess Padmāvatī emerged more than a thousand years ago. This article explores three songs about her in Gujarati by Paṇḍit Vīrvijayajī (1773-1852). By analyzing the style and form of his work, one learns a great deal about devotional liturgies that commemorate goddess Padmāvatī’s protection of the Jina Pārśvanātha and, in turn, his protection of her.

Women’S Voices From History: Gond Rani Durgawati And Rani Lakshmibhai, Nandini Sengupta, Moupia Basu

Monsoon: South Asian Studies Association Journal

Two strong women are compared and contrasted in this article. Gond Rani Durgawati (1524-1564) led a resistance movement in Jabalpur against the Mughal rule of Akbar. Rani Lakshmibai (1828-1858) organized the people of Jhansi against Sir Hugh Rose, an officer defending the interests of the British East India Company. Both women continue to be remembered for their bravery and their loyalty to the people they ruled.

Mai Bhago And Amrita Devi Bishnoi: Women Of Strength, Sowmya Ayyar

Monsoon: South Asian Studies Association Journal

Mai Bhago (1670-1720), also known as Bhag Kaur, distinguished herself on the battlefield to defend the Sikh faith. Amrita Devi Bishnoi (d. 1730) is said to have sacrificed her life with 362 others to protect the Khejari trees in the Rajasthan desert. Both women continue to inspire social justice and ecological activism.

An Examination Of Gandhian Economic And Political Thought And Its Relevance To The Empowerment Of Women, Purnima Mehta Bhatt

Monsoon: South Asian Studies Association Journal

Mahatma Gandhi (1869-1948) sought to alleviate poverty and empower women. His commitment to nonviolence and the economic ideal of “small is beautiful” continue to inspire grassroots movements around the globe. This article discusses the Chipko movement of northern India, the protection of rain forests in Kerala’s Silent Valley, the Self Employed Women’s Association (SEWA), and Medha Patkar’s valiant though ultimately futile attempt to save the Narmada River from a massive government damming project. The ongoing legacy of these movements can be found in AWAG, the Ahmedabad Women’s Action Group and Women’s Shanti Sena (Peace Force).

Indigenous Stitch-Arts Of India: Tradition And Revival In A Global Age, Punam Madhok

Monsoon: South Asian Studies Association Journal

Stitch art allows for the creative expression and economic support of countless women throughout India. This article examines four notable styles: chikankari, flora and fauna stitched in white thread on fine white cotton, rabari, the stitching of mirrors into colorful cloth, phulkari, resplendent flowery motifs sewn into shawls in Punjab, and kantha, Bengali patch work yielding quilts and seating mats. In addition to describing each technique, this article discusses how women have been economically empowered through this art by such organizations as Self-Help Enterprise (SHE) in Kolkata and Adithi, a women’s cooperative, in Bihar.

Identities Of Women In Indian Art And History, Nalini Rao

Monsoon: South Asian Studies Association Journal

The stereotypical image of Indian women portrayed in the art of stone sculpture is often interpreted as images of beauty that are sensuous, religious as well depict social life. There are historical reasons for depicting her as such. This paper inquires into the changing depiction and social forces that influenced feminine imagery. This paper examines the portrayal of beauty through idealization of female body which has evolved over the centuries in India. It also aims to understand their changing status and explores issues of feminine identity, status, and empowerment largely in ancient and medieval India. It also provides a brief …

Ritual, Spectacle, And Theatre In Late Medieval Seville (Chapter 1), Christopher B. Swift

Publications and Research

From the fall of Islamic Išbīliya in 1248 to the conquest of the New World, Seville was a nexus of economic and religious power where interconfessional living among Christians, Jews, and Muslims was negotiated on public stages. From out of seemingly irreconcilable ideologies of faith, hybrid performance culture emerged in spectacles of miraculous transformation, disciplinary processionals, and representations of religious identity. Ritual, Spectacle, and Theatre in Late Medieval Seville reinvigorates the study of medieval Iberian theater by revealing the ways in which public expressions of devotion, penance, and power fostered cultural reciprocity, rehearsed religious difference, and ultimately helped establish Seville …

Collaborative Constructions: Designing High School History Curriculum With The Lost & Found Game Series, Owen Gottlieb, Shawn Clybor

Articles

This chapter addresses design research and iterative curriculum design for the Lost & Found games series. The Lost & Found card-to-mobile series is set in Fustat (Old Cairo) in the twelfth century and focuses on religious laws of the period. The first two games focus on Moses Maimonides’ Mishneh Torah, a key Jewish law code. A new expansion module which was in development at the time of the fieldwork described in this article that introduces Islamic laws of the period, and a mobile prototype of the initial strategy game has been developed with support National Endowment for the Humanities. The …

Vedantic Basis And Praxis Of The Integral Advaita Of Sri Aurobindo, Debashish Banerji

Monsoon: South Asian Studies Association Journal

The integral nondualism of Sri Aurobindo can be traced to the great pronouncements (mahāvākya) of the Upanishads and later commentaries. This study examines teachings on the Supermind (vijñāna) and the other four kinds of consciousness that define human reality: Matter (annaṃ), Life (prāṇaḥ), Mind (manaḥ), and Bliss (ānanda). Through Yoga and Tantra, one learns and embodies the pathway to the divine.

Digital And Spatial Humanities Mapping: Eurasia-Pacific Early Trade And Belief Linkages, Igor Sitnikov, David Blundell

Monsoon: South Asian Studies Association Journal

The Eurasia-Pacific is a dynamic region of rapid economic growth, cultural awareness, natural resource exploration, and military buildup. The concept of the region is relatively new, featuring contested vast areas of geo-resource space of numerous cultures and languages. The current findings in anthropology and archaeology and even its more specific subfields such as folklore are important contribution to the understanding of periodic environmental changes and technical innovations were the main forces of transformations in social structures that have determined the mechanisms and levels of cross-cultural trade activity across the region. We have traced early trade and belief linkages across Eurasia-Pacific …

Tusha Hiti: The Origin And Significance Of The Name, Deepak Shimkhada

Monsoon: South Asian Studies Association Journal

In this article, the author examines the royal bath called Tushā Hiti located in Sūndari Chowk (Beautiful Courtyard) of Pātan Durbar Square, using six different methods of investigation. The question: What is in a name? started the ball of investigation rolling and along the way were added more supporting blocks such as history, iconography, function and purpose, notion of purity and impurity, and finally the hiti in popular culture to get a complete picture of the subject in question.

Ganges In Indian Sculpture And Literature: Mythology And Personification, Nalini Rao

Monsoon: South Asian Studies Association Journal

The river Ganges is a symbol of wealth, purity and eternity, and its sacred waters have inspired sages, philosophers, and artists in India who have immortalized its divine imagery. However, it has rarely been understood from a historical point of view, as to how it became so sacred and to view it from a multi-dimensional and interdisciplinary perspective with an accumulation of layers of historical thought and practices, provides a rationale for the living practices around the river. The paper explores the evolution of the concept of sacredness and eternity of River Ganges through art- historical and archaeological evidence. It …

Diversity, Equity, And Inclusion: Perspectives From Contemporary India And 6th Century Jain Yoga, Christopher Key Chapple

Monsoon: South Asian Studies Association Journal

Times New Roman

The Route To The Holy City. Al-Juḥfah As An Example, Ibrahim Alsulami, Abd Al-Moneem Abd Al-Raḥmān, Ahmed Mohamed Youssef

Journal of the General Union of Arab Archaeologists

[Ar]

الطريق إلى المدينة المقدسة ... الجحفة أنموذجاً

كانت قرية الجحفة ولا تزال مركز حضارى عبر تاريخ البشرية. ولأنها مناسبة للحياة فقد أقامت فيها كثير من الدول عبر تاريخها الطويل والقديم. ومع ظهور الإسلام أصبحت الجحفة أكثر أهمية حيث كانت بمثابة محطة رئيسية للحجاج وكان الحجاج المسلمون يمرورن بها فى طريقهم إلى الأراضى والمشاعر المقدسة، حاملين معهم الطعام والماء وغير ذلك من الإحتياجات، وتشتهر الجحفة أيضًا بآثارها التاريخية مثل قصر عالية ومسجد الزور وغير ذلك. يعرب الباحثون عن امتنانهم لعمادة البحث العلمى بجامعة أم القرى لدعمها وتمويل هذه الدراسة بمنحة رقم (19-HUM-4- 9-0001) والتى ساهمت بشكل فعال …