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Dong Qing Fang’S Musical Depiction Of Lin Chong: An Analysis Of Chinese Traditional Music Elements In His Cello Composition Of 2009, Congcong Bi

Doctoral Projects

Dong Qing Fang (b. 1981) is a prolific composer of cello music. His contribution includes twenty compositions, many of which have been performed around the world.[1] While Fang is the most famous composer in China as well as a leading figure of recent music, his compositions have not been recognized world-wide. This project focuses on his representative cello composition Lin Chong (2009). Lin Chong is a significant character in Chinese literature, known for his role in the classic novel, Water Margin (1524). Fang's musical portrayal of Lin Chong's life incorporates elements of Chinese traditional music.

The methodology for this …

Vol. 46 No. 1 (2023): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 46, No 1-Jun 2023 edition of the Pacific Studies Journal.

A Critical Study Of Contemporary Palestinian Musical Culture, Karl H. Hausmann

Dissertations, Theses, and Capstone Projects

This study is concerned with the field of musical culture and practice in Palestine, and the connotations of musical expression, whether as music or songs. It addresses the period extending from the end of the seventies and the beginning of the eighties, through the first intifada of 1987 and then the era of the Oslo Accords until today.

This study deals with the artistic meanings and expressions associated with the music and singing that was produced in that period, assuming that it was created within the socio-political context in which it existed, specifically that music that was associated with the …

Changing Homelands: The Election Of Menachem Begin And The Diplomatic Campaign To Bring Ethiopian Jews To Israel, Abraham Silberstein

Dissertations, Theses, and Capstone Projects

This thesis examines diplomatic efforts by Israel, the United States, and non-governmental organizations to facilitate the immigration of Ethiopian Jews to Israel. While much of the historical literature on this topic has focused on the 1980s and 1990s, when tens of thousands of Ethiopian Jews were airlifted to Israel, this thesis largely considers the mid-late 1970s. For the first 25 years of its existence, the State of Israel had not been eager to see Ethiopian Jews enter the country, and the government deemed them non-Jews for the purposes of immigration. This started to change in 1973, when the Sephardi Chief …

Vol. 46 No. 1 (2023): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lā ‘ie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, …

Songs Of Sorrow, Hope, And Praise: Toward A Historical Analysis Of Negro Spirituals, Hope Victoria Dornfeld

Masters Theses

Traditional Negro spirituals play a key role in America’s music history. Spirituals were initially perpetuated by enslaved Africans in the American South through the oral tradition but today are available in a wide variety of choral, vocal, and instrumental arrangements. The lecture recital that accompanies this document will present seven traditional spirituals of varying themes: “Hold On,” “Witness,” “Deep River,” “Sweet Little Jesus Boy,” “Balm in Gilead,” “Steal Away,” and “Ride On, King Jesus.” Spirituals can be described by three closely interrelated textual categories or descriptors which correspond with their original use and historical context. Songs of sorrow are those …

We Are Gullah: A Community Approach To Preserving Gullah Geechee Historical Sites Of Significance, Peter Gaytan

All Theses

The National Register of Historic Places is an inventory established by the National Historic Preservation Act of 1966 that identifies architectural and archaeological sites significant to American history. The National Register was created to encourage the documentation, evaluation, and protection of America’s historic resources. Over 96,000 historic properties, sites, and structures are currently listed on the National Register. Despite the number of historic places listed on the National Register there is still an overwhelmingly low number of sites listed on the National Register relating to underrepresented communities. This thesis assessed the definition of significance laid out in the National Register …

Director's Statement, Andrea Leland

Jamesie: King of Scratch

No abstract provided.

Journal Policies, Jucr Staff

Journal of Urban Culture Research

No abstract provided.

Sorginak, Bruxas, Meigas, Bruixes… Performing Feminisms In Spanish Folk Revival, Marina Gonzalez-Varga, Inmaculada Vera-Carbonell

Journal of Urban Culture Research

The imaginaries constructed around witches and witchcraft throughout history have reflected non-accepted social conduct and behaviors. Assuming women’s bodies, knowledge, and social agency as a depiction of the savage, strange, and taboo figure. In this way, the witch linked to the feminine and negative aspects has been recently reappropriated and reshaped by feminism in the last decades. In this study case, I examine how Spanish revival folk has reflected female gender models through musical practices. The main goal of folk revival is revitalizing a countercultural movement, which shows a context of a clash of ideologies and identities. Identities and ideologies …

“Hin Le Le” Folk Songs In Phitsanulok Province : Identity And Existence In Times Of The Covid-19 Pandemic, Sasinut Phongnil

Journal of Urban Culture Research

The objectives of this qualitative research were to investigate (1) the identity of folk songs in Phitsanulok province, Thailand (2) the forms, methods and existence of folk songs during the COVID-19 pandemic, using musicological methodology. The examination of the background, musical characteristics, components and forms at present revealed that the identity of Hin Le Le folk songs is “the songs that reflect the way of life of the locals in Phitsanulok province, keep up with ongoing events for all age groups and are created by the elderly in the community.” The examination of the forms and existence methods of folk …

Don Mula (Original Dance) And The “Sacred Sound”Of Buddhism: Performing Collective Identity Among The Pwo Karen In Thung Yai, Thailand, Jarun Kanchanapradit, Sooi Beng Tan

Journal of Urban Culture Research

The Don Mula (Original Dance) represents an important part of the collective consciousness and identity of the Pwo Karen people in the Laiwo sub-district, Thung Yai Naresuan Wildlife Sanctuary in Western Thailand. Due to modernization and changes that have occurred in Karen society at the turn of the millennium, many functions of the dance have been transformed. While the dance continues to be performed to pay respect to the Rice Goddess, it is employed to educate the younger generation about Buddhist knowledge and Karen beliefs as expressions of "Karen-ness." Through in-depth interviews and a study of the musical lyrics and …

Thai Government's Promotion Of National Culture That Affected Thai Traditional Music Research During 1982-2012, Patarawdee Puchadapirom

Journal of Urban Culture Research

This article reports on a study of the state of knowledge and other factors affecting Thai music research from 1982 to 2012. Since 1982, problems of stability and deterioration of national culture led the government to promote national culture through a “conservation approach” to Thai traditional music in accordance with the customs of the Royal Court. This received governmental support for promotion as national cultural heritage to be passed down to posterity. This involved, for example, securing the involvement of various relevant government agencies, opening Thai music education curricula in higher education institutions, creating criteria for what constitutes “Thai traditional …

Around The World In Two Days: Walt Disney's Epcot Center And The World's Fair Tradition, Annie Davis

Student Scholarship & Creative Works

This work views the performative and consumerist traditions of the World's Fair and how Walt Disney World's EPCOT Center was essentially created to exist as a "permanent World's Fair" in theme park form. From viewing the 1904 Louisiana Purchase Exposition in St. Louis and the 1964-1965 New York World's Fair alongside Epcot Center (1982) the similarities in the visitor experience are analyzed. Walt Disney's presence at the 1964-1965 New York World's Fair seems to work as testing grounds for ideas with lower stakes than presenting permanent attractions, some of which would later be moved to the parks. Epcot Center offered …

Vol. 45 No. 2 (2022): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 45, No 2-Dec 2022 edition of the Pacific Studies Journal.

Vol. 45 No. 2 (2022): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

Becoming Camilla Urso: A Female Celebrity Violinist And The Transformation Of American Musical Culture, Maeve Nagel-Frazel

Undergraduate Theses, Capstones, and Recitals

Camilla Urso (1840-1902) was the first nationally famous female violinist in the United States. Between 1852-1902, Urso gave over a thousand concerts in the United States, becoming a musical celebrity on par with the Swedish soprano Jenny Lind. Through her public visibility, Urso transformed nineteenth-century American violin playing from a male-dominated field into an acceptable and even fashionable field for women. Despite her nineteenth-century fame, today Urso is mostly forgotten. Over the course of six chronological chapters, this thesis presents a contextual biography of Urso’s American concert career. Utilizing archival sources, digitized newspapers, and digital mapping methodologies, I argue Urso’s …

Changes In Identity: How Mongolian Musicians And Performers Have Responded To Geopolitical Transition, Heather Cook

Independent Study Project (ISP) Collection

During Mongolia’s socialist period, traditional forms of Mongolian music were deliberately altered as the government, heavily influenced by the Soviet Union, attempted to modernize Mongolian culture. Throughout this period, traditional instruments were modified, the types of music that could be performed were strictly censored, and the structure of performances was set to strictly mimic those of Western orchestras. After Mongolia’s Democratic Revolution of 1990, the artistic freedom of Mongolian musicians has greatly increased, but even now, socialist cultural policies are deeply intertwined with Mongolian musical culture. Why is this the case? What is the common perception among performers about the …

Festivali11: The Long Sixties And Women In Communist Albania, Manjola Shehu

Dissertations, Theses, and Capstone Projects

Festivali11 is a digital project that aims to highlight the experiences of Albanian women during the communist period by collecting, digitizing and publishing oral histories for an Albanian and international audience. The heart of the project, which is hosted at www.festivali11.com, is a collection of educational materials built from two digitized interviews with an Albanian woman that describe her experiences during this period.

The project aims to showcase the potential of oral history in centralizing the experience of marginalized people in historical narratives and to provide contextualized, multimedia information and resources about this topic to an international public and facilitate …

Sawer: Melampaui Ruang Dan Meluaskan Jangkauan Interaksi Pada Pertunjukan Dangdut, Michael H.B Raditya

Paradigma: Jurnal Kajian Budaya

This article deals with the issues of sawer that have appeared over time, both in live and online performances. This topic is interesting because sawer is intertwined in the interaction and participation of two active subjects, namely the singer and her audience. In live performances, the exchange between singers and their audiences happens in the same space and time. On the other hand, accommodating sawer in online dangdut performances is a challenge. However, in 2020 there was a lot of interaction and participation—and even sawer—in online shows. I believe this is not the first glimpse of this phenomenon because online …

Vol. 45 No. 1 (2022): Pacific Studies Front Matter, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Front Matter for the Vol. 45, No 1-Aug 2022 edition of the Pacific Studies Journal.

Vol. 45 No. 1 (2022): Pacific Studies Full Issue, The Jonathan Nāpela Center For Hawaiian And Pacific Islands Studies

Pacific Studies

Pacific Studies is published two times a year by The Jonathan Nāpela Center for Hawaiian and Pacific Studies, Brigham Young University Hawai‘i #1979, 55–220 Kulanui Street, Lāʻie, Hawai‘i 96762, but responsibility for opinions expressed in the articles rests with the authors alone. Subscription rate is US$40.00 yearly, payable to The Jonathan Nāpela Center for Hawaiian and Pacific Studies. The Jonathan Nāpela Center for Hawaiian and Pacific Studies (formerly The Pacific Institute) is an organization funded by Brigham Young University Hawai‘i. The Center assists the University in meeting its cultural and educational goals by undertaking a program of teaching, research, and …

“800 Years We Have Been Down”: Rebel Songs And The Retrospective Reach Of The Irish Republican Narrative, Seán Ó Cadhla

Articles

From the glamorous, cross-dressing “Rebel, Rebel” of David Bowie, to the righteous Trenchtown “Soul Rebel” of Bob Marley and The Wailers, both varied and various musical articulations of cultural and socio-political rebellion have long enjoyed a ubiquitous presence across multiple soundscapes. As a musicological delineator in Ireland, however, ‘rebel’ conveys a specifically political dynamic due to its consistent deployment as an all-encompassing descriptor for songs detailing events and personalities from the Irish national struggle. This paper sets out to examine the specific musical delineator of “rebel song” from both musicological and politico-ideological perspectives with a view to interrogating its appropriateness …

Lliçons Magistrals, Antoni Pizà

Publications and Research

No seria pianista. Jo no arribaria mai a ser pianista. L’epifania va començar a cristal·litzar poc després d’haver arribat a Salzburg el 1982 amb intencions d’estudiar-hi piano. Com el narrador de la novel·la de Thomas Bernhard Der Untergeher (si es vol, el fracassat o el mediocre), jo havia quedat psicològicament gelat per la presència d’alguns dels millors pianistes del món. En poc temps, i sense capacitat de digerir-ho —tenia vint anys escassos—, havia vist i sentit en viu Alfred Brendel, Maurizio Pollini, Claudio Arrau i Bruno Leonardo Gelber, entre altres.

Homage To Eleanora: A Musical Journey Through The Billie Holiday Songbook, Keith A. Dames

Dissertations, Theses, and Capstone Projects

Billie Holiday was a singer, songwriter, vocalist, bandleader and composer in the fields of music, black culture and more specifically the genre of jazz. The primary focus of this study is Billie Holiday’s discography, music, and compositions as treated in relation to the black culture of production. This study will explore a secondary content analysis of Billie Holiday’s music, musicianship, musicality and compositional skills within the American jazz mainstream, broader jazz audience and world at large. This project will take an analytical look at the structure and form of the compositions of Billie Holiday. Billie Holiday is credited with composing …

Shape-Note Music Traditions Of The Shenandoah Valley, Tyler Brinkerhoff

Masters Theses, 2020-current

Though over the years documents about shape-note music from Joseph Funk and Sons and the Ruebush-Kieffer companies have been spread throughout many archives, they are now being brought back together online in one digital archive. Interpreting the information contained in these documents and the ledger book of subscribers for The Southern Musical Advocate and Singer’s Friend magazine through graphs and maps makes the information contained in them easier to access for researchers. The collaboration between a physical museum site, a website, and a Omeka site allow for multiple ways to learn about the history of shape-note music in the Shenandoah …

The Influence Of Volga Tatar Folk Music And Soviet Cultural Policies On The Orchestral Composers Of Kazan, Jane Katherine Brown

UNLV Theses, Dissertations, Professional Papers, and Capstones

After a brief historical overview of Volga Tatar history and Soviet political and historical contexts, this document begins with a detailed description of Volga-Tatar folk musical characteristics, including probable influences as described, analyzed, and transcribed by twentieth and twenty-first century Volga Tatar scholars. In this description, the author attempts to give the preferential voice to Tatar perspectives, such as the early ethnographers and Tatar ethnomusicologists from Kazan State Conservatory, the officials from the Union of Composers of the Republic of Tatarstan, and of course, the composers themselves. The author’s detailed discussion of folk music elements and genres is then followed …

German And Mexican Music In Central Texas: Historical Connections And Present Possibilities, Amy Aline Beckman

Masters Theses

German and Mexican music have a shared musical ancestry due to immigrants interacting since the late 1800s in central Texas. Comparing these genres reveals both commonalities and distinctions regarding style, orchestration, and thematic material. The differences between the genres create cultural boundaries reflecting nationalism that sometimes reinforces racial tension, while the commonalities are opportunities for empathy and open-mindedness through the globalization that occurs from shared musical experiences. While the historical connections between Germans and Mexicans in Central Texas are well-documented, the present-day status and effects of these connections have not been researched thoroughly. This project builds cultural profiles of both …

History News, Florida Historical Society

Florida Historical Quarterly

Annual Meeting, Society Membershipships, Florida History Research in Progress, Prizes and Awards, Florida History Fair, Gulf Coast History and Humanities Conference, Announcements and Activities, Call for Papers

History News, Florida Historical Society

Florida Historical Quarterly

Prizes and Awards, Florida History Fair, Publications, Forthcoming Meetings, Announcements and Activities