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Articles 151 - 164 of 164
Full-Text Articles in Entire DC Network
Orpheus, Fall 1996, University Of Dayton
Orpheus, Fall 1996, University Of Dayton
Orpheus: UD's Literary and Artistic Magazine
No abstract provided.
Orpheus, Fall 1995, University Of Dayton
Orpheus, Fall 1995, University Of Dayton
Orpheus: UD's Literary and Artistic Magazine
No abstract provided.
Orpheus, Spring 1995, University Of Dayton
Orpheus, Spring 1995, University Of Dayton
Orpheus: UD's Literary and Artistic Magazine
No abstract provided.
Orpheus, Fall 1994, University Of Dayton
Orpheus, Fall 1994, University Of Dayton
Orpheus: UD's Literary and Artistic Magazine
No abstract provided.
Orpheus, Fall 1994: Dismemberment, University Of Dayton
Orpheus, Fall 1994: Dismemberment, University Of Dayton
Orpheus: UD's Literary and Artistic Magazine
No abstract provided.
Orpheus, Spring 1994, University Of Dayton
Orpheus, Spring 1994, University Of Dayton
Orpheus: UD's Literary and Artistic Magazine
No abstract provided.
Ancient Andean Headgear: Medium And Measure Of Cultural Identity, Niki R. Clark, Amy Oakland Rodman
Ancient Andean Headgear: Medium And Measure Of Cultural Identity, Niki R. Clark, Amy Oakland Rodman
Textile Society of America: Symposium Proceedings
From the earliest recorded periods of southern Andean history, distinctive clothing styles have served to identity specific socio-cultural groups and provide clues about cultural origins. Unique environmental conditions, especially present along the arid Pacific coast of South America, have allowed the preservation of a vast archive of usually perishable material. From the far south coast of Peru to the northern desert regions of Chile, textiles, and especially headgear forms were worn to distinguish between the diverse populations who established permanent settlements along the narrow river valleys linking highland regions and the coast.
The south central Andes region has always known …
Orpheus, Fall 1993: 90th Anniversary, University Of Dayton
Orpheus, Fall 1993: 90th Anniversary, University Of Dayton
Orpheus: UD's Literary and Artistic Magazine
No abstract provided.
Orpheus, Spring 1993, University Of Dayton
Orpheus, Spring 1993, University Of Dayton
Orpheus: UD's Literary and Artistic Magazine
No abstract provided.
Orpheus, Fall 1992, University Of Dayton
Orpheus, Fall 1992, University Of Dayton
Orpheus: UD's Literary and Artistic Magazine
No abstract provided.
Science/Technology/Abstraction: Art At The End Of The Decade, Wright State University Art Galleries
Science/Technology/Abstraction: Art At The End Of The Decade, Wright State University Art Galleries
Exhibition and Program Catalogs
Science and technology are two dominant art themes that have been weaving their way through the 1980s. This show makes that point very strongly, but in doing so it does not I intend to show every work of art that has used scientific or technological subject matter, or has been hooked up to an electric outlet during this I decade. That would be both I indiscriminate and unrewarding. What this exhibition does set out to do is give enough breadth of focus to the subject to make it understandable that many artists in the past few years have been using …
Janet Fish: Paintings And Drawings Since 1975, University Of Richmond Museums
Janet Fish: Paintings And Drawings Since 1975, University Of Richmond Museums
Exhibition Brochures
Janet Fish: Paintings and Drawings Since 1975
September 10 to October 3, 1987
Marsh Art Gallery, University of Richmond Museums
Introduction
The Marsh Gallery takes pride in opening its 1987-88 season with the first Virginia exhibition of paintings and drawings by Janet Fish, acknowledged master of the contemporary still life according to art critic Gerrit Henry.
While this exhibition is intended to emphasize her current work it is also slightly retrospective, including work dating from 1975 to 1987, so that the viewer will understand the progression as well as the increasing depth of the artist's oeuvre.
In the midst …
The Syracuse Scholar / Everson Museum Of Art Drawing National, John L. Sellers
The Syracuse Scholar / Everson Museum Of Art Drawing National, John L. Sellers
Syracuse Scholar (1979-1991)
No abstract provided.
The Art Institute Of Boston Course Catalog (1973), The Art Institute Of Boston
The Art Institute Of Boston Course Catalog (1973), The Art Institute Of Boston
Art Institute of Boston (AIB) Course Catalogs
The Art Institute of Boston maintains, and always has maintained throughout the course of its long history, that the artist holds a unique position of responsibility in his society. Because the weight of his contribution is so widely felt in this age of the expanded media, the artist is expected to be not only innovator, but also arbitrator. The decisions which affect his life and his work influence a wide body of people who look to him for illumination.
Art cannot be taught as a development of certain visual talents separate from a larger awareness of life. The Art Institute …