Open Access. Powered by Scholars. Published by Universities.®
- Institution
-
- University of Nebraska at Omaha (696)
- Purdue University (638)
- City University of New York (CUNY) (563)
- California Polytechnic State University, San Luis Obispo (475)
- Claremont Colleges (192)
-
- Abilene Christian University (169)
- College of the Holy Cross (149)
- University of Central Florida (149)
- Providence College (147)
- Universitas Indonesia (146)
- Chapman University (143)
- Technological University Dublin (143)
- Kutztown University (138)
- Portland State University (137)
- Saint Joseph University of Beirut (120)
- Loyola Marymount University and Loyola Law School (119)
- Syracuse University (119)
- University of Nebraska - Lincoln (116)
- University of South Florida (113)
- Rhode Island School of Design (112)
- University of Rhode Island (109)
- Indiana State University (108)
- Old Dominion University (105)
- Western Kentucky University (103)
- LSU New Orleans (99)
- Virginia Commonwealth University (84)
- Lingnan University (78)
- Wilfrid Laurier University (77)
- Grand Valley State University (71)
- Kennesaw State University (71)
- Keyword
-
- Film (697)
- Media (188)
- Cinema (174)
- Documentary (161)
- Television (146)
-
- Feminism (144)
- Comparative literature (137)
- comparative literature (132)
- Gender (130)
- Dracula (102)
- Art (93)
- Animation (92)
- Cultural studies (92)
- Identity (91)
- Horror (90)
- Photography (89)
- Representation (87)
- History (79)
- Bram Stoker (77)
- Memory (77)
- Women (77)
- Film studies (75)
- Literature (75)
- Narrative (75)
- Media studies (73)
- Music (73)
- Video (73)
- cultural studies (73)
- Culture (70)
- Race (70)
- Publication Year
- Publication
-
- Journal of Religion & Film (693)
- CLCWeb: Comparative Literature and Culture (549)
- .RAW Journal of Art and Design (384)
- Theses and Dissertations (274)
- Dissertations, Theses, and Capstone Projects (178)
-
- Publications and Research (173)
- Landon Saunders Documents (161)
- Electronic Theses and Dissertations (146)
- Présence Francophone: Revue internationale de langue et de littérature (131)
- Journal of Dracula Studies (130)
- International Review of Humanities Studies (129)
- Regards (120)
- All-Inclusive List of Electronic Theses and Dissertations (108)
- LSU New Orleans Theses and Dissertations (93)
- Scripps Senior Theses (91)
- Masters Theses (86)
- Playbill and Promotion (80)
- USF Tampa Graduate Theses and Dissertations (79)
- Renée Crown University Honors Thesis Projects - All (77)
- WMPG Program Guides (69)
- LMU Theses and Dissertations (67)
- Honors Theses (64)
- Cinesthesia (62)
- Pop Culture Intersections (58)
- Theoretical Studies in Literature and Art (57)
- Pathos (54)
- Articles (46)
- CMC Senior Theses (46)
- Honors Projects (46)
- Markets, Globalization & Development Review (45)
- Publication Type
- File Type
Articles 8341 - 8370 of 9101
Full-Text Articles in Entire DC Network
Check It Out!: Great Reporters On What It Takes To Tell The Story, Art Athens
Check It Out!: Great Reporters On What It Takes To Tell The Story, Art Athens
Cinema & Media Studies
Stories with no substance. Talking heads without a clue. “Team” coverage that still misses the big picture. Overheated hype. Cute chatter. Film at eleven. Is it any wonder more and more of us count less and less on the news?
Living With The Truth: The Films Of Věra Chytilová, Ethan White
Living With The Truth: The Films Of Věra Chytilová, Ethan White
Independent Study Project (ISP) Collection
Despite a career spanning five decades and numerous different sociopolitical atmospheres, Věra Chytilová’s films present a remarkably consistent outlook on contemporary life. This paper traces the defining characteristics of Chytilová’s work: her strong moralistic criticisms of contemporary society, her motif of paradise, which establishes a potent symbolic basis for said moral criticisms, and her relentless pursuit of new forms and desire to experiment with film language. This final point is also inextricably linked to her moral stance, as the bulk of her work was produced under the authority of a Communist regime that frowned severely upon work of an avant-garde …
Desire, Heavenly Bodies, And A Surrealist's Fascination With The Celestial Theatre, John G. Hatch
Desire, Heavenly Bodies, And A Surrealist's Fascination With The Celestial Theatre, John G. Hatch
Visual Arts Publications
In 1922, the German Surrealist artist Max Ernst produced a montage work that included a woman's bare buttocks protruding out of the rings of Saturn. It is, to say the least, an unusual combination of images, but one that addresses some very basic human impulses. Largely, It expresses Ernst's understanding that inscribed upon the night sky are some of our deepest held fears and fantasies. Ernst sought to generate contemporary rephrasings of our mythologizing of the cosmos in a complex and often enigmatic way, drawing on such varied sources as Freudian psychology, late nineteenth-century symbolism, alchemy, and Surrealism. Ultimately, Ernst …
Mel Gibson's The Passion Of The Christ: Market Segmentation, Mass Marketing And Promotion, And The Internet, Peter A. Maresco
Mel Gibson's The Passion Of The Christ: Market Segmentation, Mass Marketing And Promotion, And The Internet, Peter A. Maresco
WCBT Faculty Publications
The pre-release publicity surrounding the Mel Gibson film, The Passion of the Christ, warrants an in-depth look at the role that market segmentation and marketing promotion, including use of the Internet, have played in the overall success of the film. As background, films commonly classified as biblical epics are referenced in order to construct a framework that will demonstrate how the promotion of this genre of film, with the exception of the Internet, has essentially changed very little over time. This paper is not a review of the film nor is it intended to be a brief course in marketing. …
On Gallardo And Smith's Alienwoman (2004), Stella Williams
On Gallardo And Smith's Alienwoman (2004), Stella Williams
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Ximena Gallardo C. and C. Jason Smith's recent book, AlienWoman, is a truly fascinating analysis of the relationship/conflict between the female protagonist Lt. Ellen Ripley, played by Sigourney Weaver, and the monstrous feminine Alien throughout the Alien saga consisting of: Alien (1979), Aliens (1986), Alien3 (1992), and AlienResurrection (1997). Lt. Ellen Ripley introduced viewers to their first self-reliant and successful female hero. The authors claim an important site for discussion on the changing ideas about gender, sex, and the female body is created by the Alien saga.
<2> Insightful scene-by-scene analysis reveals race, gender, and class distinctions operating …2>
Listening Spaces: Audiophiles, Technology And Domestic Music Listening, Brian O'Neill
Listening Spaces: Audiophiles, Technology And Domestic Music Listening, Brian O'Neill
Conference Papers
This paper examines the interrelationship of technology, space and identity as exhibited in the domestic music listening practices of the audiophile. Music listening in domestic contexts provides both a physical and imaginary space of cultural consumption. The paper describes work in progress into phenomenological aspects of listening, practices of audio technology use in domestic contexts, and features of identity formation based on a qualitative study of hi-fi listeners. Technological and cultural change in the production of aural soundscapes and processes of reception provide the backdrop to the current study. Three main issues are addressed. Firstly, the promise of digital technology …
Dramaturging Education And Educating Dramaturgs: Developing And Establishing An Undergraduate Dramaturgy Emphasis For Brigham Young University, Shelley Graham
Dramaturging Education And Educating Dramaturgs: Developing And Establishing An Undergraduate Dramaturgy Emphasis For Brigham Young University, Shelley Graham
Theses and Dissertations
Though the field of dramaturgy is growing in size and scope in professional theatre, there are relatively few universities or colleges that offer undergraduate or graduate degrees in basic dramaturgical theory and practice. Brigham Young University (BYU) is an ideal setting for the development of such a program. There is a close community within and surrounding the university; the Theatre and Media Arts Department has high pedagogical expectations; and the Theatre program provides multiple opportunities for theatrical production. I saw these qualities as an invitation to develop a dramaturgy emphasis for undergraduate students that would allow them to network with …
Conglomeration, New Media, And The Cultural Production Of The "War On Terror", James Castonguay
Conglomeration, New Media, And The Cultural Production Of The "War On Terror", James Castonguay
Communication, Media & The Arts Faculty Publications
Comments on the role of the mass media in promoting the war on terrorism launched by United States President George W. Bush in the wake of the September 11, 2001 terrorist attacks. Eagerness of the U.S. film industry to participate the war on terrorism; Support of the U.S. Central Intelligence Agency on intelligence-related television programs and film projects; Role of the Internet in disseminating information regarding the war on terrorism.
Reading/Teaching Lawyer Films, James R. Elkins
Reading/Teaching Lawyer Films, James R. Elkins
Law Faculty Scholarship
No abstract provided.
On Kapell And Doty's Jacking In To The Matrix Franchise, Ximena Gallardo C.
On Kapell And Doty's Jacking In To The Matrix Franchise, Ximena Gallardo C.
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Jacking In to the Matrix Franchise is the red pill that makes us understand the world of the Matrix in ways we could not while we were immersed in it, since the volume's essays serve as a comprehensive look into the Matrix franchise, not just the film trilogy composed by The Matrix, The Matrix: Reloaded, and The Matrix: Revolutions. For the Matrix directors, Andy and Larry Wachowski, orchestrated an array of artistic endeavors, including a collection of short anime stories entitled The Animatrix, the video game Enter The Matrix and the The Matrix comics …
On Dixon's Straight: Constructions Of Heterosexuality In The Cinema, Markus Rheindorf
On Dixon's Straight: Constructions Of Heterosexuality In The Cinema, Markus Rheindorf
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Wheeler Winston Dixon's Straight is an odd book. An interesting book, to be sure, but one that falls short of its promise or, rather, its many promises. While its title, especially the definite article in its subtitle, would seem to suggest a rather abstract and general treatment of constructions of heterosexuality in the cinema, a cinema somehow constructed as a totality, the book is both inspiring and frustrating in its unsystematic approach to its object(s). Object(s) because it would be difficult, even without raising any objections to the construction of the cinema as a singular totality, not to …
'Who Are You?': Alien/Woman As Posthuman Subject In Alien Resurrection, Ximena Gallardo C.
'Who Are You?': Alien/Woman As Posthuman Subject In Alien Resurrection, Ximena Gallardo C.
Reconstruction: Studies in Contemporary Culture
[Editors' Introduction]
Traditionally considered a monster in outer space series, the four films comprising the Alien saga: Alien, Aliens, Alien3, and Alien Resurrection, contain a vision of the Alien creature as an agent of human evolution that, taken to its logical extreme in Alien Resurrection, produce an uncommon posthuman subject: the Alien/Woman protagonist named Ripley. In the following article, Ximena Gallardo C. explores the introduction of the series' conception of human evolution through fusion with the Alien as a driving theme in Alien. It then briefly follows through Aliens and Alien3, …
Racial Discourse In Planet Of The Apes, Mandy Sheidah Allen
Racial Discourse In Planet Of The Apes, Mandy Sheidah Allen
Sociology & Criminal Justice Theses & Dissertations
The purpose of the study is to explore the racial discourse in the six Planet of the Apes films. The films range from 1968 to 2001 and portray the radical advances and the slow progression of race relations during this time frame. The racial discourse will be examined using themes of race and devolution, looking at the race class hierarchies of the ape society (a subversive metaphor for human society) and race as it is associated with power and political movements. The earlier films will be contrasted with Burton's 2001 version to explore how the concept race has shifted its …
"Why Bother?", Courtney Carlton
"Why Bother?", Courtney Carlton
Whittier Scholars Program
This project is a screenplay entitled “Why Bother?” but also within the folders of its binder casing includes script notes and musings over drafts.
Student / Alumni Film Fest '04, Providence College
Student / Alumni Film Fest '04, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Moore Hall III
Student / Alumni Film Fest '04
April 28, 2004, 8pm
Student / Alumni Film Fest '04, Providence College
Student / Alumni Film Fest '04, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Student / Alumni Film Fest '04
Student / Alumni Film Fest '04 Press Release, Susan Werner
Student / Alumni Film Fest '04 Press Release, Susan Werner
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Student / Alumni Film Fest '04 press release
April 2004
Student Alumni Short Video Festival Call For Entries, Providence College
Student Alumni Short Video Festival Call For Entries, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Student Alumni Short Video Festival call for entries
From Butler To Buffy: Notes Towards A Strategy For Identity Analysis In Contemporary Television Narrative, Rob Cover
Reconstruction: Studies in Contemporary Culture
[First paragraph]
Given the increasing significance of questions of identity, subjectivity and selfhood in contemporary postmodern western cultures, it is important to begin acknowledging how these questions are reflected in contemporary media and television and to develop new strategies by which to analyse television characters in terms of identity and subjectivity. The scope for analysing television series' characterizations through recent postmodern and poststructuralist theories of non-essentialist, non-foundationalist subject/identity performativity has not yet been considerably explored. It is my contention here, however, that such a method both reflects the representation of self and identity transformation in new television series as well …
Semana Santa En Blanco Y Negro = Semana Santa In Black And White, Renata Strychaz
Semana Santa En Blanco Y Negro = Semana Santa In Black And White, Renata Strychaz
Independent Study Project (ISP) Collection
Semana Santa is an amazing social and religious phenomenon that takes place in Spain during the week before Easter. Various church based groups leave in procession every day to make their pilgrimage around the city. The processions consist of penitentes and nazarenos who wear the familiar pointed hat and hard linen robes tied around the waist by rope. Next comes the mantillas, women dressed up in all black with the traditional hair piece, carrying rosaries and candles as they accompany Jesus and the Virgen who are the stars of the procession. Normally each group has two platforms carried on the …
Casablanca: Judgment And Dynamic Enclaves In Law And Cinema, Shulamit Almog, Amnon Reichman
Casablanca: Judgment And Dynamic Enclaves In Law And Cinema, Shulamit Almog, Amnon Reichman
Osgoode Hall Law Journal
By interpreting the narrative and imagery of the film Casablanca, this article seeks to explore the concept of law as enclave. An enclave is a domain-physical, virtual-emotional, conceptual, social or other-defined by certain boundaries and rules of entrance and exit. We argue that Casablanca is about constructing and reconstructing such enclaves. The structure of a pending journey between enclaves organizes the events taking place in Casablanca and constitutes their dynamic nature. Enclaves, we argue, are central to the structure and operation of the law. Recognizing the enclitic nature of law allows us a better grasp of the ethical dimensions of …
The Celluloid Stage Series Presents The Final Film In The Series: The Little Foxes, Providence College
The Celluloid Stage Series Presents The Final Film In The Series: The Little Foxes, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Moore Hall III
The Celluloid Stage Series Presents the Final Film in the Series: The Little Foxes
Wednesday, March 24, 2004, 7pm
The Celluloid Stage Series Presents: Emperor Jones, Providence College
The Celluloid Stage Series Presents: Emperor Jones, Providence College
Playbill and Promotion
Providence College Department of Theatre, Dance & Film
Moore Hall III
The Celluloid Stage Series Presents: Emperor Jones
February 18, 2004, 7pm
Email From Susan Werner To Sara Stolfi, Susan Werner
Email From Susan Werner To Sara Stolfi, Susan Werner
Commentary
Providence College Department of Theatre, Dance & Film
Email from Susan Werner to Sara Stolfi regarding the Emperor Jones film screening.
February 16, 2004
Nothing Can Replace Our Son, Ian Kilroy
Nothing Can Replace Our Son, Ian Kilroy
Articles
‘Nothing Can Replace Our Son’ is about US casualties in the war in Iraq that began in March 2003. It features parents who have lost children fighting for the US side.
Race For The Senate–A Content Analysis Of The Campaign Coverage Of West Virginia Senate Candidates Marie Redd And Tom Scott In 1998 And Marie Redd And Evan Jenkins In 2002, Lynne Marsh
Theses, Dissertations and Capstones
In the 1998 general election, Marie Redd became the first African American elected to the state senate in West Virginia. In the 5th District Senate race for her seat in the Legislature, Redd overcame the influence of opponent Tom Scott's incumbency, as well as his race and gender. Then, in the 2002 primary election, the freshman senator lost her seat to Evan Jenkins, also a caucasian male and a former member of the West Virginia House of Delegates. Previous research has shown that media treat candidates differently according to their race and gender and researchers have indicated the need for …
Summer 2004, 90.9 Wmpg Fm
Spring 2004, 90.9 Wmpg Fm
Always A Partner In Crime: Black Masculinity In The Hollywood Detective Film, Philippa Gates
Always A Partner In Crime: Black Masculinity In The Hollywood Detective Film, Philippa Gates
English and Film Studies Faculty Publications
No abstract provided.
Free Indirect Affect In Cassavetes' Opening Night And Faces, Homay King
Free Indirect Affect In Cassavetes' Opening Night And Faces, Homay King
History of Art Faculty Research and Scholarship
No abstract provided.