Digital Commons Network^™

Digital Filmmaking: Methods And Practices For The Production Of The Library And Traffic Signals, James M. Martin

Theses

The focus of this culminating project was to produce a short film on digital video using the skills and theories learned during the graduate Communication LCIE course of study. This project also utilized specialized equipment introduced during senior level Cinematography, Lighting for Film and Video, and Location Sound courses. The main goal was to have a completed work that held to the traditions of film while also taking advantage of the inherent benefits and dealing with the limitations of digital video.

Since the introduction of digital editing and digital video image acquisition, a debate has persisted within the video and …

Spellmann Documentary Capstone: An Explanative Narrative, Daniel S. Wilhelm

Theses

This documentary is on Dennis C. Spellmann the former President of Lindenwood University. (March 1989-August 2006) The purpose of the documentary is to show Dennis Spellman's influence and dedication in turning Lindenwood College from a failing college into a thriving University. It concentrates on showing what it took for Dennis Spellmann to save the college.

The documentary is comprised of interviews with family members and co-workers and uses pictures without the use of narration to cover such subject matter as Spellman's birth, childhood, journey to Missouri, condition of Lindenwood College, and several significant changes that Dennis Spellmann made at Lindenwood …

Dangerous Bodies: The Regulation And Contestation Of Women's Sexuality At The Movies In Virginia, Melissa Ooten

Women, Gender and Sexuality Studies Faculty Publications

In 1922, the General Assembly of Virginia created a motion-picture censorship board to regulate out of popular culture images its cultural arbiters ruled detrimental to state officials' attempts to modernize and "clean up" the image of Virginia. On-screen depictions of women's sexuality repeatedly fell prey to the board's "protectionist" ideology, by which censors argued that their work "protected" society's most vulnerable citizens. In reality, such an ideology served as an extension of state power to keep subjective, realistic portrayals of these already marginalized citizens out of popular culture in order to justify their continued status as "second-class" citizens within the …

Una Entrevista Con El Montador De Sonido Español Leopoldo "Polo" González Aledo, 2006, Patricia Hart

School of Languages and Cultures Working Papers

Ésta es una entrevista llevada a cabo en 2006 con el desaparecido montador de sonido cinematográfico, Leopoldo “Polo” González Aledo (muchas veces conocido simplemente como “Polo Aledo”). En esta conversación informal y alegre, Aledo describe sus comienzos en el cine, y su formación en la profesión. Como muchos de sus contemporáneos, más que nada fue autodidacta. Por el camino, relata anécdotas, algunas simpáticas y otras más serias, sobre directores de la talla de Luis García Berlanga, Emilio Martínez-­‐Lázaro, Daniel Monzón, Julio Medem, Gracia Querejeta, Juanma Bajo Ulloa, Alejandro González Iñárritu, Fernando León de Aranoa, Álvaro Fernández Armero, Manuel Iborra, Alfonso …

Sources: Encyclopedia Of The Documentary Film (Review), Robin Imhof

University Libraries Librarian and Staff Articles and Papers

No abstract provided.

Chw Productions: A Study To Determine Market Potential For Missionary Videos, Shalayne Packer, Francisco Pascual, Jed Lloyd

Student Works

At the request of the CHW Productions, Shalayne Packer, Jed Lloyd, and Francisco Pascual, students of the Marriott School of Management located at Brigham Young University, were commissioned to determine the market potential for LDS missionary videos. PPL Consulting is comprised of Shalayne Packer, Francisco Pascual and Jed Lloyd.

Review Of The Conformist, Michael Adams

Publications and Research

Review of Bernardo Bertolucci's The Conformist: http://www.media-party.com/discland/2007/01/the-conformist.html

Review Of The River's Edge, Michael Adams

Publications and Research

Review of Allan Dwan's The River's Edge: http://www.media-party.com/discland/2006/07/the-rivers-edge-1957.html

Allusion As Form: The Waste Land And Moulin Rouge!, Stacy Magedanz

Library Faculty Publications & Presentations

Allusion is usually considered a literary technique, but relatively little attention has been paid to the notion of allusion as a literary form. In this essay, I attempt to describe the allusive form based on two prominent examples, T. S. Eliot’s Waste Land and Baz Luhrmann’s Moulin Rouge! Though radically different, the two works embody distinguishing characteristics of the allusive form. These are intertextuality, or a dependence upon outside sources for sense and significance; heightened and self-conscious artificiality; a confrontational attitude toward the audience; elitism, based on the exclusivity of allusions; appropriation of multiple cultures; and pervasive anachronism. Though prone …

Playing With Culture: Gaming Across The Pacific Rim, Christopher Head

SWITCH

This piece explores how video game culture differs across the Pacific Rim by using Japanese arcades, South Korean gaming culture, and American gaming habits as examples.

The Art Of Trash: Evaluating Troma Entertainment As Paracinema, James W. Macdonald

Theses : Honours

The aim of this research is to explore the anti-establishment function of the work of Lloyd Kaufman and his film studio, Troma Entertainment. The research focuses on Troma's capacities as paracinema, and examines how in relishing their derided position in the cultural field, Lloyd Kaufman's films represent an anti-establishment cinematic form, combating an institutionalised idea of cultural value. Through challenging the rules of taste, Lloyd Kaufman's films serve to push the boundaries of what is considered valuable in contemporary culture. Films that revel in their 'bad taste' through extreme themes, poor humour and amateurism, make a stand against the mainstream …

Finding The Watermark: A Filmic Response To Domestic Abuse Within Australian Film From 1970 - 2006, Erin Nichols

Theses : Honours

Due to various social, international and economic encumbrances, Australian film has made a limited foray into the representation of domestic abuse. A limited number of films have been made on this topic since the early 1970's, and even then, the depiction of this social issue has been watered down and sanitised for mainstream consumption. It is the author's belief that the filmmaker has an important and highly influential opportunity to present a social commentary on issues and must not shirk that responsibility. The film project supported by this exegesis responds to the above concerns and the priority has been to …

The Filmmaker, The Subject And The Audience : A Dialectical Exploration Of Documentary Performance, Ben Stewart

Theses : Honours

Documentary filmmakers 11 engage directly in the study of the phenomena of life that surrounds us. We hold the ability to show and elucidate life as it is, considerably higher than the occasionally diverting droll games that people call theatre, cinema etc." (Vertov, 1984, p. 47). The ability to 'show and elucidate life as it is' is a controversial claim that the majority of academic documentary discussion is concerned with. I intend to add to this discussion through an exploration of performance and its pertinence to the ability of documentary to represent reality truthfully. The reception of documentary is significantly …

0747: Robert C. Shank Collection, 1937-1992, Marshall University Special Collections

Guides to Manuscript Collections

Scrapbooks of activities of the Huntington, W. Va., Community Players; movie posters; some books.

Review Of Yellow Sky, Michael Adams

Publications and Research

Review of William Wellman's 1948 Western, inspired by Shakespeare's The Tempest.

Review Of Pretty Poison, Michael Adams

Publications and Research

Review of Noel Black's Pretty Poison: http://www.media-party.com/discland/2006/11/pretty-poison.html

Review Of Elevator To The Gallows, Michael Adams

Publications and Research

Review of Louis Malle's Elevator to the Gallows: http://www.media-party.com/discland/2006/06/elevator-to-the-gallows.html

Review Of Hail! Hail! Rock 'N' Roll, Michael Adams

Publications and Research

Review of Taylor Hackford's Chuck Berry documentary Hail! Hail! Rock 'n'Roll: http://www.media-party.com/discland/2006/08/chuck-berry-hail-hail-rock-n-roll.html

Review Of I Wake Up Screaming, Michael Adams

Publications and Research

Review of H. Bruce Humberstone's I Wake Up Screaming: http://www.media-party.com/discland/2006/07/i-wake-up-screaming.html

Review Of Macbeth, Michael Adams

Publications and Research

Review of Geoffrey Wright's Macbeth: http://www.media-party.com/discland/2007/12/macbeth-2006.html

Review Of Petulia, Michael Adams

Publications and Research

Review of Richard Lester's Petulia: http://www.media-party.com/discland/2006/06/petulia.html

Pathos, Winter 2006, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 1

Hogarth To Monster Wheels : A Grotesque Connection, Christopher Ridley

Theses : Honours

When an audience is exposed to deformed, altered and abnormal entities, their interpretation relies on some form of cultural awareness of both the expected and the altered shape to stimulate a reaction. I maintain that the stimulus for this reaction has its roots in a dark and terrifying primal force, the manifestation of which we regard as the grotesque. This thesis looks for a commonality in a satirical interpretation afforded to this grotesque force. By using the caricatures in William Hogarth's engravings and the altered cars in three contemporary films. I search for a correlation between the way Hogarth and …

Entre Intertextualité Et Réécriture, Alexie Tcheuyap

Présence Francophone: Revue internationale de langue et de littérature

Aesthetic practices have become more and more diversified in contemporary cultures. Although rewritings and adaptations are most common from literature to film, from myth/epic to novels, African filmmakers have recently been inaugurating novelization, that is the literary rewriting of a film. This essay examines the case of the Algerian filmmaker Merzac Allouache, who has written Bab el-Oued City, based on his film Bab el-Oued, in order to escape the technical and practical limitations of cinema. In doing so, he best expresses the challenges of contemporary Algeria, which is permanently threatened by violence and Islamic fundamentalism.

L’Intertextualité Géopolitique Dans Le Petit Chat Est Mort De Fejria Deliba, Sarah B. Buchanan

Présence Francophone: Revue internationale de langue et de littérature

In this article, Buchanan examines how Fejria Deliba’s short film, Le petit chat est mort, questions the ideas that conservative members of North African and French communities mobilize to separate themselves from each other. Using theories of intertextuality and geopolitical conscience, Buchanan illustrates how “imagined communities” are always influenced by other national narrations, and how “home” is never isolated, pure or preserved. On the contrary, Buchanan highlights how Deliba presents the French and North African cultures as spaces of intersection and interface, that is, of intertext.

Désir Et Impuissance Dans Halfaouine Et Bye-Bye, Scott Homler

Présence Francophone: Revue internationale de langue et de littérature

The experience of adolescence and the trials of Arab and Beur masculinity are explored in the films of Férid Boughédir and Karim Dridi in order to reveal the psychology and the politics of masculinity in evolution. Studying two films, Halfaouine and Bye-Bye, as well as the autobiography of Abdelkébir Khatibi entitled La mémoire tatouée, we see that they reflect a number of discursive stages of an emergent identity of protest that is based on flight and self-destruction.

Problèmes Et Enjeux De L’Adaptation En Algérie, Mehana Amrani

Présence Francophone: Revue internationale de langue et de littérature

As in all postcolonial societies confronted with the question of illiteracy, in Algeria, film adaptations pose a political and cultural stake. Due to the phenomena of political and moral censure and self-censorship, only ten novels were carried over to the screen during one 36-year period. However, with the rebirth of Algerian cinema in the Nineties, screenwriters are once again interested in setting Algerian novels in images. These new adaptations, which are often done in co-production with France and Belgium, introduce the new problems of language. The audience for these films, which are expressed mainly in French, is thus likely limited …

The Americanization Of Tsuru Aoki: Orientalism, Melodrama, Star Image, And The New Woman, Sara Ross

Communication, Media & The Arts Faculty Publications

This article contextualizes issues of race and Orientalism in the career of Japanese actress Tsuru Aoki within changing representational strategies and ongoing cultural struggles over the public and domestic roles of women in the modern age. According to the author, Aoki's persona blurred the boundaries between Japanese and U.S. identities.

L’Écriture De La Femme Musulmane Dans Loin Demédine D’Assia Djebar, Yvonne-Marie Mokam

Présence Francophone: Revue internationale de langue et de littérature

Assia Djebar is one of the most important figures in contemporary African literature. Her views are structured around a critique of the misrepresentation of Muslim women. It is precisely this challenge that is undertaken in Loin de Médine (1991), in which Djebar challenges various stereotypes in order to offer a new image of Asian women.

Le Français D’Origine Maghrébine Face Au Prisme Médiatique, Hassiba Lassoued

Présence Francophone: Revue internationale de langue et de littérature

Whether we admit it or not, the mass media manipulates the masses. This fact proves to be especially dangerous in the context of French people of Maghrebian origin. The media presents them as either incapable of being “assimilated” or as models of integration. At any rate, there seems to be no middle ground between these two extremes.