Digital Commons Network^™

Lasser Voir: Experimental Film Revealing The Dichotomy Of The Mind, Valerie Kitchin

Senior Honors Projects

Lasser voir is a French term meaning to show; to allow to be seen. The film is meant to interpret the internal genesis from dual perspectives. Absolute Good and absolute Evil coexist fighting each other eternally. The challenge is to create a vision of the form of good and the form of evil, thus showing the interior and exterior struggle between the two. Good and Evil appear as the same individual: each opposing one another in ethereal battle through the channel of artistic interpretation. The concept originates from the writhing movement within the mind. It cannot live without Good, but …

Motherhood And The Political Project Of Queer Indian Cinema, Bryce J. Renninger

Renée Crown University Honors Thesis Projects - All

Motherhood & the Political Project of Queer Indian Cinema is a thesis that works to understand the variety of ways the films of queer Indian cinema use the figure of the mother. The Indian mother has a long history at the fore of the Indian imagination. Popular narratives and public culture within India have a history of focusing on the mother as a key site of Indian tradition. Narratives and cultures of all religious traditions in India have consistently focused on the mother as a central character and agent of change. Queer Indian cinema, of the diaspora and made from …

Leaving Neverland, Jonathan Krieger

Renée Crown University Honors Thesis Projects - All

Leaving Neverland is an adaptation of Peter Pan meant to take the classic story in an entirely new direction. The story is set in modern day and takes place ten years after the end of the original Peter Pan. Wendy is twenty years old and, when she returns to Neverland, Peter falls in love with her. He gives up his immortality for a chance at a love.

The story deals with the ensuing relational change between Peter and Wendy, between Peter and the Lost Boys, between Peter and Hook, and even between Peter and the Neverland universe.

As Peter grows …

Inspired Women: Changing The Face Of The Film Industry, Allison Mcmanus

Renée Crown University Honors Thesis Projects - All

The Honors Capstone project I created explores the inequalities women face in a predominantly male film industry. The focus was on how gender identity permeated their own artwork, their inspiration and drive, and the need for female voices to be heard.

The documentary was filmed in New York City, Los Angeles, and Syracuse. It was shot on Mini-DV and edited using Final Cut Pro. The film includes both interviews with female film professionals and students juxtaposed with my own life experiences.

The project was a journey of discovery, understanding, and inspiration. The film chiefly illustrates how collaboration, respect and assistance …

Wherefore Art Thou, Romeo?: A Study Of Three Late Twentieth-Century Film Adaptations And Appropriations Of Romeo And Juliet, Geoffrey Way

All Theses

This thesis is an audience-centric study of the socio-political aspects of three late twentieth-century film versions of William Shakespeare's Romeo and Juliet: Baz Luhrmann's William Shakespeare's Romeo + Juliet (1996), Lloyd Kaufman's Tromeo and Juliet (1996), and Andrzej Bartkowiak's Romeo Must Die (2000). It explores how each film utilizes popular culture and late twentieth-century American society in tandem with themes and concepts from Shakespeare's play. It then analyzes the different techniques each director used to create a sense of recognition for the audience through the use of these various elements. It looks at how Luhrmann's film worked to bring Shakespeare's …

The Evolution And Impact Of Documentary Films, Amma Marfo

Senior Honors Projects

Long considered either high art or the bane of every student’s existence when a substitute teacher came to class, documentary film has developed into a popular and visible form of entertainment. As a result, they are starting to have a bigger effect on society, as they begin to address issues with the goal of informing the public and pushing for social change. This project will first address historical documentaries, the reasons that they were made, and what techniques were established that have carried through to documentary film today. My paper will then examine today’s documentary films, what techniques they use …

Digital Radio In Canada: From Dab To Multi-Platform Approaches., Brian O'Neill

Conference Papers

This paper examines the position of digital radio in Canada. It examines the Canadian experience of digital radio development from its introduction in 1995 to the present and asks whether the approach adopted and the lessons learned provide useful models for application elsewhere. Three main strands form the background to digital radio’s current stage of development: firstly, the introduction and early support for Digital Audio Broadcasting or (DAB) in the mid 1990s; secondly, the response of the radio industry to the internet and new media as complementary to traditional radio broadcasting provision; and thirdly, the more recent experience of the …

The Feel-Good Gulag: The Value Of The Arts, Ian Kilroy

Books/Book chapters

A 2007 consideration of the importance of the arts in Irish society by Ian Kilroy, Arts Editor of the Irish Examiner. The piece was commissioned by the Irish Arts Council.

[Review Of] Sports Cinema 100 Movies: The Best Of Hollywood's Athletic Heroes, Losers, Myths, And Misfits, Robert A. Aken

Library Faculty and Staff Publications

No abstract provided.

Fabricating Freddy Vs. Jason: Understanding A Motion Picture As A Social Encounter Between Fans And Filmmakers, Jason M. Rapelje

Dissertations

The break in the mass communicative chain, which separates producers and receivers from one another in both time and space, impedes researchers from studying motion pictures as social encounters. As with face-to-face encounters, producers and receivers of motion pictures depend upon the use of "rules of relevance" (Goffman, 1961) and "typifactory schemes" (Berger & Luckmann, 1966) for their encounters to take place. I examine the social encounter that takes place between some of the filmmakers and fans of Freddy vs Jason through the use of these concepts, as well as a revision of John B. Thompson's (1990) methodological framework of …

Reconciling Ethnicity, Subalternity And Chinese Eco-Aesthetics: Human And Animal Subjects In Lu Chuan's Kekexili: Mountain Patrol, Chia-Ju Chang

Reconstruction: Studies in Contemporary Culture

An ecological discourse has not yet arisen in the mainstream of Chinese film studies. Lu Chuan's Kekexili: Mountain Patrol (2004) is the first transnational feature film in China about the endangered Tibetan Antelope. This "eco-thriller" is based on a true event and is about a group of Tibetan volunteers trying to capture the leader of a poaching group who is responsible for mass-slaughtering and skinning the endangered Tibetan Antelope. The film engages a complicated politics of transnational capitalism, ethnicity, animal rights and aesthetics. In this paper, I first survey the history of animal poaching in the Kekexili area and the …

Bird Watching: Global-Natural Worlds And The Popular Reception Of Winged Migration, Lisa Uddin

Reconstruction: Studies in Contemporary Culture

This paper examines the contemporary visual cultures of economic globalization and natural history by considering the popular French wildlife film, Winged Migration (dir. Perrin 2001). Through the small-scale of a single film's reception, the paper offers a critique of the Euro-American tendency to conceptualize the global world and the natural world in totalizing and mutually constitutive terms. How have images of a timeless and universal global world become a way of imagining the natural world, and vice versa? How has Winged Migration's circulation amongst an American popular audience reproduced, but also undermined, these joint constructions? Analyzing the film's central theme …

Female Agency And Oppression In Caribbean Bacchanalian Culture: Soca, Carnival, And Dancehall, Kevin Frank

Publications and Research

In this essay Kevin Frank discerningly analyzes agency and gender in public sexual performances emanating out of what Paul Gilroy identifies as part of the compensatory politics of the subordinated within Black Atlantic culture, Jamaican dancehall (dancehall reggae/ dancehall queens).

Pathos, Spring 2007, Portland State University. Student Publications Board

Pathos

Editor: Laura Pieroni

Issue 3

Filming Theater: The Audiovisual Documentation As A Substitute Of The Performance, Nestor Fernando Bravo

Theses and Dissertations

Theatre is not a thermometer of society; it is the fever. The archive is the aftermath that recalls that fever. In this thesis I theorize about the status of audiovisual documentation, its functionality, and its ontological relation with the performance. I argue that the film of a performance does not constitute evidence per se, but it acquires such status through the concurrence of other documents and archival artifacts existentially related to the theatrical production. I also propose that the audiovisual document becomes a substitute for the performance when it has disappeared from the historical world, becoming the new referent for …

Portraying Domestic Violence In Egyptian Films, 1950-2000, Maie Shawky

Archived Theses and Dissertations

No abstract provided.

Denzel Washington Thriller To Play In Hansen, Taylar Kuzniar

News and Events (Discontinued Series)

No abstract provided.

A Theological, Sociological, And Educational Rationale For The Curriculum : "Luther's Explanation To The Decalogue, As Explored Through Film : A Curriculum For Young Adults" ; Luther's Explanation To The Decalogue As Explored Through Film : A Curriculum For Young Adults, Karen A. Wilson

Master of Arts Theses

No abstract provided.

Early Connections Between Film And Emerging Media As Evidenced In The Animated Worlds Of Adam Beckett, Pamela Turner

Kinetic Imaging Publications and Presentations

Making a “film” today rarely involves a journey to the lab as images are more often recorded digitally and not on celluloid. Even video’s electromagnetic record is transformed to bits and bytes. There is no frame to splice. The visual material exists as a virtual reference only. As McLuhan points out, new media doesn’t replace the old, existing media, but changes it. Theorists often point to the photograph and its impact on the painting. A similar event was the emergence of video technology and its ensuing relationship with film, a relationship whose differences have become increasingly transparent.

Looking at the …

The Commodification Of Tragedy: A Critical Examination Of Contemporary Film, Harold Dawson

Theses, Dissertations and Capstones

The commodification of tragedy is an examination of contemporary film that depicts real events of human tragedy that are imposed on human society. Commodities are the cultural products of capitalist society through which meanings are attached; nationally released film and documentary-style cinematic productions are objects for consumption that presents tragedy as a simplistic and distorted spectacle of simulated reality. Titanic, United 93, and We Are…Marshall! share the conspicuous traits of distortion in historical facts through fictionalization of the event and reduction of complexity carried out by the entertainment industry.

Contemporary French Cinema And Its Background: A Reading List, Dewi J. Wilson

Research Guides & Subject Bibliographies

Reading list for researching french cinema using the resources of the Sturgis Library.

The Pleasure Of The Blog: The Early Novel, The Serial, And The Narrative Archive, Kathleen Fitzpatrick

Pomona Faculty Publications and Research

Blogs have in the last couple of years loomed large in the western imagination, but the ideas about blogs that have circulated both through the mainstream (particularly U.S.) media and through academic circles have been extremely limited in scope. In the first place, there is a common distinction at work in the U.S. imaginary between "blogs," which are assumed on some level to be doing public work, whether political, technical, academic, or journalistic, and "online diaries," which are primarily personal, if not exactly private. The personal blogs often mistakenly labeled "online diaries," as well as the more apparently diaristic forms …

Karmic Buyback: A Pilot Program, Cindy E. Dauer

Electronic Theses and Dissertations

Karmic Buyback: A Pilot Program, a screenplay, is the story of Oliver Harker, a water resources engineer in his early thirties, adrift in a world of lost social connections. Aside from this work, which he describes as "just a lot of redundant paperwork," his only connection to the outside world is his exuberant younger brother Van. With no father to speak of, and harboring long term resentment against his mother who ran away to Africa the day after Van's high school graduation, Oliver's defining tragic moment came three years earlier. It was then he discovered Eva, the woman he planned …

Bridging The 'Generation Gap' : Understanding Cross-Generations' Views Through The Visual Media Of The 1960s, Kit Ling Luk

APIAS Working Paper 工作論文

This working paper is based on the findings of the 2002 film screening cum focus group discussions amongst the young and the old organized by APIAS. Using the visual media: Hong Kong film in the 1960s as a media, the present project intends to explore the family as the social arena in addressing parent and children’s contrasting views on love, marriage and its impact on their parent-child relationships. The project also aims to shed light on ways in promoting intergenerational communications via structured intergenerational programmes.

Project Objectives

1. To explore the ‘gap’ between the young (born in the 1980s) and …

Movie Poster Advertisements: A Relevance Theory Persepctive, Steven Lawrie Forrett

Theses Digitization Project

The purpose of this thesis is to examine ten movie posters while hypothesizing whether or not their tagline texts could interest a reader. A linguistic framework Relevance Theory, is used in the analysis of this project.

A Wave Of The Magic Wand: Fairy Godmothers In Contemporary American Media, Jeana Jorgensen

Scholarship and Professional Work - LAS

The increased personification of fairy godmothers in contemporary American media corresponds to an aspect of the American worldview that emphasizes "magical" quick fixes and solutions. The two fairy-tale pastiche works informing this study are a novel, The Fairy Godmother, by fantasy author Mercedes Lackey, and a movie, Shrek 2. Both of these works feature fairy godmother characters that depart from canonical folktale and fairy-tale depictions. Associated with fate and wisdom, fairy godmothers act much as folklorists do by rewarding traditional behavior with gifts. Recent fairy godmother roles are hybrid and multivocal, illuminating ideologies and power structures in both society and …

Apotheosis Or Apparition? Bombay And The Village In 1990s Women’S Cinema, Rashmi Sawhney

Books/Book chapters

This article examines the representation of Bombay in Aruna Raje’s Rihaee (1988) and Sai Paranjpye’s Disha (1990). It has been argued here that in both films, Bombay functions as a narrative anchor to the fictive village, which is depicted as the locus of Indian modernity. Symbolism of the village-city trope is used to reorganise the syntagm of modernity-location-gender in new relations of power and also to present alternative visions of national development within the socio-economic context of 1990s liberalisation in India. The dialectic between city and village in these films emphasises the role of memory and migration in women’s cinema, …

Frankenstein: Man Or Monster?, Leigh P. Mackintosh

Undergraduate Theses and Capstone Projects

Since its first publication in 1818, Mary Shelley’s novel Frankenstein has left a lasting impression upon the world speaking to a multitude of audiences including artists, scientists, philosophers, and society as a whole. Considering the impact of Frankenstein through its evolution as a cultural myth in various plays and films, this thesis will provide a way to gauge the relevance of Shelley’s story as an adaptation. Only by knowing what has been done in the past and how the materials have been used by other playwrights and screenwriters can one understand how to handle them as an original work. The …

Televising 9/11 And Its Aftermath: The Framing Of George W. Bush’S Faith-Based Politics Of Good And Evil, Gary Edgerton

Scholarship and Professional Work - Communication

For most of the four days following 9/11, TV viewers around the world were mesmerised by unthinkable images. Television brought home to Americans especially the polarising effects of the post-Cold War world, including the backlash of Islamic fundamentalism and the imminent threat of future terrorist attacks. A formulaic narrative quickly emerged; ordinary police and firefighters took the lead as America’s national heroes, while Osama bin Laden and the rest of al-Qaeda and the Taliban rose up as villains. On September 12, 2001, U.S. President George W. Bush gave voice to this mythic small-screen storyline as “a monumental struggle of good …

Selfless: Buffy's Anya And The Problem Of Identity, Victoria Large

Undergraduate Review

No abstract provided.