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Welcome To The World Of Tomorrow Today: Matt Groening's Futurama As Posthuman Mediator, Amanda Jill Taylor Jan 2009

Welcome To The World Of Tomorrow Today: Matt Groening's Futurama As Posthuman Mediator, Amanda Jill Taylor

Theses Digitization Project

In this thesis an explanation of posthuman theory along with a close analysis of both Fry and the robot Bender. These analyses respectively show how we are already posthuman as well as the material limitations of posthuman subjectivity.


From Demigods To Slayers: Contemporary Mythology And Gender Economies In Buffy The Vampire Slayer, Adam Kem Yerima Jan 2009

From Demigods To Slayers: Contemporary Mythology And Gender Economies In Buffy The Vampire Slayer, Adam Kem Yerima

Theses Digitization Project

In the critically acclaimed television series Buffy the Vampire Slayer, writer-director Joss Whedon revises the trope of monster slaying into a contemporary feminist Slayer mythology. This thesis explores how Buffy's Slayer mythology revises gender conventions performed by Greek Demigods myths, specifically Apollodorus' rendition of the myths in the Library of Greek Mythology.


Review Of The Frodo Franchise: The Lord Of The Rings And Modern Hollywood, By Kristin Thompson, Carol A. Leibiger Jan 2009

Review Of The Frodo Franchise: The Lord Of The Rings And Modern Hollywood, By Kristin Thompson, Carol A. Leibiger

Faculty Publications

No abstract provided.


The Unspooling Of Artkino: Soviet Film Distribution In America, 1940-1975, James H. Krukones Jan 2009

The Unspooling Of Artkino: Soviet Film Distribution In America, 1940-1975, James H. Krukones

History

The article discusses the distribution of Soviet motion pictures in the U.S. by distribution company Artkino, from 1940 to 1975. The author states that Artkino was virtually the sole U.S. distributor of movies from the Soviet Union for 20 of those years. Discussion is offered relating the conditions of the Soviet film sector in the U.S. as well as describing the marketing and business management of the company. Comments are also given profiling the first Soviet film distributed in the U.S. "The Battleship Potemkin," directed by Sergei Eisenstein, and other typical films of the era.


When Was Dracula First Translated Into Romanian?, Duncan Light Jan 2009

When Was Dracula First Translated Into Romanian?, Duncan Light

Journal of Dracula Studies

Dracula is one of the world’s best-known books. The novel has never been out of print since its publication and has been translated into about 30 languages (Melton). Yet, paradoxically, one of the countries where it is least known is Romania. The usual explanation given for this situation is Romania’s recent history, particularly the period of Communist Party rule (1947-1989). Dracula, with its emphasis on vampires and the supernatural, was apparently regarded as an unsuitable or inappropriate novel in a state founded on the materialist and “scientific” principles of Marxism. Hence, no translation of Stoker’s novel was permitted during the …


Mother Dearest, Mother Deadliest: Object Relations Theory And The Trope Of Failed Motherhood In Dracula, Brigitte Boudreau Jan 2009

Mother Dearest, Mother Deadliest: Object Relations Theory And The Trope Of Failed Motherhood In Dracula, Brigitte Boudreau

Journal of Dracula Studies

No abstract provided.


Vixens And Virgins In The Nineteenth-Century Anglo-Irish Novel: Representations Of The Feminine In Bram Stoker’S Dracula, Susan Parlour Jan 2009

Vixens And Virgins In The Nineteenth-Century Anglo-Irish Novel: Representations Of The Feminine In Bram Stoker’S Dracula, Susan Parlour

Journal of Dracula Studies

No abstract provided.


Review Of Japanese Mythology In Film: A Semiotic Approach To Reading Japanese Film And Anime By Yoshiko Okuyama, Ronald S. Green Jan 2009

Review Of Japanese Mythology In Film: A Semiotic Approach To Reading Japanese Film And Anime By Yoshiko Okuyama, Ronald S. Green

Philosophy and Religious Studies

No abstract provided.


Pathos, Winter 2009, Portland State University. Student Publications Board Jan 2009

Pathos, Winter 2009, Portland State University. Student Publications Board

Pathos

Editor: Nataliya Pirumova

Issue 8


We're All Waiting For Something, Christina N. Bigler Jan 2009

We're All Waiting For Something, Christina N. Bigler

Senior Honors Theses and Projects

One reason I knew I wanted to join the Eastern Michigan University Honors College (EMU HC) was because I would be allowed to make a film for my Honors Senior Thesis Project. Of course, joining the Honors College would help me to widen my academic boundaries and surround me with other students who were as passionate about succeeding both in the classroom and out as I was. However, in the end, I knew that with all of the hard work I would put in throughout my entire college career, whether it was in honors or non-honors classes, in film courses …


Marketing Under Feminist Scrutiny, Andrew Harris Jan 2009

Marketing Under Feminist Scrutiny, Andrew Harris

XULAneXUS

At first glance, an ad in a magazine may appear harmless when left critically unexamined, but when studied closely, patterns start to arise that express male dominance which habitually goes unnoticed because male dominance has long been taken for granted. Laura Mulvey writes on phallocentrism in her essay entitled “Visual Pleasure and Narrative Cinema” and explains how to recognize the distinction between men and women in popular media. The most dominant theme in her essay is that marketers depict female characters so they seem like man’s opposite, suggesting that women only exist when defined by their “castration” or penislessness. This …


German Film And The Frankfurt School (Spring 2009), Robert D. Tobin Jan 2009

German Film And The Frankfurt School (Spring 2009), Robert D. Tobin

Syllabi

This course is an introduction to German cinema. We will study masterpieces of German film, important critical and theoretical discussions of them, and the contexts in which they were produced and received. As a critical lens, we will rely heavily on psychoanalytic and Frankfurt School criticism, focusing on writings by Walter Benjamin, Siegfried Kracauer and Theodor Adorno. By the end of the semester, students should know the history of German film, have a better understanding of German culture, and have developed a critical understanding that is useful for their appreciation of all cinematic form.

A photo of this Spring 2009 …


The National Imagination (Spring 2009), Robert D. Tobin, Marvin D'Lugo, Alice Valentine Jan 2009

The National Imagination (Spring 2009), Robert D. Tobin, Marvin D'Lugo, Alice Valentine

Syllabi

This course compares the idea of the nation in two or three different traditions. This particular syllabus compares the national in Argentina, Japan, and Germany.

A photo of this Spring 2009 class was taken as part of Professor Bob Tobin's ongoing class photo tradition. The photograph was taken by Stephen DiRado as part of his Classroom Series.


Global Freud (Fall 2009), Robert D. Tobin Jan 2009

Global Freud (Fall 2009), Robert D. Tobin

Syllabi

This course provides an introduction to Freud’s thinking, especially on literary and cultural topics. Reading his writing in conjunction with literary texts from a variety of cultural backgrounds, we will focus on the ways in which authors, artists, musicians and film makers from around the world have used Freud’s insights and try to determine in what ways his thoughts translate globally.


Learning The Five Lessons Of Youtube: After Trying To Teach There, I Don't Believe The Hype, Alexandra Juhasz Jan 2009

Learning The Five Lessons Of Youtube: After Trying To Teach There, I Don't Believe The Hype, Alexandra Juhasz

Publications and Research

No abstract provided.


That Moment Now = 此時.那刻, Tin Yan, Celia Ko Jan 2009

That Moment Now = 此時.那刻, Tin Yan, Celia Ko

Artists-in-Residence Programme : Exhibition Catalogues

Art Exhibition by Celia Ko

In a new exhibition ‘Th at Moment Now’ on show at Lingnan University, Hong Kong artist Celia Ko presents three bodies of work that take as their subject the artist’s relationship to her maternal Chinese ancestry. In pursuing her subject Ko has created a trilogy of images through which the interior life of her family is approached from diff erent vantage points. Using large-scale images and hand made garments and jewellery Ko explores the pervasive power of familial myths and narratives.

The first part of the exhibition are large-scale portraits of her mother’s parents: grandfather …


Media Literacy, Brian O'Neill, Ingun Hagen Jan 2009

Media Literacy, Brian O'Neill, Ingun Hagen

Books/Book chapters

Across Europe and beyond, the promotion of media literacy, for children and adults, has acquired an important public urgency. Traditional literacy is seen to be no longer sufficient for participation in today’s society. Citizens need to be media literate, it is claimed, to enable them to cope more effectively with the flood of information in today’s highly mediated societies. As teachers, politicians and policy makers everywhere struggle with this rapid shift in media culture, greater responsibility is placed on citizens for their own welfare in the new media environment. Media literacy is therefore all the more essential in enabling citizens …


¿De Qué Cine Hablamos? Las Tareas De Los Estudios Del Cine Latinoamericano, Claudia Ferman Jan 2009

¿De Qué Cine Hablamos? Las Tareas De Los Estudios Del Cine Latinoamericano, Claudia Ferman

Latin American, Latino and Iberian Studies Faculty Publications

La introducción a este grupo de trabajos en los que se abordan los desarrollos recientes en los estudios del cine comienza con la pregunta acerca del objeto de ese estudio, es decir, de qué cine hablamos (o debemos hablar) cuando se piensa el cine latinoamericano. Los trabajos que siguen basan su discusión en el reconocimiento de que la expresión cinematográfica latinoamericana se ha multiplicado exponencialmente (Remedi) y que, gracias a nuevas tecnologías tanto de producción (digital) como de reproducción (DVD), así como a políticas más decididas por parte de algunos gobiernos nacionales del continente, el cine latinoamericano ha llegado en …


Etre Et Parler: Being And Speaking French In Abdellatif Kechiches Lesquive And Laurent Cantets Entre Les Murs, Dana Strand Jan 2009

Etre Et Parler: Being And Speaking French In Abdellatif Kechiches Lesquive And Laurent Cantets Entre Les Murs, Dana Strand

French and Francophone Studies Faculty Work

French film-makers have long recognized the primordial importance to the nation’s ‘imagined community’ of the centralized public school system, which, since the early days of the Third Republic, has been viewed as a bulwark of Republican values. In this essay, I discuss the ways in which two recent films, Abdellatif Kechiche’s L’Esquive/The Dodge (2004) and Laurent Cantet’s Entre les murs/The Class (2008), interrogate the role French schools play in shaping national identity. Both films focus on language as a marker of difference as well as a point of tension, performance and potential subversion, by exploring the respective contrast between the …


0772: Jason Stewart Video, 2007-2008, Marshall University Special Collections Jan 2009

0772: Jason Stewart Video, 2007-2008, Marshall University Special Collections

Guides to Manuscript Collections

This collection consists of 18 Panasonic Mini DV tapes of interviews and other raw film used in the creation of the documentary film about Philip Belt titled “Phil Belt and the Forte Piano.” Also included in the collection is a DVD copy of the final documentary along with a booklet documenting major life events for Belt. The DVD contains the following chapters: 1. Road Trip, 2. Introducing Phil Belt, 3. Getting Into Piano Building, 4. The Historical Performance Revival, 5. Phil Belt the Forte Piano Maker, 6. End Credits, Bonus: 1. Growing Up (Phil’s Younger Years).


No Man An Island: The Cinema Of Hou Hsiao-Hsien, James N. Udden Jan 2009

No Man An Island: The Cinema Of Hou Hsiao-Hsien, James N. Udden

Gettysburg College Faculty Books

Hou Hsiao-hsien is arguably the most celebrated Chinese-language film director in the international film festival realm. However, this is not due to an inert cultural tradition so much as to numerous historical/contextual factors – most of all his being from Taiwan -- which together explain the accomplishments of Hou.


A Jag In La La Land, Charles J. Dunlap Jr. Jan 2009

A Jag In La La Land, Charles J. Dunlap Jr.

Faculty Scholarship

No abstract provided.


The Screenplays Of Robert Towne 1960-2000, Elaine Lennon Jan 2009

The Screenplays Of Robert Towne 1960-2000, Elaine Lennon

Doctoral

What follows is a study of Hollywood screenwriter Robert Towne. Theoretical notions of the screenplay have largely been cast in terms of screenwriting practice as an adjunct of studio production schedules. A popular cultural text in its own right, the screenplay is a procedurally central yet provisional document originated by a writer and subject to alteration within the production process. Auteurism has dominated film theory for over fifty years and is the point of departure for this study. While the critical method employed here is not rigidly anti-director, it seeks to enact an intervention into prior debates surrounding the attribution …


The Orphan As Mirror: Postmodern Alienation And Societal Crisis In Japanese Film, Leann Wolley Jan 2009

The Orphan As Mirror: Postmodern Alienation And Societal Crisis In Japanese Film, Leann Wolley

Global Tides

This paper discusses the cultural significance of orphans in the post-modern media, using as a case study two Japanese films: Grave of the Fireflies and Nobody Knows. Through comparing the films and examining their approach to the orphan storytelling this paper attempts to gain insight into post-modern Japanese attitudes about social issues. By analyzing the appeal of the films to Japanese and international audiences, it also attempts to explain their popularity by drawing parallels between the main characters of each motion picture and the average postmodern citizen.


From Dreams To Nightmares : Cross-Generational Romance In Mainstream American Cinema, Sol Stern Jan 2009

From Dreams To Nightmares : Cross-Generational Romance In Mainstream American Cinema, Sol Stern

Theses : Honours

This thesis is concerned with the changes in cinematic depictions of romantic relationships in which there is enough age disparity that the couple could be mistaken for parent and child. These cross-generational affairs have significance within the ideology of the family unit, the heterosexual couple and the classic Hollywood ideal of romantic love. The way that these relationships have been portrayed on screen has changed drastically in mainstream American cinema from the 1950s to the 2000s, and these shifts reflect changing values and attitudes in society since all films exhibit certain ideologies. Through sampling several relevant films made between 1953 …


Health Communication Theories: Implications For Hiv Reporting In Asia And The Pacific, Trevor Cullen Jan 2009

Health Communication Theories: Implications For Hiv Reporting In Asia And The Pacific, Trevor Cullen

Research outputs pre 2011

This paper focuses on the expanding HIV (Human Immunodeficiency Virus) epidemic in parts of Asia and the Pacific region and recommends the adoption of insights from particular health communication theories. The author argues that these paradigms can assist in broadening the current scope and content of HIV reporting. One theory in particular - Social Change Communication (SCC) - challenges the media to extend the framing of HIV from primarily a health story to one that is linked to more macro socio-economic, cultural and political factors. Asian and Pacific countries that have an emerging or expanding HIV epidemic need to realise …


Brothers Are Better Than Sisters: A Semiotic, Feminist Analysis Of Hbo's "Rome", Patricia Mamie Peers Jan 2009

Brothers Are Better Than Sisters: A Semiotic, Feminist Analysis Of Hbo's "Rome", Patricia Mamie Peers

UNLV Theses, Dissertations, Professional Papers, and Capstones

In 2005, the Home Box Office and British Broadcasting Corporation partnered to produce Rome , a television series that retells the Roman histories of Julius Caesar, Marc Antony and Augustus through the lives of two centurion soldiers, Titus Pullo and Lucious Vorenus. The show's producers endeavored to bring Roman streets to life and included more storylines of women, men and children of all classes. At first considered a more egalitarian approach to history, Rome 's women are said to "challenge expectations" (Vu, 2005) and "forge a new path" (Ragalie, 2007, p. 2). But does this new representation challenge the old …


Professors On Film: Is Perception Reality? Study Of American Comedic Film Treatment Of University Faculty From 1925 To 1951, Brian A. Thomas Jan 2009

Professors On Film: Is Perception Reality? Study Of American Comedic Film Treatment Of University Faculty From 1925 To 1951, Brian A. Thomas

Seton Hall University Dissertations and Theses (ETDs)

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Freezing The Music And Fetishising The Subject: The Audiovisual Dramaturgy Of Michel Van Der Aa, Jonathan W. Marshall Jan 2009

Freezing The Music And Fetishising The Subject: The Audiovisual Dramaturgy Of Michel Van Der Aa, Jonathan W. Marshall

Sound Scripts

When, with our eyes shut we run our hands along a surface, the rubbing of our fingers against the surface, and especially the varied play of our joints, provide a series of sensations, which differ only by their qualities and which exhibit a certain order in time. In this paper, I will explore the sonic relationship of sound to the development of new imaging technologies through Atomic Force Microscopes (AFM). In 2003, UCLA scientist, James Gimzewski, positioned a sensitive instrument called an atomic force microscope over a cell to try to detect its motion and the microscope picked up regular …


Flatness, Ornamentality And The Sonic Image: Puncturing Flânerie And Postcolonial Memorialisation In The Work Of David Chesworth And Sonia Leber, Jonathan W. Marshall Jan 2009

Flatness, Ornamentality And The Sonic Image: Puncturing Flânerie And Postcolonial Memorialisation In The Work Of David Chesworth And Sonia Leber, Jonathan W. Marshall

Sound Scripts

Much of the power of the cinema experience lies with the sound track, and the way it interacts with what happens on the screen. Soundtrack composition has become a complex art, where musical ideas are enhanced by sound reproduction technologies and complicated by sound effects demanded by the action. The effects of certain ranges of low frequency sound which are featured in the creation and presentation of both film music composition and cinematic sound effects can add an unique dimension to the experience of the soundtrack, and indeed the total cinematic experience. This paper discusses very low frequency sound features …